Digital drives a circulation increase at the Globe while the Herald keeps sliding

The Boston Globe’s strategy of focusing on digital subscriptions is paying off, according to the latest figures from the Alliance for Audited Media. For the six-month period ending on March 31 of this year, the Globe’s paid weekday circulation was 331,482, up 81,201, or 32%, over the same period a year earlier. On Sundays, the Globe’s paid circulation was 387,312, up 73,347, or 23%.

The increase came despite the continued shrinkage of the print edition. Weekday print was 77,679, a decline of 16%. Sunday print is 135,696, down nearly 15%. Paid digital now accounts for nearly 77% of the Globe’s circulation on weekdays and 65% on Sundays — numbers that no doubt had a lot to do with the hunger for local and regional news during the COVID-19 pandemic.

The numbers were not nearly as rosy at the Boston Herald, which has been gutted by its hedge-fund owner, Alden Global Capital. Paid weekday circulation, print and digital, is now 56,791, a decline of 9,686, or more than 14%. Sunday circulation is 58,461, down 14%. Digital is essentially flat, with nearly all of the decrease coming from the Herald’s fading print product. The Herald today sells an average of 22,032 print papers every weekday and 25,892 on Sundays.

The new circulation figures at the Globe and the Herald come amid a massive decline in print circulation nationwide. According to the Press Gazette, a British website that covers the news business, print circulation of the top 25 U.S. dailies fell from 4.2 million to 3.4 million over the past year, a decline of 20%.

Especially harrowing was USA Today, which lost 303,000, or 62%. As we all know, the paper is highly dependent on hotel distribution, which took a massive hit during the pandemic. Gannett recently announced that some of USA Today’s content would move behind a paywall.

Correction: I botched one of the numbers and have updated this post.

What the media are getting wrong about Biden and Afghanistan

Photo (cc) 2011 by the U.S. Army

Previously published at GBH News.

The United States’ 20-year war in Afghanistan has finally come to its painful conclusion. “America’s Longest War Ends as Last Troops Leave Afghanistan” proclaimed The New York Times home page Monday evening.

There is, however, one dimension to the conflict that is still being fought — the role of the media in reporting on President Joe Biden’s management, or mismanagement, of the final chaotic and deadly weeks. Surely, many journalists said, Biden could have ensured a more dignified exit than a mad crush at Hamid Karzai International Airport, with desperate Afghans plunging to their deaths from transport planes, culminating in last week’s terrorist attack.

Increasingly, though, others have been making the case that, once Biden decided to end American involvement in Afghanistan once and for all, there was no alternative to the monumental ugliness that played out on our TV screens.

“Biden does not deserve the cheap shots that critics have taken at him when they postulate that his administration screwed up what would otherwise have been an orderly withdrawal,” writes Daniel McCarthy, a vociferous Biden critic and a conservative, in The Spectator World. “Even if the withdrawal had been much better executed, as indeed it should have been, it would still have been a disgusting spectacle, a ripe occasion for media posturing and partisan sniping.”

The end — or a least a temporary pause — of the liberal-leaning mainstream media’s honeymoon with Biden can be traced to systemic flaws in the way that the press covers Washington. Three of those flaws have been on vivid display in recent weeks.

• First, there is the media’s primordial need for balance — for treating Democrats and Republicans as if they are both legitimate actors even though the Democrats, for all their flaws, continue to act as a normal political party while the Republicans have descended into authoritarianism and lies. The media cling to both-sides-ism despite four years of a raging sociopath in the White House, an attempted insurrection by his supporters, and dangerous denialism about COVID-19.

Thus, after five years of harshly negative coverage of Donald Trump (negative coverage that he richly deserved), you can almost hear the press breathe a collective sigh of relief that it can finally go after Biden and even up the score.

Here’s a data point that shows how ingrained this is. Last Friday, Amna Nawaz, filling in as anchor of the “PBS NewsHour,” noted in a conversation with political analysts Jonathan Capehart and David Brooks that a number of Republicans have criticized Biden over his handling of the war.

“It really does run the spectrum of Republicans,” she said. “You have everyone from Sen. Ben Sasse, to Sen. Ted Cruz, Congresswoman Liz Cheney, Rep. Marjorie Taylor Greene and, of course, President Trump.”

