Tag: DigBoston

Greater Boston arts and local news get a boost from three new nonprofit projects

There’s good news about local news in Greater Boston today on three fronts. I’ll start with an attempt to revive arts reviews — at one time a staple of mainstream and alternative publications, but now relegated to niche outlets like The Arts Fuse, a high-quality website edited by Boston University professor and former Boston Phoenix arts writer Bill Marx.

Recently Paul Bass, the executive director of the nonprofit Online Journalism Project in New Haven, Connecticut, launched a grant-funded project called the Independent Review Crew (link now fixed). Freelancers in seven parts of the country are writing about music, theater and other in-person cultural events. Boston is among those seven, and freelance writer-photographer Sasha Patkin is weighing in with her take on everything from concerts to sand sculpture.

You can read Patkin’s work on the Review Crew’s website — and, this week, her reviews started running on Universal Hub as well, which gives her a much wider audience. Here’s her first contribution.

Bass is the founder of the New Haven Independent, started in 2005 as part of the first wave of nonprofit community websites. The Online Journalism Project is the nonprofit umbrella that publishes the Indy and a sister site in New Haven’s northwest suburbs; it also oversees a low-power radio station in New Haven, WNHH-LP. Before 2005, Bass was a fixture at the now-defunct New Haven Advocate, an alt-weekly that, like the Phoenix, led with local arts and was filled with reviews. The Review Crew is his bid to revive the long lost art, if you will, of arts reviewing.

Other places that are part of The Review Crew: New Haven; Tulsa, Oklahoma; Troy/Albany, New York; Oakland, California; Hartford, Connecticut; and Northwest Arkansas (the Fayetteville metro area is home to about 576,000 people).

I’ve got all kinds of disclosures I need to share here. I gave Bass some guidance before he launched The Review Crew — not that he needed any. The Indy was the main subject of my 2013 book “The Wired City,” and I’ve got a lengthy update in “What Works in Community News,” the forthcoming book that Ellen Clegg and I have written. I also suggested Universal Hub to Bass as an additional outlet for The Review Crew; I’ve known Gaffin for years, and at one time I made a little money through a blogging network he set up. Gaffin was a recent guest on the “What Works” podcast.

In other words, I would wish Paul the best of luck in any case, but this time I’ve got a bit more of a stake in it.

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The Phoenix was not the city’s last alt-weekly. For nearly a decade after the Phoenix shut down in 2013, DigBoston continued on with a mix of news and arts coverage. Unfortunately, the Dig, which struggled mightily during COVID, finally ended its run earlier this year. But Dig editors Chris Faraone and Jason Pramas are now morphing the paper into something else — HorizonMass, a statewide online news outlet. Pramas will serve as editor-in-chief and Faraone as editor-at-large, with a host of contributors.

HorizonMass will publish as part of the Boston Institute for Nonprofit Journalism, founded by Faraone and Pramas some years back to funnel long-form investigative coverage to a number of media outlets, including the Dig. HorizonMass will also have a significant student presence, Pramas writes, noting that the project’s tagline is “Independent, student-driven journalism in the public interest.” Pramas adds:

With interns working with us as reporters, designers, marketers, and (for the first time) editors, together with our ever-growing crew of professional freelance writers, we can continue to do our part to train the next generation of journalists while covering more Bay State happenings than ever before. We hope you enjoy our initial offerings and support our efforts with whatever donations you can afford.

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Mark Pothier, a top editor at The Boston Globe, is leaving the paper to become the editor and CEO of the Plymouth Independent, a well-funded fledgling nonprofit. Pothier, a longtime Plymouth resident and former musician with the band Ministry, is already listed on the Independent’s masthead. Among the project’s advisers is Boston Globe journalist (and my former Northeastern colleague) Walter Robinson, also a Plymouth resident, who was instrumental in the launch of the New Bedford Light. Robby talked about the Plymouth Independent and other topics in a recent appearance on the “What Works” podcast.

Pothier started working at the Globe in 2001, but before that he was the executive editor of a group of papers that included the Old Colony Memorial, now part of the Gannett chain. When Gannett shifted its Eastern Massachusetts weeklies to regional coverage in the spring of 2022, the Memorial was one of just three that was allowed to continue covering local news — so it looks like Plymouth resident are about to be treated to something of a news war.

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Reporting by DigBoston and BINJ helps delay snooping by surveillance cameras

Reporting by DigBoston and the Boston Institute for Nonprofit Journalism helped stave off a serious violation of civil liberties — at least for now.

Dan Atkinson reported on March 25 that “city officials are quietly looking to hire consultants to maintain a linked network of more than 1,000 video cameras across the Metro Boston area, with remote access shared across nine cities.”

The move came, Atkinson noted, even as Boston City Council members were pushing for greater oversight of surveillance technology.

On Friday, The Boston Globe reported that Acting Mayor Kim Janey will not move forward with the plan, though she declined to kill the proposal altogether. The Globe’s Danny McDonald quoted a Janey spokeswoman as saying that she “is directing her staff to take a fresh look at this request…. Mayor Janey remains committed to strengthening public safety, transparency and accountability for the City of Boston.”

So kudos to DigBoston, the city’s last alternative weekly, and BINJ. And if you’d like to get a better sense of how the two organizations work together, check out this story from November 2019 by Adrian Ma at WBUR.org.

How alt-weeklies are surviving pandemic and recession

In late 2015 I traveled to Burlington and Montpelier, Vermont, to report on a heartening development: though Gannett had hollowed out the state’s major daily, the Burlington Free Press, several other news organizations had arisen to fill the gap.

VT Digger, a nonprofit website, and Vermont Public Radio were expanding. And towering above all was Seven Days, a thick alt-weekly with a vibrant website. As someone who had worked for many years at The Boston Phoenix, which closed in 2013, I was agog at the size of the staff and the number of ads. Somehow, Seven Days had become the largest news organization in the Burlington area. And it was turning a profit. As Paula Routly, the publisher, co-editor and co-owner told me in an interview for my book “The Return of the Moguls,” the paper had never lost money since its founding in 1995. She explained:

When the recession hit, we invested. That’s when we ramped up in news. And that is when the Free Press visibly diminished. They just made different business decisions. “Let’s make it smaller, let’s lay people off.” That’s where I think they made their mistake.

So it was great to see Seven Days get prominent mention by The Daily Beast in a round-up of alt-weeklies that are somehow surviving despite the pandemic and the recession. Sophia June reports in The Daily Beast on four — Seven Days, the Cleveland Scene, The Stranger of Seattle and The Austin Chronicle. According to June, Seven Days was able to reverse the cuts that it had made within six weeks, suggesting that the newspaper apocalypse that seemed to be upon us in the early days of the shutdown didn’t quite come to pass. Here’s a key excerpt:

The paper had to stop hosting events and printing several of their guides, but they reached out to businesses like the Department of Health, a local hospital, and banks to find new advertisers. They pitched new guides, including a travel guide for the Vermont Department of Tourism, encouraging safe travel in the state. They were also able to keep revenue-generators like monthly parenting and real-estate inserts.

Also getting a mention is DigBoston, which has kept the alt-weekly scene alive here in the post-Phoenix era. The Dig stopped publishing its print edition last March but then started up again in June, as Poynter’s Kristen Hare reported at the time. It’s notable that all of the papers I’ve mentioned are for-profit entities, although the Dig shares content with the Boston Institute for Nonprofit Journalism, a sister organization.

Does this mean that happy days are here again? Of course not. But these stories are yet another sign that independent newspapers unburdened by corporate and hedge-fund ownership can find a way to survive. Once the pandemic is behind us, maybe they’ll even thrive.

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