Click on image to watch Donna Halper’s interview with CTV
Friend of Media Nation Donna Halper has something new to celebrate. Rush, the Canadian progressive rock band that Halper discovered when she was music director at a Cleveland radio station, will be inducted into the Rock and Roll Hall of Fame.
Being more a fan of roots music than prog-rock, I will admit to never having listened to a Rush album. At Halper’s recommendation, I tried out “Moving Pictures” on the way home last night. OK, I’m still not a prog-rock fan. But they sure can play.
Rick Daniels will step down as president of GateHouse Media New England at the end of the year. GateHouse publishes about 100 community newspapers in Eastern Massachusetts — mostly weeklies, but also a few medium-size dailies, including the MetroWest Daily News of Framingham, the Patriot Ledger of Quincy and the Enterprise of Brockton. The company also runs about 150 Wicked Local websites.
In my rather minimal dealings with him, Daniels, a former Boston Globe executive, struck me as amiable and wanting to do right by local journalism. The same is true of Kirk Davis, president and CEO COO of all GateHouse properties, who will take over Daniels’ responsibilities on an interim basis.
But for years now, GateHouse — which runs more than 400 publications and websites from its national headquarters in suburban Rochester, N.Y. — has been staggering under the burden of $1.2 billion in debt. In August 2011, the Rochester Business Journal reported that GateHouse was “the most highly leveraged of any publicly traded newspaper company,” with debt nearly 14 times cash flow.
And just a few months ago, Jack Sullivan of CommonWealth Magazine wrote that GateHouse itself had raised the possibility of bankruptcy in its annual report.
Thus in recent years we’ve seen a number of high-profile executives lopped off the payroll, including digital-publishing chief Howard Owens, now the publisher and editor of The Batavian, a widely admired local news site that he actually started for GateHouse, and Greg Reibman, former publisher of GateHouse’s Greater Boston papers, now president of the Newton Needham Chamber of Commerce. Also leaving was Kat Powers, managing editor of GateHouse Media New England, now director of communications for the American Red Cross of Eastern Massachusetts.*
Daniels is supposedly leaving GateHouse to pursue unspecified “investment and advisory roles for media companies.” At least no one is claiming that he wants to spend more time with his family.
“There’s a lot of pretty interesting deals that are out there and I’ve been approached by some folks who would like to do some of those deals,” Daniels told the Patriot Ledger. “They seem to have some interest in having operators with some experience.”
My guess is that if Daniels is quickly replaced, then his leave-taking was voluntary. And if Davis is still interim president six months from now, then Daniels’ departure should be seen as a cost-cutting move.
Five years ago I wrote about GateHouse’s debt woes for CommonWealth and talked pretty extensively with Davis. It’s been a long time, but the issues haven’t changed all that much.
Here is Davis’ email to the troops, a copy of which was forwarded to Media Nation by a trusted source earlier this afternoon:
I’m writing to explain some important news that is “public” today.
Rick Daniels, who has presided over our Massachusetts operations for the past 5 1/2 years, will be leaving his post at the end of the year. Rick plans to pursue investment and advisory roles to a variety of media companies.
I’ve had the pleasure of working with Rick throughout his career at GateHouse Media. He’s proven himself to be a very capable and accomplished executive, one who has led an accelerated transformation of our newspapers and web sites through very difficult economic times. Rick departs with our deepest gratitude and admiration and has graciously agreed to continue to provide any assistance I may need in order to ensure a seamless transition.
I will assume responsibility for our Massachusetts group on an interim basis. I’ve been affiliated with our operations in Massachusetts for many years and have always appreciated the support I’ve received from employees. I’ll enjoy reconnecting with staff.
In light of Rick’s departure, I will appoint a few key executives to assist me and our strong management team in Massachusetts through this transitional period. Look for that announcement before January 1.
Again, it has been a pleasure working with Rick. We are extremely grateful for his leadership the past 5 1/2 years and wish him much continued success.
Thanks,
Kirk
*Correction: Kat Powers did not lose her job at GateHouse, as I originally wrote. Rather, she left the company to take a position with the Red Cross.
The Boston Herald reports today that Greater Media could be preparing to get rid of the talk format at WTKK Radio (96.9 FM) because toxic hosts like Michael Graham are increasingly repellant to advertisers.