Marjorie Taylor Greene? The QAnon-adjacent conspiracy theorist from Georgia who continues to defend the insurrectionists? Well, she’s a duly elected member of Congress, and according to the both-sides formula, she needs to be normalized. It’s crazy, but that’s the way the game is played. Too bad it’s not a game.

• Second, maybe it really is a game. Because, in too many cases, the Washington press corps glides past the substance of an issue and wallows in the political implications. Partly it’s because politics is what they know and are most comfortable with. Partly it’s a way to avoid taking sides by focusing instead on who’s winning and who’s losing.

The caricature version of this type of pundit is political analyst Chris Cillizza of CNN. Last week, several days before the terrorist attack, Cillizza wrote a piece that dwelled entirely on the political ramifications of Biden’s decision to leave Afghanistan, reveling in polling numbers and in what New York University journalism professor Jay Rosen derides as the “savvy” style of political journalism.

“Biden’s bet,” Cillizza writes, “is that while Afghanistan is top-of-mind for most voters right now, it will fade as a priority — as foreign policy often does — when it is no longer the lead story in the news every day. That if Americans get out safely, that the public will lose interest in what’s happening in a faraway country and return to domestic issues like the state of the economy and our ongoing battle against COVID-19.”

Hey, it’s all politics, right?

• Third, too many establishment journalists, supposedly paid to cover the news rather than express their opinions, were in favor of the U.S. mission in Afghanistan and opposed to Biden’s decision to end it once and for all.

“Much of the problems with the press coverage lie in the coziness between foreign policy elites and reporters who rely on them for information,” writes Alex Shephard in a perceptive New Republic piece. “The biases of interventionists and hawks flow frictionlessly into news coverage, treating the exit from Afghanistan as a capitulation and outrage, rather than as one — and perhaps the best — of a number of bad options.”

A telling example is Peter Baker’s widely criticized “news analysis” for The New York Times in which he quotes George W. Bush alum Meghan O’Sullivan and Gen. David Petraeus to argue that Biden could have achieved a different outcome. Describing Biden’s own framing of the options he had before him as “either complete withdrawal or endless escalation,” Baker writes, “Critics consider that either disingenuous or at the very least unimaginative, arguing that there were viable alternatives, even if not especially satisfying ones, that may not have ever led to outright victory but could have avoided the disaster now unfolding in Kabul and the provinces.”

Another example plays out on television, where a variety of former officials from the George W. Bush administration and former generals have been given air time to criticize Biden, notwithstanding their direct role in sucking us into what was, until recently, an endless war.

There is one other factor that needs to be considered when analyzing media coverage, and that’s the asymmetric role played by the mainstream media and the right-wing propaganda machine headed by Fox News.

As Jonathan Chait points out in New York magazine, Democrats and liberals can’t always count on sympathy from the mainstream because journalists want to be seen as skeptical and even-handed. Fox, on the other hand, is going to espouse a mindless pro-Republican, pro-Trump line no matter what the issue, even if it is exactly the opposite of the line it took a week earlier. At moments like this, the entire weight of the media is coming down on Biden, whereas Republicans can count on Fox being in their corner even in the worst of times.

“Even the most dishonest, incompetent, and scandal-ridden Republican presidency imaginable — which more or less describes the one we just had — will still have a media environment divided almost equally between scorching criticism and obsequious fawning,” Chait writes, adding: “In recent days, CNN and MSNBC looked a lot like Fox News, all hyping chaos in Afghanistan 24/7. That is the kind of comprehensive media hostility Trump never had to worry about.”

Now, none of this means that critical coverage of Biden was entirely misplaced. Few presidents have ever come into office with his depth of foreign-policy experience and, seven months in, he’s no longer a new president. We’ve all seen reports that U.S. intelligence officials believed the Afghan government could hang on for a year or two before its inevitable collapse. Surely a more orderly withdrawal could have been planned if they had been right. Why was Biden so seemingly unaware that his own advisers didn’t know what they were talking about? What is he doing about it?

