Facebook has become the Internet—and that’s bad for news

Mark Zuckerberg in 2013. Photo (cc) by JD Lasica.
Mark Zuckerberg in 2013. Photo (cc) by JD Lasica.

Previously published at WGBHNews.org.

Facebook is sucking the life out of the Internet because, for many of its users, it has become the Internet. That has serious implications for anyone seeking to publish online while keeping some distance from Mark Zuckerberg’s social-networking behemoth. Worse, Facebook’s utter dominance makes it increasingly difficult for independent journalism to thrive—or even to get noticed.

Consider some numbers. According to the Economist, Facebook has 1.6 billion users, more than 60 percent of whom are logged on for at least 20 minutes each day. By contrast, the Washington Post, whose web traffic now exceeds that of any other American newspaper, received just 73 million unique visits during the entire month of March. And people who drop in on news sites spend an average of one to three minutes per visit.

Now consider a few recent developments in the world of online news, rounded up by media analyst Ken Doctor for the Nieman Journalism Lab. BuzzFeed, the recent subject of a gushing Fast Company article on how its chief executive, Jonah Peretti, was “Building A 100-Year Media Company,” has stumbled some 90 years short of its mark, falling well below its revenue targets. Layoffs and budget cuts have hit digital media properties such as Salon, the Huffington Post, Mashable, and Gawker. Yahoo could be headed for the glue factory.

There are several possible explanations for the problems these media organizations are experiencing. But surely a significant challenge is that their would-be readers are spending most of their time on Facebook.

I realize I am oversimplifying, and that most news organizations already publish on Facebook as well as on their own websites. The Washington Post, for instance, shares all of its journalism as Facebook Instant Articles, which load on mobile devices—as the name suggests—instantly. But though Instant Articles (and Apple News, a much smaller competitor) offer certain advantages, including the ability to evade ad-blockers, the revenue potential can’t compare with drawing an audience to your own website, especially if you can get them to pay up.

Even though the Post is trying to build its digital subscription base, it doesn’t dare eschew Facebook, says Shailesh Prakash, the Post’s chief information officer. “To get the exposure we need of our brand and our great storytelling ability, we need to go where the users are,” Prakash told me recently. “For us to not piggyback on that platform, especially with our national and international aspirations, I think would not be the right strategy.”

A news organization like the Post, owned by Amazon chief executive Jeff Bezos, a peer of Zuckerberg’s, is one thing. After all, Bezos has already made the Post’s national digital edition part of Amazon Prime, and if he doesn’t like the deal he’s getting from Facebook there are presumably other steps he can take as well.

But what about a regional newspaper like the Boston Globe? I “like” the Globe’s Facebook page, but its journalism shows up in my newsfeed haphazardly at best. (Fortunately for the Globe, I’m already a paying subscriber.) The same is true with other news sources that I like. Facebook may be essential for media organizations. But the algorithm that determines what you actually see in your newsfeed is one of life’s great mysteries, determined (supposedly) by your behavior, but not in any transparent way you can control. The challenge is as great or greater for small local news sites whose proprietors built their business models around the idea that their readers would visit them on the web, and who must now depend on Facebook for much of their audience.

“Something really dramatic is happening to our media landscape, the public sphere, and our journalism industry, almost without us noticing and certainly without the level of public examination and debate it deserves,” said Emily Bell, director of the Columbia Journalism School’s Tow Center for Digital Journalism, in a recent address. The title of her talk as republished in the Columbia Journalism Review: “Facebook is eating the world.”

“Social media and platform companies”—but mainly Facebook— “took over what publishers couldn’t have built even if they wanted to,” Bell added. “Now the news is filtered through algorithms and platforms which are opaque and unpredictable.”

The first half of the digital news revolution that began in the mid-1990s was defined by disaggregation—the break-up of the traditional newspaper bundle into a plethora of specialty sites and blogs devoted to interests such as local news, sports, and celebrity gossip.

