Almost from the beginning of the social-media age, I’ve been too deeply immersed for my own good. So I appreciated this recent essay (gift link) in The New York Times Magazine by J Worthen, who tells us that Bluesky might look like the better, kinder place at the moment but that it’s probably destined to turn into a vortex of sociopathy like all the rest. Here’s the nut:
We have officially arrived in late-stage social media. The services and platforms that delighted us and reshaped our lives when they began appearing a few decades ago have now reached total saturation and maturation. Call it malaise. Call it Stockholm syndrome. Call it whatever. But each time a new platform debuts, promising something better — to help us connect better, share photos better, manage our lives better — many of us enthusiastically trek on over, only to be disappointed in the end.
As someone who used to get into fights on Usenet back in the 1990s (look it up), long before anyone had ever thought of using algorithms to drive content that engages and enrages, I agree that it’s hopeless. Bluesky might prove to be the exception. Among other things, you get to choose your own algorithm, or none at all. But it really doesn’t matter. The real problem is that, no, you can’t have meaningful conversations with strangers, and social media is inimical to the way we’ve evolved.
The post-Musk social-media landscape has also been defined by the incredibly annoying practice of platform-shaming — a hopeless chase after the least-evil alternative, accompanied by bitter criticism of anyone who would dare keep using those platforms that are deemed insufficiently free of harmful entanglements.
What does it mean to “publish” something? In the pre-social media era, that question was easy enough to answer. It became a little more complicated in 1996, when Congress passed a law called Section 230, which protects internet providers from liability for any third-party content that might be posted on their sites.
But those early online publishers were newspapers and other news organizations as well as early online services such as CompuServe, AOL and Prodigy. None of them was trying to promote certain types of third-party content in order to drive up engagement and, thus, ad revenues.
Today, of course, that’s the whole point. Algorithms employed by social media companies such as Meta (Facebook, Instagram and Threads), Twitter and TikTok use sophisticated software that figures out what kind of content you are more likely to engage with with so they can show you more of it. Such practices have been linked to, among other things, genocide in Myanmar as well as depression and other mental health issues.
So again, what does it mean to “publish”? I’ve argued since as far back as 2017 that elevating some third-party content over others could be considered publication rather than simply acting as a passive receptacle of whatever stuff comes in over the digital transom.
A print publication, after all, is legally responsible for everything it encompasses, including ads (the landmark Times v. Sullivan libel decision involved an advertisement) and letters to the editor. It would be neither practical nor desirable to hold social media companies responsible for all third-party content. But again, if they are boosting some content to make it more visible because they (or, rather, their unblinking algorithms) think it will get them more engagement and make them more money, how is that not an act of publishing? Why should it be protected by federal law?
Earlier this week, investigative journalist Julia Angwin wrote an op-ed piece for The New York Times (gift link) arguing that the tide may be turning against the social media giants, in part because of TikTok’s aggressive use of its algorithmic “For You” feed, which has been emulated by the other platforms. A showdown over Section 230 may be headed for the Supreme Court. She writes:
If tech platforms are actively shaping our experiences, after all, maybe they should be held liable for creating experiences that damage our bodies, our children, our communities and our democracy….
My hope is that the erection of new legal guardrails would create incentives to build platforms that give control back to users. It could be a win-win: We get to decide what we see, and they get to limit their liability.
I don’t think there’s a good-faith argument to be made that reforming Section 230 would harm the First Amendment. We would still have the right to publish freely, subject to long-existing prohibitions against libel, incitement, serious breaches of national security and obscenity. And internet providers would still be held harmless for any content posted by their users. But it would end the legal absurdity that a tech platform can boost harmful content and then claim immunity because that content originated with someone else. (Ironically, those third-party posters are fully liable for their content if they can be identified and tracked down.)
As Angwin notes, Ethan Zuckerman of UMass Amherst, a respected thinker about all things digital, is suing Meta for the right to develop software that would allow users to control their own experience on Facebook. Angwin also touts Bluesky, a Twitter alternative that allows its users to design their own feeds (you can find me at @dankennedy-nu.bsky.social).
