The Globe‘s new iPad app. Click on image for larger view.
Thursday update: Significant second-day glitches. Shortly after 7 a.m., the most recent edition I could get was Wednesday’s. Then the app started telling me I needed an Internet connection, even though WiFi was working fine. Finally, a few minutes before 9, the problems seemed to be fixed.
Change isn’t always a disaster for The Boston Globe. This morning I clicked on the Globe‘s iPad app, which is based on a replica of the print edition. And the app was automatically overwritten by an entirely new version that looks much more like the ePaper available on BostonGlobe.com. It also seems to be a welcome improvement.
With the new app you can download the entire day’s paper (the only option with the previous version) or read it online. You can share articles on Twitter, Facebook, or other social networks, which represents a substantial upgrade. Tap on a story and it loads in a computer-friendly reading format. One refinement I’d like to see: when you click to make the type bigger, it should stay that way so that you don’t have to do it with each story.
The improvements aren’t dramatic, but overall the app feels more solid and complete.
The new version is also available for iPhone and, I suppose, those Android things as well. The previous version carried the miLibris brand; the new one is unbranded, though I see the company is still touting its relationship with the Globe. So maybe this is an improved miLibris product. (Or not; see update.)
The replica edition is not my favorite way of reading a newspaper. But BostonGlobe.com loads slowly on my iPad, and every so often I like to see what the paper looks like in print. Given the Globe‘s ongoing problems with home delivery, if you like print and have an iPad, you might want to give the new app a try.
Update: Former Globe digital guy Damon Kiesow reports that the new vendor is PageSuite:
Tech journalist Om Malik interviews Jack Dorsey in 2013. Photo (cc) by JD Lasica.
Twitter, long a laggard behind Facebook, may be reaching a crisis point. Despite the return of co-founder Jack Dorsey, the stock price is sliding, its user base is stagnant and journalists — many of whom have long been enamored of Twitter because of its flexibility — are beginning to realize that far more of their audience is on Facebook.
Recently Umair Haque wrote a post for Medium headlined “Why Twitter’s Dying (And What You Can Learn From It)” in which he argued that the platform has become the leading outlet for a certain type of nasty incivility — a place where “little violences that permeate the social web” get their more extravagant airing.
The post degenerates into overwrought handwringing. But before Haque gets to the part where he starts critiquing the meaning of life, he raises some important questions about Twitter. Why is Facebook (usually) a more civil place that fosters better conversations than Twitter?
Some of the answers seem obvious. On Facebook, you’re not bound by the 140-character restriction, which makes it more congenial for a conversation to develop. Facebook also makes it easier (though not as easy as it should) to define your community, whereas Twitter assumes you want everything to be open to everyone. Yes, you can fiddle with the settings, but it makes the service feel less useful.
A couple of years ago, I vastly preferred Twitter to Facebook. Now I find Facebook to be much more satisfying. I’m not sure whether Twitter has changed or if, instead, what I’m looking for in a social platform has evolved. Maybe it’s just that the novelty of Twitter has worn off.
Twitter recently unveiled curated stories called Moments, which might help in attracting those who were put off by the sheer labor you have to put into assembling a worthwhile list of feeds. If users started thinking about it differently — say, as more of a broadcast medium, a more flexible form of RSS, rather than as a place to have a conversation — that might help, too.
Or Twitter might curl up and die. Technologies come and go. There is no guarantee that Twitter will be one of the survivors, or that it should be.
The trouble with apps. Like many newspapers, The Boston Globe and The Washington Post have bet the farm on online distribution. Each has tablet apps (the Post has two!) that create a reading experience somewhat similar to the print newspaper. As a regular reader of both papers, I want to point out a bug in each. (Caveat: I could be doing something wrong.)
First, the Globe app, which is based upon a replica of the print edition, has a feature that supposedly lets you share an article on Twitter or Facebook. But the link it produces does not take you to the article. Instead, it takes you to the App Store, where you are invited to download the Globe’s iPad app. Which, of course, you already have.
The app, designed by miLibris, has improved greatly since a buggy version was released some months back. But this particular bug has prevailed. Time to fix it, eh?
My issue with The Washington Post involves its “classic” app, which is older than the sexy new magazine-like app that’s included with Amazon Prime — but which is also more comprehensive. (An overview of the Post’s various digital products can be found here.) It’s simple: the audio in videos does not play on my iPad, even though they are preceded by video ads that work just fine. The same videos also work fine when I try them on the newer app.