The second half has been defined by re-aggregation at the hands of Facebook. And that trend is only accelerating. Mark Zuckerberg is not just the unimaginably wealthy founder and chief executive of the world’s largest social network. He also exercises enormous control, whether he ever wanted to or not, over how we receive the information we need to govern ourselves in a democratic society. That is an unsettling reality, to say the least.

A few thoughts on the 2016 Pulitzers

Congratulations to my former Beat the Press colleague Farah Stockman and to Jessica Rinaldi, both of whom won Pulitzer Prizes earlier today for their work for the Boston Globe.

Rinaldi won the Feature Photography award for her photo series of Strider Wolf, a boy in rural Maine trying to overcome a harrowingly dysfunctional upbringing. Amazingly, Rinaldi was also one of two runners-up in the same category for her photos of a Massachusetts drug addict caught up in the opioid epidemic.

Stockman, who is now a reporter with the New York Times, won in Commentary for a series on the legacy of Boston’s school-desegregation turmoil in the 1970s and ’80s. Stockman’s award is the third fourth Pulitzer recognition in a row for the Globe‘s editorial pages: last year Katie Kingsbury won for editorials that shed light on the harsh world of restaurant work; in 2014 Dante Ramos was a runner-up for writing about how to revive Boston’s less-than-vibrant nightlife; and in 2013 Juliette Kayyem was a finalist in Commentary.

The Globe covers its Pulitzer wins here.

Among the other Pulitzer winners, I was especially pleased to see the Washington Post win the National Reporting award for its deep investigation of fatal shootings of civilians by police. Not only is it an important topic, but it was based on a meticulously detailed database that the Post built in-house.

Last October, FBI director James Comey lamented that the Post and the Guardian, which assembled a similar database, had better data on police-involved shootings than law-enforcement agencies. “It is unacceptable that the Washington Post and the Guardian newspaper from the UK are becoming the lead source of information about violent encounters between police and civilians,” Comey said. “That is not good for anybody.”

The Post‘s coverage of its Pulitzer victory is here.

GateHouse officials: Quincy bid was not a conflict of interest

Two of GateHouse Media’s top executives have sent a memo to the company’s publishers and editors—marked “CONFIDENTIAL”—arguing that a bid to provide services to the city of Quincy through its Propel Marketing subsidiary would not have represented a conflict of interest for GateHouse’s Quincy-based daily newspaper, the Patriot Ledger. I obtained a copy of the memo last night.

“There was never a plan to ask the newsroom for favorable coverage, reflecting a clear separation of church and state,” says the memo from GateHouse CEO Kirk Davis and senior vice president David Arkin. “Just as a politician can buy an ad and have no expectation for favorable coverage, Propel sells marketing services with absolutely no expectation for involvement by our newsrooms.”

The memo follows a report from Jack Sullivan of CommonWealth Magazine that the city rejected the bid in part because Mayor Thomas Koch “was concerned about ethical conflicts if the owner of the city’s major newspaper went to work promoting the image of the municipality.” The GateHouse bid proposal cited the company’s “expertise” at “delivering measurable results for our partners in traditional media, digital media, and digital services as well as having considerable content generation serving The City of Quincy tourism, news, and business.” (Note: I’m quoted in Sullivan’s article.)

If Davis and Arkin are sincere, then they should make sure bid language such as that used in the Quincy bid proposal is not repeated. It would also help if the Patriot Ledger would follow up on its earlier story about the bid by noting that it has since been rejected.

The full text of Davis and Arkin’s memo follows:

DATE: 04/15/16

FROM: Kirk Davis, CEO of GateHouse and David Arkin, Senior Vice President of Content & Product Development

TO: Publishers and Editors

RE: Propel Marketing Campaign

Coming off the heels of this week’s Editors Conference and the release of our News Transparency guidelines, we wanted to be very clear about an issue in New England this week. The city of Quincy, MA, issued a request for proposal to market the redevelopment of the Quincy Center, a retail area. The RFP specified three primary services in its scope:

  1. Amplify Quincy’s story: Develop and implement a marketing campaign that projects Quincy’s image in print, broadcast, digital and social media
  2. Cultivate Positive Media: Leverage and develop relationships that result in positive media about Quincy development opportunities and current hospitality opportunities
  3. Hospitality Business Development: Cultivate chefs and restauranteurs to locate and invest in Quincy’s downtown.

