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Pulitzer notes: The Globe’s harrowing story on child abuse is named a finalist

Photo via Pulitzer.org

The word “harrowing” is an overused cliché, but it’s exactly the right word to describe Janelle Nanos’ story about an adult survivor of childhood sexual abuse, published by The Boston Globe Magazine last summer. Nanos’ 11,000-word account of Kate Price’s long quest to learn the truth about what had happened to her was a finalist for a Pulitzer Prize in feature writing; this year’s Pulitzers were announced on Monday.

Price remembers being raped by her father — possibly starting when she was as young as 3 — and being pimped out to other men who he would contact via CB radio. She has spent her adult life trying to nail down the details, and by the end of the story we learn that she’s succeeded in coming about as close as she’ll probably ever get to proving that her memories are real.

Nanos, a reporter and editor for the Globe’s business section, has been following Price for 10 years and is currently expanding it into a book. The personal tone she takes is handled deftly, enhancing the narrative by making herself part of Price’s journey. Her story also helps puncture the argument, still made in some circles, that claims of childhood sexual abuse are not to be believed because memories of such abuse are not reliable.

More from the Pulitzer announcements:

• Anna Wolfe of the nonprofit news organization Mississippi Today was one of two winners in local reporting for her coverage of former Mississippi Gov. Phil Bryant, who directed that state welfare money amounting to millions of dollars be given to family members and friends, including NFL quarterback Brett Favre. I mention this because Mary Margaret White, the CEO of Mississippi Today, was a guest last fall on the “What Works” podcast that Ellen Clegg and I host.

• Ukraine was the subject of several Pulitzers, including the prestigious public service award, won by four journalists for The Associated Press for what the Pulitzer board called their “courageous reporting from the besieged city of Mariupol that bore witness to the slaughter of civilians in Russia’s invasion of Ukraine.” The New York Times won the international reporting award and The AP photo staff won for breaking news photography. The Times’ Lynsey Addario’s photo of an entire family that had been killed while they were trying to flee the suburb of Irbin, perhaps the best-known image of the war, was a finalist in breaking news photography.

• The Los Angeles Times won the award for breaking news reporting for revealing the existence of an audio recording in which several city officials are heard engaging in bluntly racist speech, leading to follow-up stories and resignations. It’s a worthy winner in any case, but I mention it because of a similar recent story in McCurtain County, Oklahoma, where several officials resigned under nearly identical circumstances.

The big difference: The Los Angeles audio was leaked anonymously to the Times, whereas the Oklahoma audio was captured by the McCurtain Gazette-News, whose publisher-reporter left his recorder behind after a meeting ended because he suspected that officials would continue to discuss county business in violation of the open meeting law. That, in turn, has led to a dispute over whether the Gazette-News broke the law by making a secret recording.

 

Pulitzer notes: A big win for the Globe; plus, ownership matters, and recognizing Darnella Frazier’s courage

Journalism is a field overrun with prizes. But the Pulitzers still matter — and the recognition shown The Boston Globe on Friday was impressive.

As you no doubt have heard, five current and former Globe journalists won in the Investigative Reporting category “for reporting that uncovered a systematic failure by state governments to share information about dangerous truck drivers that could have kept them off the road, prompting immediate reforms.” That’s the first time the Globe has been recognized for its investigative work since it won the Public Service Award in 2003 for its coverage of the pedophile-priest crisis in the Catholic Church.

The Globe was also a finalist in Editorial Writing for its commentary on a zoning battle in Newton, and its sister publication Stat was a finalist in Breaking News for its coverage of COVID-19. One of the three Stat finalists was Sharon Begley, who died of lung cancer earlier this year.

In a video accompanying the Globe’s own coverage, editor Brian McGrory addressed a topic of vital importance — the role of a regional news organization in the powerful to account. Here’s part of what he said.

I was asked last night at a panel I was on about the lack of relevance, and how major metro newspapers are becoming decreasingly relevant in a really tough media age. And I thought about it for a minute, and I came to realize — not for the first time — I’ve been here 30-something years, and the Globe has never felt more relevant to the community than it does now. And all you have to do is look at the work we do day in and day out. The work that’s unfolding right now on the police department, on City Hall, on state government. Name a topic, and it’s every department firing on all cylinders.