We should all have the right to freedom of speech and freedom of the press. But the platforms that control so much of our lives should should have the same freedoms that the rest of us have — and that should not include the freedom to boost harmful content without any legal consequences because of the fiction that they are not engaged in an act of publishing. It’s long past time to make some changes to Section 230.
Olivia Nuzzi departs
Olivia Nuzzi’s separation agreement with New York magazine was heavily lawyered, according to reports, and that shouldn’t come as a surprise to anyone. But the magazine’s statement that its law firm found “no inaccuracies nor evidence of bias” in her work needs to be placed in context. Liam Reilly and Hadas Gold of CNN report on Nuzzi’s departure.
Nuzzi, you may recall, was involved in some sort of sexual (but not physical) relationship with Robert F. Kennedy Jr. that may have encompassed sexting and nude selfies — we still don’t know.
But as I wrote last month, after Nuzzi’s relationship with Kennedy became public, she wrote a very tough piece about President Biden’s alleged age-related infirmities while Kennedy was still a presidential candidate and an oddly sympathetic profile of Donald Trump after Kennedy had left the race, endorsed Trump and made it clear that he was hoping for a high-level job in a Trump White House.
Maybe Nuzzi would have written those two stories exactly the same way even if she had never met Kennedy. But we’ll never know.
Media notes
• Billionaire ambitions. Benjamin Mullin of The New York Times reports (gift link) that a Florida billionaire named David Hoffmann has bought 5% of the cost-cutting Lee Enterprises newspaper chain, and that he hopes to help revive the local news business. “These local newspapers are really important to these communities,” Hoffman told Mullin. “With the digital age and technology, it’s changing rapidly. But I think there’s room for both, and we’d like to be a part of that.” Lee owns media properties in 73 U.S. markets, including well-known titles such as the St. Louis Post-Dispatch and The Buffalo News.
• Silent treatment. Patrick Soon-Shiong, whose ownership of the Los Angeles Times has been defined by vaulting ambitions and devastating cuts, has stumbled once again. Max Tani of Semafor reports that the Times will not endorse in this year’s presidential content, even though it published endorsements in state and local races just last week. The decision to abstain from choosing between Kamala Harris and Donald Trump, Tani writes, came straight from Soon-Shiong, who made his wealth in the health-care sector. Closer to home, The Boston Globe endorsed Harris earlier this week.
• Reaching young voters.Santa Cruz Local, a digital nonprofit, has announced an ambitious idea to engage with young people: news delivered by text messages and Instagram. “We want to reach thousands of students with civic news and help first time voters get to the ballot box,” writes Kara Meyberg Guzman, the Local’s co-founder and CEO. The Local’s Instagram-first election guide will be aimed at 18- to 29-year-olds in Santa Cruz County, with an emphasis on reaching local college students; Guzman is attempting to raise $10,000 in order to fund it. Santa Cruz Local was one of 205 local news organizations to receive a $100,000 grant from Press Forward last week. Guzman was also interviewed in the book that Ellen Clegg and I wrote, “What Works in Community News,” and on our podcast.
I’ve been blogging since 2002, which makes me something of an expert on how the medium has changed over time. I’ve been thinking lately about some subtle changes I want to make to Media Nation now that social media has become an annoying afterthought rather than a primary means by which we distribute our work.
My approach before the rise of social media was to write some longish posts and some really short posts, the latter so that I could link to items I wanted to call people’s attention to. If you take a look at another early blogger who’s still at it, Glenn “Instapundit” Reynolds, you’ll see that he still does it that way. My own practice, though, was to stop writing very short posts at Media Nation — after all, that’s what Twitter was for. And if I had something a little bit longer that hadn’t quite congealed, I’d publish that at Facebook.
These days, when I write a more fully developed post, I’m promoting it at Threads, Bluesky, Mastodon, X/Twitter, Facebook and LinkedIn, which seems kind of ridiculous. If anything, it’s an incentive not to write. But I’m also rediscovering the utility of posting short items here. After all, there are nearly 2,300 readers who’ve signed up to receive new posts by email, and many of them may not even be on social media. (Email delivery of Media Nation is free, and it’s not the same as becoming a supporter for $5 a month, which of course you are encouraged to do.)