Propel Marketing (owned by GateHouse Media) and the GateHouse Media New England group responded to only the first of the three services in the RFP scope, amplifying Quincy’s story with a marketing campaign. Propel had no intent of cultivating positive media, nor did they intend to cultivate chefs and restauranteurs, as the former is inappropriate and the latter not their expertise.

Propel Marketing created and submitted a proposal for an advertising and marketing campaign. The proposal included digital marketing services, print ads in local GateHouse newspapers and online display ads on WickedLocal.com.  The proposal did not include any form of native advertising, sponsored content or branded content.  Nor did it include any mention of blogs, blog posts or articles.

The proposal was submitted from GateHouse Media, rather than from Propel Marketing, because it included both Propel services and GateHouse newspaper ads, in print and online.

Neither the Propel sales rep, nor the GateHouse sales rep, had conversations with editorial staff about Quincy Center coverage. There was never a plan to ask the newsroom for favorable coverage, reflecting a clear separation of church and state. Just as a politician can buy an ad and have no expectation for favorable coverage, Propel sells marketing services with absolutely no expectation for involvement by our newsrooms.

We take the independence of our news coverage incredibly seriously and are committed to ensuring that our standards are upheld in every area of our business.

Mike Barnicle is up to his old tricks

In the annals of modern political commentary, few phrases have been associated with one writer the way the ironic “it’s not about race because it’s never about race” is associated with Worcester’s own Charles Pierce, who writes a political blog for Esquire. For an example, see Pierce’s post of August 27, 2014, headlined: “It Is Never About Race: A Continuing Series.”

And by all means, trying Googling it so you can see all the references to Pierce.

Then there is former Boston Globe columnist Mike Barnicle. On February 22, 2015 (sorry, but I only found out about this a few days ago), Barnicle wrote a piece for the Daily Beast ripping Rudy Giuliani for making veiled racial remarks about President Obama. So far, so good. But then there was this:

Let’s pause right here in this off-the-cliff assault by the former mayor to remind everyone of something Obama’s loudest critics always insist is the case: This is not about race because it’s never about race when it comes to nut-boys attacking the President of the United States. Sure!

Fairly innocuous as these things go? Well, yes. But given that Barnicle has a history of helping himself to other people’s words and phrases, I thought it was worth pointing out.

I emailed the Beast‘s editorial and public-relations departments late last week asking for a comment from an editor, Barnicle, or both. Crickets are chirping (a phrase that did not originate with me, I hasten to add).

And a hat tip to Dave Weigel of the Washington Post, who not only nailed Barnicle back when it happened but worked in a sly reference to Mike Royko while he was at it. Royko memorably accused Barnicle of pilfering his work back in the day.

Correction: The original version of this post misstated the date of Barnicle’s Daily Beast column.

The Globe’s Trump parody: Genius, juvenile—or both?

Previously published at WGBHNews.org.

So what are we to make of the Boston Globe’s parody of a possible Donald Trump presidency? Is it inspired or sophomoric? A responsible exercise of a newspaper’s role in shaping public opinion or self-indulgent clickbait? And does the form that it takes—the entire front of the Sunday Ideas section, designed to look like page one of the Globe—deceive readers and thus undermine public trust in the paper?

I’m posing these questions because as I write this on late Sunday afternoon, a day after the Globe’s anti-Trump package was unveiled, I’m still not sure what to make of it. Not to wimp out, but I think both the defenders and the detractors have good arguments.