Indeed, the Globe is driving the conversation on all of those stories, even amid fine work by other news organizations, including my friends at GBH News, WBUR, CommonWealth Magazine, The Bay State Banner, The Dorchester Reporter, DigBoston, local TV stations and others.

Ownership matters

Unfortunately, the Globe is unusual by the standards of 2021. Take a look at the list of Pulitzer winners. Overwhelmingly, the prizes went to news organizations with solid ownership. The Globe, of course, has been owned for the past seven-plus years by John Henry and Linda Pizzuti Henry, who have steered it to profitability and stability while maintaining the paper’s reporting capacity.

The Star Tribune of Minneapolis is owned by another wealthy business person, Glen Taylor, who has revived a paper that was on the ropes not too many years ago. The Tampa Bay Times is owned by the nonprofit Poynter Institute — a situation that hasn’t been entirely happy, but that has resulted in more robust coverage than if it were owned by a for-profit chain.

The Marshall Project is a well-funded nonprofit. The New York Times, though a publicly traded company, has been controlled by the Ochs-Sulzberger family since 1896. The Atlantic is largely owned by Laurene Powell Jobs, who inherited the late Steve Jobs’ fortune. BuzzFeed News is run as much for love as for profit.

I could go on, but you get the picture. All across the country, newsrooms at regional and local newspapers are being ravaged by corporate chains and hedge funds. The Pulitzers demonstrate, as I have said over and over, that it doesn’t have to be that way.

Speaking truth to power

There had been some buzz in recent weeks that a Pulitzer ought to be awarded to Darnella Frazier, the then-17-year-old who turned her smartphone camera toward George Floyd as he was being murdered by police officer Derek Chauvin.

The Pulitzer judges were thinking the same thing. Frazier was awarded a Special Citation “for courageously recording the murder of George Floyd, a video that spurred protests against police brutality around the world, highlighting the crucial role of citizens in journalists’ quest for truth and justice.”

Rarely has a Pulitzer been more deserved. But it will be for naught if that’s the end of it. Frazier’s work should inspire people everywhere to stand up for what is right. Without her bravery, Chauvin might still be on the beat, terrorizing the citizens of Minneapolis.

Pulitzer notes: Racism and climate change come calling from a pre-pandemic world

Previously published at WGBHNews.org.

When the latest Pulitzer Prizes were announced on Monday afternoon, it felt like they’d been beamed in from another dimension.

The awards honor the best in journalism from the previous year — a time when COVID-19 was barely a blip on the radar and didn’t yet have a name. You can be sure that coverage of the pandemic will dominate next year’s Pulitzers. This year, though, they were all about journalism that exposed neglected communities in rural Alaska, corruption in Baltimore, corporate and governmental malfeasance at Boeing, and the never-ending horror that is the Guantánamo Bay detention center.

Two winners, in particular, caught my eye. Nikole Hannah-Jones of The New York Times won the commentary award for her lead essay accompanying The 1619 Project, a massive effort that re-examined American history through the lens of slavery. The Washington Post took home the explanatory-reporting prize for a series showing the effects of climate change. Both are the sort of journalism that will have staying power even after the pandemic has receded into the background.

Locally, The Boston Globe was left empty-handed for the sixth consecutive year. But it took finalist honors in three separate categories with excellent work that is worth examining more closely.

***

The 1619 Project, grounded in the idea that American history began with the introduction of slavery in Virginia that year, was a massive multimedia effort. It took up an entire issue of The New York Times Magazine last August, featuring contributions from a wide range of writers. It sparked a series of podcasts. It’s been reworked as a school resource. But the animating focus is the 7,600-word lead essay by Hannah-Jones, who conceived of the project and who has been its public face.

By honoring Hannah-Jones, the Pulitzer judges chose a piece of writing that is not only worthy but also controversial. And perhaps the most controversial assertion she makes is that the American Revolution was sparked by, among other things, the belief among slave-holding interests that the colonies needed to become independent so that the British wouldn’t abolish slavery. As Hannah-Jones puts it: “Conveniently left out of our founding mythology is the fact that one of the primary reasons some of the colonists decided to declare their independence from Britain was because they wanted to protect the institution of slavery.”