Last Friday, on “Washington Week,” host Yamiche Alcindor replayed Biden’s embarrassing answer to her question earlier this summer that there would be no repeat of the rooftop evacuation that marked the end of the Vietnam War. Biden was right — what happened in Kabul was considerably worse.

But one of Alcindor’s panelists, Ayesha Rascoe of NPR, made an important point that has too often been overlooked by the media in its eagerness to pillory the president: “I do think this is an American tragedy, though. This is 20 years. This is four administrations. This is not just on the Biden administration.”

Indeed. The war in Afghanistan was a generation-long tragedy. Bush could have launched a targeted attack aimed at capturing or killing Osama bin Laden rather than a full-scale war to remake Afghan society. Barack Obama could have declared victory and pulled out after bin Laden was killed.

Instead, it was left to Trump to question our ongoing commitment and Biden to bring it to an end. That doesn’t mean Biden got everything right and shouldn’t be subjected to tough scrutiny. It does mean that our flawed media system was inadequate to the moment — and that we need to think about how we can do better.

The sale of Politico marks the end of a long duel between the Allbrittons and the Grahams

Katharine Graham believed that Joseph Allbritton hoped to take advantage of the 1975-’76 strike against The Washington Post. Photo by Reading/Simpson, noncommercial use permitted.

Robert Allbritton last week sold Politico to the German media company Axel Springer for $1 billion. Ben Smith, who was part of the launch back in 2007, wrote about the sale earlier this week in The New York Times. I wrote about the two-generation rivalry between the Allbrittons and the Graham family, who controlled The Washington Post until 2013, in “The Return of the Moguls.” Below is an excerpt.

Katharine Graham’s other crucial move was to endure a strike in 1975 in order to get the Post’s printing costs under control. So arcane were the work rules that when an advertiser submitted a finished ad (known in the post-hot-lead, pre-computer age as “camera-ready”), a union compositor still put together an equivalent ad, even though it would be discarded as soon as he was finished with it. In deciding to put a stop to such practices, Graham was fortunate in the viciousness of her opposition. At one demonstration, a leader of the union, Charlie Davis, carried a sign that read “Phil Shot the Wrong Graham,” a reference to Phil Graham’s suicide. On the night that the pressmen went on strike, some of them beat the night foreman and started a fire in an attempt to sabotage the machinery. Because of those actions they earned the enmity of the Newspaper Guild, which represented the reporters. With the paper’s journalists crossing the picket line, the Post was able to resume publishing after just one missed day, enabling them to break the strike. The benefits of being able to modernize production were immediate, as income grew from about $13 million a year to $24.5 million in 1976 and to $35.5 million in 1977.

Not all observers were sympathetic to the Grahams. Ben Bagdikian, a former Post national editor who spent much of his long, distinguished career after leaving the paper as an academic and a harsh critic of corporate journalism, wrote an article in the Washington Monthly attributing the strike to Katharine Graham’s earlier decision to go public. “The idiosyncratic publishers, whose integrity led them to ignore narrow economic arguments in favor of quality, and who as a result created America’s great newspapers, are disappearing,” Bagdikian wrote. “They were being replaced by profit-maximizing conglomerate owners. It is a forecast of trouble for independent journalism in the country’s most important news companies.” Graham recorded her response in a note to Ben Bradlee: “I am really embarrassed to think this ignorant biased fool was ever national editor. Surely the worst asps in this world are the ones one has clasped to the bosom.”

The Post’s rivalry with The Washington Star played a small role in the strike as well, a tidbit of interest mainly because of who owned the Star at that time: Joe Allbritton, a Texan who had acquired the paper from the Kauffmann family in 1974. Katharine Graham wrote that Allbritton declined to help the Post during the strike because, in her view, the only way the Star could stay in business was for the Post to fail. Allbritton sold the Star to Time Inc. in 1978, which closed it in 1981 even though Katharine Graham, Donald Graham and Warren Buffett had made overtures to set up a joint operating agreement under which both papers would be published.

The Allbritton family’s ambitions remained entangled with the Post for many decades to come. Years later, two Post journalists, John Harris and Jim VandeHei, were rebuffed when they proposed setting up a separate political website under the paper’s umbrella. They took their idea to Joe Allbritton’s son, Robert, who helped them launch Politico in 2007. With its hyperkinetic insider’s approach to covering politics, the site quickly established itself as a serious rival to the Post on one of its signature beats, although Politico was often criticized for emphasizing the superficial horse race aspects of politics.

