The Mass. public records law needs some teeth. Will 2026 be the year that it happens?

The Massachusetts Statehouse. Photo (cc) 2024 by Dan Kennedy.

Massachusetts has long been notorious for being one of the least progressive states with regard to government transparency. The state’s public records law is alone in exempting the governor’s office, the Legislature and the judiciary, leaving cities, towns, counties and the state’s executive agencies as the only government bodies that may be compelled to produce documents when requested to do so by journalists or members of the public.

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What’s worse, there are few penalties for failing to comply with the law. As John Hilliard observes (sub. req.) in The Boston Globe:

In Massachusetts, the state law’s deadlines for fulfilling records requests can be ignored, workers can conspire to overestimate costs, elected officials can spend years fighting requests in court, or not bother releasing records at all. No one tracks whether local governments like cities and school districts follow the law; state agencies self-report requests, but not the reasons why they refuse them.

Michael Morisy, the chief executive of Boston-based MuckRock, who’s been helping people file public records requests for years, told the Globe: “It’s among the worst states when it comes to public records access.”

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The Huntington News, Northeastern’s independent student paper, celebrates its 100th anniversary

The Huntington News, Northeastern’s independent student newspaper, is celebrating its 100th anniversary. The paper — now mostly digital — began life in 1926 as The Northeastern News, a university-supported outlet formed by the merger of two other campus newspapers.

The News went independent in 2008, changing its name and ending its dependence on funding from the administration. Yet its mission has remained the same: comprehensive coverage of Northeastern, supplemented with reporting from the surrounding community.

This week the News published an overview of the past 100 years as well as profiles of folks who were editors back in their student days. I was honored to be one of them.  There’s even merch.

The Huntington News is a vital resource on campus. The News today is better than the News I was part of in the 1970s — more professional and serious-minded, with more measured judgment. Plus there’s just much more journalism than we were able to offer in our weekly print paper 50 years ago. Congratulations to all!

The Boston Globe’s print edition gets snowed out, invoking memories of the Blizzard of ’78

The Boston Globe calls its decision not to print a paper today “unprecedented.” But as Aidan Ryan reports (sub. req.), it depends on your definition of unprecedented: “Even during the historic Blizzard of ’78, the Globe printed a few thousand copies of the Feb. 7, 1978, edition, though its delivery trucks couldn’t get through the piles of snow around its old offices on Morrissey Boulevard.”

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Moreover, Ryan notes that today’s edition will be printed and delivered with Wednesday’s paper. It strikes me as an odd move given that the Globe’s website is up and running, including the daily e-paper. But maybe there are a few print customers who really don’t want to read the paper online and who will appreciate having today’s paper — perhaps to commemorate the Blizzard of ’26.

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An AI-boosting editor blasts j-schools as being out of touch. The reality is more complex.

1914 photo via Cleveland Historical.

A prominent editor has unleashed a scathing attack on journalism schools for what he claims is their retrograde attitude toward artificial intelligence. Since the editor, Chris Quinn of Cleveland.com and The Plain Dealer, is invading my turf, I thought I’d take a look at what he has to say and offer some context.

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Quinn begins his recent “Letter from the Editor” column with an anecdote about a recent college graduate who turned down a job because of the way Quinn’s publications use AI. Increasingly, they ask reporters to do nothing but report, turning over their notes to be transformed into news stories by AI, with human editors looking them over to make sure the final product is accurate and coherent.

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Charles Sennott talks about his journey from global correspondent to local news entrepreneur

Charles Sennott interviews a Taliban leader while on assignment in Mazar-e-Sharif, Afghanistan. Photo by Ben Brody. Used with permission.

On the latest “What Works” podcast, Ellen Clegg and I talk with Charles Sennott, a former foreign correspondent for The Boston Globe who left in 2008 to become a serial entrepreneur. He co-founded GlobalPost and The GroundTruth Project. GroundTruth, a nonprofit, was a partner to GBH News, PBS’s “Frontline,” public radio’s “The World,” and the “PBS NewsHour.” It focused on partnerships to amplify international and national news projects.

Now Charlie has turned his attention to local news. He teamed up with Steven Waldman to launch Report for America as an initiative of The GroundTruth Project. Dan and Ellen talked with Waldman on an earlier podcast.

Sennott’s newest creation is GroundTruth Media Partners, LLC based in Woods Hole, Massachusetts, where he leads a small staff and publishes and writes the GroundTruth newsletter on Substack. The nonprofit that was called The GroundTruth Project has recently rebranded to call itself Report Local, with Report for America and Report for the World as its flagship initiatives. Report Local and the University of Missouri School of Journalism did groundbreaking work on water issues in the Mississippi River Basin.