Did she get it right? Late last year, a group of five historians wrote to the Times arguing that Hannah-Jones was wrong about that central argument. “This is not true,” they wrote. “If supportable, the allegation would be astounding — yet every statement offered by the project to validate it is false.” That sounds devastating. And Leslie M. Harris, one of the historians with whom The 1619 Project consulted, has written that the Times ignored her warnings. But in an answer to the five historians, Times Magazine editor-in-chief Jake Silverstein cites compelling evidence — including a reference to the Harvard historian Jill Lepore’s book “These Truths” — that fear of abolition was in fact a significant reason why the slave-holding white power structure supported independence.

In the Columbia Journalism Review last August, Alexandria Neason wrote, “For the media to tell the truth about the U.S., it must commit to both a reeducation of its readers and of its workers. Efforts like The 1619 Project look backwards to inform a path forward.”

Almost as an exclamation point, a Pulitzer was also awarded posthumously to Ida B. Wells “for her outstanding and courageous reporting on the horrific and vicious violence against African Americans during the era of lynching.” Hannah-Jones’ Twitter handle is Ida Bae Wells.

By honoring Hannah-Jones, the Pulitzer judges have ensured that the conversation she sparked will continue.

***

The Washington Post last August published the first of a series of 10 stories aimed at showing not merely that climate change was inevitable, but that it was already here, resulting in extreme temperatures and other effects in the United States and around the world. The data-driven series, titled “2˚C: Beyond the Limit,” examined places where the average temperature has risen by at least 2 degrees Celsius.

“A Washington Post analysis of multiple temperature data sets found numerous locations around the globe that have warmed by at least 2 degrees Celsius over the past century,” the Post reported. “That’s a number that scientists and policymakers have identified as a red line if the planet is to avoid catastrophic and irreversible consequences. But in regions large and small, that point has already been reached.”

In awarding the explanatory-reporting prize to the Post, the Pulitzer judges called “2˚C: Beyond the Limit” a “groundbreaking series that showed with scientific clarity the dire effects of extreme temperatures on the planet.” The series offers close-up looks at the effects of climate change such as floods, droughts and extreme heat in places ranging from New Jersey to California, from Qatar to Siberia, as well as a conclusion headlined “How We Know Global Warming Is Real.”

Yet in looking over the Post’s award-winning work, I couldn’t help but think of the epistemic closure that characterizes the political right these days. The Post’s audience no doubt appreciated the deep, fact-based reporting. But at a time when extremist allies of President Donald Trump are refusing to accept the reality of a pandemic that has already claimed about 70,000 American lives, it’s hard to imagine that climate change-deniers will be swayed by new evidence.

***

Whether a news organization wins a Pulitzer or not often comes down to the competition. The Baltimore Sun won in the local-reporting category for exposing corruption involving Mayor Catherine Pugh. Actually, make that the former mayor.

The Boston Globe didn’t expose any official wrongdoing in “The Valedictorians Project.” But by comprehensively reporting on the struggles experienced by Boston’s valedictorians in the years following their high-school graduation, the Globe revealed that the city was failing even its brightest, most successful students. The reporting was supplemented by data visualizations, videos and other interactive features. It may not have brought down a mayor, but it was certainly worthy of the finalist citation it received. (Disclosure: Several of our Northeastern journalism students worked on the project.)

Two other finalists from the Globe were also recognized.

In feature writing, Nestor Ramos was cited for his story on Cape Cod and climate change, “At the Edge of a Warming World” — which, like “The Valedictorians Project,” was enhanced with a vibrant multimedia presentation.

In feature photography, Erin Clark was honored for — as the Pulitzer judges put it — her “respectful and compassionate photography of a working Maine family as it falls into homelessness and finds new housing, albeit precarious.”

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Pulitzer notes: Why does Murdoch allow his Wall Street Journal to torment Trump?

Previously published at WGBHNews.org.

During the past two months, major investigative articles in The New YorkerThe New York Times Magazine, and The Intercept have been published about Rupert Murdoch’s media empire and how it has fused with right-wing populist governments on three continents — including President Trump’s administration in the United States — in order to enhance his family’s power and wealth.