Robert Allbritton also backed a site cheekily named TBD.com (for “to be determined”), edited by the former washingtonpost.com editor Jim Brady and the future Post media blogger Erik Wemple, which covered local news in the Washington area in conjunction with a television station the Allbrittons had owned since acquiring the Star. Fortunately for the Grahams, Allbritton lost patience with it within months of its 2010 launch, and in 2012 the site was shut down. Another Allbritton connection: About a year after Jeff Bezos bought the Post, he hired Frederick Ryan, a former Reagan administration official, to replace Katharine Weymouth as publisher. At the time that the move was made, Ryan was president and chief operating officer of Allbritton Communications and had served as Politico’s first chief executive.

The Post and Politico make for a fascinating contrast. Both companies are ensconced in brand-new headquarters on either side of the Potomac; Politico occupies part of an office tower in the Rosslyn section of Arlington, Virginia. The missions of the two organizations are very different. The Post is a general-interest newspaper with a substantial print presence. Politico is aimed at people in the professional political community, and though it publishes a small print product (daily when Congress is in session; weekly otherwise), it’s mainly digital. Yet if the ancient rivalry between the Post and The New York Times is mostly journalistic and symbolic, the Post’s rivalry with the Allbritton family has involved serious competition over whose news organization will prove to be more financially successful in the long run.

Correction: I have learned that the elder Albritton’s legal name was Joe, not Joseph. Unfortunately, it remains wrong in the book.

A documentary tracks the demise of Denver’s dailies — and the rising of the Sun

Photo by Brian Malone

In the documentary “News Matters,” Dean Singleton, who sold a majority share of his newspaper chain to the hedge fund Alden Global Capital in 2013, tells a gruesome story.

He recalls being sent out to a one-car accident after midnight when he was a young reporter working in Wichita Falls, Texas. The police officer at the scene told him the driver had been killed. Singleton, though, could see that the driver’s arms and legs were still moving, so he pressed the officer. The answer: the body would keep jerking around for a while, but that didn’t make him any less dead.

“That’s kind of where print newspapers are today,” he says.

“News Matters,” by Brian Malone, tells the story of Denver’s two daily newspapers — the Rocky Mountain News, which folded in 2009, and The Denver Post, formerly the crown jewel of Singleton’s empire, now being torn apart by Alden. The Post at one time had between 250 and 300 reporters; today it has about 60. As retired Washington Post executive editor Marty Baron says, that’s not nearly enough to cover a metropolitan area the size of Denver, with a population of about 2.9 million.

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Among those interviewed for the film is Greg Moore, a former managing editor of The Boston Globe, who was the Post’s top editor for 14 years before resigning in 2016 rather than implement cuts demanded by Alden. Moore recalls being grilled by Alden’s bean-counters over every issue imaginable, and some that weren’t imaginable, like “Why do you have photographers?” and “Why can’t you be the same size as some pissant paper in New Jersey?”

If there is a central character in “News Matters,” it’s former Post editorial page editor Chuck Plunkett, who wrote a searing editorial in 2018 referring to Alden as “vulture capitalists” and calling on community leaders to buy the Post. Plunkett becomes emotional when he recalls the cuts that followed Moore’s departure, saying, “I felt like I was floating out of my body, not even attached to the real world. And I just had this very clear thought — this is where The Denver Post dies.” Plunkett resigned not long after writing the anti-Alden editorial.

Toward the end of the film, we see some of the Post journalists who we’ve gotten to know — Larry Ryckman, Dana Coffield, Tamara Chuang and Jennifer Brown — starting a new venture, the online-only Colorado Sun. “The journalists you see up here today are the owners of The Colorado Sun,” Ryckman tells the small crowd that had gathered, “and we will be the ones calling the shots.”

Singleton’s retort: “The Colorado Sun has no future in my opinion … There’s no business model there.”

Well, the Sun is still shining, and it appears that it may be on track toward becoming a sustainable business. The film takes us into the early days of COVID-19. “Ad revenue has fallen off a cliff,” Ryckman says, “but it has greatly increased membership.” Earlier this year, the Sun acquired a group of 24 weekly and monthly newspapers in Denver’s suburbs.

