Bill Marx – Media Nation

A bookstore starts publishing reviews — but that’s not the only way book journalism is being kept alive

As Sophie Culpepper correctly observes at Nieman Lab, book reviews in the mainstream press are fading away, with The Washington Post folding its standalone books section and The Associated Press getting rid of reviews.

Now Porter Square Books in Cambridge, Massachusetts, has taken matters into its own hands. Culpepper reports that co-owner Josh Cook has launched something called the Porter Square Review of Books, which is publishing one review every week or so. Cook tells Culpepper:

A lot of bookselling is the first couple steps of writing a book review anyway. You assess it to see if you like it, you figure out how you’re going to describe it to other people, you decide whether you’re going to finish it … We already are part of the way there. Why not just see if we could do it?

It’s a positive step, but it’s hardly the only innovative attempt at keeping book reviews alive. So let me remind you of a couple that I’ve mentioned during the past several years.

📚 Midbrow, originally the Independent Review Crew, is a nonprofit project launched by New Haven Independent founder Paul Bass in 2023. Midbrow’s mission is to revive arts and culture reviewing across all genres — including books — in the spirit of the old alternative press. (Bass himself wrote about politics for the now-defunct New Haven Advocate for many years.)

Midbrow’s content is published on its own website and in eight cities that have correspondents. Boston is not among them at the moment, although in the past there was a local writer whose work was republished by Universal Hub. Bass talked about Midrow with Ellen Clegg and me on our podcast, “What Works: The Future of Local News,” around the time of its launch.

📚 The Arts Fuse, begun in 2007, offers high-brow arts criticism — again, including books — in the spirit of the late, great Boston Phoenix, where founder Bill Marx was a longtime critic and where I worked for many years as the media columnist. I’m an occasional contributor to The Arts Fuse, and in fact I’m working on a book review for Marx right now. The nonprofit, according to its website, is “a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries.”

📚 Marx is also a co-founder of Viva la Book Review, a nonprofit project aimed at fostering “thoughtful, well-crafted book criticism in community news media across the country,” as Ellen and I put it in our introduction to Marx’s appearance on “What Works” in 2025. We had a great conversation about how book reviewing intersects with local news.

📚 Finally, another former Phoenix colleague of mine, acclaimed author Nina MacLaughlin, started an email newsletter after The Boston Globe short-sightedly dropped her Sunday column about local book news. MacLaughlin now writes essentially the same column on her own. She doesn’t write reviews; rather, she rounds up news about literary happenings in Boston and across the region. It’s called New England Literary News, and yes, you should subscribe.

Bill Marx tells us how he’s working to keep local arts journalism and book reviews alive

Bill Marx at the Climate Crisis Cabaret, reading the Ted Hughes poem “How Water Began to Play.” The artwork is by Phyllis Ewen.

On the latest “What Works” podcast, Ellen Clegg and I are back from summer break and talk with Bill Marx, the editor-in-chief and founder of the The Arts Fuse. For four decades, he has written about arts and culture for print, broadcast and online outlets, most notably at The Boston Phoenix. He has regularly reviewed theater for public radio station WBUR and The Boston Globe. He is a co-founder of Viva la Book Review, a new organization that aims to foster thoughtful, well-crafted book criticism in community news media across the country.

Bill also created and edited WBUR Online Arts, a cultural webzine that in 2004 won an Online Journalism Award for Specialty Journalism. Until recently, he taught a class on writing arts criticism at Boston University.

I’ve got a Quick Take about the funding crisis in public media and how that relates to the need to fund reliable sources of local news and information. It’s not just a matter of your local public television and radio station needing more support from its audience than ever before. It’s also a matter of the limits of philanthropy. Can we find the money to support hyperlocal nonprofits too? I wrote more about this dilemma recently for CommonWealth Beacon.

Ellen dives into a recent update from Joshua Benton at Nieman Lab on The Republican in Springfield, Massachusetts, and the MassLive website, which has become a web traffic powerhouse as it expands. A previous podcast discussion we had with MassLive’s president, Joshua Macht, and editor Ronnie Ramos can be found here.

You can listen to our conversation here, or you can subscribe through your favorite podcast app.

The Arts Fuse reviews “The Wired City”

Bill Marx has written a favorable review of “The Wired City” for The Arts Fuse, a Boston-based online arts magazine that he founded in 2007. Our paths crossed at The Boston Phoenix in the 1990s, and I know that Bill is a tough audience.

Bill also offers a worthwhile criticism — that the hyperlocal sites I write about should do more arts coverage, and that I should have held them to task. He’s right. At one time the New Haven Independent’s lack of in-depth arts coverage was on my radar, but I failed to follow up. But let me offer two points.

First, the Independent’s arts coverage is quite a bit more extensive today than it was when I was doing my research, with much of it funded by beat-specific grant money.

Second, though this doesn’t quite get at Marx’s critique, both the Independent and The Batavian, the two sites I cover in the most detail, emphasize excellent photography. That visual appeal is part of what has made them a success.