Tag Archives: Boston Phoenix

Somehow, the Boston Herald keeps on keeping on

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Murdoch to the rescue: December 3, 1982

Chris Sweeney has written a sharp piece for Boston magazine on the state of the Boston Herald, the city’s number-two daily. As is generally the case with stories about the Herald, the overarching theme is: How much longer can the struggling tabloid cling to life?

And yet I wonder if that’s the right question. For a decade starting in the mid-1990s, I covered the Herald‘s ups and downs as the media columnist for the Boston Phoenix. If I had a dime for every person who told me the Herald had six months to live, I’d be a very rich man. Sadly, it was the Phoenix that didn’t survive.

As Sweeney notes, the Herald these days seems more like an extension of its online radio station than a standalone newspaper. Nearly two years ago editor Joe Sciacca gave me a tour of the paper’s new headquarters in South Boston, and I was impressed with what I saw—especially the amount of space devoted to multimedia and to the modern radio facilities.

My WGBH colleague Jim Braude tells Sweeney that not many people may be listening to Boston Herald Radio (OK, Braude’s actual quote is “I don’t think anyone listens”). But Braude also points out that it’s given the Herald a jolt of relevance in terms of high-profile guests like Mayor Marty Walsh, Governor Charlie Baker, and Donald Trump, whose appearances can then be written up and tweeted out.

Unfortunately, none of the top three executives at the Herald would speak with Sweeney, a group that comprises publisher Pat Purcell, Sciacca, and executive editor John Strahinich. It would have been useful to get some insights from them regarding the Herald‘s current business model. Not that I’m faulting Sweeney—I’ve been there. And his description of trying to get Strahinich to talk is pretty amusing.

But even though print circulation has shrunk precipitously and print advertising revenue is presumably scarce, the Herald does have some strengths. Sweeney does not report the size of the staff, but it’s small and therefore affordable. The sports section is very good. The website is slow and frustrating, but the third-party mobile app is excellent—and includes one-click access to Herald Radio. Purcell made a lot of money selling off the old headquarters in the South End; the Herald is now printed by the Boston Globe, which means that its larger competitor has every reason to keep its rival breathing.

So how long can the Herald survive? Keep those dimes rolling in.

The Boston connection to the Las Vegas newspaper deal

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Yes, I really own this rare memento.

Congratulations to the staff of the Las Vegas Review-Journal, which fearlessly revealed Wednesday night that the money behind its new owner is casino mogul Sheldon Adelson. Adelson is not normally the shy, retiring type, but in this case he tried to keep his ownership interest a secret. Predictably, his cover was blown within days.

So my conspiracy theory that the sale involved some sort of a shell game being played by New Media and its sister company, GateHouse Media (which will continue to manage the Review-Journal), proved not to be the case. But there is an interesting Boston alt-weekly angle to all this that’s worth keeping an eye on.

As had been reported earlier in the week by the Review-Journal and others, a newspaper executive named Michael Schroeder is listed as a manager of News + Media Capital Group, the newly formed company that bought the Review-Journal and several smaller papers for $140 million. And Schroeder, whose holdings include Connecticut’s New Britain Herald and Bristol Press, is the former publisher of BostonNOW, a free tabloid that competed briefly with Metro Boston.

The founder of BostonNOW was a well-known local entrepreneur, Russel Pergament, who began his career as an ad salesman extraordinaire for The Real Paper, which competed with The Boston Phoenix during the 1970s. Pergament later founded the Tab chain of high-quality community weeklies in Boston’s western suburbs.

During the ’90s Pergament sold out to Fidelity, which was then amassing a Greater Boston chain of weeklies known as Community Newspaper Company, or CNC. Fidelity eventually sold CNC to Boston Herald publisher Pat Purcell, who turned around several years later and offloaded them to GateHouse Media, based in Fairport, New York, a suburb of Rochester. Pergament’s creation still survives, sort of, in the form of GateHouse-owned papers like the Newton Tab. Perversely, the Tab papers are not longer tabs.

After folding BostonNOW, Pergament moved to New York, where he started a similar free tabloid called AMNewYork—which, like BostonNOW, competed with the local version of Metro.

Will Pergament, through his connection with Schroeder, have any involvement in News + Media? Here’s what the Review-Journal reported on Tuesday, before the Adelson connection was definitively confirmed:

Pergament, BostonNOW’s publisher and CEO, is CEO of NAN Holdings, a Massachusetts venture capital fund that helped finance the startup of Jewish News Service.

JNS has an exclusive agreement to distribute content from Israel Hayom, an Israeli newspaper owned by Adelson. Both JNS and Israel Hayom have been widely criticized for a perceived tilt in favor of far-right Israeli politicians.

Pergament has not responded to requests for comment.

Given that most observers believe Adelson wants to own the Review-Journal so that he can use it as a platform for his views on Israel—including strong support for the government of Prime Minister Benjamin Netanyahu—it’s not hard to imagine a role for Pergament somewhere. Indeed, he and Adelson are already business partners.

I’m going to email this to Pergament at the last known address I have for him and update it with his comments if he responds.

Correction: The original version of this post misstated the location of GateHouse Media’s headquarters.

The Boston Phoenix’s archives are coming to Northeastern

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Issue of Nov. 17, 2006

In case you haven’t heard, there’s big news about the late, great Boston Phoenix and its related properties — WFNX Radio, Boston After Dark, the Phoenix papers of Portland, Providence and Worcester, and Stuff and Stuff at Nite magazines.

