Trump’s postmaster general targets journalism with a devastating rate hike

Painting by J.C. Leyendecker (1874-1951). Uploaded (cc) 2020 by Halloween HJB.

As scholars from Paul Starr to Victor Pickard have observed, newspapers in the United States have benefited mightily from postal subsidies since the earliest days of the republic.

Starting in the Reagan era, though, the U.S. Postal Service has been run under the misguided notion that it should break even or turn a profit rather than be operated as a public service. As a result, postal rates for periodicals have been rising for more than a generation, putting additional pressure on newspaper and magazine publishers who are already straining under the economic challenges posed by technology, cultural shifts — and, now, the post-pandemic recovery.

The latest bad news comes in the form of a report from The Associated Press that rates on periodicals are scheduled to rise by more than 8% on Aug. 29. The AP story, by David Bauder and Anthony Izaguirre, says the increase is “part of a broad plan pushed by Postmaster General Louis DeJoy to overhaul mail operations.”

DeJoy, you may recall, is the ethically challenged Trump appointee who slowed down mail service last year, thus imperiling vote-by-mail efforts in the midst of the pandemic. For some reason, he appears to have more job security than Vladimir Putin.

Speaking of subsidies, you can support Media Nation — and receive a weekly newsletter with exclusive early content — by becoming a member for just $5 a month. Just click here.

Now, you might think that rising postal rates would simply push publishers to hasten their transition to digital. But it’s a simple matter of reality that print advertising continues to play an important role in keeping newspapers and magazines afloat. For instance, earlier this year, Ed Miller, the co-founder and editor of start-up Provincetown Independent, explained that he offers a print edition alongside a robust website because otherwise it would be just too difficult to make money.

Northwestern University Professor Penelope Muse Abernathy tells the AP that the effect of higher postal rates could be devastating for small local news projects that are already struggling. “It is one of several nicks and slashes that can damage the bottom line, especially if you are an independent publisher who is operating at break even or in the low single digits of profitability,” she says. “And most are.”

Ironically, a section of the Postal Service’s website sings the glories of how subsidies helped foster robust journalism, quoting George Washington and Thomas Jefferson. The essay starts like this:

From the beginning of the American republic, the Founding Fathers recognized that the widespread dissemination of information was central to national unity. They realized that to succeed, a democratic government required an informed electorate, which in turn depended upon a healthy exchange of news, ideas, and opinions.

At a time when the idea of government funding for journalism is being debated in the public square, postal subsidies stand out as a particularly benign way to go about doing that. As with tax benefits for nonprofit news organizations, postal subsidies are indirect. That makes it difficult for the government to punish individual media outlets for tough coverage — as is happening right now in Western Pennsylvania, where the Republican-dominated state legislature has eliminated funding for public broadcasters even as one station has persisted in calling out the Republicans for touting the “big lie” about the 2020 election. (Republican officials deny there’s a connection.)

It’s long past time for Louis DeJoy to hit the bricks and for the post office to be reorganized as a public service. Foremost among those services should be helping to provide the public with reliable, affordable journalism.

The case of the Northbridge intruder plays out exactly as you might have imagined

WCVB-TV (Channel 5) reports that the formerly unidentified 26-year-old man who walked into an unlocked house in Northbridge on Sunday has turned himself in. His story is exactly what you might have imagined it to be: “Esteban De Jesus Fonfrias-Soto told police he was led to the home in Northbridge, Massachusetts, by someone he believed to be female that he recently met on the social media app Snapchat.”

Fonfrias-Soto has been charged with breaking and entering in the daytime, a felony. Let’s hope that law enforcement quickly verifies his claims and drops the case.

Previous coverage.

A mysterious intruder sets off a scramble among local TV newscasts

It was a story made for local TV news. An unidentified man walked into an unlocked home in Northbridge on Sunday afternoon, sauntered around for 16 minutes while young children were inside, and then left without taking or disturbing anything. Video of him entering and then leaving was captured by a Ring home security camera.

The story also raises some questions about tone and emphasis. The man was a person of color in a community that’s more than 90% white. Did that contribute to the sense of alarm that some of the news reports conveyed?

Alerted to the story by George Chidi, a Northbridge native who now writes a Substack newsletter called the The Atlanta Objective, I watched reports on WBZ-TV (Channel 4), WCVB-TV (Channel 5), WHDH-TV (Channel 7), NBC10/NECN and WFXT-TV (Channel 25). In most of them, you had a sense that danger lurked, and that it is of paramount importance that the police identify the person.

Several, though, raised the possibility that the man had simply walked into the wrong house — and, based on video from around the neighborhood, the extent to which many of the houses looked alike was striking.

