Stephen Mindich – Media Nation

The Times’ decision to stop local endorsements is just the latest blow to a venerable tradition

Endorsements of political candidates are fading into history. The latest blow was struck on Monday, when The New York Times said it would no longer endorse in local races (free link), although it will continue to endorse in the presidential contest.

In terms of influence, this has it exactly backwards. May we presume that the Times will endorse the Harris-Walz ticket this fall? Yes, we may. Meanwhile, readers in New York City and across the state — admittedly a shrinking share of the Times’ 10 million-plus subscribers, most of them digital — might genuinely want some guidance in deciding whom to vote for in state and local contests.

But there’s no turning back. Increasingly, communities are served by nonprofit local news organizations, which risk losing their tax-exempt status if they endorse candidates or specific pieces of legislation. As Tom Jones notes at Poynter Online, papers owned by the Alden Global Capital hedge fund stopped endorsing in 2022. Those include some of the largest papers in the country, such as New York’s Daily News, the Chicago Tribune and The Denver Post. Gannett, the country’s largest newspaper chain, has cut back on opinion, including endorsements.

A newspaper endorsement is a recommendation to vote for a particular candidate written in the institutional voice of the news organization. At larger newspapers, editorial boards comprising the staff of the opinion section and sometimes some outside members make those decisions in consultation with the publisher. In many cases these boards interview the candidates before making their decision.

The opinion section of a newspaper is entirely separate from the news staff, with the editor and the editorial-page editor reporting directly to the publisher, who may or may not be the owner of the paper as well. Publishers have been known to overturn the editorial board’s recommendation — that’s their prerogative. At smaller papers these lines tend to get blurred. At now-defunct Boston Phoenix, where I worked for many years, the editorial board comprised publisher Stephen Mindich and the news staff. Then again, the Phoenix, as an alt-weekly, mixed opinion and reporting, so the wall separating news from commentary didn’t really exist.

There was a time when rich men bought newspapers mainly so that they could express their political views, with the news section taking a back seat to the editorial page. These days, though, endorsements are often regarded by political reporters as a hindrance in their efforts to convince candidates who were not endorsed by the opinion section that they will cover them fairly. My conversations with students over the years have led me to believe that they are skeptical of the whole notion of a news outlet speaking as an institution, and that they’re more comfortable with signed opinion pieces such as those that typically appear on the op-ed page.

When a local news organization chooses not to endorse, either on principle or to keep the IRS at bay, it loses an opportunity to share its expertise with its audience. For instance, the nonprofit New Haven Independent covers a city that is served a 30-member board of alders, as the city council is known. How is anyone supposed to keep track?

But there are other steps a news outlet can take. It can put together a guide to where candidates stand on the issues and link to that guide every time it publishes a story on that particular race. The guide can take the form of a series of articles or an issues grid — or both. And I should add that the Independent covers city politics with depth and fairness.

If you’re interested in learning more about this topic, Ellen Clegg and I talked with Boston Globe columnist Jeff Jacoby about endorsements on our “What Works” podcast back in 2022. Ellen, who’s a retired editorial-page editor for the Globe which continues to endorse in state and local elections, is pro-endorsement; Jeff is against them. I’m (uncharacteristically) in the middle.

How Larry Lucchino saved The Boston Phoenix — and how the Phoenix saved Fenway Park

Larry Lucchino, right, celebrates the Red Sox’ 2013 World Series win. Photo (cc) 2013 by Alicia Porter.

Former Red Sox president Larry Lucchino, who died Tuesday at the age of 78, not only saved Fenway Park — he also saved The Boston Phoenix. His friend and former Red Sox executive Charles Steinberg recalled in an interview with WBUR Radio earlier this week that he once asked Lucchino whether he planned to replace the ancient ballpark. Lucchino’s response: “You don’t destroy the Mona Lisa! You preserve the Mona Lisa!”

In the years before the John Henry-Tom Werner group bought the Red Sox in 2001, the fate of Fenway Park was far from clear. The previous owner — a trust set up by the late Jean Yawkey and headed by Yawkey confidant John Harrington — wanted to build a new ballpark farther south on Brookline Avenue. And that would have required the razing of 126 Brookline Ave., an office building owned by Phoenix publisher Stephen Mindich. The building’s second and third floors were occupied by the Phoenix.