And the once-mighty Denver Post continues to shrink.

If you’d like to see “News Matters,” you’d better hop to it. I only found out about it last week, and it turns out that Rocky Mountain PBS is taking it down on Wednesday. For the next couple of days, you can watch it here. There’s also information about hosting a screening that you can find at the film’s website.

Normalizing Marjorie Taylor Greene, coddling Scott Walker: Your liberal media at work

Last night, on the “PBS NewsHour,” anchor Amna Nawaz noted in a conversation with political analysts Jonathan Capehart and David Brooks that a number of Republicans have criticized President Biden over the way he’s handled the evacuation from Kabul. Fair enough. But let’s listen in:

You have a number of Republicans coming out recently speaking very critically about the president’s leadership, or lack thereof, as they say, but it really does run the spectrum of Republicans. You have everyone from Senator Ben Sasse, to Senator Ted Cruz, Congresswoman Liz Cheney, Representative Marjorie Taylor Greene, and, of course, former President Trump.

Wait, what was that? Marjorie Taylor Greene is, of course, the QAnon-adjacent conspiracy theorist from Georgia who continues to defend the Jan. 6 insurrectionists. Are we normalizing her now? Why, yes, of course we are. The “NewsHour” even threw up a helpful graphic to underscore the point. Good Lord. I wish Capehart or Brooks had said something, but they both let it slide.

Then, in today’s New York Times, former Wisconsin Gov. Scott Walker, who was defeated for re-election in 2018, claims a sizable chunk of op-ed space in order to bash teachers unions, whom he targeted repeatedly during his benighted eight years as his state’s chief executive, and to tell us how awesome he was during his time in office. He writes:

Overall, our reforms did more than just help schools and local governments. During my time in office, unemployment in Wisconsin dropped below the previous record low of 3 percent as more people were working than ever before. Median household income was up, as were wages. We balanced the budget every year with a surplus, fully funded our retirement system and had a rainy-day fund 190 times as large as when we started.

You know, we have low unemployment, high income and budget surpluses in Massachusetts, too, and we somehow manage to do it with strong teachers unions. But that’s not my point. My point is: Why? Why Walker? Why now? What is the context? I can’t think of anything taking place in the news right now that would lead an editor either to track down Scott Walker and ask him to write an op-ed or to run something he sent in over the transom.

Then again, the perceived need by liberal-oriented news organizations to bend over backwards to show that they’re fair — even to people who don’t deserve it, like Marjorie Taylor Greene and Scott Walker — is primordial.

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In Washington State, an evening newspaper rises from the dustbin of history


If the morning daily newspaper is an endangered species, then the evening paper shuffled off to extinction many years ago. Now Cowles Co., which owns The Spokesman-Review in Spokane, Washington, is bringing it back.

Not really, and I’ll get to that in a moment. But first a little background.

Evening papers were dominant back when factory work was the way that tens of millions of Americans made their living. You’d work from 7 a.m. to 3 p.m., come home and read the evening paper. Later, as we shifted to more of a white-collar, 9-to-5 culture, morning papers became the primary distribution vehicle for newspaper journalism. Evening papers faded away, and eventually few, if any, remained. The Boston Evening Globe, for instance, stopped publishing in 1979.

Today, of course, the news cycle is entirely different, with stories posted online around the clock, sometimes not to show up in print until days later — if ever.

Some of us, though, continue to like the day’s paper, whether online or in print. The daily paper represents a curated news report — the considered judgment of the editors as to what the day’s most important news is. Again, to use the Globe as an example, you can access a list of the stories in that day’s print edition (unfortunately, it seems that stuff always gets left out) or read the paper in the form of an e-edition — a PDF of that day’s paper that looks like the print edition. The Globe offers two versions, both so-so.

What The Spokesman-Review has done is revive its old evening paper, the Spokane Daily Chronicle, in the form of an e-edition that’s posted each afternoon. As reported by Kristen Hare of Poynter Online, the idea isn’t to compete with The Spokesman-Review, as it did back before the Chronicle folded in 1992 (even under common ownership); rather, it’s to boost the bottom line and give people who live in the Spokane area another reason to buy a digital subscription or keep the one they’ve already got.