I would love to know whether the Globe and the Post are going to fix the bugs I’ve described — or if, as is always possible, I’m doing something boneheaded to create problems that don’t actually exist.
The stakes in the raging battle over ad-blocking software are high — but they’re not quite what you might think.
On the surface, it all seems straightforward enough. In one corner are executives at struggling news organizations who want to be sure that visitors to their websites actually see the ads. Thus did the Washington Post recently experiment with blocking the ad-blockers, a development first reported by BuzzFeed.
“Many people already receive our journalism for free online, with digital advertising paying only a portion of the cost,” a Post spokesperson was quoted as saying. “Without income via subscriptions or advertising, we are unable to deliver the journalism that people coming to our site expect from us.”
In the other corner are users who are sick and tired of popups, pop-unders, scroll-across-the-screeners and other obstrusive ads that invade your privacy by tracking your interests and that, in some cases, carry spyware or malware.
“What is unlikely to fly as a long-term strategy is begging readers to load all of the 50 or so trackers and ad-loaders and popups and banners, each of which might make a publisher three cents per thousand clicks, if they are lucky,” writes Mathew Ingram at Fortune. “That business is in a death spiral, and yelling about ad blockers isn’t going to change that.”
In fact, the ad-blocking controversy is anything but a simple morality play. Nor is it a coincidence that the issue has reached a frenzied peak thanks to Apple’s decision to include ad-blocking in its iOS 9 software for iPhones and iPads. Because the real stakes are being fought not on the Internet but in the boardrooms of the giant tech companies that want to control your online experience.
Nilay Patel, editor-in-chief of The Verge, explained it last week. Essentially, it comes down to this: publishers that rely on web advertising are helping to drive revenue to Apple’s archenemy, Google, which controls much of the infrastructure for online ads. Block those ads and those publishers are more likely to run into the warm embrace of Apple, whose new Apple News platform provides a nice, safe, closed environment with ads that can’t be blocked. And Apple gets a 30 percent cut.
Facebook offers a similar service, the still-aborning Instant Articles, which allows publishers to post their content directly inside Facebook’s all-powerful newsfeed. As with Apple News, Facebook takes a cut of the action from the unblockable ads that will be displayed. It’s such an attractive proposition that the same Washington Post that’s trying to block the ad-blockers announced Tuesday that it will also publish 100 percent of its content to Facebook. Patel writes:
So it’s Apple vs. Google vs. Facebook, all with their own revenue platforms. Google has the web, Facebook has its app, and Apple has the iPhone. This is the newest and biggest war in tech going today.
And the collateral damage of that war — of Apple going after Google’s revenue platform — is going to include the web, and in particular any small publisher on the web that can’t invest in proprietary platform distribution, native advertising, and the type of media wining-and-dining it takes to secure favorable distribution deals on proprietary platforms. It is going to be a bloodbath of independent media.
As a matter of principle, I refuse to use ad-blocking software — but I turned on AdBlock while researching this article just to see what would happen. As anyone could have told me, sites loaded more quickly and with fewer distractions. ESPN.com, which is so bogged down with ad-related bloatware that it’s become virtually unreadable, was zippier than I’ve ever seen it. A small hyperlocal site that I often visit suddenly appeared ad-free, simply because the site relies on an external ad-server business that AdBlock intercepted.
Interestingly enough, Marco Arment, the creator of the best-selling ad-blocking program Peace, pulled the software from Apple’s App Store almost as soon as it was released last week. “Achieving this much success with Peace just doesn’t feel good, which I didn’t anticipate, but probably should have,” he wrote on his blog. “Ad blockers come with an important asterisk: while they do benefit a ton of people in major ways, they also hurt some, including many who don’t deserve the hit.”
By acting as he did, Arment may have pointed the way to a possible solution. Because the problems ad-blockers are designed to solve are real, and they run a lot deeper than mere inconvenience. As Dan Gillmor recently wrote in Slate, “The advertising and tracking industries, abetted by telecommunications carriers, are investing in all kinds of technologies aimed at thwarting users’ wishes to retain some control over their online activities.”
So why not come up with a different kind of blocker — a piece of software that informs you when you’re about to access a website that fails to follow some agreed-upon list of best practices regarding privacy and user experience?