I find that I haven’t quite returned to the old days of writing one-liners à la Reynolds. Still, I’ve written a few brief updates recently aimed at calling your attention to one thing, such as this, this and this. And though I’m talking specifically about blogging, which seems kind of old-fashioned, it could pertain to newsletters, too. Newsletters tend to be long, but many include Twitter-like quickies at the bottom, which strikes me increasingly as a good idea.
When I was reporting on the early years of The Washington Post’s revival under Jeff Bezos for my book “The Return of the Moguls,” the Post was publishing every one of its stories on Facebook. They talked about a “barbell” and trying to entice readers on the Facebook side of the barbell into migrating across and becoming a paying customer on the Post side. Those days are long gone.
Charlie Warzel wrote a piece for The Atlantic the other day warning that social media is no longer working for news distribution, mainly because Facebook has de-emphasized news and Twitter has fallen into a toxic cesspool. Well, social is no longer working for self-published news and commentary either. Those of us who have kept up our independent presence through a blog or a newsletter should think of how we’re going to leverage that advantage.
And now The Associated Press has made a bad situation worse — responding to the petition by its own journalists about the firing of Emily Wilder by saying it will embark on a months-long review of its social media policy. Worse, the AP pulled Wilder out from beneath the bus so it could throw her under it again. The AP’s David Bauder reports:
The news leaders said sharing more information was difficult: the company does not publicly discuss personnel issues to protect the privacy of staff.
“We can assure you that much of the coverage and commentary does not accurately portray a difficult decision we did not make lightly,” the memo said. It did not make clear what information was reported inaccurately.
Good Lord.
Also worth noting is that the AP’s executive editor, Sally Buzbee, who’ll soon take over the top editor’s job at The Washington Post, says she had nothing to do with Wilder’s firing and sounds disinclined to intervene. According to NPR’s David Folkenflik, “She tells NPR as a result [of her pending move to the Post] that she had handed off her duties and had nothing to do with this decision.”
The Associated Press’ decision to fire a just-graduated college student because of her pro-Palestinian social media posts raises some important issues for those of us who teach journalism.
The AP claims that it ended Emily Wilder’s stint as a news associate in Phoenix solely because of her tweets during two weeks on the job. That would be bad enough. After all, Wilder is 22 and at the very beginning of her career. In what world would it not make more sense to sit her down, explain what she was doing wrong, and let her off with a warning? Unfortunately, based on the evidence, it seems likely that her posts on behalf of Palestinian rights back when she was a Stanford student were an issue as well, especially when an online right-wing mob came after her.
Students in my ethics classes talked about Twitter a lot during the past year. I found the case of Alexis Johnson to be particularly useful in illustrating the dilemma that journalists face. Johnson, you may recall, was banned from reporting on Black Lives Matter at the Pittsburgh Post-Gazette after she tweeted a harmless joke comparing littering at a Kenny Chesney concert to the trash left behind at racial-justice protests.
Some of my students were adamant that journalists should be free to tweet what they like — that they have a First Amendment right to express themselves on their own time just like anyone else. What I tried to convey to them was that Johnson’s situation was a lot more complicated than that. No, journalists may not tweet anything they like. Straight-news reporters can’t tweet their opinions about people and issues they cover.
The problem with the Post-Gazette wasn’t that Johnson had a right to tweet anything as she saw fit, but that her tweet was innocuous. It seemed pretty clear that she was being punished because she was Black and because she had a mind of her own. The absurdity of what happened to her led to an uproar at the paper and in the community. Johnson eventually left, and today she’s in a high-profile position at Vice News.
So the message for Emily Wilder is no, you can’t tweet just anything. And though the Phoenix bureau was as far as you can get from the conflict in the Middle East, the AP is a worldwide news organization. Management is within its rights to insist that its reporters not express opinions about issues in the news. The problem was its absurd overreaction, which had all the appearances of a craven attempt to appease its critics on the right.
Which leads me to a more difficult issue — the question of whether someone’s social media activities as a student should be held against them when they enter the work world. My first instinct is to say no. How careful are 18-, 19- and 20-year-olds supposed to be when commenting on the news? Even if they aspire to work for a news organization, that’s in the future. They should be judged by their performance on the job, not by the views they expressed before being hired.