In a recent post on Substack, Sennott writes about this new branding. He also writes about why he officially stepped aside from the program but remains proud of the movement it has created.

As his own act of community service, Sennott is also serving as the publisher and editor of the Martha’s Vineyard Times. He and his wife, Julie, who has an extended family on the Island, now live there year-round.

We’re also joined by Alexis Algazy, a Northeastern journalism and political science student who has written a compelling story about why politicians need to engage in storytelling on social media.  

I’ve got a Quick Take about public support for local news. Politico recently published an in-depth story on what’s gone wrong with a program in California that was supposed to provide $250 million to help fund local news over a five-year period, with the money to come from the state and from Google. The deal seems to be coming apart. And yet there are reasons to be optimistic — as you will hear.

Ellen has a Quick Take on the role of video in recording the violent acts of ICE agents in Minneapolis and the protests all over the Twin Cities. Video by bystanders has played an important role in exposing what’s happening on the ground. But video and social media in general also pose a challenge for reporters covering the story for The Minnesota Star Tribune. Editor Kathleen Hennessey spoke about it in a brief interview with Semafor.

You can listen to our conversation here, or you can subscribe through your favorite podcast app.

Northeastern journalism faculty members condemn the arrests of Don Lemon and Georgia Fort

As current and former faculty members at Northeastern University’s School of Journalism, we condemn the unconstitutional arrests of independent journalists Don Lemon and Georgia Fort. We are instructors, mentors and colleagues of young journalists, and we believe it is imperative that we stand up for the vital role of a free and unfettered press in a democratic society.

The Justice Department has filed charges against Lemon and Fort for the crime of committing journalism when they accompanied activists who entered Cities Church in St. Paul, Minnesota, on Jan. 18. The activists were there to protest the pastor’s alleged employment by ICE. The journalists were there to observe, to live-stream the proceedings and to interview participants, church members and the pastor before leaving the church. In so doing, they engaged in activities protected by the First Amendment with the goal of informing the public about the Trump administration’s deadly and illegal occupation of the Twin Cities.

As Amnesty International put it: “Journalism is not a crime. Reporting on protests is not a crime. Arresting journalists for their reporting is a clear example of an authoritarian practice.” We call on the Justice Department to drop all charges against Lemon and Fort and to acknowledge the centrality of journalism in holding the government and other powerful institutions to account.

Note: Our statement was published earlier this morning by The Huntington News, Northeastern’s independent student newspaper.

Belle Adler
Rahul Barghava
Mike Beaudet
Matt Carroll
Myojung Chung
Ellen Clegg
Charles Fountain
John Guilfoil
Meg Heckman
Carlene Hempel
Marcus Howard
Jeff Howe
Dan Kennedy
William Kirtz
Catherine Lambert
Laurel Leff
Peter Mancusi
Meredith O’Brien
Jody Santos
Alan Schroeder
Jeb Sharp
Dan Zedek

Note: The list of signatories has been updated.

My Northeastern ethics students offer some ideas on practicing journalism in the AI era

Photo by Carlos López via Pixabay.

The Society of Professional Journalists’ Code of Ethics encompasses four broad principles:

    • Seek Truth and Report It
    • Minimize Harm
    • Act Independently
    • Be Accountable and Transparent

Each principle is accompanied by multiple bullet points, which in turn link to background information. But those are the starting points, and I think they provide a good rough guide for how to practice ethical journalism.

Whenever I teach one of our ethics classes, I ask my students to come up with a fifth principle as well as some explanatory material. This semester, I’m teaching our graduate ethics seminar. It’s a small class — five grad students and one undergrad. Last week I divided them into three teams of two and put them to work. Here’s what they came up with. (Longtime readers of Media Nation will recognize this exercise.) I’ve done a little editing, mainly for parallel construction.

Practice Digital Diligence

  • Utilize AI for structural purposes such as transcribing interviews, searching for sources and entering data.
  • Disclose the use of AI software when publishing artificial creations.
  • Give credit by providing hyperlinks to other journalistic sources.
  • Gain verification status on social platforms for credibility purposes.
  • Do not engage with negative comments on social media posts.
  • Engage with subscribers who might use social media to ask questions about a story.
  • Apply AP style to social media posts.
  • Give credit to any artists whose work you might borrow. Respect copyright law.