Such an arrangement may be the best way to preserve independent media on the open web. Users would be able to protect themselves from abusive adware without freeloading. And web publishers who see their traffic drop might decide it’s time to change their ways.
Earlier this week I did something I had resisted for a long time: I added my Twitter feed to the right-hand rail of Media Nation. (WGBH News is still there, but farther down.)
I did it for two reasons. First, for me, as for many people, Twitter has changed my approach to blogging. If I want to put up a link with a brief comment, I do it on Twitter, often on Facebook as well, and rarely on Media Nation. Ten years ago, by contrast, I would have run everything on my blog.
Second, I tend to be less disciplined than I’d like on Twitter. (How’s that for a euphemism?) Having a little voice in my head reminding me that whatever I post on Twitter will also show up on Media Nation is a good thing.
And speaking of how social media have changed blogging, a reminder: I post links to all Media Nation articles on Facebook, where a much richer discussion generally takes place than is the case here. You don’t have to friend me — just follow my public feed.
For several years I’ve asked students in my digital journalism classes to do a group project involving Google Maps. It’s a pretty simple assignment. They go out and write reviews for their blogs about coffee shops near Northeastern, or pizza restaurants, or whatever we’ve all agreed to. Then they plot the location on a map and include a link to their review. The idea is to introduce them to the power of mapping and how it can be used as a tool for non-linear storytelling.
Recently I was faced with the prospect of using the new Google Maps, which struck me as significantly more cumbersome than the old version. I couldn’t find much in the way of good documentation online, so I put out a call on Twitter. That brought a response from Aleszu Bajak, the editor of StoryBench, a how-they-did-it site that’s part of our School of Journalism’s Media Innovation graduate program. Yes, Alezsu was probably within shouting distance when he replied to my tweet.
At first I was bewildered. But later on, it started to sink in. And I’m here to tell you that the new Google Maps is a terrific tool — better than the old one, though it seems to be missing a few features. What follows is a look at how we did our most recent project — a guide to Boston’s “Hidden Gems.” (The story has been picked up by Universal Hub.) I’ve written a how-to post designed for people like me, not for Google experts. So if you’d like to give it a try, please have a look. Instructions after the jump. (And here is Bajak’s own post on Google Maps.)
The promise of the Internet was that it would break down social, cultural and national barriers, bringing people of diverse backgrounds together in ways that were never before possible. The reality is that online communities have reinforced those barriers.
One of the most interesting graphics Zuckerman showed was a map of San Francisco based on GPS-tracked cab drivers. Unlike a street map, which shows infrastructure, the taxi map showed flow — where people are actually traveling. Among other things, we could see that the African-American neighborhood of Hunters Point didn’t even appear on the flow map, suggesting that cab drivers do not travel in or out of that neighborhood (reinforcing the oft-stated complaint by African-Americans that cab drivers discriminate against them).
Since we can all be tracked via the GPS in our smartphones, flow maps such as the one Zuckerman demonstrated raise serious privacy implications as well.
Facebook founder Mark Zuckerberg likes to show a map suggesting that Facebook fosters interconnectedness around the world. In fact, upon closer examination the map mainly shows interconnectedness within a country. The United Arab Emirates demonstrates the highest level of international interconnectedness, but that’s because the UAE has an extraordinary number of guest workers who use the Internet to stay in touch with people back home. That leads Ethan Zuckerman to argue that maps often tell us what their designers want us to believe.
This final tweet seems out of context, but I’m including it because I like what Zuckerman said. It explains perfectly why I prefer Twitter to Facebook, even though I’m a heavy user of both. And it explains why many of us, including Zuckerman, rely on Twitter to bring us much of our news and information.
I haven’t said anything yet about the nude photos of Jennifer Lawrence and other celebrities that got hacked and distributed. But we’re going to talk about it on “Beat the Press,” so I’ve been thinking about it.
To me, the big thing is that the women were using iCloud, Apple’s private backup service. If they had posted their photos to some allegedly private area of Facebook, I guess I’d be snickering right along with some of the others and saying, “Well, what did you expect?” But what the hackers did in this case was identical to sitting in a car outside your house, breaking into your WiFi and looking at what’s on your computer. We all know it can happen, but it’s not the sort of thing that anyone prepares for.