“Our view is the e-edition is the gateway drug to our web presence for traditional readers,” publisher Stacey Cowles told Hare. “If they love it enough, it could help solve our huge manufacturing and distribution cost headache. But additional online pages have to be meaningful to make a difference. More stock listings don’t cut it.”

Added editor Rob Curley: “We were realists on this. It wasn’t about how are we going to make this a bigger pie, it was how are we going to hang on to the pie that we have when we know we’re going to continue to push subscription prices?”

If all this sounds retro, keep in mind that Curley is a pioneer in digital journalism, first at the Naples Daily News in Florida and, in the pre-Jeff Bezos age, at The Washington Post, where he presided over the launch of a digital-only local-news site in Loudoun County, Maryland. I met him in 2015 when I was researching my book “The Return of the Moguls” and Curley was editor of California’s Orange County Register under the ill-fated ownership of Aaron Kushner.

Print and print-like products continue to play an important part in keeping newspapers alive — as in Pittsfield, Massachusetts, where The Berkshire Eagle is actually buying a used printing press in order to boost is color capacity. Someday, newspapers may drop their print editions entirely, or go weekend-only. Until that day comes, though, it makes sense to serve the print-oriented readers who pay the bills.

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Pittsburgh Post-Gazette will get another chance to make its First Amendment argument

Judge Ranjan

The Pittsburgh Post-Gazette will get another bite at the apple in claiming that its decision to remove its former reporter Alexis Johnson from covering Black Lives Matter stories is protected by the First Amendment.

“The judge did not laugh the First Amendment argument out of court nor is it correct to say he’s ‘having none of it,’” Post-Gazette representative Mark Fefer told me by email in disputing a post I wrote earlier this week. Fefer is senior communications strategist for the paper’s law firm, Davis Wright Tremaine.

In fact, as I wrote earlier, U.S. District Judge J. Nicholas Ranjan threw out the Post-Gazette’s claim that Johnson’s lawsuit should be dismissed on First Amendment grounds, writing, “While the First Amendment provides a publisher absolute discretion to refrain from publishing content, this discretion does not extend to allow a publisher to make any and all discriminatory personnel decisions.” (I did not write that the judge “laughed the First Amendment argument out of court,” though that was a fair inference given the context.)

But Ranjan also wrote that the factual record at this early stage of the case is too “undeveloped” to reach a final ruling, and that the Post-Gazette should have an opportunity to prove that its First Amendment argument has merit.

“Because discovery is likely to refine both the claims and defenses in this case,” Judge Ranjan concluded, “the Court denies the motion without prejudice to PG Publishing raising its arguments, including its First Amendment argument, on a more factually developed record at summary judgment or trial.”

Johnson, who is Black, was barred from covering Black Lives Matter protests after she posted a humorous tweet that her editors claimed compromised her ability to be objective. She is now a reporter with Vice News.

The full text of Ranjan’s ruling can be found here.

What local news outlets can do to overcome suspicion on the right

Photo (cc) 2008 by TimothyJ

Previously published at GBH News.

Recently I had a conversation with a hyperlocal news editor who wanted to talk through a dilemma. Her website, which covers such matters as town boards, schools, housing, public health and charity events, is resolutely nonpartisan. From the beginning, her goal has been to bring together people from varied backgrounds and with different political beliefs. Yet her sense was that most of her readers, like her, were liberal. What could she do to reach out to conservatives?

Her dilemma is not unique. Surveys show that people trust local and regional news more than they do the national media. Ideally, local news can help overcome the hyperpolarization that is tearing us apart at the national level and foster a spirit of community and cooperation.

Increasingly, though, the divisions that define national life are inescapable. Our school systems are rippling with rage over masks, vaccines and how kids are taught about racial justice. Discussions about policing have devolved into binary sloganeering about defunding the police or backing the blue.

And well-meaning journalists, mostly liberal but wanting to give a voice to everyone, wring their hands.