But I’m not sure we live in that world anymore. Disproportionate though the Wilder firing may have been, the AP is one of the largest news organizations in the world, reportedly employing about 3,300 people. I don’t think I can tell my students that they should continue to tweet controversial opinions without any fear of the consequences. What if they have a chance to get a job with the AP some day? Or another news organization with a retrograde social-media policy but that is otherwise a place they would like to work?
Few observers seem to think the AP got this right. A group of AP employees is circulating a petition calling the agency to task. Among other things, they say:
We strongly disapprove of the way the AP has handled the firing of Emily Wilder and its dayslong silence internally. We demand more clarity from the company about why Wilder was fired. It remains unclear — to Wilder herself as well as staff at large — how she violated the social media policy while employed by the AP….
Wilder was a young journalist, unnecessarily harmed by the AP’s handling and announcement of its firing of her. We need to know that the AP would stand behind and provide resources to journalists who are the subject of smear campaigns and online harassment. As journalists who cover contentious subjects, we are often the target of people unhappy with scrutiny. What happens when they orchestrate a smear campaign targeting another one of us?
The AP’s own account of what happened says that Wilder was terminated “for violations of its social media policy that took place after she became an employee.” But Wilder herself told David Bauder, the AP reporter who wrote the story, that she believed her firing had more to do with the harassment campaign against her, which was mainly based on her more caustic tweets from when she was a student. And she told Jeremy Barr of The Washington Post: “This was a result of the campaign against me. To me, it feels like AP folded to the ridiculous demands and cheap bullying of organizations and individuals.”
As it happens, the incoming executive editor of the Post, Sally Buzbee, is currently the executive editor of the AP. It’s unimaginable that she was involved in the firing of a low-level employee like Wilder. But she’s certainly seen what a mess this has devolved into, and it’s well within her power to do something about it. The AP committed a serious misstep, and failing to address it isn’t going to make it go away.
My message to my students remains the same. There are a number of activities that journalists simply can’t take part in, such as making campaign contributions, putting a candidate’s sign on their lawn, becoming an activist on a contentious social issue — or tweeting opinions that they would never be allowed to express in the regular course of doing their job.
And as much as I would like to think that they shouldn’t be held to account for what they said as students, we have all entered a new reality. Rehiring Emily Wilder would be a positive step toward reassuring journalism students everywhere that common sense still exists, and that a great news organization like the AP isn’t going to be intimidated into doing the wrong thing.
Right-wing groups on chat apps like Telegram are swelling with new members after Parler disappeared and a backlash against Facebook and Twitter, making it harder for law enforcement to track where the next attack could come from….
Trump supporters looking for communities of like-minded people will likely find Telegram to be more extreme than the Facebook groups and Twitter feeds they are used to, said Amarasingam. [Amarnath Amarasingam is described as a researcher who specializes in terrorism and extremism.]
“It’s not simply pro-Trump content, mildly complaining about election fraud. Instead, it’s openly anti-Semitic, violent, bomb making materials and so on. People coming to Telegram may be in for a surprise in that sense,” Amarasingam said.
Earlier this week I did something I had resisted for a long time: I added my Twitter feed to the right-hand rail of Media Nation. (WGBH News is still there, but farther down.)
I did it for two reasons. First, for me, as for many people, Twitter has changed my approach to blogging. If I want to put up a link with a brief comment, I do it on Twitter, often on Facebook as well, and rarely on Media Nation. Ten years ago, by contrast, I would have run everything on my blog.
Second, I tend to be less disciplined than I’d like on Twitter. (How’s that for a euphemism?) Having a little voice in my head reminding me that whatever I post on Twitter will also show up on Media Nation is a good thing.
And speaking of how social media have changed blogging, a reminder: I post links to all Media Nation articles on Facebook, where a much richer discussion generally takes place than is the case here. You don’t have to friend me — just follow my public feed.
Journalism has lost control of its platforms and means of distribution. In many ways, that’s good, because it has brought to an end the monopoly journalists once held on the news and information we need to govern ourselves in a democratic society. We should be deeply concerned about the mysterious process that determines what we see or don’t see in our Facebook newsfeeds.