Use Modern Resources Responsibly

  • Use social media and other digital tools, such as comment sections, to crowdsource information, connect with others and distribute news in a more accessible way.
  • Do not use these tools to engage in ragebait or to get tangled in messy and unproductive discourse online.
  • Acceptable uses of AI include gathering information, reformatting your reporting, transcribing interviews and similar non-public-facing tasks.
  • AI should be used more effectively to guide your reporting rather than replacing it.

Be Compassionate

  • Treat sources and communities with empathy and care.
  • Avoid misleading sources or providing false hope — for instance, don’t promise someone who is suffering that you’ll be able to give them assistance.
  • Do not exploit a source’s lack of media training. Provide a detailed explanation of your reporting methods when warranted.
  • Avoid using jargon both in interacting with sources and in producing a story.
  • Be a human first. If that clashes with your role as a journalist, that should be secondary.

***

In addition to their work on extending the Code of Ethics, I asked them on the first day of class to name one significant ethical issue that they think faces journalism. What follows is my attempt to summarize a longer conversation that we had in class.

► Stand up for our independence as journalists

► Explore and define the role of AI and truth in journalism

► Make sure we include a range of perspectives

► Push back against fake news, ragebait, etc.

► Avoid passive voice that evades responsibility

► Move beyond our preconceptions in pursuit of the truth

I hope you’ll agree that this is good, thought-provoking stuff. I can’t wait to see how the rest of the semester will go.

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Social, vertical and engaging: Mike Beaudet and Lisa Thalhamer map the future of local TV news

On the latest “What Works” podcast, Ellen Clegg and I talk with Mike Beaudet and Lisa Thalhamer. Mike is a colleague at Northeastern, where he is a journalism professor. He is also an investigative reporter at WCVB-TV, Boston’s ABC affiliate. He’s worked in local television news for more than 30 years. Before joining WCVB-TV he was an investigative reporter and anchor at WFXT-TV in Boston.

Beaudet, the head of Northeastern’s Reinventing Local TV News project, focuses on the future of local television news and finding new ways to grow the audience and engage younger viewers where they’re consuming content. Think social and vertical.

Lisa is a journalist and researcher. She’s currently editor-in-chief of The Scope, a hyperlocal publication based at Northeastern focused on issues of social justice, as well as an adjunct professor. Her research is geared toward improving the mental well-being of journalists, particularly those in local TV news, where she worked for more than 15 years as a producer.

Mike Beaudet and Lisa Thalhamer. Photo (cc) 2026 by Dan Kennedy.

While earning her master’s degree at Northeastern, Thalhamer was Reinvent’s Video Innovation Scholar, helping newsrooms evolve their video storytelling skills to fit the world of social media.

In keeping with the all-Northeastern theme of this podcast, we’re also joined by Greg Maynard, a student of mine last semester who has written a compelling story about what cord-cutting means for local cable access outlets. Greg is the founder and executive director of the nonprofit Boston Policy Institute.

Ellen has a Quick Take on the end of an era in Minneapolis. In December, the daily newspaper, The Minnesota Star Tribune, stopped printing copies at its giant brick plant in downtown Minneapolis. The Strib is printing at a Gannett plant in Des Moines, Iowa. That means earlier deadlines and 125 jobs lost.

I’ve got a wild story for my Quick Take. Last summer there was some sad news coming out of Claremont, New Hampshire: the Eagle Times, a star-crossed paper that had had its ups and downs going back to the 1940s, was closing its doors after its wealthy owner, Jay Lucas, failed to meet payroll. At the time, New Hampshire Public Radio ran a story on the shutdown that was harsher than you would have expected. But it turns out that there was a reason.

You can listen to our conversation here, or you can subscribe through your favorite podcast app.

Presenting this fall’s final projects by my Northeastern opinion journalism students

For a larger view, please click here.

This past semester I had a small but mighty class of students who took my course POV: The Art and Craft of Opinion Journalism. They wrote personal essays, reviews, op-ed-style pieces and, as their final project, an enterprise story encompassing research, interviews and a strong point of view. Here is a presentation of their work. They did a great job.

Northeastern researchers offer a lifeline for TV newsrooms seeking younger audiences

The following is a press release from Northeastern University’s School of Journalism.

Researchers and local journalism experts at Northeastern University, in partnership with industry-leading audience research firm SmithGeiger Group, have published a survival guide for local TV newsrooms that are struggling to reach a new generation of news consumers.

The Reinventing Local TV News Project recommends that news organizations hire a Digital Content Creator, a role researchers tested in three major market newsrooms for a year of experimentation on digital platforms. Reinvent: A Survival Guide for Local TV News offers guidance for news organizations and journalists on how to integrate that new role into the newsroom, the most effective ways for Digital Content Creators to tell stories, and ways to measure the reach of that work.

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