Congratulations to my WGBH colleague and friend Callie Crossley. Do yourself a favor and click on the link below to hear her award-winning commentary. Press release follows.
BOSTON—WGBH News award-winning journalist Callie Crossley was recognized with top honors in the Commentary category at the Public Radio News Directors Inc. (PRNDI) Conference, held recently in St. Louis, Missouri. Each year PRNDI recognizes the best of local public radio news in a wide array of categories. Crossley, host of WGBH News’s Under the Radar, won first place for her story marking the 10th anniversary of Hurricane Katrina—“Tomorrow Is Not Promised: Life after Hurricane Katrina”—in which she chronicled the lessons learned from her late father after the storm.
“Hearing well informed voices on local and global issues is a goal for WGBH News 89.7,” said Phil Redo, WGBH General Manager for Radio. “This story is yet another example of Callie’s signature voice: thoughtful and powerful. We’re all proud of Callie and I greatly look forward to hearing her thoughts every Monday morning.”
A former producer for ABC News’ 20/20, Crossley is a Woodrow Wilson Visiting Fellow, guest-lecturing at colleges and universities about media, politics and the intersection of race, gender and media.She also holds two fellowships at Harvard University. Crossley was a producer for Blackside Inc.’s Eyes on the Prize: America’s Civil Rights Years, which earned her an Oscar nomination, a National Emmy and the Alfred I. DuPont-Columbia Award. Crossley has earned the Associated Press, Edward R. Murrow and Clarion Awards for writing, producing and hosting.
In addition to hosting Under the Radar, which features stories that are often overlooked by traditional media outlets, Crossley appears weekly on WGBH’s Beat the Press, examining local and national media coverage, and Basic Black, focusing on current events concerning communities of color. She also contributes to national programs including CNN’s Reliable Sources, PBS’s NewsHour and PRI’s The Takeaway.
Under the Radar airs Sundays from 6 to 7 p.m. EDT on 89.7 WGBH. Crossley’s weekly commentaries air Mondays during WGBH’s Morning Edition.
Donald Trump, large and in charge. Photo (cc) 2011 by Gage Skidmore.
Last week the editors of the Washington Post‘s blog In Theory asked me to contribute to a series of posts on the media’s culpability in the rise of Donald Trump. Mine was just published. Later in the week we’ll hear from New York University journalism professor Jay Rosen, Post media blogger Erik Wemple, and In Theory editor Christine Emba. The top of my piece follows.
What could be more open and democratic than a debate? For all the rending of garments and gnashing of teeth now taking place over the massive amounts of free media bestowed upon Donald Trump, it was his dominating performance in the televised debates that allowed him to separate himself from the pack.
Yet the debates themselves were an exercise in faux democracy. What really mattered, especially early on, was who got invited, who got to stand where and who was allowed to speak the most. Unfortunately, the media organizations that ran the debates (along with the Republican National Committee) relied on polls to make those decisions right from the very first encounter in August.
Diamond Reynolds, who live-streamed the last moments of her boyfriend, Philando Castile, on Facebook Live. Photo (cc) by Lorie Schaull.
In April Facebook Live was launched, allowing users to broadcast live and tap the social media giant’s colossal audience. But it was last week, as the world now knows, that Facebook Live had its watershed, technology-transforming-history moment in the broadcast of Philando Castile’s final moments as filmed and narrated by his girlfriend after he was shot by a police officer.
To understand what Facebook Live might mean for newsrooms, Storybench sat down with Northeastern University journalism professors Dan Kennedy and John Wihbey.
Well, that was fast. Just a day after Boston Globe editor Brian McGrory announced that chief digital guy David Skok would be leaving later this year, two people who will take over some of his duties have been named. One is a real eye-opener: Linda Pizzuti Henry, wife of Globe owner John Henry, who will oversee Boston.com.
The other is Anthony Bonfiglio, currently the executive director of engineering, who’ll be in charge of engineering, development, product, and design.
When I gave a “Rave” to Skok on Beat the Press Friday, host Emily Rooney asked me if Skok’s departure was related to Linda Henry’s elevation. My honest answer is that I have no idea. It’s something I would certainly like to find out.
