Category: Culture

More progress on the “M”-word

Robert Bertsche, a prominent First Amendment lawyer in Boston, passes along the latest news from the AP Stylebook Online (yes, I’m too cheap to subscribe):

dwarf The preferred term for people with a medical or genetic condition resulting in short stature. Plural is dwarfs.

midget Considered offensive when used to describe a person of short stature. Dwarf is the preferred term for people with that medical or genetic condition.

My 2004 edition of the AP Stylebook does not contain an entry for either word. Clearly the dwarfism community is making progress in its efforts to educate the public about the “M”-word.

In 2009, the New York Times’ then-public editor, Clark Hoyt, wrote that the Times had concluded the “M”-word was offensive.

I discuss the rise and fall of the “M”-word in Chapter Seven of my book on dwarfism, “Little People.”

You just can’t keep a bad word down

For those of us in the dwarfism community, it sometimes seems that the outside world is mainly interested in two things: how people with dwarfism are depicted in popular culture and the continued debate over the word “midget,” which is regarded as offensive by nearly everyone within the community.

Here is former New York Times public editor Clark Hoyt’s 2009 column in which he acknowledges that the “M”-word is offensive and would no longer be used in the Times.

Last week the “M”-word popped up when commentator Bernard Goldberg used it on “The O’Reilly Factor” while critiquing former MSNBC talk-show host Keith Olbermann. In observing that Olbermann’s relatively low ratings in comparison to Fox News were nevertheless higher than anyone else’s at MSNBC, Goldberg compared Olbermann to “the tallest midget in the room.”

My friend Bill Bradford, who’s the senior vice president of Little People of America, called my attention to it on Facebook, and we hashed it out a bit. My inclination was to give a pass to Goldberg on the grounds of his well-documented cluelessness. But another friend, Julie Holland, quickly discovered that Goldberg knew exactly what he was saying. Last February, in defending the use of such charming terms as “Negro” and “retarded,” Goldberg told Bill O’Reilly:

If you use the word midget, the little people community are going to jump all over you. I mean not literally, but they’re going to get on you.

That sound you hear in the background is O’Reilly snickering.

On Sunday, meanwhile, the Boston Herald ran a feature on a show at the Seaport World Trade Center charmingly called “Motorcycles, Midgets and Mayhem,” starring dwarf wrestlers called the Half-Pint Brawlers.

Another LPA friend, District 1 director Barbara Spiegel, is quoted as objecting both to the spectacle and to the use of the “M”-word. The story, by Renee Nadeau Algarin, is benign enough, and I’m not suggesting the Herald should have ignored it. But it’s accompanied by an extensive slide show and a come-on to buy reprints. The comments are about as bad as you would expect.

There’s no question that the way people with dwarfism are depicted in the media is far more positive than it was a generation or two ago. Reality shows such as “Little People, Big World” and “The Little Couple” have helped normalize dwarfism in the eyes of the public.

Yet in the more benighted corners of the media, it seems that things haven’t changed much at all.

It’s still news when a sportswriter comes out

I find it interesting that it’s 2011 and it’s still occasionally noteworthy when we learn that a journalist is gay. Today Boston Herald sports columnist Steve Buckley writes a heartfelt piece — teased on page one — headlined “Welcome to my coming-out party.”

No surprise. I’d heard several times over the years that Buckley was gay, though, as Buckley makes clear, he wasn’t fully, publicly out. What makes his sexual orientation newsworthy are two factors:

  • He covers sports, a macho world where such things still matter, if not nearly as much as they used to. You can be sure that if Buckley’s beat were the Statehouse, he would not have written about being gay.
  • He’s probably best known as a regular presence on sports radio station WEEI (AM 850), where homophobia has been part of the mix for many years. Here’s just a taste. I don’t listen to ‘EEI as much as I used to, and perhaps the gay-baiting isn’t as bad as it was in the past. In any case, Buckley’s coming-out may encourage the station to clean up its act.

This is actually the second time a Herald sportswriter has come out — Buckley was preceded by Ed Gray in 2003. So let’s not make too much of this. Still, it’s a good thing that Buckley has decided to be who he is in public as well as in private. Somewhere today there’s a gay teenager feeling just a little bit better about himself.