So it’s no small irony that, on Monday, the Pulitzer Prize for National Reporting was awarded to Murdoch’s Wall Street Journal for exposing the hush money that Trump paid to Stephanie Clifford (better known as Stormy Daniels) and Karen McDougal. As the Pulitzer announcement put it, the award was “for uncovering President Trump’s secret payoffs to two women during his campaign who claimed to have had affairs with him, and the web of supporters who facilitated the transactions, triggering criminal inquiries and calls for impeachment.”

At least to this point, the Journal’s reporting has created more of a legal minefield for the president than has special counsel Robert Mueller’s investigation — although that may change when the redacted version of the Mueller report is released later this week. Thus it’s worth pondering why Murdoch, who has transformed the Fox News Channel into a full-throated propaganda vehicle for Trump and his hateful utterances, has nevertheless maintained the Journal’s excellence during his decade-plus of ownership.

My guesses: The Journal gives Murdoch a cachet he otherwise wouldn’t have; and he knows that a high-brow newspaper has nowhere near the power to mold public opinion as does a top-rated cable network whose hosts endorse and amplify Trump’s fact-free rhetoric. The Journal’s reporting may create problems for Trump — but nothing that can’t be drowned out by the likes of Sean Hannity and Tucker Carlson.

One other Trump-related note: The New York Times won the Explanatory Reporting award for its massive investigation into Trump’s false claims that he became wealthy as a result of his own efforts as well for reporting about his family’s reliance on a wide variety of tax-avoidance schemes.

***

Trump and Murdoch aside, you couldn’t look over the list of Pulitzer winners without feeling profound sadness. There was the Special Citation for the Capital Gazette of Annapolis, Maryland, whose journalists kept reporting after five of its employees were killed by a gunman last June. There was the Breaking News Reporting Award that went to the Pittsburgh Post-Gazette for its coverage of the Tree of Life synagogue massacre in October.

The South Florida Sun Sentinel won the most prestigious of the Pulitzers, for Public Service, “for exposing failings by school and law enforcement officials before and after the deadly shooting rampage at Marjory Stoneman Douglas High School.” The Washington Post was a finalist in that same category for its reporting on the killing of its columnist Jamal Khashoggi, apparently at the hands of the Saudi regime.

As Andrew McCormick of the Columbia Journalism Review wrote, Pulitzer administrator Dana Canedy also took note in her remarks of obituaries published by The Eagle Eye, the student newspaper at Marjory Stoneman Douglas.

“These budding journalists remind us of the media’s unwavering commitment to bearing witness, even in the most wrenching of circumstances,” Canedy said. And as McCormick observed, “It was, unfortunately, the theme of Canedy’s remarks and of the 103rd iteration of the prizes this year: the rising tide of violence in the country, which journalists have had to cover and of which they have become targets themselves.”

***

A few other Pulitzer notes:

• Boston Globe photographer Craig Walker, a two-time Pulitzer winner, was a finalist in Feature Photography for his work documenting the life of Connor Biscan, the subject of “Raising Connor,” a boy struggling with autism and other issues. The photos and accompanying story, by Liz Kowalczyk, were published in the Globe last May.

• The late Aretha Franklin was awarded a Special Citation “for her indelible contribution to American music and culture for more than five decades.” The prize was more than well-deserved, but it’s a shame that the Pulitzer board decided to wait until Franklin was no longer around to enjoy it. Quite simply, she was one of the greatest musicians of the past 75 years.

• I had already planned, with some trepidation, to take on David W. Blight’s monumental (912 pages) “Frederick Douglass: Prophet of Freedom.” So I was pleased to see that it won the Pulitzer for History.

• The full list of Pulitzers is deep and impressive, and I have left out more than I’ve included. Please take a look at the best in journalism and the arts in 2018.

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Pulitzer round-up: Race, #MeToo and the ever-present Trump story

Previously published at WGBHNews.org.

The 2018 Pulitzer Prizes are likely to be remembered as the Year of #MeToo, as courageous reporting on Harvey Weinstein and other predatory men sparked what may prove to be an enduring change in relations between the sexes. But the awards, announced Monday at Columbia University, covered a wide of subjects. And perhaps none of those is more difficult than race.