It’s also not clear how hands-on Linda Henry intends to be. Eleanor Cleverly, the general manager of Boston.com, has gotten good reviews for stabilizing the site after a rocky transition from being the Globe‘s online home to its current incarnation as a free standalone service. And Cleverly will remain.
It’s way too early to assess what this will all mean, but I’ve heard from a number of insiders that Linda Henry is smart and generally a force for good. Still, it’s an unorthodox move.
The Globe still needs a journalist to replace Skok as managing editor for digital (he’s vice president for digital at Boston Globe Media Partners as well). But since Skok isn’t leaving right away, I suppose that can wait.
What follows is a memo from Mike Sheehan, chief executive of BGMP.
I want to let everyone know that Anthony Bonfiglio will now oversee digital operations, including engineering/development, product, and design across all of BGMP.
Anthony joined us two years ago from Visible Measures, where he was VP of Engineering. Since then, his impact has been immense. He oversaw the rollout of agile software development processes and best practices across the product and engineering teams. As a result, we’ve shortened time-to-market from weeks to multiple releases every week across all teams, creating a predictable and transparent development process. Anthony helped transition much of the business to WordPress and has overseen many of our digital redesigns. He was a key contributor in the launch of Stat.
On the business side, Anthony folded creative services developers into the overall engineering organization and greatly increased their productivity. He also successfully assumed management of our ad operations organization during a critical phase and has since transitioned it back to Advertising.
In short, Anthony has proven himself as a leader who can make a very complex organization faster, better, and more agile. He will continue to report to Wade Sendall.
Brian McGrory informed the newsroom yesterday that David Skok has decided to leave the Globe by the end of the year. Regarding David’s boston.com responsibilities, Eleanor Cleverly will continue day-to-day oversight and management of boston.com, but it will now report to Linda Henry in her current role as Managing Director.
I know I join everyone in wishing David Skok nothing but success and happiness in all his future endeavors and in expressing deep gratitude for all he’s done over the past three years. He has been a driving force in the success we’ve experienced on bostonglobe.com and, with Eleanor and her team, was key to stabilizing boston.com over the past six months. As he transitions out, the leadership of Anthony, Eleanor, and Linda will help us continue to be the region’s leading source of journalism that becomes more relevant and interesting by the hour.
It would be arrogant to think that it couldn’t happen here. Still, I’ve long been impressed with the professionalism of the Boston Police Department. Bill Evans is the latest in a series of outstanding commissioners. Evan Allen has the story in the Boston Globe.
David Skok. Photo via the Shorenstein Center on Media, Politics and Public Policy.
Big news from the Boston Globe: chief digital guy David Skok is leaving later this year. I’m trying to do this on my phone. So, for now, the memo from editor Brian McGrory will have to suffice.
Friday update: Skok’s departure is especially significant given that the Globe is in the midst of a major reinvention effort as well as another round of downsizing. Skok is a huge part of solving a big problem for the Globe: although it has made strides in becoming a round-the-clock digital news organization, as McGrory notes below, most of its readers continue to view the print edition as the main event. That’s true at newspapers generally—even the Washington Post, perhaps the most digitally focused newspaper in the country.
No one is irreplaceable, but it’s not going to be easy for the Globe to find someone as knowledgeable and respected as Skok.
When I journeyed to Toronto one summer day three years ago to meet David Skok, I brought with me no small number of demands. The Globe had a new and beautiful website, but we needed far more traffic to make it matter. The newsroom had many digital ambitions, but lacked someone to point us in the right directions. We could hear the music, but were slow to pick up the rhythm. Basically, we needed to find the most capable and disciplined digital journalist in the industry to guide us toward an entirely better place.
David’s work launching a confederation of news sites that spanned Canada was widely lauded, and his paper on disruption, co-authored with Clay Christensen during his Nieman fellowship, served as something of an instruction manual for many in the business. In a part of the industry filled with hucksters spouting jargon, it was immediately apparent to me over dinner that David stood far apart. He very much belonged at the Globe.
The rest has been nothing short of transformational. In the two-and-a-half years since David arrived on Morrissey Boulevard, globe.com readership and revenues have soared. Last year was a record year for traffic, and this year we’re already up by nearly 20 percent. We now have a fresher, bolder, more relevant, and increasingly provocative site filled with a heady mix of digital-first journalism that captures the moment and deeper enterprise presented in ways that are geared toward the web. Our social and video teams are producing visual and social journalism that rivals many digital native news sites. Most important of all, this entire room has arrived at an understanding of what it means to be a digital-first operation and why it’s vital to our future. It’s often easy to lose sight of how far we’ve come as we focus on how much work is left to do.