“Enlightenment” on the road from Providence

On Saturday night, during a long drive home from Providence, I listened to the pianist McCoy Tyner‘s “Enlightenment” in its entirety for the first time in a long while. It’s one of those albums that you approach with a degree of seriousness, so normally I tell myself I’ll listen when I can sit still and concentrate. But we all know how few those opportunities are.

Recorded live in 1973 at the Montreaux Jazz Festival, “Enlightenment” is similar in intent and spiritual approach to John Coltrane’s “A Love Supreme,” on which Tyner played. Each combines simple, repetitive melodies and rhythms with dense improvisations. There are some wonderful moments in “Enlightenment.” Among my favorites is Joony Booth’s bass solo at the beginning of the closing track, “Walk Spirit, Talk Spirit.” After a few stumbles, he plays a passage so beautiful you’d swear he was singing.

I was introduced to “Enlightenment” when I was still in high school by the drummer in our band, who always had exquisite taste. Thus it’s more meaningful to me than “A Love Supreme,” even though the latter may be a greater achievement. I saw Tyner twice during the 1970s. The first time may have been at the Jazz Workshop near Copley Square, though I can’t be sure. The second was at the Paradise.

Tyner is a great artist and a great soul. I can’t recommend “Enlightenment” strongly enough.

A dubious story about plagiarism

I’m not sure if today’s New York Times story on plagiarism qualifies as one of Jack Shafer’s bogus trend stories. I’ve asked him, and I’m curious to see what he thinks.

But in six years of teaching, I have found the overwhelming majority of students are extremely careful about attribution. If anything, journalism students need help in figuring out when they don’t have to attribute background material.

In the one traditional academic course I teach, on media law, I have discovered that many students don’t know how to do citations properly. We had Turabian drilled into our heads in high school, but apparently those days are long gone. But few students have a problem in being clear, consistent and thorough with their citations, regardless of what self-taught method they use.

That’s not to say there aren’t problems. I’ve had a few students who cheated, and I ended up dealing with one before the university’s disciplinary board. There may also have been a few others who slipped something past me, though I doubt that it’s a regular occurrence. Plagiarism is generally not that hard to spot.

Overall, there’s an unattractive kids-these-days tone to the Times story, linking plagiarism to digital phenomena ranging from Wikipedia to downloading music and films. Hey, you! Get off of my lawn!

Please join us for a “Mockingbird” reading

If you’re on the North Shore this Sunday, I hope you’ll consider dropping by Cornerstone Books in Salem, where I will be among several people reading excerpts from Harper Lee’s “To Kill a Mockingbird.” The event begins at 2 p.m.

I came very late to “Mockingbird,” published 50 years ago this year. On the recommendation of my wife and daughter, I rented the movie this past spring. It was, I realized, one of the best I’d ever seen. The racial drama is compelling. But what riveted me was Mary Badham‘s performance as Scout, as realistic a depiction of childhood as has come to the screen. She should have won the Oscar for Best Actress.

As for Lee’s original work, I finished it just a few days ago. I found it odd to read a good novel after having seen such a first-rate film depiction of it. And, frankly, the reason I call it good but not great is that there’s a certain one-dimensional quality to it that we expect in movies but not in books. This Slate essay by Stephen Metcalf is too harsh, but I agree that “Mockingbird” is essentially a children’s book.

But what a children’s book. Lee’s achievement is worth celebrating, and I’m excited to be part of it.

Donna Halper’s long journey with Rush

[youtube http://www.youtube.com/watch?v=04tniBnlcHc&hl=en_US&fs=1&]
Lesley University professor, longtime radio consultant and friend of Media Nation Donna Halper was on hand in Hollywood last Friday when members of the band Rush were honored with a star on the Walk of Fame.

Halper discovered Rush when she was working as a disc jockey in Cleveland in 1974, and tirelessly promoted the band’s music. In her remarks last Friday, Halper said:

For nearly four decades, the members of Rush have remained true to themselves and true to their music. They have never allowed success to spoil them. They have never lost their integrity. And in a world where it often seems the good guys never win, Rush are living proof that sometimes, good people do finish first.

Halper also appears in a documentary about Rush called “Beyond the Lighted Stage,” which has had several local showings since its debut earlier this year. Here she talks about the film and her career.

Halper was right — sometimes good people do finish first.