Mindich declared war on Harrington’s plans, and the Phoenix was mobilized on his behalf. My friend Seth Gitell and I as well as others, including future Wall Street Journal sports columnist Jason Gay, inveighed against the proposal, arguing that a new ballpark would be better suited to a different neighborhood, such as what is now the Seaport District but was then a barren landscape of parking lots.

One of the last stories we published before the Red Sox were sold came in December 2001. Written by Seth and me, it includes this:

But if the winner of this high-stakes sweepstakes has yet to be named, it’s already clear who the loser will be. Us. Us as in baseball fans. Us as in taxpaying citizens. Us as in ordinary people who occasionally enjoy the simple pleasure of attending a game at the ballpark or tuning in the Sox on TV without having to pay through the nose.

Well, we were certainly right about the cost of attending a game and of NESN cable fees.

There were all kinds of names being bandied about at that time, including cable magnate Charles Dolan as well as local favorites Joe O’Donnell and Steve Karp. Dolan was thought to favor keeping Fenway, telling The Boston Globe: “If they can’t watch the game here, they can watch it on TV.”

But the Henry group was coming together, and it was clear that then-Major League Baseball commissioner Bud Selig was hoping to steer the sale Henry’s way. That’s exactly what happened later that month, with Lucchino brought in as part of the ownership group and emerging as the main cheerleader for refurbishing Fenway Park rather than demolishing it. As the force behind Baltimore’s retro Camden Yards, the first of the new generation of classic ballparks, Lucchino was the ideal person to lead that effort.

The Phoenix was saved, at least for the time being; it shut down in 2013, falling victim to the economic forces that had been battering the newspaper business. Henry bought the Globe later that year and slowly transformed it into a growing and profitable paper. And the Red Sox, playing in the iconic ballpark that John Harrington wanted to tear down, won World Series in 2004, 2007, 2013 and 2018, although they are currently in the midst of an uncertain rebuilding process.

Larry Lucchino deserves credit for giving the Phoenix another dozen good years. And Stephen Mindich, who died in 2018, deserves some credit for saving Fenway Park in the years before Lucchino arrived on the scene.

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After a long delay, most of The Boston Phoenix print archives are now online

The Boston Phoenix’s archives have taken a giant step closer to becoming accessible and usable.

A few weeks ago I learned from Giordana Mecagni, the head of special collections and university archivist at Northeastern, that a deal had been struck with the Internet Archive to make print editions of the Phoenix available — and searchable — online. On Wednesday, it became official. Caralee Adams has the details at the Internet Archive’s blog.

I’m really thrilled that this has happened. I was on staff at the Phoenix from 1991 to 2005, most of that time as the media columnist, and I continued to write for the paper occasionally up until it closed in 2013. Two years later, the Phoenix’s founder and publisher, Stephen Mindich, donated the archives to Northeastern, a gift I helped arrange.

Unfortunately, Stephen died in 2018, and the hopes we all had of digitizing the collection stalled out. A couple of years ago there was talk of a grant proposal, but that didn’t go anywhere, either. So what happened? Adams explains:

As it turns out, the Internet Archive owned the master microfilm for the Phoenix and it put the full collection online in a separate collection: The Boston Phoenix 1973-2013. Initially, the back issues were only available for one patron to check out at a time through Controlled Digital Lending. Once Northeastern learned about the digitized collection, it extended rights to the Archive to allow the Phoenix to be downloaded without controls.

“All of a sudden it was free to the public. It was wonderful,” Mecagni told Adams. “We get tons and tons of research requests for various aspects of the Phoenix, so having it available online for free for people to download is a huge help for us.”

I’ve been playing with the new collection the last few weeks, and though it’s not perfect, it’s a big step forward. It encompasses papers starting in 1973, when Mindich, the publisher of a competing alt-weekly called Boston After Dark, acquired The Phoenix and renamed it The Boston Phoenix, up until the closing in March 2013.