For The Boston Globe, the Pulitzers brought a near-win as well as a haunting voice from the past. The paper’s Spotlight Team was a runner-up in the Local Reporting category for its series on the city’s racial tensions, a painful part of our cultural DNA. And Patricia Smith, a lyrical African-American writer who left the Globe in 1998 after she was discovered to have fabricated characters and situations in her column, was herself a finalist in Poetry.

The Globe’s series, “Boston. Racism. Image. Reality.,” was a massive effort that explored the city’s troubled racial past and present from a variety of angles, including the nearly all-white Seaport District, our newest neighborhood; racial disparities in health care; and how African-Americans fare in higher education and in sports.

For those of us who urge news organizations to reconceptualize journalism as a form of civic engagement, the series was a landmark, sparking deep online discussion and forums at which members of the Spotlight Team met with members of the public. The Pulitzer judges called it “a poignant and illuminating exploration of the city’s fraught history of race relations.” I thought it might win a Pulitzer, perhaps in the Explanatory Reporting category. And though it fell short, it should nevertheless lead to conversation and follow-up stories for some time to come.

Patricia Smith, for those of you who weren’t around during the Globe’s Summer from Hell in 1998, was one of two star columnists who left in the midst of ethical lapses — Smith and Mike Barnicle for writing fiction, and Barnicle for plagiarism as well. Barnicle has remained an outspoken presence during the intervening 20 years, in recent years as a talking head on MSNBC’s “Morning Joe.” Smith, though, largely disappeared from public view.

To her credit, Smith did the hard work of rebuilding her career. In 2015, The New York Times published a profile of Smith, by then a prize-winning poet as well as a professor at the College of Staten Island. Her selection as a 2018 Pulitzer finalist is for her collection “Incendiary Art,” described by the Pulitzer judges as a “searing portrait of the violence exacted against the bodies of African-American men in America and the grief of the women who mourn them.”

Although perhaps less well-known to those of us whose main interest in the Pulitzers is journalism, the most striking prize of all may have been the one awarded to the rapper Kendrick Lamar, who won in the Music category for his album “DAMN.” According to NPR.org, “It’s the first time in the prize’s history that it has been given to an artist outside of the classical or jazz community.” The Pulitzer judges called the album “a virtuosic song collection unified by its vernacular authenticity and rhythmic dynamism that offers affecting vignettes capturing the complexity of modern African-American life.”

It is often said that the story of race is the story of America. At a time when our culture is becoming increasingly diverse, and when nearly half of our fellow Americans have made it clear that they fear that diversity, it’s heartening that the 2018 Pulitzers do so much to highlight it.

And congratulations to the Globe and to Patricia Smith.

The media and #MeToo

When considering the charged politics of gender in the workplace, it seems like the world began anew after the Times and The New Yorker exposed the violence-tinged depravity of the former entertainment mogul Harvey Weinstein.

The list of once-powerful men who’ve been laid low since the Weinstein revelations is a long one, and includes Matt Lauer, Charlie Rose, Garrison Keillor, Louis C.K., Al Franken, and others. Locally, Tom Ashbrook of WBUR Radio (90.9 FM) would probably still be at the “On Point” mic were it not for #MeToo, even though an investigation of his behavior found that he was a bully, not a sexual harasser.

The Globe has done good work in reporting the #MeToo story (such as columnist Yvonne Abraham’s exposure of former Massachusetts Senate president Stan Rosenberg’s husband, Byron Hefner) and has itself run afoul of rapidly changing workplace mores (consider editor Brian McGrory’s decision not to identify reporter Jim O’Sullivan after he left the paper — a decision McGrory later reversed).

The revelations have slowed down recently. It’s important that the momentum not be lost. By honoring Jodi Kantor and Megan Twohey at the Times and Ronan Farrow at The New Yorker with the coveted Public Service Award, the Pulitzer judges have reminded us of how essential their work has been.

We live in a political world

I have made it to nearly the end of this column without mentioning President Trump. You’re welcome. Still, the overarching drama of our time is the chaotic Trump presidency, and the diligence with which that story is covered matters is of paramount importance to the fate of our democracy.

At a time when much of the news media is under siege because of its declining economic prospects, the Times and The Washington Post have both the resources and the competitive drive to try to get to the bottom of Russian interference in the 2016 election. The papers have been excoriated by Trump himself as “failing” and “fake,” but the Pulitzer judges awarded them the National Reporting prize for their “deeply sourced, relentlessly reported coverage.” The Post also won the Investigative Reporting prize for a related story: its exposure of the Trump-backed Alabama Senate candidate Roy Moore as a probable child molester.