But the age of information gatekeepers did not end with the rise of the Internet. In fact, the lowering of the moat was only a temporary blip. Now we’re living in a new age of gatekeeping. Our masters are social media — and Facebook in particular, both because of its dominance and the way it manipulates what we see.
Last week Emily Bell, director of the Tow Center for Digital Journalism at the Columbia Journalism School, delivered an important speech at Oxford about the journalistic implications of social mediation. It is worth reading in full. Also worth reading is Mathew Ingram’s analysis. Just as earlier generations fretted over what made it (or didn’t make it) onto the nightly network newscasts, today we should be deeply concerned about the mysterious process that determines what we see or don’t see in our Facebook newsfeeds.
One of the more original political voices to pass through Boston in many years is fleeing the scene. My former Boston Phoenix colleague David Bernstein, who’s been contributing to Boston magazine and WGBH since the Phoenix’s demise in 2013, is heading to Richmond, Virginia, where his wife, Kristin McGrath, is starting “an exciting new job.”
Bernstein’s political analysis is smart and straight from a liberal perspective. But it’s his use of social media that sets him apart. His Twitter feed, which has nearly 14,000 followers, is a great source of news, political humor and hashtag games. On Facebook, he pays tribute to the birthdays of often-obscure politicos with music trivia contests. A recent example:
Today’s Massachusetts political birthday is Segun Idowu of the Edward M. Kennedy Insititute, currently under construction. In his honor, what are the best songs with the word “build,” “shape,” or “make” in the title? I’ll start with Foundations “Build Me Up Buttercup”; Nirvana “Heart-Shaped Box”; and Nick Lowe “You Make Me.”
Then there is Bernstein’s #mapoli With Animals, a Tumblr consisting of photos of Massachusetts politicians posing with their (and other people’s) pets. If you haven’t seen it, you should. I’m sure you’ll agree that it is one of the signal accomplishments of the Internet age.
Bernstein says he’ll “still write and comment about Massachusetts politics beyond 2014,” and that he expects to continue with BoMag and WGBH. But it won’t be the same with him checking in from afar. Best of luck to both David and Kristin.
From the vantage point of 2014, offering advice on how to write a blog feels a little like telling people how to write a proper newspaper article in 2005. “Blogging is dead,” says the (ahem) blogger Jason Kottke, overtaken by social-media platforms such as Facebook, Twitter, and Instagram.
But if the revolutionary gleam has worn off, blogging nevertheless is still a valuable tool for anyone practicing digital journalism, whether it be commentary, original reporting, photography, or video. I’ve been blogging since 2002 — on my own at first, then as the media columnist for the late, lamented Boston Phoenix, and since 2005 as the publisher and almost-sole author of Media Nation.
These days there are many places online where you can share your work — not just social platforms but also online publications such as the Huffington Post and Medium, which combine paid content with unpaid blog posts. (God help us, but such hybrids are known in some circles as “platishers.”) So why set up a solo blog?
The reason is that you need an online home that is controlled by you — not by Mark Zuckerberg or Arianna Huffington or some other digital mogul seeking to get rich from your content. Moreover, you need to establish an online identity. If you don’t, others will do it for you. “You can’t allow others to define who you are, or control the way you are perceived. This is especially true today for people in the public eye, but the more we do online the more it’ll be true for the rest of us, too,” writes Dan Gillmor in his book Mediactive. “To the extent that it’s possible to do so, you should control the reference point for people who want to know more about you and your ideas.” (In 2006 I profiled Gillmor for CommonWealth magazine.)
Dan Gillmor
Yes, I’ve uploaded this essay to Medium. I also occasionally self-publish at the Huffington Post and am a (too-) active member of Twitter and Facebook. But I’ll repost this article at Media Nation, as I do with all my work to which I have retained copyright. I don’t have complete control — I use the free blogging platform WordPress.com, and I must adhere to its policies. But I can back up my work and take it with me, and it would be easy to switch to self-hosting using free WordPress.org software if I felt the need. Just as important, the URL for Media Nation is my name: dankennedy.net.
So what is a blog? Taking the most expansive definition possible, a blog consists of content, usually text or mostly text, that is published online in reverse chronological order. That would include everything from the Washington Post’s breaking-news blog to Lisa Bonchek Adams’s diary-style blog about living with metastatic breast cancer. Dave Winer, an early Internet thinker and coder who writes the blog Scripting News, has a more specific definition, which he first gave voice to in 2003. Winer writes:
A blog is the unedited voice of a person.