Last week, the research project Trusting News, a joint venture of the Reynolds Journalism Institute and the American Press Institute, released a report on how local and regional news organizations can do a better job of connecting with conservative audiences. More than 3,400 self-identified conservatives responded to a survey, and 91 of them were interviewed by 27 media outlets around the country. (In New England, the participants were New Hampshire Public Radio, Vermont’s Burlington Free Press and The Day of New London, Connecticut.)

The report, written by Marley Duchovnay, a research associate at the University of Texas’ Center for Media Engagement, and Gina M. Masullo, associate director of the center, makes six recommendations. Three of them are of particular interest:

  • “Build relationships with people who have conservative and right-leaning viewpoints in your community and listen to them.”
  • “Include a variety of voices from people with conservative and right-leaning views in stories. Journalists should be cautious of using ‘conservative’ or other terms as catch-all labels for people who may have very different beliefs.”
  • “Consider diversity of political beliefs and backgrounds when hiring for the newsroom.”

The first two bullet points are just good journalism: get to know your community, and don’t assume everyone on the right drives “a pickup truck with the Confederate flag on the back,” as Masullo put it at a webinar held last week to explain the findings. The third, though, is potentially problematic. News organizations don’t ask job candidates about their political views, nor should they. So how do we go about ensuring ideological diversity in the newsroom?

“I think more the idea is to, in your recruitment strategy, try to hit rural areas, more conservative areas,” said Masullo. And yes, that seems fine in theory. But with the journalism economy continuing to shrink, hiring is not an everyday occurrence — and the need to hire people of color to diversify overwhelmingly white newsrooms has to be a top priority.

I was also struck by another finding in the report — that material from wire services in local media outlets contributes to perceptions of liberal bias more than the local content does. At the webinar, the presenters cited Mark Rosenberg of the Victoria Advocate in Texas, who told them: “National news drives distrust in the media far more than local news, it was surprising and frustrating to hear. 95% of what I do is local, but the syndicated copy and columns is what is driving distrust. That is something that recurred in all three interviews that I did.”

To invoke the old cliché, this presents both a challenge and an opportunity. For daily newspapers like the Advocate, which have positioned themselves as a single source for community, national and international news, it’s difficult to imagine how that problem could be solved — especially when some of the respondents complained even about The Associated Press, known for its lack of bias.

Most weekly papers and hyperlocal websites, though, focus exclusively on their community, which means that they avoid offending conservatives who don’t want to see national and international news that has what they consider to be a liberal slant.

One approach that even the editors and publishers of daily papers could consider is thinking about how they can de-emphasize national news, including syndicated columns, in their opinion sections. Earlier this week my research partner, Ellen Clegg, interviewed Joshua Darr of Louisiana State University about a study he conducted along with two other scholars. The study attempted to show what happened when the Desert Sun of Palm Beach, California, dropped national opinion content for a month and went exclusively local. The result was a slight but measurable decline in polarization.

“The experiment is not without controversy,” Clegg writes. “The Trump-Biden presidential race and the COVID pandemic arguably showed how much local election laws, local public health policies and local governments matter in setting the course of the nation’s future. Abandoning coverage entirely — and opinion page columns do constitute a form of coverage all their own — could seem irresponsible to some.”

Still, for many daily newspaper editors, running syndicated material in the opinion section isn’t a way to serve readers so much as it is an aversion to new ways of doing things. More local opinion journalism, combined with some national content from the left and the right, would seem like a good mix.

A crucial concern that isn’t really addressed in the report but that did come up at the webinar is the importance of not pandering to people with right-wing views. Though the goal of broadening the conversation and bringing more voices into the tent is a laudable one, we can’t forget that it’s conservatives — radicals, really — who have gone off the rails, embracing lies about the outcome of the last election, the Jan. 6 insurrection, vaccinations, mask-wearing and such. Trusting News director Joy Mayer, though, told the participants that the very nature of the study tended to weed such people out.

“The people who self-selected into this research were not the people with the most extreme views and the most extreme distrust,” Mayer said. “If you are willing to spend an hour sitting and talking to a local journalist, you have to believe that they want to change. You have to believe they’re worth an investment of your time. The whole world is not made up of people who would be grateful for an hour to spend with a journalist.”