Jim Roberts, formerly of the New York Times, recently laid off from his job as Mashable’s top editor, tweeted on Sunday, “Boston Globe front page brilliantly envisions a Trump presidency.” To which Politico media columnist Jack Shafer replied, “This is the first time you’ve ever been wrong, Jim.”

Now, take a look at Roberts’s wording. Because, in fact, he inadvertently puts his finger on one legitimate complaint about the parody—he refers to it as the Globe’s “front page.” It wasn’t, and folks who saw the Sunday edition in print understood that it was the front of the Ideas section, produced by the paper’s opinion operation. Yet not only was that distinction unclear as the story unfolded on social media Saturday, but the Globe itself did little to alleviate that lack of clarity.

The Globe’s official Twitter feed referred to the parody as “the front page we hope we never have to print.” (Sorry, but “Via @GlobeOpinion” is insufficient.) In a promotional video, Ideas editor Katie Kingsbury said, “We listened to Donald Trump’s speeches, we scoured his website, we read his position papers, we considered who his advisers are, and we did what the Globe does best: we reported it out and put it on the front page for our readers to see.”

One seemingly annoyed Globe news reporter, Todd Wallack, was moved to tweet, “The satirical @bostonglobe page about Trump is the cover of today’s Ideas/Opinion section (which is overseen by the editorial board).” He followed up with a photo of the actual front page, which was nearly Trump-free. And John Robinson, the retired editor of the News & Observer in Greensboro, North Carolina,told me he had to check “Today’s Front Pages” at the Newseum before he could be sure the parody wasn’t the real page one.

So yes, the folks at the Globe could have done a better job of making sure everyone realized the parody was part of the paper’s opinion section and not the front page of the paper. Not to be a party-pooper, but I would have insisted that the Ideas header appear in its usual location at the top of the page. That would have lessened the impact a bit, it also would have lessened the confusion.

As for the content itself, I’d say it is simultaneously inspired and a bit juvenile, which is unavoidable when you’re writing fake news stories based on Trump’s ridiculous and offensive pledges to deport 11 million undocumented immigrants, kill the families of ISIS terrorists, and rewrite libel laws in ways that contradict more than 50 years’ worth of First Amendment jurisprudence.

The page also includes gems like this: “Heavy spring snow closed Trump National Park for the first time since it dropped its loser name, Yellowstone, in January.” Comedic genius? Well, no. But I laughed.

The parody was accompanied by a serious editorial making the case that if Trump fails to win a majority of the delegates at the Republican National Convention this summer, then the delegates should turn to a respectable alternative like House Speaker Paul Ryan or former Massachusetts governor Mitt Romney. And therein lies the most significant problem with the whole exercise.

Liberal media outlets (and a few conservative ones) have been outspoken about stopping Trump. The Daily News of New York has run a wide array of entertaining front pages. Late last year, the New Yorker’s Amy Davidson tried her hand at parody well in advance of the Globe with a piece titled “Five Supreme Court Cases from the Second Trump Administration.”

The trouble, of course, is that Republicans are not seeking advice from the likes of the Daily News, the New Yorker, or the Boston Globe in how to deal with their Trump problem. And, of course, many Republicans don’t think they have a Trump problem.

In the current media environment it can be almost impossible to be heard above the noise. So the Globe deserves some credit in finding a way to draw attention to its principled if oddly presented case against Trump’s racist demagoguery and rhetorical indulgence of violence, torture, and murder.

But now the crowd will move on, the stunt will soon be forgotten—and nothing will change.

GateHouse creates a dilemma for its Quincy journalists

Quincy City Hall. Photo via Wikipedia.
Quincy City Hall. Photo via Wikipedia.

At CommonWealth Magazine, Jack Sullivan offers a good overview of a massive conflict of interest in Quincy, where GateHouse Media’s marketing subsidiary is bidding for a city contract in the shadow of GateHouse’s Patriot Ledger, headquartered in Quincy.

The GateHouse subsidiary, Propel Marketing, has already done work for Quincy Mayor Thomas Koch.