Every week, it seems, brings new evidence of confusion, falsehoods, and possible wrongdoing emanating from the Trump White House. The Times and the Post, fortunately, show no signs of backing down.

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Fahrenthold and journalism’s limits; the power of local; and the Globe’s near-winners

Few reporters have ever had the kind of year that David Fahrenthold experienced in 2016. From exposing the Trump Foundation’s bogus and illegal practices to unearthing a tape on which then-candidate Donald Trump could be heard crudely boasting about sexual assault, Fahrenthold single-handedly defined large swaths of the presidential campaign.

Fahrenthold, a Washington Post reporter, was recognized for his efforts Monday with a Pulitzer Prize, which was surely among the least surprising Pulitzers in history. It represented the third year in a row that the Post had won in the National Reporting category, but the first time in 24 years that a Pulitzer had been awarded for covering a presidential campaign.

Read the rest at WGBHNews.org. And talk about this post on Facebook.

The Globe takes on a new pedophile scandal

On Sunday, more than 14 years after the Boston Globe launched its Pulitzer Prize-winning series of articles on the pedophile-priest crisis in the Catholic Church, the paper’s Spotlight Team produced a harrowing account of sexual abuse in New England’s private schools.

The new story, as with the earlier coverage, may prove to be the tip of a very large iceberg. The Globe is soliciting tips for follow-ups, conjuring up images of the way the movie Spotlight ends, with reporters overwhelmed with phone calls from victims.

Sadly, we’ve become so accustomed to the notion that predators will sexually prey on children that the details sometimes seem to blend together. But I found this paragraph to be absolutely riveting in its evocation of a dystopian alternate universe:

One winter day around 1964, Hooper said, he wet his bed, infuriating his dorm master, Claude Hasbrouck, who was also the school’s glee club and drama director. Children feared Hasbrouck, who was known for squeezing the flesh under boys’ chins—“chinnies,” he called them—and for his Nazi memorabilia collection, including a Nazi flag on his apartment wall.

It gets worse. But can you imagine being 13 years old, as one of his victims was, and to have your entire world defined by that horrifying environment?

A few thoughts on the 2016 Pulitzers

Congratulations to my former Beat the Press colleague Farah Stockman and to Jessica Rinaldi, both of whom won Pulitzer Prizes earlier today for their work for the Boston Globe.

Rinaldi won the Feature Photography award for her photo series of Strider Wolf, a boy in rural Maine trying to overcome a harrowingly dysfunctional upbringing. Amazingly, Rinaldi was also one of two runners-up in the same category for her photos of a Massachusetts drug addict caught up in the opioid epidemic.

Stockman, who is now a reporter with the New York Times, won in Commentary for a series on the legacy of Boston’s school-desegregation turmoil in the 1970s and ’80s. Stockman’s award is the third fourth Pulitzer recognition in a row for the Globe‘s editorial pages: last year Katie Kingsbury won for editorials that shed light on the harsh world of restaurant work; in 2014 Dante Ramos was a runner-up for writing about how to revive Boston’s less-than-vibrant nightlife; and in 2013 Juliette Kayyem was a finalist in Commentary.

The Globe covers its Pulitzer wins here.

Among the other Pulitzer winners, I was especially pleased to see the Washington Post win the National Reporting award for its deep investigation of fatal shootings of civilians by police. Not only is it an important topic, but it was based on a meticulously detailed database that the Post built in-house.

Last October, FBI director James Comey lamented that the Post and the Guardian, which assembled a similar database, had better data on police-involved shootings than law-enforcement agencies. “It is unacceptable that the Washington Post and the Guardian newspaper from the UK are becoming the lead source of information about violent encounters between police and civilians,” Comey said. “That is not good for anybody.”

The Post‘s coverage of its Pulitzer victory is here.