If journalists who run local news projects want to serve everyone in their community, and not just the more liberal elements, then the fundamental ideas outlined in the report are worth paying attention to: listen; be fair; don’t resort to cheap labels in describing those with different views.

I don’t know if it can help. But getting past the divisions that are ripping us apart is perhaps the most vital challenge facing us today. If there is to be solution, it’s got to start at the local level.

Charlie Watts, 1941-2021

Charlie Watts and Keith Richards. Photo (cc) 2012 by Jonathan Bayer.

I’ve seen the Rolling Stones just once, in 1989 at Sullivan Stadium. Even though that was 32 years ago, there was a lot of talk that they were over the hill and that it was probably their farewell tour. Not even close. But on Tuesday, the Stones’ unparalleled six-decade run came to an end with the death of 80-year-old drummer Charlie Watts.

Oh, sure, the band announced several weeks ago that they would hit the road with Steve Jordan on drums, holding out hope that Watts might be able to rejoin them later in the tour after he’d recovered from an unspecified medical problem. But the essence of the Stones is Keith Richards, Mick Jagger and Charlie Watts. Without Watts, they should tour under a different name. His drumming was as essential as Keith’s thickly chorded guitar and Mick’s prancing.

As numerous tributes to Watts have noted, he was not flashy. He wasn’t even as flashy as Ringo Starr, an underrated drummer in his own right. But Watts was incredibly steady, rock-solid, with an uncanny sense for exactly what touch was needed to propel a song. Everyone’s got their favorite moments. Mine is when he comes thundering back in toward the end of “Tumbling Dice” (their best song on their best album, “Exile on Main Street”) after marking time for a few measures. It doesn’t sound like a big deal — but listen.

Charlie Watts was a giant of the rock era and a fine jazz drummer as well. He didn’t burn out, nor did he fade away. He just kept playing.

Judge in Alexis Johnson case schools Pittsburgh P-G in the First Amendment

Alexis Johnson (via LinkedIn)

Clarification: The Post-Gazette will get another chance to make its First Amendment argument.

The story may be apocryphal, but it’s a good one. Some years ago a few independent weekly newspapers in the Boston area sued a daily paper, charging that the daily — which also owned a small chain of weeklies — was illegally selling ads in its weeklies at a loss in order to drive the independents out of business. The owner of the daily claimed his actions were protected by the First Amendment. As you might imagine, the judge in the case laughed him out of court.

Something similar just happened to the Pittsburgh Post-Gazette. Former reporter Alexis Johnson, who was banned from covering Black Lives Matter protests after her editors claimed that her innocuous Twitter joke about a Kenny Chesney concert compromised her objectivity, sued the paper in June 2020, claiming racial discrimination (Johnson is Black) and illegal retaliation. The Post-Gazette argued that its actions were protected by the First Amendment.

U.S. District Judge J. Nicholas Ranjan is having none of it. According to Ryan Deto of the Pittsburgh City Paper, Ranjan rejected the Post-Gazette’s bid to dismiss the case, ruling, “While the First Amendment provides a publisher absolute discretion to refrain from publishing content, this discretion does not extend to allow a publisher to make any and all discriminatory personnel decisions.” University of Pittsburgh law professor Jerry Dickinson told the City Paper that the ruling could help other journalists of color who are dealing with workplace discrimination:

It means the P-G can’t short-circuit accountability by hiding behind the First Amendment for protection from its discriminatory actions. There are clearly enough facts in dispute that affords the case to move forward. The backdrop to this case was the Black Lives Matter movement and racial justice protests after the murder of George Floyd. We don’t want the First Amendment weaponized against racial progress. That’s dangerous.

The Post-Gazette’s actions against Johnson sparked national coverage, leading to outrage in the newsroom and a decision by a supermarket chain to stop carrying the paper. Johnson herself left and is now a high-profile reporter for Vice News.

As I wrote at the time for GBH News, the story also shone a spotlight on the decline of the Post-Gazette under publisher John Block, whose family had owned the paper for many years but who was personally a Trumper who seemed peculiarly ill-suited to the job.

Just as the owner of that Boston-area newspaper learned many years ago, the First Amendment may be a powerful tool for guaranteeing freedom of the press — but it doesn’t magically protect business practices that would be illegal for anyone else.

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