We’ve already been talking about this at Facebook, so feel free to chime in.

My insta-analysis is that newspaper owners always create conflicts of interest. Washington Post reporters have to cover Amazon, whose founder and chief executive is the Post‘s owner, Jeff Bezos. To extend that a little further, Amazon does business with the CIA, a major beat for the Post. The Boston Globe, owned by John Henry, covers the Red Sox, and Henry is the principal owner. And newspaper publishers have always held roles in the community that journalists shouldn’t, such as chairing the local chamber of commerce.

What matters is whether those conflicts are handled in a way that’s transparent, ethical, and arm’s-length. Given GateHouse’s recent misadventures involving casino mogul Sheldon Adelson and the Las Vegas Review-Journal, I’d say the Quincy situation needs to be watched very closely.

Jay Rosen has been indispensable in understanding the Las Vegas mess. Here’s what I wrote for WGBHNews.org about how one independent Connecticut journalist exposed part of the story. And here’s how the Patriot Ledger itself covered the Quincy story recently. It’s thorough in just the way you’d want it to be, so kudos.

Correction: In the first version of this post I wrote that the Patriot Ledger‘s headquarters are in Braintree. In fact, the Ledger is located in an office park on the Quincy side of the Quincy-Braintree line.

Advice from the pros at BU’s narrative journalism conference

b_kirtzBy Bill Kirtz

Desert the herd. Fact-check memories.

Celebrated writers Adam Hochschild, Samuel G. Freedman, and Alia Malek shared those thoughts last weekend at Boston University’s annual narrative journalism conference.

Conference founder Mark Kramer organized the three days of speeches, panels, and informal sessions as editors try new ways to tell complex stories.

“The best stories come when you don’t follow the pack,” said Hochschild, using examples from his new and well-received Spain in Our Hearts: Americans and the Spanish Civil War, 1936-1939.

Although nearly 1,000 writers covered the war—eating, drinking, and occasionally, like Ernest Hemingway and Martha Gelhorn, sleeping with each other—Hochschild noted that they missed two huge stories.

The first: that Republican militias created a social revolution. The only one to explore this was George Orwell, who detailed the saga of idealism and betrayal in the classic Homage to Catalonia. Hochschild pointed out that Orwell was there as a fighter, not a colleague sharing wine and story ideas.

The reason they didn’t tell the second story: Nobody asked the simple question of who provided fuel for Nationalist dictator Francisco Franco tanks and Hitler’s planes. Hochschild details their delivery from America because Texaco’s chairman supported Franco and Hitler, despite a neutrality act forbidding that.

His point: “The best stories come when you don’t follow the herd. Explore on your own,” he said, adding that new technologies now let non-journalists do this without having to follow the “party line.”

As the memoir craze continues and the fact-fiction line blurs, Freedman insisted, “Photoshopping my memories is not good enough for me.”

The noted journalism teacher and New York Times columnist is the author of Who She Was, which has been lauded as a moving but candid probe of his mother’s past.

Freedman rejected the notion that memoir operates by different rules from any other kind of nonfiction.

To him, much-emulated memoirist Vivian Gornick’s admission that she’s invented scenes and used composite characters invalidates her work while prolific author and journalist Pete Hamill’s up-front comment that his memory can be faulty makes him trust his.

With memory as the starting point, Freedman applied reporting skills to his own life. For Who She Was, he interviewed family members the same way he did anyone else: letting them know he was a journalist. And, as with any other source, he let them fact-check the manuscript and considered any objections they might have—but told them that the final decision about what or what not to include was his.

Malek, born in Baltimore to Syrian immigrant parents, uses the same intensive reporting technique in her forthcoming book about her motherland. Her aim: to put today’s headlines in context.

Her third book, a still-untitled narrative, uses her family’s house as a metaphor to trace 100 years of history. Like Freedman—her Columbia Journalism School mentor—she said she reports personal conflicts as she would any other story.