Channel 25 gave the story a whopping three minutes. But reporter Wale Aliyu, one of two Black journalists to cover the story (the other was Todd Kazakiewich of Channel 5), made the most of it, offering context that wasn’t available elsewhere. He opened by describing just how weird the story was. “I’ve never left an interview scratching my head the way I was tonight,” he said. The homeowner, Tarah Martell Schweitzer, who came across mainly as frightened in the other reports, offered comments that were more nuanced in Aliyu’s story:

I really am trying to see the good here and that it really was an honest mistake, because it doesn’t make sense to me in any other way. I don’t think somebody would case somebody’s house in the middle of broad daylight on a Sunday with people home. There were two motorcycles and a car in the driveway.

She even joked about asking the intruder to come back and help her and her husband finish assembling the swing set they were putting together.

Chidi told me via Facebook Messenger that he was troubled by the alarmist tone that he detected in the NBC10 coverage and on social media. “I’m sensitive to this because I grew up here. Literally,” he said. “That house is in the back yard of where I grew up.”

To be fair, no one wants to find out that a stranger has been walking around the inside of their home while their kids are inside and they’re out back unaware of what’s going on. And, since home video was available, it’s the sort of fare that’s irresistible for TV news directors.

The trick is to offer the right perspective. It was a strange story, not especially scary, that almost certainly was about a guy who walked into the wrong house by mistake. Indeed, as he is walking up to the door, he is staring intently at his smartphone, probably trying to figure out if he was at the right address.

Neither The Boston Globe nor the Boston Herald published anything about it, though the Globe’s free website, Boston.com, had a brief item. This was a pure made-for-television diversion, more entertainment than news, and that’s the way it should have been played. Kudos to Aliyu and Channel 25 for getting it right.

Looking back at 24 years of New England Muzzle Awards

In the spring of 1998, civil-liberties lawyer and First Amendment advocate Harvey Silverglate had an idea: Why not single out enemies of free speech in the pages of The Boston Phoenix? Harvey was a Phoenix contributor; I was the media columnist. We refined Harvey’s idea and, at his suggestion, named them the Muzzle Awards — borrowing the name from the Thomas Jefferson Center for the Protection of Free Expression (now defunct) and restricting them to the Boston, Worcester, Portland and Providence areas, where we had papers.

We decided on the Fourth of July for two reasons — first, to emphasize that the Muzzles were an expression of patriotism; second, so that the rest of the news staff could pretty much take the week off. The first annual Muzzle Awards were published on July 3, 1998. Among other winners, we singled out of the FCC for shutting down Radio Free Allston, a pirate station that served the community at a time when it was even harder to get a license for a low-power FM operation than it is today; the town of Plymouth, where police roughed up Native American protesters; and Walmart, for refusing to sell CDs that carried a parental warning label.

The Muzzles turned out to be a hit. David Brudnoy and, later, Dan Rea would have me on to talk about them on WBZ Radio (AM 1030) and — I’d like to think — we helped educate our readers about the importance of free expression.

I continued writing the Muzzles after leaving the Phoenix for Northeastern in 2005. At that point, I stopped singling out colleges and universities because I thought it would be a conflict of interest. Harvey began writing the Campus Muzzle Awards as a sidebar.

Then, in the spring of 2013, The Boston Phoenix closed abruptly, and we needed a new home for the Muzzles. Fortunately my friends at GBH News stepped up and have been hosting them ever since. Although The Worcester Phoenix was long gone at that point, the Muzzles continued to appear in the Providence and Portland papers until they, too, shut down. (The Portland Phoenix was revived a couple of years ago under new ownership and appears to be doing well.) And here’s a pretty astonishing fact: Peter Kadzis has been editing the Muzzles from the beginning, first at the Phoenix, now at GBH.

This year’s New England Muzzle Awards, published on July 1, are, like their predecessors, a reflection of the era. The Black Lives Matter protest movement that was revived after the police killings of George Floyd and Breanna Taylor figure in several of the awards — from Boston and Worcester police officers who brutalized peaceful demonstrators, to racial justice protesters in Burlington, Vermont, who stole and destroyed copies of a newspaper whose coverage they were unhappy with, to Sheriff Scott Kane of Hancock County, Maine, who banned a desperately needed drug-counseling service from his jail after the nonprofit posted a statement on its website in support of Black Lives Matter.

We have some well-known winners, too, including Secretary of Labor Marty Walsh, Fox News talk-show host Tucker Carlson and former President Donald Trump. The town of Plymouth is back as well — this time for threatening punitive fines against a Trump supporter who’d put a sign critical of President Joe Biden on his lawn.

This is the 24th year of Muzzle Awards, so next year will be a landmark. Will they continue after their 25th anniversary? Right now I couldn’t tell you. I have put together an index of all 24 years in case you’re interested in what previous editions looked like. Link rot had claimed some of them, but I was able to overcome that thanks to the Internet Archive.

