My evening began at church with a Shrove Tuesday pancake supper. From there, it was all downhill.
The early moments of Donald Trump’s endless address to Congress (is he still talking?) made me think about Joe Biden’s final State of the Union address last March. It was, perhaps, Biden’s last really good public moment. Seated behind him, Kamala Harris was thoroughly enjoying herself while Mike Johnson looked glum.
Now we are in the midst of chaos, all of it self-inflicted by Trump and his prime minister, Elon Musk. Authoritarianism, Three Stooges-style (who is the third Stooge?), is on the rise.
I don’t really have a coherent take on Tuesday night’s ugly proceedings, but here are a few thoughts. I’m curious to know what you thought, too.
Media Nation was down for about eight hours Friday, and my apologies if you were trying to access the site but couldn’t. The explanation is a cliché: I was messing around in places where I shouldn’t have been and our son, Tim, bailed me out.
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It’s time for your occasional reminder that though Media Nation is a free source of news and commentary, it takes a lot of work to produce. I’d appreciate it if you would consider becoming a supporter for just $5 a month. Supporters receive a weekly newsletter with exclusive content, a roundup of the week’s posts, photography and a song of the week.
A great bookstore is one that introduces you to books that you didn’t know you wanted to read. Amazon doesn’t do that. Most physical bookstores succeed only partially.
Over the summer, though, our travels took us through Manchester, Vermont, where we visited the Northshire Bookstore, an independent outlet that has the advantage of being both enormous and lovingly curated and thus well-stocked with books I might not have heard of. That’s where I discovered Caleb Carr’s “My Beloved Monster,” a memoir about his life with a Siberian cat named Masha.
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After several weeks of thinking about it, I’ve switched to a new theme for Media Nation. (“Theme” is WordPress-speak for “design.”) I’m still on the lookout for something better, but for now I think this will be an improvement. Why did I do this?
• My previous theme, Lovecraft, struck me as a bit too artsy for what I was looking for. The new theme, Twenty Sixteen, is more straightforward and newsier.
• As one of WordPress’ official themes, Twenty Sixteen receives regular maintenance updates. Lovecraft hadn’t been updated since 2022.
• With Lovecraft, you couldn’t see a link for commenting unless you clicked through to the individual post. As a result, I had to add “Leave a comment | Read comments” by hand to each post. Twenty Sixteen not only handles that automatically, but it gives you a count of how many people have commented. That way, you’ll know whether it’s worth clicking or not.
• Change is good.
Let me know what you think. If you have any suggestions for a better theme, I’m all ears.
The idea behind having a weekly newsletter for paid supporters is to offer something extra. Today, though, I thought I would unlock my most recent newsletter so that you can see what you’ll get if you join for $5 a month. Every Thursday I send out a collection of commentary, photography, a round-up of the week’s posts and a song. I hope you’ll consider joining. To become a paid supporter, just click here.
Three and a half years ago, I decided to try something new. Although Media Nation is and always will be a free source of news and commentary, I added a paid tier for readers who wanted to support my work. At the time, Substack was going through a major growth period, and the historian Heather Cox Richardson had signed up enough paid subscribers to bring in more than $1 million a year even though access to her newsletter was free. I thought: Why not?
Well, I’m not making $1 million a year, but I did recently fulfill the extremely modest goal I’d had right from the start. It was the result of a small but unexpected surge, and I’m hoping that I can build on that.
Unfortunately, because I started doing this way back in 2005, I’m somewhat constrained in terms of the UX. In order to become a paid supporter, you need to sign up at a different site, Patreon, where you’ll be asked to pay $5 a month. The terminology is more confusing than it should be, too. You can subscribe to Media Nation for free, and if you do that, you’ll receive new posts to this blog in your inbox. But that’s not the same as becoming a paid supporter, which will get you a weekly newsletter with exclusive early content, a round-up of the week’s posts, photography and a song of the week.
I began blogging about the media since February 2002, which puts me in either the late first wave or early second wave of media bloggers, not all that far behind the legendary Jim Romenesko. He’s retired; I’m still at it. I hope you value what I do enough to become a supporter. All you need to do is click here. Thank you.
Every Thursday I post a newsletter that’s exclusively for supporters of Media Nation. I’m especially proud of the new one — a look at how critics of Jeff Bezos’ stewardship of The Washington Post and John Henry’s ownership of the Red Sox have converged into a miasma of resentment and envy. Each newsletter also includes photography, a round-up of the week’s posts and a Song of the Week. I’m especially pleased with what I dug up this week, and I think you’ll be, too.
I launched Media Nation as a source of news and commentary in 2005. It’s free and will remain so. But I hope you’ll consider becoming a supporter for $5 a month. Just click here.
Some notable front pages reporting Donald Trump’s conviction on 34 counts of falsifying business records in order to cover up payments to the porn star Stormy Daniels — payments aimed at keeping their sexual encounter out of the headlines just before the 2016 election.
Old-school paywalls. Photo (cc) 2008 by Dan Kennedy.
•Are we really doing this again? Richard Stengel argues in the paywall-protected Atlantic (free link) that news organizations should publish their journalism for free during the 2024 campaign lest readers be driven to non-paywalled sources of misinformation and disinformation. He provides no advice on how these news organizations are supposed to pay their journalists, and he makes no mention of the many high-quality sources of free news that still exist — among them The Associated Press, NPR, the PBS “NewsHour,” The Guardian, BBC News, local public radio and television stations, national network newscasts and local TV newscasts. You may disdain that last suggestion, but surveys show that local TV news is the most trusted source of journalism we have, and it’s an important source of breaking news.
•Still more on the internal crisis at NPR. Alicia Montgomery, who held several high leadership posts at NPR before moving to Slate, has written her own essay about what’s wrong with the network’s culture, partly in response to Uri Berliner, partly to get a few things of her own off her chest. Montgomery’s essay is nuanced, and she acknowledges that NPR’s culture can be more than a little twee. But here’s the money quote: “In another meeting, I and a couple of other editorial leaders were encouraged to make sure that any coverage of a Trump lie was matched with a story about a lie from Hillary Clinton.” That certainly reflects my experience as a listener — that though NPR may tilt left on culture, its coverage of politics too often indulges in both-sides-ism at its most reductionist. And here’s yet another piece prompted by Berliner’s essay, this one by NPR anchor Steve Inskeep.
•Two digital news giants walk into a room… Richard Tofel, a founder and former president of the investigative nonprofit ProPublica, recently interviewed Evan Smith, a founder and the former CEO of The Texas Tribune, the largest statehouse nonprofit in the U.S. My colleague Ellen Clegg, who wrote about the Tribune for our book, “What Works in Community News,” offers her perspective on the encounter — which took place not in a room but in Tofel’s must-read newsletter, “Second Rough Draft.” As Ellen writes: “When two legends in digital publishing sit down to talk in unvarnished terms about the past, present and future of nonprofit journalism, it’s worth noting. And reading.”
A great bookstore is one that introduces you to books that you didn’t know you wanted to read. Amazon doesn’t do that. Most physical bookstores succeed only partially.