“It’s difficult if you do your job diligently,” said the former Department of Justice trial attorney and Al Jazeera America senior writer who did award-winning reporting from Syria for several major outlets.

Like Hochschild, Malek mixes narrative with history. “I don’t want to bore the reader,” she said. “The difference between the novice and expert is good storytelling.”

She called expertise crucial to nuanced reporting. Her journalism teachers told her, “If you can cover a Kansas school board, you can cover anything.”

She disagrees, noting that many Western reporters covering the Middle East chiefs don’t speak Arabic, and call themselves totally objective while covering complex conflicts. “We don’t buy into that idea,” she said.

Bill Kirtz is a retired Northeastern University journalism professor and a Media Nation contributor.

Globe editor McGrory: It’s time to rethink everything we do

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Brian McGrory. Photo (cc) by the Newton Free Library.

A copy of Boston Globe editor Brian McGrory’s latest newsroom memo just wafted through an open window here at Media Nation. And it’s a doozy—an invitation to rethink how the Globe newsroom does just about everything, from the way beats are structured, to how many days the paper should appear in print, to how best to use technology.

“To help shape the discussion,” McGrory writes, “consider this question: If a wealthy individual was to give us funding to launch a news organization designed to take on The Boston Globe, what would it look like?” Needless to say, the Globe itself is already owned by a wealthy individual—John Henry, a financier who is the principal owner of the Red Sox.

Last fall I asked McGrory if the redesigned, thinner Saturday print edition was a prelude to cutting back on the number of print days. At that time he said no, but added, “We’re constantly thinking and rethinking this stuff.” Many newspaper industry observers believe it’s inevitable that daily papers will eventually move to a weekend print edition—where most of the advertising appears—supplemented by digital the rest of the week.

The conversation is being facilitated by three outside consultants, Tom Rosenstiel and Jeff Sonderman of the American Press Institute and Marty Kaiser, the former editor of the Milwaukee Journal Sentinel.

So let’s get right to it:

Hey all,

It’s time to bring everyone up to date on a series of conversations I’ve initiated among senior editors over the past couple of months, conversations intended to lay the groundwork for a no-sacred-cows analysis of our newsroom and what the Globe should look like in the future. It’s also time to get the room fully involved in the process.

You know it as I know it: The Globe, like every other major legacy news organization, has faced what have proven to be irreversible revenue declines. The revenue funds our journalism. The declines have mandated significant cuts over the past dozen years.

There’s far too much good that goes on at this organization on a moment-by-moment basis to allow ourselves to be consumed by what’s wrong with the industry. But we can’t ignore hard realities, either, or simply wish them away. My own strong preference is to somehow shed the annual reduction exercise that seems increasingly inevitable here and everywhere. So I’ve asked senior editors to think about how we, at the very least, might get ahead of the declines, and in the best case, work to slow or even halt them. To help shape the discussion, consider this question: If a wealthy individual was to give us funding to launch a news organization designed to take on The Boston Globe, what would it look like?

There are important issues to raise and explore in what I’ll call a reinvention initiative: Do we have the right technology? Do we train staff in the right way? Should we remain in the current print format that we have now, same size, same sections? Do we have the right departments? Is our beat structure outdated? How can our work flows improve? Do we have too many of XX and not enough Ys? Should we publish seven days a week? Do print and digital relate in the right ways?

The questions could go on and on. They could become bolder still.

Easy answers, as you well know, are elusive. The good news is that we’ve got an absurdly smart, dedicated collection of journalists, many of the best in the nation, that has embraced profound and meaningful change over the years, always while maintaining our values. We’ve built two of the most successful websites in the industry, first boston.com, and now bostonglobe.com. The latter site is not only thriving, but growing rapidly, up more than 15 percent in uniques and page views this year over last, and leading the league in digital-only subscribers—the most important metric. We successfully overhauled key parts of the site last year. We’re about to launch a major sports redesign this spring, all while we confidently spread our wings with a broader array of stories and topics geared first to our web audience.