The animating spirit of the Muzzles was best expressed by Supreme Court Justice Oliver Wendell Holmes Jr. in 1929: “If there is any principle of the Constitution that more imperatively calls for attachment than any other, it is the principle of free thought — not free thought for those who agree with us but freedom for the thought that we hate.”

It’s been a long ride — and I’ve already got a candidate for the 2022 edition.

This post was sent out last Friday, June 9, as part of the Media Nation member newsletter. If you would like to become a member, just click here. The cost is $5 a month.

‘Summer of Soul’ is the definition of must-see TV

You may have heard that “Summer of Soul” is the must-see music documentary of 2021. You heard correctly. I saw it last night on Hulu, and it is magnificent. From Stevie Wonder to the Edwin Hawkins Singers, from Gladys Knight and the Pips to the Chambers Brothers, “Summer of Soul” is packed with two hours of great music, the fascinating story of how it came together, and the cultural and political context in which it played out.

The film shows us highlights from six free concerts held in Harlem during the summer of 1969, the same summer that gave us Woodstock. Needless to say, the music was a lot better at the Harlem Cultural Festival.

Though there’s too much cutting away from the music for my tastes, director Questlove chose wisely, devoting the longest uninterrupted stretches to Sly and the Family Stone and to Nina Simone. Also transcendent: a 30-year-old Mavis Staples dueting with her idol, Mahalia Jackson, on “Precious Lord,” dedicated to the Rev. Martin Luther King Jr.

You might also be interested in this post by journalist Greg Mitchell, who finds that claims of the footage being “locked in a basement” for the past 50 years are greatly exaggerated. It turns out that some of the key performances, including Sly’s and Simone’s, had been available on YouTube for years.

Unfortunately, since Mitchell’s piece was published, Disney has blocked access. Which is all the more reason to see “Summer of Soul.”

Biking along the Battle Road Trail

I tried out my new Sony point-and-shoot camera during a 10-mile bike ride, out and back, along the Battle Road Trail earlier today. I picked up the camera so I could document places I travel to over the next year for Ellen Clegg’s and my book project. The results were much better than I can get from a phone — especially inside shots. Overall, I was pretty happen with the results.

Eastern end
There are lots of these along the road. It was a tough day for the British.
Paul Revere’s last stand
Captain William Smith house
Behind the Smith house
Hartwell Tavern. I used flash to offset the backlighting.
Inside the Hartwell Tavern — natural light
Hartwell fireplace — natural light, no editing
Cupboard inside the Hartwell Tavern
Next to the Hartwell Tavern
Boardwalk
Don’t eat the berries!
Working farm along the road
Meriam House, at the western end of the road
The macro feature is outstanding
No bison were harmed in the making of this photo story

Brent Staples on how white newspapers perpetuated white supremacy

There’s an outstanding piece in The New York Times today by Brent Staples on the role of the press in perpetuating white supremacy. He writes:

Since the early 2000s, historically white newspapers in Alabama, California, Florida, Kentucky, Mississippi, Missouri and North Carolina have apologized with varying degrees of candor for the roles they played in this history. When read end to end, these statements of confession attest to blatantly racist news coverage over a more than century-long period that encompasses the collapse of Reconstruction, the rise of Jim Crow, the two world wars, the civil rights movement, the urban riots of the 1960s, the Vietnam era and beyond.

Read the whole thing.

BuzzFeed’s founder promises not to waste money on journalism again

Jonah Peretti. Photo (cc) 2019 by nrkbeta.

In an interview with the Financial Times, Jonah Peretti, the founder of BuzzFeed, offers a confession: news just isn’t as gosh-darn profitable as he had hoped it would be. Peretti has taken an axe to his respected news division, BuzzFeed News, and promises not to do it again.

“I feel like I learned from that mistake … you need to have more financial discipline in the short term to make sure you’re growing in a sustainable way,” he tells reporter Anna Nicolaou.

But as Josh Marshall, the publisher of Talking Points Memo, noted several months ago, there’s never going to be enough money in journalism if you’re relying on venture capital, as Peretti did, or on going public, as he’s doing now. The solution is a slow expansion, most likely built on reader revenue. That’s never been Peretti’s style.

Unfortunately, what Peretti doesn’t say in his FT interview is that he could use revenue from BuzzFeed, the viral site best known for cat videos and listicles, in order to subsidize a first-class news operation. Because for people like Peretti, it’s all about the bottom line — as he showed in April, when he acquired HuffPost and started gutting it.

The Big Bend Sentinel’s formula: Burgers, brews and, now, a national ad network

Lost Horse Saloon, Marfa, Texas. Photo (cc) 2014 by Thomas Hawk.

