The Register Citizen of Torrington, Connecticut, is moving from daily to weekly print publication starting March 12. The paper is part of the Hearst CT chain, which has gone all-in on digital — so I wouldn’t criticize this move unless it results in less coverage.
A newspaper battle is brewing in Connecticut — but print is becoming an afterthought.
Hearst Connecticut recently announced that it would move its printing operations to Albany, New York, meaning that deadlines for titles such as the New Haven Register and the Connecticut Post of Bridgeport will be earlier than ever. Twenty-eight jobs will be eliminated, reports Greg Bordonaro of the Hartford Business Journal.
At the same time, Hearst has been growing in Connecticut. The chain is adding positions to its combined newsroom of about 160 full-timers. According to confidential sources I’ve been in touch with with, digital subscriptions have risen from about 21,000 to 39,000 over the past 16 months.
With Connecticut’s statewide daily, the Hartford Courant, being strangled by the hedge fund Alden Global Capital, the privately owned Hearst is attempting to fill the void. Last summer, Hearst unveiled a new statewide website, CTInsider, that has its own staff and also draws on content from Hearst CT’s eight dailies and 13 weeklies.
It’s an approach that emphasizes statewide and regional coverage over community watchdog reporting, and it’s similar to what Advance is doing in New Jersey, where papers such as The Star-Ledger of Newark, The Times of Trenton and the South Jersey Times have been united under the NJ.com banner. Nevertheless, the emphasis on growth and real journalism at Hearst CT is heartening at a time when hedge-fund cutbacks are dominant.
[vimeo http://www.vimeo.com/57082399 w=500&h=375]
Boston-based GlobalPost has gone live with a major new project. “The Great Divide: Exploring Income Inequality” examines the growing gap between rich and poor in the United States and compares it with other countries.
The project contains plenty of data and interactive features to drive home its findings and to make it possible for users to learn about where they live. For instance, I discovered that income distribution in Greater Boston is about the same as it is in Ecuador.
The video above documents life in gritty Bridgeport, Conn., and how it compares with Greenwich, its wealthy counterpart 15 miles southwest on I-95. Those communities, in turn, are used to demonstrate a similar divide between rich and poor neighborhoods in Bangkok.
Our hope is that by drawing these comparisons, we might hold a mirror up for our audience to see just how wide the gap between poor and rich has become in America. As our reporting teams have discovered, inequality comes at a great social cost and we hope this series will reveal why this issue should matter to us all.
The series is a serious, in-depth examination of one of the most important issues of our time. It also shows how a philanthropic organization like the Ford Foundation can help fund public-interest journalism at a time when for-profit news organizations are struggling.
The timing was serendipitous. As the media swarmed around Newtown, Conn., following last Friday’s horrifying massacre, some observers were beginning to ask why so little attention was being paid to the ongoing crisis of urban violence. (Here’s one example, from The Phoenix’s Chris Faraone.)
On Sunday, the Boston Globe provided an answer of sorts: the first installment of “68 Blocks: Life, Death, Hope,” a five-day, multi-part series on Dorchester’s Bowdoin-Geneva neighborhood — a predominantly African-American community that is a vibrant center of family life but that is also beset by gangs and guns. The Globe went all in. The paper even rented an apartment in the neighborhood, where two of its reporters, Meghan Irons and Akilah Johnson, lived during the five months that they and others were doing their reporting.
It was only a week ago that the paper published an ambitious three-part series on the problems of immigration. The long-term prospects for the newspaper business may be bleak, but the Globe continues to produce important, expensive, time-consuming work.
At a time when you sometimes hear that various forms of digital storytelling have made narrative obsolete, “68 Blocks” is an example of how digital and narrative can work together. The story itself — 29,000 or so words spread out over five days — is unusual for newspaper writing. There is no news hook and, in the end, no real conclusion.
Thus we are left to wonder if Nate Davis and his wife, Trina Fomby-Davis, will be able to move on with their lives after the murder of one son and the imprisonment of another; if “Tal” will ever make something of himself; if Father Doc Conway can truly make a difference; and if Jhana Senxian will succeed in her efforts to remake her small part of Bowdoin-Geneva.
But if you’re only reading “68 Blocks” in print, you’re missing a lot. Fortunately the Globe has dropped the paywall for this package, so you can take the time to explore. It stands as a lesson in how to do multimedia, how to use data and how to involve your readers — “the people formerly known as the audience,” as Jay Rosen calls them — to help tell their own stories. For instance:
• Instagram and voices from the neighborhood. My students and I have taken several tours of the Globe Idea Lab, an innovation skunkworks inside the paper’s Dorchester headquarters. The lab is dominated by a giant vertical screen comprising nine smaller screens. On it is a map of Boston, with geotagged Instagram photos popping up as soon as people post them. The Globe tracked down some of the amateur photographers in Bowdoin-Geneva, got their permission to use their pictures (unlike, uh, Instagram) and recorded brief audio interviews to go with each one. Rachel McAthy has more at Journalism.co.uk.
• Kids using video to tell their own stories. This might be my favorite: the Globe distributed video cameras to young people in the neighborhood and posted the results. There are six short videos online, and every one is worth watching.
• Interactive data visualizations. Using maps and charts, “68 Blocks” lays out in graphic detail a number of quality-of-life measurements ranging from homicides to rodent activity. By letting the user call up the data she wants, the visualizations invite repeated visits.
• A photo tour of the neighborhood. With audio.
All of that is in addition to more typical offerings such as professionally produced videos, slideshows and diary entries written by Globe reporters.
This is a series that should have a long post-publication life — perhaps supplemented by an e-book. It’s a great example of what a large news organization is able to do if it’s got the resources and is willing to commit them to a long, complex project. Those of us who live in Greater Boston are lucky that the Globe is still taking on such important work.
Connecticut Magazine has released its list of “40 Under 40” — that is, 40 Connecticut residents under 40 who are making a difference. And it turns out that two of them have been the subject of video interviews on Media Nation. Among those named were:
- Christine Stuart, 33, who runs the Hartford-based Statehouse news site CT News Junkie (she doubles as the New Haven Independent‘s Statehouse bureau chief).
- New Haven’s Ben Berkowitz, 31, co-founder of SeeClickFix, an interactive website that uses mapping and discussion boards to connect citizens, government and the media to deal with community problems.