At the same time, we haven’t just maintained print, but enhanced it over the past few years, with a great new standalone business section through the week, a Sunday Arts section that showcases some of the best critics in the industry, Address, premium magazines, broadsheet feature sections. I’m missing things, I’m sure. We saw quite clearly in January just how much the physical paper means to an enormous swath of our readership.

The journalism, through it all, has been consistently exceptional. We drove the Olympics debate. We launched a national debate on concurrent surgery. We’ve been one of the smartest, freshest voices on the national political scene. We’ve chronicled poverty in rural Maine and economic segregation in greater Boston in deeply memorable ways. Day in, day out, we are one of the most thoughtful metropolitan news organizations in the land.

All of which is to say: We’re very good at change. We’re committed to high standards. We are well-positioned to go even further.

So I’ll frame the discussion one more way: Is it possible to build something bold rather than shrink what we have?

It’s perfectly reasonable to ask whether this reinvention initiative is an excuse for more cutting. The glib answer is that we don’t really need an excuse to cut. The revenue declines require it. The more involved answer is that even without declining revenue, we should still be exploring reinvention, given the massive advances in technology and massive changes in reader habits. And even without a reinvention initiative, we’d still have to cut. So the honest answer is that a reinvention would naturally take into account the realities of declining revenues.

I’ve sought some outside counsel to help facilitate the process, people who have thought long and hard about these issues and are deeply knowledgeable about what’s been tried at other news organizations and how it’s worked. Tom Rosenstiel and Jeff Sonderman, the executive director and deputy director respectively of the American Press Institute, plan to be in the newsroom on Friday—tomorrow—to meet in small groups with some staff. They’ll be joined by Marty Kaiser, the highly respected former editor of the Milwaukee Journal Sentinel, who has worked with Tom on these exact issues. After Tom, Jeff, and Marty get an initial sense of our newsroom, we’ll discuss a path forward and how they might help. The key is to create a process that involves as many people as possible, at all levels, tapping into the wealth of creativity that is this newsroom’s trademark.

This is a significant and important undertaking. It’s also an exciting one. We’re in a moment in this industry and at this organization that requires us to be bold (have I used that word enough yet?) and imaginative, always in our journalism, but also in determining how we best fulfill our civic responsibilities. There’s not the tiniest bit of doubt that we’re up to the challenge.

I’ll be reaching out to some of you about meeting with Tom, Jeff, and Marty tomorrow, and then I’ll report back soon in a series of Winship Room gatherings about the road ahead. We’re committed to a process in which everyone can effectively share their thoughts, ideas, and concerns. In the meantime, feel more than free to reach out to me directly.

Brian

Stanley Forman speaks about his iconic photo

Nice interview by Boston Herald photographer Mark Garfinkel with former Boston Herald American photographer Stanley Forman to mark the 40th anniversary of Forman’s Pulitzer Prize-winning photo showing an African-American lawyer, Theodore Landsmark, being attacked by a white anti-busing protester wielding an American flag. Forman tells Garfinkel:

I took the image and followed the group to Post Office Square not realizing the impact the image had. Herald American reporter Joe Driscoll  caught up with me in the Square telling me about [what happened] via the AP wire and he was dispatched from the office. I said, “I have the photo of it!”  Of course I had no idea what I had gotten. I knew I had motor drive trouble and there was no instant looking at the back of your camera 40 years ago.

Forman, who’s been a videographer with WCVB-TV (Channel 5) for many years, won two individual Pulitzers with the Herald American. (He was part of a team Pulitzer as well.) The two individual awards were for news photos that are among the most iconic in Boston’s history—the Landsmark image, taken in 1976, and, the year before, a picture of a 19-year-old woman and a 2-year-old girl falling from a fire escape. The 19-year-old later died.

You can see both photos here. Also, the Herald‘s Jack Encarnacao recently spoke with Landsmark about the effect of Forman’s photo.