The story, by Ira Kantor, has some resonance because rumors of the move have surfaced off and on for many months. An interesting new wrinkle Kantor found is that someone has registered music-related domain names like 969bostonsbeat.com and 969thebeat.com in preparation for a switch. When I looked them up I discovered that whoever put in for them had paid a little extra for privacy protection. There’s no way of knowing whether they were registered by Greater Media or an entrepreneurial squatter, but the fact that they were only registered last week is surely indicative of something.
Kantor also quotes Friend of Media Nation Donna Halper, who thinks Greater Media will keep WTKK as a talk station but is nevertheless hedging its bets. Halper tells Kantor:
I am firmly convinced [Greater Media] will make things work for them and find a way to keep it around, but have a Plan B in the event they need to turn on a dime and have something that will attract a younger audience, because right now it’s not talk radio.
WTKK has had a schizophrenic format for quite a while. Its morning drive-time hosts, Jim Braude and Margery Eagan, are civilized and funny. Braude is a liberal and Eagan is — well, sort of liberal, sort of moderate. But whenever I tune in, they seem to be talking about something other than politics.
The afternoon drive host, meanwhile, is Graham, a right-wing bully who replaced the even more noxious Jay Severin a couple of years ago.
If Greater Media brings the hammer down on talk, I’d like to see Braude and Eagan land somewhere. In the current radio market, though — shrinking, moving online, with those that are still on the air embracing cheap robo-programming — it’s hard to imagine where.
The Marty Baron era is ending with a bang. As you no doubt already know, the Boston Globe this week published an exhaustive three-part series on the justice system and illegal immigration.
Called “Justice in the Shadows,” the series — reported by Maria Sacchetti and Milton Valencia — looks at illegal immigrants who have been released and committed serious crimes (including murder) because their home countries don’t want them back; at others who themselves have been treated unfairly, such a Lynn woman who died in custody; and, today, at the separate court system that has been set up inside prison walls.
The series is accompanied by videos and links to relevant legal documents. And there could be more to come: the Globe has sued the U.S. Department of Homeland Security to obtain “the names of thousands of criminal immigrants it released in the United States over the past four years, sometimes with tragic results.”
It’s also yet another reminder that important public-service journalism like this simply can’t be done without large, well-funded news organizations.
Rupert Murdoch this week killed off The Daily, the tablet-centric electronic newspaper that he unveiled nearly two years ago to great fanfare and even greater skepticism.
It’s no exaggeration to say this was one experiment that was dead on arrival. Very few observers believed there was a market for a middlebrow paid digital news product aimed at a general audience. And those few were proved wrong.
It so happens that The Daily died just as I was reading “Post-Industrial Journalism,” a new report by Columbia’s Tow Center for Digital Journalism. The authors, C.W. Anderson, Emily Bell and Clay Shirky, argue that digital technology has ended the industrial model of journalism — an approach to news built around the industrial processes (printing plants, fleets of trucks and the like) needed to produce and distribute it. They credit the phrase “post-industrial journalism” to the redoubtable Doc Searls, who in 2001 defined it as “journalism no longer organized around the norms of proximity to the machinery of production.”
The problem with The Daily — or, at least, one of the problems — was that Murdoch followed the industrial model of news despite his reliance on post-industrial technology. The Daily was a centralized operation built around a daily cycle when it should have taken advantage of not being tied down to a print edition. It was essentially an electronic version of a print newspaper that offered none of the advantages of either format.
The Daily was not part of the broader Web. Social sharing was difficult if not impossible. The Daily was, well, a daily — it came out once a day, you downloaded it and that was that. No updating until the next day’s edition. At first, you could only read it on an iPad, although it eventually migrated to other tablets and to the iPhone.
With print, people are willing to put up with some of these shortcomings because of the convenience and aesthetics of ink on paper, which still haven’t lost their appeal. An online news source simply has to offer more. The Daily was on the Internet, but it wasn’t of the Internet. Its demise was inevitable.
You may have heard that a journalistic scandal is unfolding at the Cape Cod Times. A 59-year-old reporter, Karen Jeffrey, left the paper after editor Paul Pronovost and publisher Peter Meyer concluded she had fabricated sources in at least 34 stories dating back to 1998. Jeffrey had worked at the daily since 1981.
According to the apology that the paper has published, the fabrications appear to be restricted to “lighter fare,” and that Jeffrey managed to stick to nonfiction when covering hard news. That might help explain how she got away with it for so long. Then, too, fictional sources don’t call up the editor to complain.
Still, you have to wonder if anyone either inside or outside the newsroom harbored suspicions. This is a big deal — as bad as Mike Barnicle, Patricia Smith and Jayson Blair. The only difference is that Jeffrey’s downfall is playing out on a smaller stage. Count me as one observer who would like to know more.