I’ve buried the lede here, certainly because the next line pains me so to write, but here goes: David has decided to leave the Globe. He’s seeking his next professional challenge, which he very much hopes will lead him back to Canada. I’ve asked him to continue to lend his insights to our vital reinvention initiative, and he has agreed. We’re both thinking of a departure around the end of the year, give or take.
David’s legacy here can be distilled rather easily. While self-proclaimed digital gurus are always chasing the newest new thing – More video! A landing page for newsletters! – David takes a distinctly different approach. He constantly and consistently preaches quality – quality story-telling, quality editing, quality decision-making. He wags his finger at anyone seduced by the siren song of page views – “Vanity metrics,” he calls them – and recites from memory what specific stories led to the most subscriptions. The reason behind this is very simple: David is a journalist first, a digital visionary second.
More recently, he has taken his managerial skills outside of the newsroom, imposing a rare sense of order in our digital efforts building-wide. He has had no problem whatsoever holding demanding department heads at bay because of precious resources, while holding his own team accountable for its time.
One other note that probably shouldn’t come this far in: David is a world-class colleague, smart, humane, funny in his own Canadian way, and a person of some of the highest integrity I’ve ever seen. Add to that the fact that he quite simply never lets up on himself.
There’s no need to say goodbye to David just yet; as I said, that won’t occur until later in the year. But David wanted to give me, and us, plenty of notice. The front office will make announcements imminently on who will take over the digital operations in other parts of the building, and I’ll begin putting together a plan for the newsroom. It could involve a specific person, a different structure, or some combination of the two. Please stay tuned.
Perhaps the greatest tribute to David’s work is the extraordinary digital team that he’s assembled over the past couple of years, so infused with authority and confidence that it will prosper long after he is gone. We are on the verge of even greater things, and that doesn’t change at all.
About three months ago I wrote an analysis for WGBH News on why Hillary Clinton almost certainly wouldn’t be indicted for using a private email server. Today the email story came to its predictable conclusion, with FBI Director James Comey issuing a devastatingly harsh report but recommending no criminal charges.
Clinton has suffered an enormous amount of damage over this story—deservedly so. But it doesn’t strike me that things got any worse for her this morning.
An elected school committee that voted unanimously to condemn a newspaper reporter for tweeting out news from a public meeting. A sheriff who flashed his badge while asking store owners to remove posters for his political opponent. Officials in three New England cities who cracked down on panhandlers in clear violation of their free-speech rights.
These are just three of the stories that are featured in the 19th annual New England Muzzle Awards, our Fourth of July roundup of outrages against free speech. All that and Donald Trump, too.
First, though, some good news. Last year we called for reform of the notoriously weak Massachusetts public-records law, which had earned an “F” from the State Integrity Project. At long last, the legislature passed a reform bill, which was signed into law by Governor Charlie Baker on June 3.
The most important part of the law is that, finally, people whose public-records requests are wrongly ignored or turned down may receive expense money to cover their legal fees. The law also puts limits on how much money government agencies can charge for records and mandates that those records be made available electronically when feasible.
“This bill represents a significant step forward for transparency in Massachusetts,”said Bob Ambrogi, executive director of the Massachusetts Newspaper Publishers Association, in a statement. “It will do a lot to improve access to public records.”
The law is far from perfect. It still applies only to local government and executive agencies, exempting the governor’s office, the court system, and the legislature. It also extends the amount of time government agencies have to respond to public-records requests—perhaps a reasonable step given how widely ignored the old deadlines were, but something that will have to be monitored.
Another Muzzle note: As we were wrapping up this year’s list, Rhode Island Governor Gina Raimondo vetoed a bill outlawing the posting of so-called revenge porn. As Raimondo rightly observed, “The breadth and lack of clarity may have a chilling effect on free speech. We do not have to choose between protecting privacy rights and respecting the principles of free speech.” We’ll be keeping an eye on this to see if it raises its censorious head during the coming year.