It’s yet another reminder that nothing online is secure.
From the vantage point of 2014, offering advice on how to write a blog feels a little like telling people how to write a proper newspaper article in 2005. “Blogging is dead,” says the (ahem) blogger Jason Kottke, overtaken by social-media platforms such as Facebook, Twitter, and Instagram.
But if the revolutionary gleam has worn off, blogging nevertheless is still a valuable tool for anyone practicing digital journalism, whether it be commentary, original reporting, photography, or video. I’ve been blogging since 2002 — on my own at first, then as the media columnist for the late, lamented Boston Phoenix, and since 2005 as the publisher and almost-sole author of Media Nation.
These days there are many places online where you can share your work — not just social platforms but also online publications such as the Huffington Post and Medium, which combine paid content with unpaid blog posts. (God help us, but such hybrids are known in some circles as “platishers.”) So why set up a solo blog?
The reason is that you need an online home that is controlled by you — not by Mark Zuckerberg or Arianna Huffington or some other digital mogul seeking to get rich from your content. Moreover, you need to establish an online identity. If you don’t, others will do it for you. “You can’t allow others to define who you are, or control the way you are perceived. This is especially true today for people in the public eye, but the more we do online the more it’ll be true for the rest of us, too,” writes Dan Gillmor in his book Mediactive. “To the extent that it’s possible to do so, you should control the reference point for people who want to know more about you and your ideas.” (In 2006 I profiled Gillmor for CommonWealth magazine.)
Dan Gillmor
Yes, I’ve uploaded this essay to Medium. I also occasionally self-publish at the Huffington Post and am a (too-) active member of Twitter and Facebook. But I’ll repost this article at Media Nation, as I do with all my work to which I have retained copyright. I don’t have complete control — I use the free blogging platform WordPress.com, and I must adhere to its policies. But I can back up my work and take it with me, and it would be easy to switch to self-hosting using free WordPress.org software if I felt the need. Just as important, the URL for Media Nation is my name: dankennedy.net.
So what is a blog? Taking the most expansive definition possible, a blog consists of content, usually text or mostly text, that is published online in reverse chronological order. That would include everything from the Washington Post’s breaking-news blog to Lisa Bonchek Adams’s diary-style blog about living with metastatic breast cancer. Dave Winer, an early Internet thinker and coder who writes the blog Scripting News, has a more specific definition, which he first gave voice to in 2003. Winer writes:
A blog is the unedited voice of a person.
The lack of editing is central, because it’s one person who’s responsible for every word. When you click the Publish button you should feel butterflies, at least sometimes, because there’s no one to pass the buck to. If someone else wrote the headline, or did a copy edit, or even reviewed what you wrote and critiqued it before it went out, it’s still writing, but it is not a blog.
I don’t believe we need to think about blogs quite that narrowly. For instance, if a journalist asks her editor to read a sensitive post before publishing, that doesn’t mean she’s not writing a blog. Still, there’s no question that a journalistic blog — which is what we are concerned about here — is different from other kinds of journalistic writing: less formal, more conversational, often with no traditional reporting (but never without research), and aimed at a small but passionate audience. (As David Weinberger and others have said, “In the future, everyone will be famous for 15 people.”)
How to write a good journalistic blog post
There are many ways that a journalist can go about writing a good blog post. It might be a sentence or two. It might be 500 words. But I think the essence of a worthwhile post can be boiled down to several elements:
Call your audience’s attention to something it doesn’t know — for instance, an environmental blogger might write about a new study regarding electric cars. Above all, don’t be boring. The lede you write for a blog post might be different from what you would write for a news story, but you still need to grab the reader by the throat and not let go.
Link to the source of your information, which could be a news article or possibly the study itself. Quote a bit from the source, keeping in mind that most of your readers won’t actually click. Shorter quotes can be put in quotation marks; longer quotes should be blockquoted. (Please note that I’m not talking about the sort of blog post that summarizes a news story so thoroughly that there is no incentive to click. I’m talking about a true value-added post. Keep reading and you’ll see what I mean.)
Bring in other sources of information. Although there’s nothing wrong with a short one-source blog post, you add value when you pull in other sources, link to them, and attempt to make sense of them.