There are some significant gaps; there appear to be no issues from 2011 or ’12, and just 33 from 2010, for instance. (I’ll bet there are ways of fixing that. I know that the Boston Public Library has the Phoenix in its microfilm collection, and perhaps it’s more complete than what the Internet Archive has.) And BAD, the pre-Mindich Phoenix and The Real Paper, founded by former staff members of The Phoenix following the 1973 acquisition, are all absent as well.

But this is a huge, huge step forward. As Carly Carioli, the last editor of the Phoenix, told Adams: “It’s a dream come true. The Phoenix was invaluable in its own time, and I think it will be invaluable for a new generation who are just discovering it now.”

Giordana Mecagni deserves huge thanks. From the beginning, she has understood the value of the Phoenix. This is a big step forward for her vision as well.

That link, once again, is right here. Enjoy!

The Boston Phoenix’s archives are coming to Northeastern

In case you haven’t heard, there’s big news about the late, great Boston Phoenix and its related properties — WFNX Radio, Boston After Dark, the Phoenix papers of Portland, Providence and Worcester, and Stuff and Stuff at Nite magazines.

On Friday, The Boston Globe reported that Phoenix publisher Stephen Mindich is donating all of the archives to Northeastern University. The performance of the Phoenix’s website, which is still live, should improve over time. The long-term vision is even more exciting: We hope that every print edition of the Phoenix/Boston After Dark going back to 1966 will be digitized in a searchable format.

Mindich’s gift has been in the works for a year (I’ve dropped hints here and there), and we are finally able to go public. The Globe story is more than kind regarding my own modest role. I put Stephen together with Northeastern archivist Giordano Mecagni, and they did the rest. I am so proud of the 14 years I worked for Stephen, and I’m excited that this incredible resource will be available for years to come.

Here is an excerpt from Stephen’s farewell message, published in the Phoenix’s final issue on March 14, 2013:

What I can and will say is I am extremely proud, as all of you should be, of the highest standards of journalism we have set and maintained throughout the decades in all of our areas of coverage and the important role we have played in driving political and socially progressive and responsible agendas; in covering the worlds of arts and entertainment, food and fashion — always with a critical view, while at the same time promoting their enormous importance in maintaining a healthy society; and in advocating for the recognition and acceptance of a wide range of lifestyles that are so valuable for a vibrant society.

Can The Portland Phoenix avoid the fate of its siblings?

The Portland Phoenix of Maine may be on the verge of joining its Boston and Providence siblings in Alt-Weekly Heaven, according to Edward Murphy of the Portland Press Herald and Seth Koenig of the Bangor Daily News. Owner Stephen Mindich was reportedly poised to sell the Portland paper to one of its employees (unnamed), but the deal has fallen through.

I suppose it would be naive to say that I’m surprised. But I am, at least a little bit. As recently as this past summer an insider told me that the Providence paper was struggling but that Portland was doing well. And Portland is the sort of small, insular, arts-rich city where alt-weeklies are still hanging on. In fact, as Koenig observes of The Portland Phoenix:

It long appeared from the outside to be the most financially stable of the Phoenix papers, always keeping enough advertising to fill out around 50 pages of content (newspapers get thinner when there aren’t enough ads to justify printing as many pages) and never needing to follow the Boston Phoenix’ desperate, last moment reinvention as a glossy magazine.

Desperate? Maybe. I think you could also make the case that if the Boston paper had gone the glossy route two or three years earlier, it might still be around.

In any case, I’m hoping that this time the story turns out differently. The mere fact that someone wants to buy the paper suggests that, from a business point of view, there’s something worth saving.

The Providence Phoenix, 1978-2014*

As you may have already heard, The Providence Phoenix is shutting down, about a year and a half after The Boston Phoenix closed its doors. Ted Nesi of WPRI covers it here. Awful news, but not entirely unexpected. As recently as a few months ago, I was hearing that The Portland Phoenix of Maine was doing well but that Providence was lagging financially.

What happened? It’s hard to say. But Portland is a smallish city, insular and self-contained — the sort of place where alt-weeklies seem to be surviving. An example: Seven Days of Burlington, Vermont, which appears to be thriving. Providence, by contrast, is a fairly large city within the orbit of Greater Boston.

