WBUR – Page 6 – Media Nation

The importance of being Paul La Camera

Congratulations to Paul La Camera, who last week announced that he’ll retire as general manager of WBUR Radio (90.9 FM) at the end of the year.

“I’m going to be 68 next month, and I think that’s an appropriate expiration date for someone to be running a dynamic contemporary media entity that increasingly has to surge into the digital world,” La Camera was quoted as saying in a story by WBUR’s Steve Brown. La Camera added that he plans to continue in an “ambassadorial role” for the station.

La Camera, the longtime head of WCVB-TV (Channel 5), took the helm of WBUR in 2005, as the Boston University-licensed public radio station was just beginning to recover from the financial problems that had ended the reign of his predecessor, Jane Christo.

The imperious Christo was a much-admired, much-detested executive who transformed ‘BUR into one of the best public radio stations in the country. But what La Camera did was at least as important: he calmed the waters, restored financial stability and expanded the station’s local presence.

“He was really the guy who brought stability back to the place,” Scott Fybush, editor of Northeast Radio Watch, told the Boston Globe’s Johnny Diaz.

In 2006 I profiled La Camera for CommonWealth Magazine. Noting that he had already retired once (from WCVB), he told me: “You can probably count on the fact that I won’t be here for 33 1/2 years. I haven’t given much thought to when I’m next going to retire. But whenever that time comes, I hope I’m going to be more successful at it than I was the last time.”

(Note: I’m a paid contributor to WGBH-TV/Channel 2 and an occasional unpaid contributor to WGBH Radio/89.7 FM, which earlier this year was retooled into a news and public-affairs outlet that competes with WBUR.)

La Camera is a great broadcasting executive as well as a good guy, and though he’s not going away, his day-to-day presence will be missed.

Publisher Chris Mayer on the Globe’s new pay model

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I’m skeptical, but I’m impressed. Yesterday’s announcement that the Boston Globe will move most of its content to a subscription-based website sometime in the second half of 2011 shows that Globe executives know where their strengths are and that they’re prepared to think innovatively to protect those strengths.

The Globe’s dilemma is that it has an enormously successful free website, Boston.com, that is quite different from the paper itself. Start charging for access to Boston.com, and many of those 5 million unique visitors a month would vanish.

The solution: keep Boston.com free, but split off the Globe’s content into a separate, paid site called BostonGlobe.com, currently a free subsite. The decision raises lots of questions. Perhaps the biggest is how much free Globe content will be posted on Boston.com, and whether Boston.com will remain as popular once it has to stand on its own.

Still, it’s a far more interesting idea than the metered model embraced by the Globe’s parent company, the New York Times Co., which rolled it out at the Telegram & Gazette of Worcester recently and which will give it a go at the flagship paper sometime next year. Under the metered model, readers can access so many articles for free each month, after which they have to pay. It might work for the T&G and the Times, but it would have been deadly for Boston.com.

Yesterday I conducted an e-mail interview with Globe publisher Christopher Mayer, which he graciously agreed to do because I still can’t take notes. (Although it’s getting better. I’ve got a pillow propped up and am typing two-handed now for the first time since my accident.) Our unedited conversation follows. I’ve got a few closing thoughts after the jump.

Q: The metered model seemed to be the way the New York Times Co. was going. Why did you choose something different?

A: We’ve said all along that each organization would need to come up with a custom-made approach that takes into account unique market factors. We felt this was the best course for us, given the fact that we have two strong brands and essentially two different types of users of our Boston.com site. We have the opportunity to build a free site and a subscription-based site, and based upon extensive research, that emerged as the best option for us.

Q: The advantage of the metered model is that you’re not entirely cut off from the great conversation that’s taking place on blogs and in social media. Are you concerned about breaking a big story and not having as much impact as you should because people can’t link to you? Please address what Clay Shirky said about the importance of online sharing with respect to the Globe’s reporting on the pedophile-priest story.

A: We don’t intend to be cut off from the conversation. We haven’t announced, or even worked out, all the details of what will be on which site. But we can envision that some full-text Globe stories will be available on the free site. I suspect we would have put many of the initial priest sex-abuse stories on the free site because that Spotlight Team investigation was viewed as clear public service reporting. In the future, we’ll make those judgments as appropriate. Continue reading “Publisher Chris Mayer on the Globe’s new pay model”

WBUR wins $250,000 Knight News Challenge grant

Congratulations to WBUR Radio (90.9 FM) and John Davidow, the executive editor of WBUR.org, who won a $250,000 Knight News Challenge grant to experiment with how digital tools should be used to cover trials and other court proceedings.

Davidow tells Laura McGann of the Nieman Journalism Lab that Quincy District Court will be used as a model to come up with a consistent set of guidelines that will foster greater openness.

Issues to be dealt with include whether and under what circumstances citizen journalists can live-blog a trial, and if one of the parties may post to Twitter in real time — as former Illinois governor Rod Blagojevich, who faces federal corruption charges, wanted to do. Davidow tells McGann:

The courts have sort of gone further and further way from the public and public access. In the old days, they were built in the center of town. The community was able to walk into the courts and see what was going on. Modern life has done away with that. The bridge that was going in between the courts and the public was the media. The media has just less resources.