Offer your own perspective and analysis so that your readers take away something of value that goes beyond the sources you’re quoting. If you are working for a news organization that does not normally allow you to express your opinion, then don’t. But a first-person conversational tone is appropriate. If expressing opinions is part of your job description, then have at it. In all cases, though, your tone and approach should remain journalistic. One good question to ask yourself: Is this something I would want to show a prospective employer?
Here is a blog post I wrote earlier this year about the sale of the Providence Journal that encompasses all of the elements I discuss above. Please note, though, that you could scroll through many pages of Media Nation and find only a few that are as thorough.
Some additional guidelines to keep in mind:
Ta-Nehesi Coates
Choose a beat that is narrow — but not too narrow. The best blogs are specialty sites where you can learn everything there is to know about a subject and where the blogger’s enthusiasm comes through. That is what you should aspire to. But if you pick too narrow a subject, you may find yourself hard-pressed to find enough reading material on which to feed. Boston restaurants? No problem. Ethiopian restaurants in Boston? Eh, probably not. You might make it through a week. But what are you going to do after that?
Compile a wide-ranging reading list. And keep compiling. If your blog is about climate change, you are going to want to put together a list of blogs, websites, and Twitter feeds related to that topic that you check every day. If your blog is a supplement to your regular work as a beat reporter, you might be doing what is sometimes called beat blogging — sharing short stories that might not be of general enough interest for your news organization, keeping on top of developments in your field, and interacting with your audience. (Steve Buttry offers some worthwhile thoughts about beat blogging; he has also written a good beginner’s guide to blogging.)
Maintain a conversation with the “former audience.” Dan Gillmor coined the phrase, and Jay Rosen has written about “the people formerly known as the audience.” They were referring to formerly passive news consumers who have been empowered by technology to talk back to us and among themselves. Your audience is a valuable resource. Tend to the comments on your blog. Always posts links to your blog posts on Facebook and Twitter, which is not only a good way to promote your work but is also where much of the online conversation has migrated in recent years. Remember the Dan Gillmor adage that your readers know more than you do — which is not to say that collectively they know more than you, but that someone in your audience might. Much of reporting consists of finding people who know more than we do and talking with them. Your blog (and your social-media presence) can make that easier.
Don’t try to read people’s minds. This is specialized advice, but since I write opinionated media criticism, it’s something I wrestle with from time to time. Another way of putting it is that you shouldn’t ascribe motives unless you’re willing to pick up the phone and do the reporting. For example, it’s fine to observe that the Boston Globe’s coverage of the Red Sox is soft (if you think that’s the case and can offer evidence) and that the Globe’s owner, John Henry, is also the principal owner of the Red Sox. But it’s out of bounds to speculate without interviewing the principals that Globe staff members are afraid of angering Henry, or that Henry must have sent out an edict of some sort. Facts are facts and opinions are opinions, and each has its place. Speculation is neither fact nor opinion and has no place in your blog.
Learn to use photos within the bounds of copyright law. I like to run photos with my blog posts, but I know I can’t run a photo that is the copyrighted property of, say, the Associated Press or the New York Times. Fortunately, there are troves of photos online that you can use without payment, many of them through Wikimedia Commons and Creative Commons. Be respectful of the photographer by crediting it as he or she would like and by linking to the photo. Here is an example of how I handle such credits. (You may be interested in this Q&A I did with the photographer, Gage Skidmore, for the Nieman Journalism Lab.)
Some bloggers worth paying attention to
The best way to become a good writer is to read as much good writing as you can. The best way to become a good blogger is to study blogs by people who know what they’re doing. Here are some examples from my own personal list and from my followers on Facebook and Twitter. You’ll find a range of approaches and topics here.
Note: This is just a tiny sample. I’ve left out many people, including friends, especially if they are white men writing about politics — the single most common type of blogger. If you’d like more recommendations, please take a look at the blogroll on Media Nation — and see who the people below are linking to.
Andrew Sullivan. A pioneering blogger and a former editor of The New Republic, Sullivan’s The Dish is a model in terms of linking, quoting, offering his own commentary, and posting with the regularity of a Stakhanovite. Sullivan writes most frequently about politics, but nothing is off limits. He is not on my daily must-read list, but strictly in terms of craft and discipline, he may be without peer.
Jay Rosen. The New York University journalism professor’s blog, PressThink, is perhaps the most influential in future-of-journalism conversations. Rosen writes a type of blog that I particularly admire — long, well-thought-out posts in which he attempts to make sense of many strands of information. His attention to comments is impeccable as well.