The demise of The Providence Phoenix would be bad enough on its own. What makes it even worse is that the Providence Journal is in the midst of downsizing following its sale to a company affiliated with the GateHouse Media chain. There is a real gap in Providence, and it’s not immediately clear what will fill it. Perhaps Rhode Island Public Radio can beef up its online local coverage. Maybe the online-only news site GoLocalProv will rise to the challenge. Or something new might come along.

The Providence Phoenix has produced some fine journalists over the years, including Ian Donnis of RIPR and David Scharfenberg of The Boston Globe. And best wishes to editor Lou Papineau, a veteran who started at the paper back when it was known as the NewPaper, and news editor Phil Eil, a more recent hire.

Best wishes, too, to publisher Stephen Mindich, who kept the Boston and Providence papers alive for as long as he could. I hope the future is brighter for The Portland Phoenix — now the only remaining alt-weekly in what was once a vibrant regional chain.

And yes, I plan to rant about this later today on WGBH’s “Beat the Press.”

(Note: I was a staff writer and editor for The Boston Phoenix from 1991 to 2005, and last wrote for the Providence and Portland papers this past July.)

*Correction: The headline originally gave the incorrect year for the founding of The Providence Phoenix, which began life as The NewPaper. As founder Ty Davis writes in the farewell issue, he began the paper during the Blizzard of 1978.

The James Foley video and bearing witness to evil

Previously published at WGBHNews.org.

The horrifying execution of journalist James Foley raises an uncomfortable if familiar question: Is there anything to be gained by watching the video of his beheading at the hands of an ISIS terrorist?

It’s a question that I explored 12 years ago, when Wall Street Journal reporter Daniel Pearl was similarly murdered. I searched for the video online and found it at a website whose sick operators presented such fare for the entertainment of their disturbed viewers. I shared it with my friends at The Boston Phoenix, who — to my surprise — published several small black-and-white stills of Pearl’s beheading and provided a link to the full video. “This is the single most gruesome, horrible, despicable, and horrifying thing I’ve ever seen,” the Phoenix’s outraged publisher, Stephen Mindich, wrote in an accompanying editorial.

The Phoenix’s actions created a national controversy. I defended Mindich and editor Peter Kadzis, first in the Phoenix, later in Nieman Reports. (At the time I had left the paper to write my first book, though I continued to contribute freelance pieces. My departure turned out to be temporary. And Kadzis, my editor then, is also my editor now: he is the senior editor of WGBH News.) I wrote in the Nieman piece:

Daniel Pearl didn’t seek martyrdom, but martyrdom found him. The three-and-a-half-minute video shows us the true face of evil, an evil that manifested itself unambiguously last September 11…. We turn away from such evil at our peril.

I stand by what I wrote then, but I haven’t watched the execution of Jim Foley. In contrast to the Daniel Pearl footage, the Foley video is bright and clear, in high definition. I’ve watched a bit of it, listened to him speak while kneeling in the desert; but that was all I could handle.

Boston Globe columnist Jeff Jacoby takes a different view, writing, “The intrepid and compassionate reporter from New Hampshire didn’t travel to Syria to sanitize and downplay the horror occurring there. He went to document and expose it.”

I don’t disagree. But it should be a matter of choice. Gawker, among the first media outlets to post a link to the video, made sure its readers knew that what they would see if they clicked was “extremely disturbing.” By contrast, the New York Post and the Daily News published front-page images of Foley (I’ve linked to a Washington Post story, not the actual images) just before his beheading — in the New York Post’s case, barely a nanosecond before.

It’s a fine line, but I’d say Gawker was on the right side of it, and the New York tabloids were not.

At the time of his capture, Foley was freelancing for GlobalPost, the Boston-based international news organization. GlobalPost co-founder and chief executive Phil Balboni, in a tribute published in the Globe, wrote:

For those of us who knew Jim, the road ahead will be particularly long and trying. As a lifelong journalist, the path forward for me will be rooted in a renewed and profound respect for a profession that for Jim was not a job, but a calling.

And here is an interview with GlobalPost co-founder Charles Sennott, talking about Foley on WGBH Radio (89.7 FM).

