Tag: WGBH

Peter Canellos to be Politico’s No. 3 editor

The big local media news this morning is that Peter Canellos, who recently took a buyout offer from The Boston Globe, is moving back to Washington in order to become Politico’s executive editor. He will be number three under Susan Glasser, who has only held the number two spot for a few weeks. (The editor-in-chief is John Harris. See correction below.)

Do the Glasser-Canellos moves signal a shift toward substance and away from Politico’s infamous “win the morning” orientation? Let’s hope so. At the Globe, Canellos was known for taking a cerebral approach in his stints as Washington bureau chief, metro editor and, finally, editorial-page editor. He also oversaw the Sunday Ideas section.

In 2009, several months after Canellos was chosen to run the editorial pages, my WGBH colleague Adam Reilly profiled him for The Boston Phoenix. Canellos told Reilly his goal was to make the pages smart and unpredictable:

“Opinion is free. What we have to do is emphasize anything that rises above that cacophony,” says Canellos. “That means our columnists have to have a much more distinctive voice, and our columns and editorials have to be much better written than the cacophony — more authoritative, more credible, more reliable.”

This is good news for Canellos and for Politico.

Correction: I originally reported that Canellos would be the No. 2 editor.

It’s time for the Herald to close the circle

Update: I’m not sure when this was added, but Herald editorial-page editor Rachelle Cohen tells Romenesko that she vetted the cartoon: “Herald editorial page editor Rachelle Cohen tells me neither she nor artist Jerry Holbert saw anything wrong with the cartoon. ‘Jerry doesn’t have a racist bone in his body,’ she says. He chose watermelon because he had just seen that flavor of toothpaste in his house, says Cohen.” So now we have the cartoonist and his editor both claiming that they didn’t see any racist intent in the watermelon reference. At best, this speaks to a lack of diversity in the newsroom.

To their credit, the folks at the Boston Herald clearly and quickly understood that they had a problem on their hands Wednesday after publishing an editorial cartoon by Jerry Holbert that was racist in its effect, if not in Holbert’s intent. The cartoon depicted an intruder in a White House bathroom asking President Obama if he had “tried the new watermelon-flavored toothpaste.”

Holbert went on the newspaper’s online radio station to apologize, and said he understood he compounded his error when he failed to notify the Herald that his syndicate had told him to alter the cartoon so as to eliminate the racial inference. And today, the paper publishes a straightforward apology. On the editorial page, Holbert apologizes again.

But now it’s time for the Herald to close the circle. Even if Holbert didn’t understand why African-Americans are offended by stereotypes of black people as placid, happy watermelon-eaters, are we to believe that editorial cartoons somehow leap onto the pages of the Herald with no intervention on the part of editors?

Here is an excerpt from a well-sourced article at Wikipedia:

While the exact origins of this stereotype remain unclear, an association of African Americans and watermelon goes back to the time of slavery in the United States. Defenders of slavery used the fruit to paint African Americans as a simple-minded people who were happy when provided watermelon and a little rest. The stereotype was perpetuated in minstrel shows often depicting African Americans as ignorant and workshy, given to song and dance and inordinately fond of watermelon.

I agree with my WGBH colleague Emily Rooney of “Greater Boston,” who said last night (above) that she believes Holbert when he says he had no racial intent — but that someone at the Herald should have caught it before publication. The Herald should tell us who approved the cartoon and why.

In case you missed it, here is how the story unfolded on Wednesday.

Ferguson and the importance of citizen media

2848609_300Two of my WGBH colleagues, Callie Crossley and Jim Braude, were welcomed to the honorary board of Cambridge Community Television recently. (Robin Young of WBUR and I were the picks last year.) Congratulations to both Callie and Jim. CCTV is a great example of how volunteer media can make a difference in providing local news and fostering civic engagement.

CCTV executive director Susan Fleischmann asked me to speak for a few minutes, and then published a tweaked-up version of my remarks in Open Studio, the organization’s newsletter. You can read what I had to say here or below:

On the evening of Aug. 13, while I was checking Twitter, I started to see reports coming in that the police in Ferguson, Missouri, were forcibly suppressing nonviolent protests. Five days earlier, on Aug. 9, a teenager named Michael Brown had been killed by a police officer under circumstances that are still unclear.