Stanley Forman speaks about his iconic photo

Nice interview by Boston Herald photographer Mark Garfinkel with former Boston Herald American photographer Stanley Forman to mark the 40th anniversary of Forman’s Pulitzer Prize-winning photo showing an African-American lawyer, Theodore Landsmark, being attacked by a white anti-busing protester wielding an American flag. Forman tells Garfinkel:

I took the image and followed the group to Post Office Square not realizing the impact the image had. Herald American reporter Joe Driscoll  caught up with me in the Square telling me about [what happened] via the AP wire and he was dispatched from the office. I said, “I have the photo of it!”  Of course I had no idea what I had gotten. I knew I had motor drive trouble and there was no instant looking at the back of your camera 40 years ago.

Forman, who’s been a videographer with WCVB-TV (Channel 5) for many years, won two individual Pulitzers with the Herald American. (He was part of a team Pulitzer as well.) The two individual awards were for news photos that are among the most iconic in Boston’s history—the Landsmark image, taken in 1976, and, the year before, a picture of a 19-year-old woman and a 2-year-old girl falling from a fire escape. The 19-year-old later died.

You can see both photos here. Also, the Herald‘s Jack Encarnacao recently spoke with Landsmark about the effect of Forman’s photo.

Jonathan Kaufman to lead Northeastern’s J-School

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Jonathan Kaufman

Today is an exciting day for Northeastern University’s School of Journalism: We are finally able to announce that our new director will be Jonathan Kaufman, a Pulitzer Prize-winning journalist and the executive editor of Bloomberg News. Kaufman, who is also a veteran of The Boston Globe and The Wall Street Journal, will be joining us on July 13.

Laura Krantz of the Globe covers the story here.

Jonathan’s arrival means that my stint as interim director will soon be coming to an end. I’ve been serving in that role since last September, filling in for Steve Burgard, who was taking a sabbatical to work on a book project. My term was unexpectedly extended last October when Steve died after a brief illness.

It’s been an interesting and sometimes difficult year to say the least. But Jonathan will be a worthy successor to Steve. We are all expecting great things.

Below is the official announcement, which is also online.

BOSTON — Northeastern University’s School of Journalism today announced the appointment of veteran business journalist and Bloomberg News Executive Editor Jonathan Kaufman as the school’s new director. Kaufman will begin his new role at Northeastern on July 13.

“I am thrilled to be joining Northeastern to help shape the next generation of journalists in the U.S. and globally, expand new media and digital innovation, and reflect and speak out about the challenges and opportunities journalism faces in the 21st century,” said Kaufman. “Northeastern has blazed a trail with its blend of classroom and experiential learning. I look forward to working with the faculty and students in the exciting years ahead.”

As Bloomberg’s Executive Editor for Company News, Kaufman oversees more than 300 reporters and editors worldwide covering business, health, science, education and international news for Bloomberg News newswire, Bloomberg Businessweek, and Bloomberg.com. Under his leadership, Kaufman’s team at Bloomberg has won numerous awards, including a 2015 Pulitzer Prize, several George Polk Awards, an Overseas Press Club Award, a Gerald Loeb Award, and an Education Writers Association Grand Prize.

Before joining Bloomberg, Kaufman held various positions at The Wall Street Journal, most recently as Senior Editor. During his time as the Journal‘s China Bureau Chief, Kaufman led coverage of the country’s emergence as a global economic superpower, the SARS outbreak, and environmental and social issues. A graduate of Yale University (BA) and Harvard (MA), Kaufman began his journalism career at The Boston Globe in the early 1980s, where he won a Pulitzer Prize as part of a team examining racism and job discrimination in Boston. He is the author of two books, “A Hole in the Heart of the World: Being Jewish in Eastern Europe” and “Broken Alliance: The Turbulent Times Between Blacks and Jews in America.”

“Jonathan is a gifted journalist and an acknowledged leader in his field,” said Bruce Ronkin, Interim Dean in the College of Arts, Media and Design, which houses the School of Journalism. “He brings decades of experience across traditional and digital media to Northeastern, along with deep knowledge of the business sector and a global worldview. He is a perfect fit for our school and the university.”

At the helm of the School of Journalism, Kaufman will lead an accomplished team of faculty, oversee the school’s undergraduate program serving 225 students, and continue to grow graduate programs in professional journalism and media innovation. He succeeds Associate Professor Dan Kennedy, who is serving as the school’s interim director after long-time School of Journalism director Stephen Burgard passed away in 2014.

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