It seems like a story from a world we left behind. In late February 2020, I wrote a column about The Big Bend Sentinel, a tiny newspaper in West Texas that was supporting its journalism — and boosting the community’s connection with the paper — by operating a café next to the newsroom.

“Can drinks, community events and the occasional wedding subsidize small-town journalism?,” asked The New York Times.

Well, we all know what happened next. So I was pleasantly surprised last month when Max Kabat, the co-owner of the Sentinel, popped up on the podcast “E&P Reports” and announced that the Sentinel is alive and well.

To my frustration the host, Editor & Publisher owner Mike Blinder, didn’t really press Kabat on how the Sentinel’s café made it through the pandemic. But obviously it did. The Sentinel is based in Marfa, Texas, about halfway between Albuquerque to the west and San Antonio to the east. Kabat and his wife, Maisie Crow, are not your typical rural newspaper publishers — they’re refugees from Brooklyn, where Kabat worked in advertising and Crow was a photojournalist and documentarian. They still pursue those careers, even as Kabat serves as publisher of the Sentinel and a smaller sister paper, the Presidio International, and Crow acts as editor-in-chief.

As for whether the café is helping to support the Sentinel’s journalism, Kabat said the answer is yes:

We’re now actually making money. It was starting to make money. We have never not paid any of our expenses, our loans, the things that we’ve done to try to make this thing work. We’ve always been able to do that, which is great. And for the first time, we actually have money in the bank where we’re continuing to invest. We’ve never taken money out. We just continue to invest into the business because we believe in the idea. And that’s what we’re doing. The Sentinel [that is, the café] makes more money than the newspaper.

At the moment, Kabat says he’s pursuing another revenue-making idea that could support not just his newspapers but other community-based journalism projects as well — a national advertising network based on values rather than clicks. National ads have become nearly worthless for local news websites because Google has driven their value through the floor. Kabat’s idea, called Broadsheet, would enable like-minded publishers to connect with advertisers that would rather be seen on quality local websites. Kabat described his message to advertisers like this:

Put your money where your mouth is. If you make an ad that’s about building community and then you go buy every national television, blah, blah, blah, and you spray it programmatically, you know what that does? That takes 20% of the money that you spent on making that ad. And you take 80% of the money that you spent on this advertising campaign and you give it back to the things that are making us worse.

Among Broadsheet’s early possible clients are papers in Aspen, Telluride, Jackson Hole, the Hamptons and — closer to home — the Vineyard Gazette. That’s a lot of tourist dollars. Marfa itself is a tourist destination as well as the setting for the iconic James Dean movie “Giant.” But perhaps over time Kabat will be able to build his model out and use it to serve news projects in less affluent, more diverse areas as well.

I’m firmly of the belief that, for local news projects to succeed, they need not only to serve their community but to help re-establish the very idea of community. The Big Bend Sentinel is doing that in the most direct way imaginable.

In Georgia, a partisan news site replaces local journalism with false election claims

Here’s what happens when you don’t have a reliable source of local news in your community: partisan websites that look like local news pop up in order to push a political point of view. Most of them are right-wing, although there are also a few that lean left.

Last week NPR’s Stephen Fowler had a terrific piece about The Georgia Star News, a Trump-oriented project that is aligned with Steve Bannon, although it doesn’t sound like Bannon has an official role. “It’s very populist, it’s very nationalist, it’s very MAGA, it’s very American First,” Bannon reportedly said.

The lead story right now: “Merrick Garland’s Case Against Georgia Is a Loser, According to Legal Scholars and Journalists,” aggregated from The Federalist and opinion pieces in The Wall Street Journal and USA Today.

What the Star News and sites like it do is work the media food chain. The website’s publisher, John Fredericks, has a radio talk show whose guests have included Bannon and former Trump campaign manager Corey Lewandowski. Fredericks’ talk show and website haved pushed false information about absentee ballots. (According to Fredericks’ website, his show was recently booted off YouTube. Gee, I wonder why?)

Secretary of State Brad Raffensperger, who stood up for the integrity of Georgia’s elections when it really mattered, nevertheless called for an investigation based on the Star News’ story. From there the story was injected into the mainstream, since legitimate media outlets are in the habit of quoting Raffensperger. And, before you know it, Trump himself was praising the Star News for “the incredible reporting you have done.”

Fredericks claims his operation is profitable thanks to an injection of ads from Republican politicians.

As these “pink slime” operations go, Fredericks’ is rather modest — eight sites, compared to the 1,300 documented last fall by The New York Times. And Fredericks’ sites are statewide — they’re not promising the sort of hyperlocal news that, say, a right-wing site like the Macon (Georgia) Times does.

Still, the Star News points to the dangers of what can happen when we lose reliable local and regional news.