Tag: Stevie Wonder

I’m late to this, so you may have seen it already. I finally got around to watching “The Greatest Night in Pop” (here’s the trailer) on Netflix, and it’s terrific. It’s about the making of “We Are the World,” the 1985 song and video with an all-star cast that raised more than $60 million for famine relief in Africa.

If you always thought the song was a bit treacly, well, blame Stevie Wonder. He was supposed to be involved in writing it, but no one could find him, leaving songwriting duties to Michael Jackson and Lionel Ritchie. And as you may have heard, there’s a scene of Stevie showing Bob Dylan how to sing his part — employing a dead-on Dylan imitation — that has to be seen to be appreciated.

The interviews with Ritchie, Cyndi Lauper, Bruce Springsteen, Sheila E. and Huey Lewis are especially insightful. That the entire project came together in one night is a testament to the professionalism of everyone involved, especially Ritchie and Quincy Jones, who was involved from the start and oversaw the whole thing. Well worth your time.

Famine in Africa continues — in Sudan and in Gaza, which is right at the nexus of Africa and the Middle East. “The Greatest Night in Pop” shouldn’t be just an exercise in nostalgia. It should be a call to generosity.

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‘Summer of Soul’ is the definition of must-see TV

By Dan Kennedy

On July 12, 2021

In Culture

You may have heard that “Summer of Soul” is the must-see music documentary of 2021. You heard correctly. I saw it last night on Hulu, and it is magnificent. From Stevie Wonder to the Edwin Hawkins Singers, from Gladys Knight and the Pips to the Chambers Brothers, “Summer of Soul” is packed with two hours of great music, the fascinating story of how it came together, and the cultural and political context in which it played out.

The film shows us highlights from six free concerts held in Harlem during the summer of 1969, the same summer that gave us Woodstock. Needless to say, the music was a lot better at the Harlem Cultural Festival.

Though there’s too much cutting away from the music for my tastes, director Questlove chose wisely, devoting the longest uninterrupted stretches to Sly and the Family Stone and to Nina Simone. Also transcendent: a 30-year-old Mavis Staples dueting with her idol, Mahalia Jackson, on “Precious Lord,” dedicated to the Rev. Martin Luther King Jr.

You might also be interested in this post by journalist Greg Mitchell, who finds that claims of the footage being “locked in a basement” for the past 50 years are greatly exaggerated. It turns out that some of the key performances, including Sly’s and Simone’s, had been available on YouTube for years.

Unfortunately, since Mitchell’s piece was published, Disney has blocked access. Which is all the more reason to see “Summer of Soul.”

By Dan Kennedy • The press, politics, technology, culture and other passions

Tag: Stevie Wonder

‘The Greatest Night in Pop’ should be a call to generosity

‘Summer of Soul’ is the definition of must-see TV