Jim Romenekso covers the scandal here; Poynter’s Andrew Beaujon has more here; Walter Brooks of Cape Cod Today indulges in a little schadenfreude here.
Rupert Murdoch, believe it or not, actually owns the Times, a consequence of his having bought the Wall Street Journal and its affiliated properties five years ago. Boston Herald owner Pat Purcell, a Murdoch protégé, is involved in managing the Times and other Murdoch-owned community papers.
Jeffrey’s reign of error began many years before the Murdoch era. But it will be interesting to see whether Purcell is heard from as this story unfolds.
If you’re in the area, I hope you’ll consider joining me on Thursday at 7:30 p.m. for my talk at the Walden Forum on “Truth in Journalism: Whose Facts, Whose Reality?”
The Boston Herald has put together a video to mark the paper’s 30th anniversary of its current incarnation. In December 1982, Hearst nearly closed the doors before Rupert Murdoch swept in and rescued the tabloid in return for concessions from the paper’s union.
The video, featuring Herald columnists Joe Fitzgerald, Margery Eagan and Howie Carr, publisher Pat Purcell (who bought the paper from Murdoch in 1994) and others, is a self-celebration over Boston’s having remained a two-daily town — rare then and even more rare today. It’s accompanied by a column in which Fitzgerald remembers the emotional rollercoaster everyone was on.
I should add that Fitzgerald was the subject recently of a touching column by his colleague Jessica Heslam following the death of his wife, Carol. Heslam’s piece has slipped into the paid archives, but John Carroll recently excerpted parts of it. Media Nation extends its best wishes to Fitzgerald and his family.
Prosecutors, a judge, and a jury put Jeffrey MacDonald behind bars more than three decades ago for the murder of his pregnant wife and two young daughters. But according to Errol Morris, he’s been kept there by the power of narrative. “You can escape from prison, but how do you escape from a convincing story?” asks Morris in his new book, “A Wilderness of Error” …
You can also read my article on an earlier book about the MacDonald case, Jerry Allen Potter and Fred Bost’s “Fatal Justice,” which appeared in the Boston Phoenix on April 7, 1995.
I continue to be surprised at the amount of attention The Phoenix has received for its switch from newsprint to glossy paper. The latest to weigh in is Boston magazine, with a smart piece by Peter Vigneron on the alt-weekly’s struggle to survive in a dramatically changed media environment. (Among the many people Vigneron interviews is yours truly.)
The best quote is from editor Carly Carioli, who tells Vigneron: “We have said for decades that we are a magazine in newsprint form. Now we’re a magazine in magazine form.” Truth. Nice plug, too, for David Bernstein, whom Vigneron calls “a fine political writer, perhaps the best in the state.”
I only have one quibble. At one point Vigneron asks, “But can you save a publication that for many years has been neither lucrative nor especially relevant?”
As Vigneron himself notes, circulation remains north of 100,000. Like all publications, The Phoenix is fighting for its life. But a newspaper/magazine that’s picked up by more than 100,000 people each week is not irrelevant.
On another front entirely, artist Karl Stevens announced in a public Facebook post Monday that The Phoenix has canceled his weekly cartoon, “Failure,” allegedly over his mocking of Bud Light, an advertiser. I hope the cancellation proves temporary, and I welcome clarification and further explanation in the comments.
Disclosure: I was on staff at The Phoenix from 1991 to 2005, and remain a contributor.
Thursday update: Phoenix editor Carly Carioli tells the Boston Globe that any suggestion “Failure” was discontinued over the Bud Light reference is “categorically false,” adding: “As the Phoenix’s editor in chief, it was my sole decision to discontinue ‘Failure.’ There were no sponsor objections — zero — to this strip or any other that I’m aware of.”
Thursday update II: A very classy statement from Stevens: “After thinking it over and talking with people in the know, I may have misunderstood the reasons for the cancellation of Failure in The Boston Phoenix. I want to apologize publicly for any misinformation that was spread, and would like to continue the otherwise wonderful relationship I have enjoyed with the publication on any future projects.”
Prosecutors, a judge, and a jury put Jeffrey MacDonald behind bars more than three decades ago for the murder of his pregnant wife and two young daughters. But according to Errol Morris, he’s been kept there by the power of narrative. “You can escape from prison, but how do you escape from a convincing story?” asks Morris in his new book, “A Wilderness of Error” …