On Friday, The Boston Globe reported that Phoenix publisher Stephen Mindich is donating all of the archives to Northeastern University. The performance of the Phoenix’s website, which is still live, should improve over time. The long-term vision is even more exciting: We hope that every print edition of the Phoenix/Boston After Dark going back to 1966 will be digitized in a searchable format.

Mindich’s gift has been in the works for a year (I’ve dropped hints here and there), and we are finally able to go public. The Globe story is more than kind regarding my own modest role. I put Stephen together with Northeastern archivist Giordano Mecagni, and they did the rest. I am so proud of the 14 years I worked for Stephen, and I’m excited that this incredible resource will be available for years to come.

Here is an excerpt from Stephen’s farewell message, published in the Phoenix’s final issue on March 14, 2013:

What I can and will say is I am extremely proud, as all of you should be, of the highest standards of journalism we have set and maintained throughout the decades in all of our areas of coverage and the important role we have played in driving political and socially progressive and responsible agendas; in covering the worlds of arts and entertainment, food and fashion — always  with a critical view, while at the same time promoting their enormous importance in maintaining a healthy society; and in advocating for the recognition and acceptance of a wide range of lifestyles that are so valuable for a vibrant society.

An expanded role for me at WGBH News

Starting next week, I’ll be taking on an expanded role with WGBH News.

For some time now, I’ve been sharing blog posts with ’GBH. Now I’ll be writing a weekly (more or less) commentary that will be exclusive to WGBHNews.org — mostly on media, and frequently on how the presidential campaign is being covered. I’ll be popping up on WGBH Radio (89.7 FM) from time to time as well. And I’ll still be on “Beat the Press.”

This is more of a tweak than a big change. Still, I’m thrilled to have a chance to do more and to work with the great team at ’GBH. Fun fact: I’ve been writing for WGBH News senior editor Peter Kadzis (a former editor of The Boston Phoenix) since 1991.

Presenting the 18th annual New England Muzzle Awards

Screen Shot 2015-07-02 at 1.40.06 PMFrom fast-food chicken chain Chick-fil-A to Massachusetts Attorney General Maura Healey, everyone, it seems, has got a problem with free speech.

Please have a look at the 18th edition of the New England Muzzle Awards — launched in 1998 at the late, great Boston Phoenix and now hosted exclusively by WGBHNews.org. The Campus Muzzles, as always, are helmed by civil-liberties lawyer Harvey Silverglate.

The fate of The Boston Phoenix’s online archives

The fate of The Boston Phoenix’s online archives has been a matter of great concern to all of us who worked there. Some of us — me included — have hundreds of articles stored on the late alt-weekly’s servers with no other way to access them. (Yes, I know. Stupid me.)

Writing in the Columbia Journalism Review, former Phoenix contributor Valerie Vande Panne details some of the behind-the-scenes maneuvering that’s been going on to try to save a vitally important piece of journalistic history. I’ve been involved in efforts to come up with a solution, and I’m hopeful we’ll have a good answer to this problem. Patience.

Barry Crimmins gets his overdue due in ‘Call Me Lucky’

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Barry Crimmins in “Call Me Lucky”

What can you say about a film that stars someone you know and admire telling the world about being raped repeatedly — and nearly killed — when he was 3 years old?

Since we’re talking about Barry Crimmins, I would say that you should see it as soon as you can.

“Call Me Lucky,” directed by Bobcat Goldthwait, had its New England premiere on Saturday at the Somerville Theatre as part of the Independent Film Festival. As befits the subject, the documentary almost feels like two films. In the first part we meet Crimmins the caustic left-wing performer, who almost single-handedly created Boston’s comedy scene in the 1980s. In the second part, Crimmins comes to terms with his past as a survivor of childhood sexual abuse.

It was during this second phase that I got to know Barry. He revealed what had happened to him in the early 1990s in a harrowing front-page essay for The Boston Phoenix headlined “Baby Rape.” (I had a small role in copy-editing it, but most of the heavy lifting was handled by the late Caroline Knapp — and, of course, by Barry himself.) Later, Barry was a valuable resource as I was doing my own reporting about child sexual abuse. This was around the time Barry was engaged in a very public campaign against AOL and the pedophiles it allowed to run rampant in its chatrooms, a centerpiece of “Call Me Lucky.” Even though I can’t pretend to be a close friend of Barry’s, I’ve always been struck by his fundamental kindness and decency — a quality that comes through repeatedly in the film. (I was among many people Goldthwait interviewed, but I didn’t make the cut.)

Barry was a regular in the Phoenix, writing a satirical year-in-review piece every Christmas as well as other humor pieces. This 2003 takedown of Dennis Miller works as well today as it did 12 years ago. I still laugh when I recall his referring to George W. Bush as “the court-appointed president.” Barry was a big part of the Phoenix, and vice-versa. So I was pleased to see him pay tribute to the late managing editor Clif Garboden in the credits, saying he learned to write through Clif’s editing. Fittingly, Clif’s own classic apex as an angry humorist begins with a quote from Barry.

Despite its somber subject matter, there are plenty of laughs in “Call Me Lucky” — not just from Crimmins, but from many other comedians, including Jimmy Tingle, Margaret Cho and Lenny Clarke. The biggest laughs, though, are reserved for Ronald Reagan, who is seen attempting to explain what he knew and didn’t know about the Iran-Contra scandal. The man was a comic genius.

Barry was — and is — a comic genius as well. Because I wasn’t taking notes, I’ll rely on the press release for one of my favorite bits from the movie. A protégé of Barry’s, Bill Hicks, recalls that a member of the audience once yelled, “If you don’t love America why don’t you get out?” Crimmins’ response: “Because I don’t want to be a victim of its foreign policy!”

Also posted at WGBHNews.org.