I turned on CNN, which was running a story on the death of Robin Williams. So I turned back to Twitter.

Several people I was following posted livestreams. I clicked on one called “I Am Michael Brown Live” from KARG Argus Radio, a community radio station. What I saw was incredible. It certainly wasn’t HDTV — the video was dark and green, likely shot with nothing but a smartphone, showing a column of police officers advancing and using flares and rubber bullets to disperse a peaceful crowd.

Later, the cable channels started covering Ferguson live — but they were mainly showing the KARG footage, as it was pretty much the only material they had.

Ferguson showed the power of citizen media. Reports from the scene on Twitter, Instagram and the like kept growing and building until finally the mainstream media were forced to take notice and cover the story.

At a time when the traditional media don’t have the resources to cover stories the way they did 20 years ago, ordinary people armed with smartphones can serve as an early warning signal. A story can begin with citizen media and work its way into the mainstream — and from there into the national consciousness, as was the case in Ferguson.

It was widely reported that two journalists were arrested the night of Aug. 13 — Wesley Lowery of The Washington Post and Ryan Reilly of The Huffington Post. In fact, there was a third — Antonio French, a St. Louis alderman who had been covering the protests on social media from the beginning.

Lowery — who video-recorded the officer who was arresting him — and Reilly were quickly released. It took longer for French. But how much longer still if he hadn’t been an elected official? At at time when everyone can engage in acts of journalism, we need protection not just for professional journalists but for people using the tools they have available to report what is happening around them.

What professional journalists do is incredibly important. The stories they tell, when done well, give us the information we need to govern ourselves in a democracy.

What you as citizen journalists involved in public media such as Cambridge Community TV are doing is every bit as important. Many times you are on the front lines of local stories that are too local for the mainstream to bother with. And you’re the early warning signal for the mainstream.

What happened in Ferguson underscores the value and importance of what you do every day. All of us in professional journalists admire what you’re doing, or at least we should. This evening is to salute you.

Phil Balboni of GlobalPost talks about James Foley

This past Friday we did something unusual on “Beat the Press” — we ran an extended interview with Phil Balboni, the president and CEO of GlobalPost, about his organization’s efforts to save the life of correspondent James Foley. Those efforts failed, and the Islamic State, the terrorist group that had been holding him, recently released a video of Foley’s beheading.

In the interview, conducted by Emily Rooney, Balboni comes across as compassionate and utterly devastated. It’s riveting television, yet it’s painful to watch. But watch.

David Bernstein is out of here

David Bernstein and Kristin McGrath
Bernstein and McGrath

One of the more original political voices to pass through Boston in many years is fleeing the scene. My former Boston Phoenix colleague David Bernstein, who’s been contributing to Boston magazine and WGBH since the Phoenix’s demise in 2013, is heading to Richmond, Virginia, where his wife, Kristin McGrath, is starting “an exciting new job.”

Bernstein’s political analysis is smart and straight from a liberal perspective. But it’s his use of social media that sets him apart. His Twitter feed, which has nearly 14,000 followers, is a great source of news, political humor and hashtag games. On Facebook, he pays tribute to the birthdays of often-obscure politicos with music trivia contests. A recent example:

Today’s Massachusetts political birthday is Segun Idowu of the Edward M. Kennedy Insititute, currently under construction. In his honor, what are the best songs with the word “build,” “shape,” or “make” in the title? I’ll start with Foundations “Build Me Up Buttercup”; Nirvana “Heart-Shaped Box”; and Nick Lowe “You Make Me.”

Then there is Bernstein’s #mapoli With Animals, a Tumblr consisting of photos of Massachusetts politicians posing with their (and other people’s) pets. If you haven’t seen it, you should. I’m sure you’ll agree that it is one of the signal accomplishments of the Internet age.

Bernstein says he’ll “still write and comment about Massachusetts politics beyond 2014,” and that he expects to continue with BoMag and WGBH. But it won’t be the same with him checking in from afar. Best of luck to both David and Kristin.

Billionaires’ bash: Big moves by Henry’s Globe, Bezos’ Post

Screen Shot 2014-09-03 at 10.40.06 AM

Previously published at WGBHNews.org.