Davidow’s was one of 12 projects that will receive $2.74 million in the coming year. The others range from ideas to crowdsource the funding of public radio stories to various efforts aimed at melding mapping and gaming features with news presentations. Here is the complete list.

The Boston Globe, too. The Knight folks have announced that the Globe will receive a contract for more than $130,000 to develop and test a widget based on EveryBlock, an automated, hyperlocal aggregation platform, as part of a $450,000 program called OpenBlock.

The Globe’s opinion pages beef up

A year ago, the biggest question at the Boston Globe was whether the New York Times Co. was serious about shutting it down if it couldn’t squeeze out $20 million in union concessions.

These days, the story is considerably more pleasant. Though no one thinks the Globe is entirely out of the woods (there is, after all, a revolution under way), the paper keeps expanding in modest but useful ways.

The latest initiative is coming tomorrow: a weekly column on the op-ed page by the Atlantic’s fine political writer, Joshua Green, who, according to Globe editorial-page editor Peter Canellos, will offer a Washington perspective from a non-ideological perspective.

“He’s a pure reporter and analyst,” Canellos says. “And I think that for somebody looking at the changing landscape of Washington these days, this is a happy meeting of a writer and subject, because it’s a fascinating time.”

This coming Sunday will mark a significant expansion of the opinion pages. For years, the Globe has published a third opinion page, reserved for letters, every other week. Now the paper will publish three and four pages on an alternating schedule.

Newish op-ed columnists Joanna Weiss and Lawrence Harmon will join standbys Joan Vennochi and Jeff Jacoby. Harmon, the Globe’s chief editorial writer on city issues, will continue to write his column once a week. Weiss will now write twice weekly, picking up Harmon’s Tuesday slot.

On weeks when there are four opinion pages, Canellos says, the extra space will be used for features such as “visual op-eds” by cartoonist Dan Wasserman and longer essays by columnist James Carroll and other writers.

Finally, Canellos says that a somewhat nebulous new online feature called “The Angle” will be beefed up with some definition and some original content as the result of a new partnership with “Radio Boston,” which WBUR (90.9 FM) is expanding from a weekly to a daily program next week.

Photo via Wikimedia Commons.

WBUR advances “Radio Boston” plans

f1b9dfed88cbad9231959d6832e0d419 — Meghna Chakrabarti

Some news today about the debut of the daily “Radio Boston,” now set for Monday, May 3, on WBUR (90.9 FM). The “lead host” will be rising star Meghna Chakrabarti, although expect to hear other voices in the anchor chair as well. The executive producer will be Iris Adler, who’s returning to ‘BUR after many years at New England Cable News. And the hour-long program will air at either 1 or 3 p.m. — stay tuned for a final decision.

What follows is an internal e-mail from WBUR general manager Paul La Camera that Media Nation obtained a little while ago:

Title: “Radio Boston,” the sense being that we already have a great deal invested in this title and it says it all.

Premiere Date: Monday, May 3

Time Period: Either 1-2PM or 3-4PM. If its is the former, “Fresh Air” would shift to 2-3PM, Monday-Thursday. The first hour of “Talk of the Nation” would then be pre- empted those four days. However, on Friday, we would carry the full two hours of “Science Friday.” If we choose the latter scenario, we would pre-empt the second hour of “TON” all five days. If you have thoughts on this choice, please let us know.

Lead Host: Meghna Chakrabarti. Meghna, since her beginnings in 2002 as a producer on “On Point,” has grown quickly and formidably as a radio force and a radio voice, in just these recent days performing with skill and comfort the substitute hosting of the very challenging “Here and Now.”

Meghna will be the appropriately titled “lead host,” leaving room for many additional WBUR voices, including those of our unrivaled corps of reporters and young emerging voices lke those of Adam Ragusea and Andrew Phelps.

Leadership: We are pleased that Mark Navin will continue in his current role of senior producer and director of the new daily iteration. Mark deserves our full recognition and appreciation for how far his leadership has taken “Radio Boston” and positioned it for this major transition to a daily.

At the same time, we have created a new executive producer position for the daily “Radio Boston” and that will be filled by an individual familiar to many of us, Iris Adler. Iris is one of the most experienced and accomplished broadcast news and public affairs executives in our city. For the past 18 years, she has served New England Cable News, the nation’s pre-eminent regional cable news service, as both managing editor and executive editor. For the dozen years before that, some of you will remember Iris as a WBUR reporter, managing editor, and, from 1988-1992, the station’s news director. Iris will be joining us on Monday, March 22.

Other Staff: Weekly “Radio Boston” major players and key contributors Adam Ragusea and Jessica Alpert will be fill the respective roles of reporter/associate producer and assistant producer. And Tim Skoog will continue to apply his technical genius to the now daily production. Iris and Mark will soon be interviewing for a remaining unfilled associate producer position.