We’ve learned a lot since the execution of Daniel Pearl. One of the things we’ve learned is that bearing witness does not necessarily lead to a good result. Years of war in Iraq and Afghanistan have not created a safer world.

Do we have a right to view the James Foley video? Of course. Twitter, a private company that has become a virtual public utility, is heading down a dangerous road by banning images from the video. Should we watch the video as a way of witnessing unspeakable evil, as Jeff Jacoby argues? That, I would suggest, should be up to each of us.

Above all, we should honor the bravery and sacrifice of journalists like Daniel Pearl and James Foley, who take risks most of us can scarcely imagine. Let’s keep the Foley family in our thoughts, and celebrate the safe return of Peter Theo Curtis. And let’s send offer whatever good thoughts we can for Steven Sotloff, a fellow hostage of Foley’s who was threatened with death last week.

A pair of heartfelt tributes to the Boston Phoenix

I want to share with you two extraordinary reflections on the Boston Phoenix and what its loss means to the city and the region. There have been a lot of such reminiscences, and many of them have been terrific. But I look at these as putting a cap on it, unless I decide to expand on my own recent effort, which came off as more sterile than I would have liked.

The first, by Harvey Silverglate, appeared late last month in the final, online-only edition of the Phoenix. Harvey is a friend and an occasional collaborator. (We are currently brainstorming ways to keep the Phoenix Muzzle Awards alive, and we hope to have an announcement within a month or so.)

Harvey began writing his civil-liberties column for The Real Paper in the early 1970s. When Stephen Mindich, the Phoenix owner, absorbed The Real Paper into the Phoenix later in the decade, Harvey’s column was renamed “Freedom Watch,” the name it carried up until the end. I had the privilege of editing Harvey in the early 1990s. He writes in his final column:

It’s no surprise to me that assaults on freedom — the mainstay of my long-running column — have outlasted the newspaper I could always count on to publish even my harshest critiques of the criminal justice system. Unlike, it seems, the institutions that work hard to subjugate others, newspapers, which are essential to free the subjugated, are not immortal.

Make sure you read the whole thing — and check out the photos, taken by his wife, Elsa Dorfman, a wonderful portrait photographer.

The second piece, which I’ve been anticipating since the end of the Phoenix was announced, finally popped into view on Tuesday — a 4,000-word-plus reflection by Al Giordano, who covered politics (among other things) for the paper in the mid-1990s. I was the news editor for the early part of Al’s time at the Phoenix. We struggled over Al’s radical, activist inclinations and the more mainstream direction the Phoenix was then taking, and he describes those struggles accurately and fairly.

I always respected Al, and my admiration for him only grew after he left the paper, moved to Mexico and launched NarcoNews.com, which covers the so-called war on drugs from a Latin American perspective. When Al writes about the Phoenix crusading in his defense after he got sued by “narco-bankers,” he is referring in part to this article I wrote in 2001.

Al’s essay on the demise of the Phoenix is impassioned and, in parts, poetic. It was not meant to be excerpted, but I’ll take a shot at it anyway:

My success at manipulating daily newspapers had stripped from me any sense of myth or magic that dailies had so carefully cultivated among the reading public. I liked reporters but felt badly for them: Their mothers thought they were powerful, but they were really slaves to the daily deadline, which more often than not denied them the time to ponder or think about a story before having to put their name on it. Spared from the popular illusion that anyone could be Woodward and Bernstein if he could just get to a big-enough daily, I pointed my ambition elsewhere: The Phoenix job, for me, was the pinnacle, top of the heap. It was all I had aspired to be.

Al is a force of nature, and had a hugely positive influence on the newsroom and what readers saw every week. By the time he left, I had moved into the media columnist’s slot. I was sorry to see him go. But, as he writes, he “never stopped being part of the Phoenix family.”

The Boston Phoenix comes to the end of the road

I’m not even going to try to write a real post about this today. I’m getting bombarded from all directions, and besides that, I’m devastated. But I did want to note quickly, in case you haven’t heard, that The Phoenix — the erstwhile Boston Phoenix, reinvented as a glossy magazine last fall — is closing down, as is its affiliated Internet radio station, WFNX.com.