Tuesday may have been the biggest day yet for billionaire newspaper owners John Henry and Jeff Bezos. Henry’s Boston Globe launched the long-anticipated Crux, a free standalone website that covers the Catholic Church. And Bezos replaced Katharine Weymouth as publisher of The Washington Post, bringing an end to the 81-year reign of the Meyer-Graham family.

At a time when the newspaper business remains besieged by cuts (including 22 Newspaper Guild positions at The Providence Journal this week, according to a report by Ian Donnis of Rhode Island Public Radio), Henry and Bezos are taking the opposite approach.

“You can’t shrink your way to success,” new Washington Post publisher Frederick Ryan told Michael Calderone of The Huffington Post. “Growth is the way to continue to build a strong news organization.” Ryan’s words were nearly identical to those of the Globe’s chief executive officer, Michael Sheehan, at the unveiling of the paper’s weekly political section, Capital, in June: “You can’t cut your way to success. You can only grow you way to success.”

First Crux. To my non-Catholic eyes, the site appears to offer an interesting mix of the serious and the not-so-serious. The centerpiece is John Allen’s deeply knowledgeable reporting and analysis, some of which will continue to appear in the Globe. (In late August, Publishers Marketplace reported that Allen is writing a biography of Pope Francis with the working title of “The Francis Miracle.” No publisher was named, but according to this, Time Home Entertainment will release it in March 2015.)

Crux national reporter Michael O’Loughlin has weighed in with features on Native American Catholics who blend tribal and Roman traditions and on the Vatican Secret Archives, whose contents turn out to be not as interesting as the phrase makes them sound. Vatican correspondent Inés San Martín covers stories such as Pope Francis’ call for peace in Gaza. WGBH’s Margery Eagan, a former Boston Herald columnist, is writing a column called “On Spirituality.” The events calendar makes it clear that Crux is a very Catholic venture.

There’s a lighter side to Crux, too, such as a trivia quiz on the saints and updates on football teams from Catholic colleges. Crux’s own reporters are supplemented with wire services, including the Associated Press, Catholic News Service and Religion News Service, as well as personal essays such as the Rev. Jonathan Duncan’s rumination on life as a married Catholic priest with children (he used to be an Episcopalian). Crux is also asking readers to write brief essays; the debut topic is illegal immigration.

Two quibbles. An article on the suffering of Iraqi Christians was published as a straight news story, even though the tagline identifies it as coming from “the pontifical organization Aid to the Church in Need.” When you click to “learn more,” you find out that Church in Need is an advocacy organization that is actively seeking donations. The disclosure is sufficient, but the placement strikes me as problematic. If Crux were a print newspaper, the article could have appeared on the op-ed page. Crux needs a clearly marked place for such material as well.

My other quibble is that content is undated, leaving the impression that everything is now. That can cause confusion, as with a John Allen Globe piece on immigration that refers to “Friday night” — and links to an Associated Press story published on Aug. 2. (Dates do appear on author bios.)

The site is beautifully designed, and it’s responsive, so it looks good on tablets and smartphones. There are a decent number of ads, though given the state of digital advertising, I think it would make sense — as I wrote earlier this summer — to take the best stuff and publish it in a paid, ad-supported print product.

Globe editor Brian McGrory, Crux editor Teresa Hanafin, digital adviser David Skok and company are off to a fine start. For more on Crux, see this article by David Uberti in the Columbia Journalism Review and this, by Justin Ellis, at the Nieman Journalism Lab.

***

A torrent of punditry has already accompanied the news that Frederick Ryan, a former chief executive of Politico, will become publisher of The Washington Post on Oct. 1.

The irony is thick. When Post political reporters John Harris and Jim VanDeHei proposed launching Politico under the newspaper’s auspices in 2006, they were turned down. Today, Politico often dominates the political conversation in a way that the Post used to (and, of course, sometimes still does). I’m not always a fan of Politico’s emphasis on politics as insider gamesmanship, but there’s no doubt the site has been successful.