The lack of editing is central, because it’s one person who’s responsible for every word. When you click the Publish button you should feel butterflies, at least sometimes, because there’s no one to pass the buck to. If someone else wrote the headline, or did a copy edit, or even reviewed what you wrote and critiqued it before it went out, it’s still writing, but it is not a blog.
I don’t believe we need to think about blogs quite that narrowly. For instance, if a journalist asks her editor to read a sensitive post before publishing, that doesn’t mean she’s not writing a blog. Still, there’s no question that a journalistic blog — which is what we are concerned about here — is different from other kinds of journalistic writing: less formal, more conversational, often with no traditional reporting (but never without research), and aimed at a small but passionate audience. (As David Weinberger and others have said, “In the future, everyone will be famous for 15 people.”)
How to write a good journalistic blog post
There are many ways that a journalist can go about writing a good blog post. It might be a sentence or two. It might be 500 words. But I think the essence of a worthwhile post can be boiled down to several elements:
Call your audience’s attention to something it doesn’t know — for instance, an environmental blogger might write about a new study regarding electric cars. Above all, don’t be boring. The lede you write for a blog post might be different from what you would write for a news story, but you still need to grab the reader by the throat and not let go.
Link to the source of your information, which could be a news article or possibly the study itself. Quote a bit from the source, keeping in mind that most of your readers won’t actually click. Shorter quotes can be put in quotation marks; longer quotes should be blockquoted. (Please note that I’m not talking about the sort of blog post that summarizes a news story so thoroughly that there is no incentive to click. I’m talking about a true value-added post. Keep reading and you’ll see what I mean.)
Bring in other sources of information. Although there’s nothing wrong with a short one-source blog post, you add value when you pull in other sources, link to them, and attempt to make sense of them.
Offer your own perspective and analysis so that your readers take away something of value that goes beyond the sources you’re quoting. If you are working for a news organization that does not normally allow you to express your opinion, then don’t. But a first-person conversational tone is appropriate. If expressing opinions is part of your job description, then have at it. In all cases, though, your tone and approach should remain journalistic. One good question to ask yourself: Is this something I would want to show a prospective employer?
Here is a blog post I wrote earlier this year about the sale of the Providence Journal that encompasses all of the elements I discuss above. Please note, though, that you could scroll through many pages of Media Nation and find only a few that are as thorough.
Some additional guidelines to keep in mind:
Ta-Nehesi Coates
Choose a beat that is narrow — but not too narrow. The best blogs are specialty sites where you can learn everything there is to know about a subject and where the blogger’s enthusiasm comes through. That is what you should aspire to. But if you pick too narrow a subject, you may find yourself hard-pressed to find enough reading material on which to feed. Boston restaurants? No problem. Ethiopian restaurants in Boston? Eh, probably not. You might make it through a week. But what are you going to do after that?
Compile a wide-ranging reading list. And keep compiling. If your blog is about climate change, you are going to want to put together a list of blogs, websites, and Twitter feeds related to that topic that you check every day. If your blog is a supplement to your regular work as a beat reporter, you might be doing what is sometimes called beat blogging — sharing short stories that might not be of general enough interest for your news organization, keeping on top of developments in your field, and interacting with your audience. (Steve Buttry offers some worthwhile thoughts about beat blogging; he has also written a good beginner’s guide to blogging.)
Maintain a conversation with the “former audience.” Dan Gillmor coined the phrase, and Jay Rosen has written about “the people formerly known as the audience.” They were referring to formerly passive news consumers who have been empowered by technology to talk back to us and among themselves. Your audience is a valuable resource. Tend to the comments on your blog. Always posts links to your blog posts on Facebook and Twitter, which is not only a good way to promote your work but is also where much of the online conversation has migrated in recent years. Remember the Dan Gillmor adage that your readers know more than you do — which is not to say that collectively they know more than you, but that someone in your audience might. Much of reporting consists of finding people who know more than we do and talking with them. Your blog (and your social-media presence) can make that easier.