The Providence and Portland Phoenixes will continue, as well as a few non-journalism businesses.

Here is Doug Most’s report for Boston.com. [5:07 p.m. update: That report now carries Joe Kahn’s byline.]

The Phoenix gave me 14 great years, and it’s hard to believe that the end has come. There are way too many people to mention, so I’ll leave it at this: Peter Kadzis and Stephen Mindich were great bosses, smart, tough and loyal. Carly Carioli has done tremendous work on the reinvention, and it’s a tragedy that he ran out of time. I rely on David Bernstein for his deep reporting on politics and Chris Faraone for an alternative look at the news. Here is Mindich in a statement to the staff:

What I can and will say is I am extremely proud, as all of you should be, of the highest standards of journalism we have set and maintained throughout the decades in all of our areas of coverage and the important role we have played in driving political and socially progressive and responsible agendas; in covering the worlds of arts and entertainment, food and fashion – always with a critical view, while at the same time promoting their enormous importance in maintaining a healthy society; and in advocating for the recognition and acceptance of a wide range of lifestyles that are so valuable for a vibrant society….

We have had an extraordinary run.

And this is an incredibly sad day.

More: Unlike many who got their start at the Phoenix in their early 20s, I was 34 years old and thought my journalism career was over. In the late 1980s I had tried my hand at launching a regional lifestyle magazine in the suburbs northwest of Boston following some years at the Daily Times Chronicle of Woburn. The magazine failed, and I was doing what I could to survive.

I was picked up on waivers in 1991 from the Pilot — yes, the Catholic paper — where I had been doing layout and production. The Phoenix hired me as a copy editor, but I kept an eye out in case something better came along. Yes, I had grown up reading the Phoenix, Boston After Dark and the Real Paper, but any romantic notions I’d had of the alternative press had pretty much dissipated.

Gradually, though, I got sucked in. And when I inherited the media beat in late 1994 from Mark Jurkowitz, I became a made member of the Phoenix family. It was the most formative experience of my career. Without the Phoenix, I can’t imagine what I’d be doing today — PR for some politician? Ugh.

The Phoenix gets ready for its close-up

Joe Kahn wrote a smart piece on the future of the Boston Phoenix — ahem, The Phoenix — in Tuesday’s Boston Globe.

As you may know, the current issue of the Phoenix, lowercase the, is the last as a newspaper. This week, The Phoenix will debut as a free weekly glossy magazine, combining news and arts coverage from the Phoenix with some lifestyle content from Stuff, a magazine that will cease to exist as a standalone. And if you’re worried about The Phoenix’s straying from its alternative roots, keep in mind that the Phoenix had lots of lifestyle content in the 1990s. I look at this as a recalibration more than a complete reinvention.

The unusual aspect to this story, and one we Bostonians take for granted, is that the founder, Stephen Mindich, is still at it, and in fact has taken charge of the new publication. In an era of corporate chain media, The Phoenix, at 46, is still proudly independent. Mindich recently talked about his long career with Emily Rooney of “Greater Boston.”

The story of the Boston Phoenix, as with other alternative weeklies, is that it was heavily dependent on classified ads — not just the personals, but everything from a band needing a bass player to a student looking for a roommate. Needless to say, nearly all of those ads have moved to Craigslist.

And at a time when many newspapers, including the Globe, are asking their readers to pick up an increasing share of the costs through home delivery and digital subscriptions, The Phoenix is free both in print and online.

It’s a tough model for the Internet age, but glossy should enable The Phoenix to attract some of the high-end advertising it needs in order to thrive. In that spirit, I think former Phoenix contributor Mark Leccese, now a journalism professor at Emerson College and a blogger for Boston.com, was too pessimistic in his own recent assessment.

I’ve got my collector’s item from last week, and I’m looking forward to grabbing a copy of the new magazine as soon as I can. As most of you know, I was the Boston Phoenix’s media columnist from 1994 to 2005, and I still contribute occasionally.

I wish all the best to Mindich, executive editor Peter Kadzis, editor Carly Carioli and all my friends who are still there. See you tonight.