As the Post’s own account makes clear, Ryan is a longtime Republican activist, and was close to both Ronald and Nancy Reagan. That shouldn’t affect the Post’s news operations, though it could affect the editorial page — hardly a bastion of liberalism even now. In another Post story, Ryan “endorsed” executive editor Marty Baron and editorial-page editor Fred Hiatt. Baron, a former Globe editor, may be the best newspaper editor working on this side of the Atlantic.

What concerns me is the strong scent of insiderism that is attached to Ryan. In an address to the staff, Ryan said one of his goals is “winning the morning,” according to a series of tweets by Post media blogger Erik Wemple (reported by Jim Romenesko). That might seem unremarkable, except that it sounds like something right out of the Politico playbook — um, make that “Playbook.”

A New York Times account by Ravi Somaiya dwells on Ryan’s obsession with the annual White House Correspondents Dinner, and quotes Ryan as calling it “an important event.” Those of us who find the dinner to be an unseemly display of Beltway clubbiness might agree that it’s important, but for different reasons.

Then again, if Ryan can fix the Post’s business model and show the way for other news organizations, all will be forgiven. The Post, like the Globe, has been expanding under new ownership. On Tuesday, the Post unveiled its most recent venture, The Most, an aggregation site.

Bezos’ track record at Amazon shows that he’s willing to take the long view. I suspect that he’s still just getting started with the Washington Post.

 

Eagan leaves Herald, will write for Globe’s Catholic site

Margery Eagan
Margery Eagan

Longtime Boston Herald columnist Margery Eagan has left the paper and will write for The Boston Globe’s Catholic website when it debuts later this summer. Eagan is a colleague at WGBH, where she cohosts “Boston Public Radio” with Jim Braude.

“I’ll be joining the Catholic site when it begins,” Eagan tells me by email. “And I am thrilled.”

Eagan has been one of the Herald’s signature columnists for quite a few years; here is her most recent effort. This is a big loss for the local tabloid — a day after the paper announced it had hired Kimberly Atkins to be its first full-time Washington reporter in a decade.

“Boston Public Radio” to add a third hour this September

Screen Shot 2014-06-09 at 9.07.18 AMWGBH Radio (89.7 FM) is adding a third hour of “Boston Public Radio” with Jim Braude and Margery Eagan this September, when it will be on the air weekdays from 11 a.m. to 2 p.m.

In addition, the program — and WGBH in general — will partner with The GroundTruth Project, a nonprofit venture recently begun by the Boston-based international news site GlobalPost and its co-founder and editor-at-large, Charles Sennott.

You can find the full announcement here — and my standard disclosure here.

They Posted Clickbait So They’d All Get Rich. What Happened Next Made Them Cry.

WGBH forum
From left: Raney Aronson Rath, deputy executive producer of “Frontline,” who introduced the panel: moderator Joshua Benton, Tim O’Brien, Clay Shirky and Ethan Zuckerman. Photo by Lisa Palone via Twitter.

Cross-posted at WGBH News.

Have we reached the limits of clickbait media exemplified by The Huffington Post and BuzzFeed? According to three experts on Internet journalism, the answer is yes.

At a forum on the future of journalism held in WGBH’s Yawkey Theater on Wednesday, the consensus was that aggregating as many eyeballs as possible in order to show them advertising does not produce enough revenue to support quality journalism. Instead, news organizations like The New York Times are succeeding by persuading a small percentage of their audience to support them through subscription fees. (Click here for some tweets from the session.)

“One of the things that interests me is the end of the audience as a discrete category that can be treated as an aggregate,” said Clay Shirky of New York University. “Scale was the business model,” he said, describing the attitude among Web publishers as “‘At some point scale will play out.’ And it didn’t.”

As it turns out, Shirky continued, pushing people to “a hot new story” didn’t really matter that much. “What really matters,” he said, “is that there’s about 3 percent of that audience who really cares whether that newspaper lives or dies. We’re just at the beginning of that.”

Shirky and his fellow panelists — Tim O’Brien, publisher of Bloomberg View, and Ethan Zuckerman, director of MIT’s Center for Civic Media, moderated by Nieman Journalism Lab editor Joshua Benton — noted that the revenue model being pursued by the Times and others is essentially the same as the system that funds public media outlets such as WGBH, WBUR, NPR and the like.