Don’t try to read people’s minds. This is specialized advice, but since I write opinionated media criticism, it’s something I wrestle with from time to time. Another way of putting it is that you shouldn’t ascribe motives unless you’re willing to pick up the phone and do the reporting. For example, it’s fine to observe that the Boston Globe’s coverage of the Red Sox is soft (if you think that’s the case and can offer evidence) and that the Globe’s owner, John Henry, is also the principal owner of the Red Sox. But it’s out of bounds to speculate without interviewing the principals that Globe staff members are afraid of angering Henry, or that Henry must have sent out an edict of some sort. Facts are facts and opinions are opinions, and each has its place. Speculation is neither fact nor opinion and has no place in your blog.
Learn to use photos within the bounds of copyright law. I like to run photos with my blog posts, but I know I can’t run a photo that is the copyrighted property of, say, the Associated Press or the New York Times. Fortunately, there are troves of photos online that you can use without payment, many of them through Wikimedia Commons and Creative Commons. Be respectful of the photographer by crediting it as he or she would like and by linking to the photo. Here is an example of how I handle such credits. (You may be interested in this Q&A I did with the photographer, Gage Skidmore, for the Nieman Journalism Lab.)
Some bloggers worth paying attention to
The best way to become a good writer is to read as much good writing as you can. The best way to become a good blogger is to study blogs by people who know what they’re doing. Here are some examples from my own personal list and from my followers on Facebook and Twitter. You’ll find a range of approaches and topics here.
Note: This is just a tiny sample. I’ve left out many people, including friends, especially if they are white men writing about politics — the single most common type of blogger. If you’d like more recommendations, please take a look at the blogroll on Media Nation — and see who the people below are linking to.
Andrew Sullivan. A pioneering blogger and a former editor of The New Republic, Sullivan’s The Dish is a model in terms of linking, quoting, offering his own commentary, and posting with the regularity of a Stakhanovite. Sullivan writes most frequently about politics, but nothing is off limits. He is not on my daily must-read list, but strictly in terms of craft and discipline, he may be without peer.
Jay Rosen. The New York University journalism professor’s blog, PressThink, is perhaps the most influential in future-of-journalism conversations. Rosen writes a type of blog that I particularly admire — long, well-thought-out posts in which he attempts to make sense of many strands of information. His attention to comments is impeccable as well.
Adam Gaffin. The founder and editor of Universal Hub, which tracks and excerpts from several hundred blogs and websites in the Boston area, as well as from mainstream news sources. Updated multiple times a day, the emphasis is on the sources, not the writer — although Gaffin’s wicked sense of humor often breaks through. In 2008 I profiled him for CommonWealth magazine.
Ta-Nehisi Coates. A national correspondent at The Atlantic and an occasional columnist for the New York Times, Coates blogs powerfully and intelligently on issues related to race and culture. Beyond his blog, his essay “The Case for Reparations” may be the most important magazine article published so far in 2014.
Meg Heckman
Meg Heckman. A journalism professor at the University of New Hampshire whose blog, A site of her own, focuses on “women, tech, journalism.”
C.J. Chivers. A war correspondent for the New York Times, his blog is called The Gun.
Virginia Postrel. A libertarian and early blogger, Postrel writes the Dynamist Blog, which is worth a look.
Jim Romenesko. The original media blogger, Romenesko moved from blogging on his own to working for the Poynter Institute, and is now on his own once again at JimRomenesko.com. Essential news-biz gossip.
Ian Donnis and Scott MacKay. Their On Politics blog is a good example of a beat blog, as Donnis and MacKay cover politics for Rhode Island Public Radio.
Michael Marotta. His blog, Vanyaland, is a respected guide to alternative rock.
Marjorie Arons-Barron. Former editorial director at WCVB-TV (Channel 5), she writes a blog — often with political reporting — on politics and public affairs.
Mark Garfinkel. A staff photographer for the Boston Herald whose website, Picture Boston, is an excellent example of a local photojournalism blog.
Photo credits: Blogger(cc) by European Parliament; Dan Gillmor by Joi Ito; Ta-Nehesi Coates by David Shankbone; Meg Heckman by Dan Kennedy. All photos published under a Creative Commons license. Some rights reserved.