The Muzzle Awards, launched in 1998, were published for many years in the late, great Boston Phoenix, which ceased publication in 2013. This is the fourth year they have been hosted by WGBH News. They take their name from the Jefferson Muzzles, begun in 1992 by the Thomas Jefferson Center for the Protection of Free Expression.
I don’t care that Corey Lewandowski is a partisan hack. And though it bothers me that he was Donald Trump’s thuggish enforcer, I don’t think it disqualifies him from sitting in front of a TV camera and extolling Trump’s alleged virtues.
But it does bother me—a lot—that CNN would give a platform to Lewandowski even though he may not be legally free to voice his honest opinion. That’s the least the network should get for the $500,000 it is reportedly paying him.
To recap briefly: Trump fired Lewandowski as his campaign manager a week ago Monday. Just two days later Lewandowski signed on with CNN to provide pro-Trump commentary. The hiring has been greeted with a considerable amount of outrage because of Lewandowski’s role in herding reporters into pens, banning certain journalists as well as entire news organizations from Trump events, and grabbing the arm of a female reporter hard enough that he was charged with assault. (The charge was later dropped.)
The real mind-bender, though, is that Lewandowski—who remains a true believer in Trump despite the firing—signed a non-disclosure agreement when he left the campaign. Even worse, he may also have signed a non-disparagement agreement. On the face of it, that would seem to mean there exists a legal document somewhere that says Lewandowski cannot criticize Trump. Now, maybe Lewandowski wouldn’t anyway. But there is an enormous difference between won’tand can’t. (We talked about the Lewandowski matter last week on WGBH-TV’s Beat the Press.)
Several of CNN’s on-air journalists have come up huge in holding their network to account. Last week Erin Burnett asked Lewandowski directly whether he had signed a non-disparagement agreement. Lewandowski did not answer the question. “Let me tell you who I am,” he said. “I am a guy who calls balls and strikes, I am going to tell it like it is.”
CNN media reporter Brian Stelter wrote about the situation last week and devoted a nine-minute-plus segment to it Sunday on Reliable Sources. Stelter, like Burnett, deserves credit for focusing on what exactly Lewandowski may have signed when he left the Trump campaign.
Should CNN run a disclosure every time Lewandowski opens his mouth? Yes, replied one of Stelter’s guests, Baltimore Sun media critic David Zurawick. But Zurawick added that CNN and other outlets should stay away from partisan commentators altogether. If they want to learn what’s going on inside the Trump campaign, he said, “let’s find out the old-fashioned way by reporting it, not paying weasels to tell you about it.”
Before Lewandowski’s hiring, CNN already had a pro-Trump commentator in its stable—Jeffrey Lord. And he told Stelter that he saw no difference between Lewandowski signing on with CNN, former George W. Bush consigliore Karl Rove going to work for Fox News, or former Bill Clinton apologist George Stephanopoulos being hired by ABC News.
Lord is right—or at least he would be right if it weren’t for the matter of what Lewandowski is legally free to say about his former boss. And you can roll any number of other hired guns into Lord’s critique. What do Democratic operatives Donna Brazile and Paul Begala add to our understanding when they appear on CNN? But such is the nature of political commentary on cable news, whose main imperative is to fill hour after hour as cheaply as possible. Yes, talking heads are cheap, even when they’re well-paid.
The sorry truth may be that CNN doesn’t want Lewandowski to criticize Trump even if he’s so inclined. During the 1990s Jeff Cohen, a left-wing media critic, got a tryout to fill the liberal seat on the late, unlamented Crossfire. Cohen didn’t get the job—and one of the reasons, he wrote in his 2006 book Cable News Confidential, was that he was unwilling to go along with a requirement that he defend Clinton come hell or high water.
No doubt Lewandowski will settle into his role without all that much additional controversy. Paul Fahri reported in the Washington Post on Monday that rumors of a revolt among CNN staffers had been greatly exaggerated. But something important has been lost, because CNN has gone beyond commentary, beyond partisanship, beyond the mindless recitation of talking points. With Lewandowski, we have no way of knowing whether he’s telling us what he really thinks or if he’s protecting the settlement he signed on his way out of Trump Tower.
That may not seem like much in a media environment in which we seem to hit a new low every week. But it’s one more reason why public distrust of the media is so widespread—and why it deserves to be.