O’Brien and Zuckerman disagreed over the need for mass media. O’Brien argued that the audience for an entertainment program can come up with ways of paying for it that don’t depend on attracting a larger audience. “We’re talking about different ways to finance passion,” he said.

To which Zuckerman retorted: “We’re not just talking about ‘Downton Abbey.’ We’re talking about news.” The challenge, Zuckerman said, is to find ways not just of funding journalism but of building enough of an audience so that investigative reporting at the local level can have enough clout to influence events.

Zuckerman also raised the issue of how news organizations do and don’t foster civic engagement, offering the example of the sudden closing of North Adams Regional Hospital in western Massachusetts. The closing put about 500 people out of work and left residents about 45 minutes away from the nearest emergency room.

Zuckerman praised the Berkshire Eagle’s coverage, but said the paper offered little sense of what the public could do. That, he said, would require “advocacy journalism” of the sort that makes traditional journalists uncomfortable.

That led to an observation by Shirky that newspaper editors are actually well-versed in telling their readers how to get involved when it comes to something like a theater review. Not only do readers learn whether the critic liked the play or not, but they are also told when and where it is being performed, how much tickets cost and how to buy them. But when covering a political story, Shirky continued, readers never learn how to make a donation or get involved.

Zuckerman said the problem is that news organizations don’t like to promote what-you-can-do measures when it comes to partisan politics.

By contrast, he added, news organizations have no issues with telling their audience how they can help after a natural disaster, explaining: “There is not a huge pro-hurricane constituency.”

Flashback: Emily Rooney and public broadcasting in 1997

On Feb. 6, 1997, just after the debut of “Greater Boston” on WGBH-TV (Channel 2), I wrote an article for The Boston Phoenix on the state of the city’s two major public broadcasters, WGBH and WBUR. It was the first time I’d met the host, Emily Rooney. The original is online here, but, as you will see, it’s unreadable; thus, I have reproduced it in full below. In re-reading it, I was struck by what an interesting moment in time that was, with many of the same names and issues still with us 17 years later.

Making waves

With commercial stations going lowbrow, Boston’s public broadcasters are fine-tuning their strategies. The question: are WGBH & WBUR doing their duty?

Copyright © 1997 by the Phoenix Media/Communications Group. All rights reserved.

GB_largeplayerEmily Rooney is taping the intro to a segment of WGBH-TV’s new local public-affairs show, Greater Boston. Or trying to, anyway. It’s been a long day. Her feet are killing her. And her first few attempts at hyping an interview with Charles Murray, the controversial academic who’s currently promoting his new book on libertarianism, haven’t gone particularly well.

After several tries, though, she nails it. “That was warmer,” says a voice in the control room. “That was very nice.”

She sighs, visibly relieved at getting a break from the unblinking eye of the lens.

Rooney, the former news director of WCVB-TV (Channel 5), may be a respected newswoman, but the debut of Greater Boston last week showed that her transition to an on-camera role is going to take some time. And if Rooney and Greater Boston are struggling to find their voice, so, too, is WGBH.

This is, after all, the first significant foray into local public-affairs programming for WGBH (Channels 2 and 44, plus a radio station) since 1991, when it canceled The Ten O’Clock News. The new show is a huge improvement over the one it replaces, The Group, an unmoderated roundtable discussion that rose from the ashes of the News. (“A tawdry, pathetic little show,” huffs one industry observer of The Group, widely derided as “The Grope.”) Still, Greater Boston is going to need some work. Week One’s topics, which included the Super Bowl and cute animals, were too light and fluffy to qualify the show as a must-watch. And Rooney, who doubles as Greater Boston‘s executive editor, needs to overcome her on-the-set jitters.

It’s crucial that ’GBH get it right. With commercial broadcasters in full retreat from serious news and public affairs, public-broadcasting stations are the last redoubt. Boston’s two major public stations — WGBH-TV and WBUR Radio (90.9 FM) — are among the most admired in the country. It’s by no means clear, however, that the people who run those stations are willing or able to fill the gap created by the commercial stations’ retreat into sensationalism and frivolity. Continue reading “Flashback: Emily Rooney and public broadcasting in 1997”