Adam Gaffin. The founder and editor of Universal Hub, which tracks and excerpts from several hundred blogs and websites in the Boston area, as well as from mainstream news sources. Updated multiple times a day, the emphasis is on the sources, not the writer — although Gaffin’s wicked sense of humor often breaks through. In 2008 I profiled him for CommonWealth magazine.
Ta-Nehisi Coates. A national correspondent at The Atlantic and an occasional columnist for the New York Times, Coates blogs powerfully and intelligently on issues related to race and culture. Beyond his blog, his essay “The Case for Reparations” may be the most important magazine article published so far in 2014.
Meg Heckman
Meg Heckman. A journalism professor at the University of New Hampshire whose blog, A site of her own, focuses on “women, tech, journalism.”
C.J. Chivers. A war correspondent for the New York Times, his blog is called The Gun.
Virginia Postrel. A libertarian and early blogger, Postrel writes the Dynamist Blog, which is worth a look.
Jim Romenesko. The original media blogger, Romenesko moved from blogging on his own to working for the Poynter Institute, and is now on his own once again at JimRomenesko.com. Essential news-biz gossip.
Ian Donnis and Scott MacKay. Their On Politics blog is a good example of a beat blog, as Donnis and MacKay cover politics for Rhode Island Public Radio.
Michael Marotta. His blog, Vanyaland, is a respected guide to alternative rock.
Marjorie Arons-Barron. Former editorial director at WCVB-TV (Channel 5), she writes a blog — often with political reporting — on politics and public affairs.
Mark Garfinkel. A staff photographer for the Boston Herald whose website, Picture Boston, is an excellent example of a local photojournalism blog.
Photo credits: Blogger(cc) by European Parliament; Dan Gillmor by Joi Ito; Ta-Nehesi Coates by David Shankbone; Meg Heckman by Dan Kennedy. All photos published under a Creative Commons license. Some rights reserved.
I’m going to write a get-rich-quick book called “Finding Your Inner Potato Salad — And Making Your Financial Dreams Come True.” And, of course, I’ll fund it with a Kickstarter campaign. I’ll make that other Dan Kennedy look like an amateur.
Photo (cc) by Terry and published under a Creative Commons license. Some rights reserved.
In the spring of 1993 I attended a conference on journalism and technology at Columbia University. It was a time when the digital culture that was to emerge was right on the brink: the Internet was not nearly as much of a force in the lives of ordinary people as were commercial services like Prodigy, and Mosaic, the first graphical Web browser, had just been released. With The Boston Globe just having run an image of the story I wrote for The Boston Phoenix after that conference, I thought I’d reproduce it here in full.
Future Watch: Lost in space
Why the electronic village may be a very lonely place
May 7, 1993: From 500-channel interactive TV to portable electronic newspapers, an unprecedented explosion of information technology awaits us in the next several years. These services, media analysts say, will allow you to tailor news programming to your own interests, do your banking and shopping at home, and make restaurant reservations with a hand-held computer while you’re sitting at a bus stop.
Certainly the speakers were bullish at this past week’s conference on “Newsroom Technology: The Next Generation,” sponsored by the Freedom Forum Media Studies Center, at Columbia University, in New York. Expert after expert talked in rapturous tones about the “information highway,” fiber optics, coaxial cable, digital compression, and the like.
But there’s a dark side to the emerging electronic village, acknowledged almost as an afterthought amid the glowing financial projections and the futuristic technobabble. And that dark side is this: as information becomes increasingly decentralized, there’s a danger that consumers of that information — all of us, in other words — will become more and more isolated from society and from each other.
What’s being lost is the sense of shared cultural experience — the nationwide community that gathered to watch, say, the Vietnam War, in the 1960s, or the Watergate hearings, in the 1970s. Media analyst Les Brown, a former television reporter for the New York Times, believes that for all their “insufferable arrogance” during that era, the Big Three networks “served the needs of democracy very well.” With 500 channels, he fears, users will choose news programming that suits their political biases — if they choose any news programming at all.
“Whatever happened to everybody talking to each other?” he asked during the Freedom Forum gathering. “What happened to this big tent we used to have? As the media become more democratized, they may serve the needs of democracy less well.” Continue reading “Flashback: The state of digital culture in 1993”