Geography: The expanded “Radio Boston” team will be housed in the current membership area next to the news department for all the obvious reasons. In turn, the membership group will move to a redesigned office area currently occupied by the weekly “RB.” This shift will take place the first week of April.

Let me also take this opportunity to acknowledge and thank Jane Clayson who has been a critically important force in preparing, professionalizing and positioning “Radio Boston” for this exciting step forward. As Jane stated in her gracious and moving farewell at the conclusion of Friday’s program, her family life is simply not compatible with the demands of a daily program. However, I am thrilled to share with you that not only will Jane remain the host of “On Point” when Tom is not there but now will also be the voice who will complement Robin Young on “Here and Now.” So, even with her departure from “Radio Boston,” we and our fortunate listeners will hear Jane virtually to the same degree as we have these past few years. Simply stated, Jane will remain a very active and important member of the WBUR family.

I hope you join me in the excitement of these developments. I have been eager for WBUR to have a daily local program since I arrived at this wondrous place four and half years ago today. And now I just have to wait until May 3 for that dream to be realized.

Paul

Public radio’s new local focus

Good news for fans of quality local radio: WBUR (90.9 FM) is expanding its “Radio Boston” program from one day a week to five. Along with Emily Rooney‘s and Callie Crossley‘s new shows on WGBH (89.7 FM), that’s three hours a day of local programming on the city’s two largest public radio stations. Adam Gaffin has the news, and Adam Reilly has more.

WBUR’s other news and public-affairs programs, “On Point” and “Here and Now,” are excellent but lack a local focus, as they are both nationally syndicated. By going daily, “Radio Boston” plugs a hole at WBUR that was left in the 1990s, when Christopher Lydon‘s legendary program “The Connection” went national.

My disclaimer: I am a paid weekly panelist on “Beat the Press,” a WGBH-TV (Channel 2) program of which Rooney is the host and Crossley is a regular.

Public radio listeners will be the winners

Best of luck to my “Beat the Press” colleagues Emily Rooney and Callie Crossley, whose hour-long programs debut today on WGBH Radio (89.7 FM) — Emily at noon and Callie at 1 p.m.

Rooney is competing with one of my favorite people in radio, Robin Young, whose “Here and Now” is broadcast on WBUR (90.9 FM) from noon to 1. Crossley is up against syndicated fare on ‘BUR except on Fridays, when “Radio Boston” airs.

So I’m hoping the public radio audience expands and everyone wins. Including the listeners.

WGBH gets radio active

wgbhlogo_20090921 Now that the dust is beginning to settle, it’s clear that something very interesting is afoot with WGBH’s acquisition of WCRB Radio (99.5 FM): WGBH Radio (89.7 FM) is going to be repositioned as primarily a news and public-affairs station, with its classical-music programming shifting to WCRB.

The move puts WGBH in direct competition with WBUR Radio (90.9 FM), long the city’s public radio powerhouse when it comes to news. And it’s not like ‘BUR has showed any signs of weakness recently. By all appearances, the station is doing well, both on air and on the Web.

But WGBH has a more powerful signal than WBUR, which means that many listeners in Boston’s exurbs have always been stuck with ‘GBH’s limited news line-up rather than ‘BUR. That gives ‘GBH an opportunity to make a real impact. (Disclosure: I am a paid contributor to WGBH-TV’s “Beat the Press.”)

I do have one piece of advice for WGBH: add a daily, two-hour local interview and talk show to the mix — something WBUR, good as it is, lacks. Yes, “Radio Boston” is excellent, but one hour a week? Local talk shows are a staple of public radio, from small stations all the way up to WNYC in New York. Boston should have one, too.

Over at WGBH’s “Beat the Press” blog, Ralph Ranalli has more, including a quote from WBUR general manager Paul La Camera. “In terms of competing on the news front, I have every confidence WBUR is going to maintain its position as the dominant NPR news station in the market,” La Camera says.

On WGBH’s “Greater Boston” this evening, WGBH Educational Foundation executive vice president Ben Godley, veteran radio and advertising executive Bruce Mittman and I talked about the acquisition with host Emily Rooney.

The Boston Globe covers the story here, and the Boston Herald here.

WGBH acquires WCRB Radio

This press release literally just came in. I’ll be talking about it tonight at 7 p.m. on “Greater Boston” (WGBH-TV, Channel 2). The full text of the release follows.

Public service broadcaster WGBH today announced plans to acquire New England’s leading all-classical music station WCRB 99.5fm from Nassau Broadcasting Partners of New Jersey. The terms of the agreement have not been disclosed pending filing with the FCC.

WCRB is a 27,000-watt station, deeply rooted in the Boston region, serving audiences for more than 60 years with a broad reach in New England, drawing some 340,000 loyal listeners each week. WGBH is uniquely poised to operate WCRB, with its extensive classical music programming experience, its state-of-the-art Fraser Performance Studio, and its strong alliance with Boston’s premier classical performing organizations, artists and audiences. With WCRB added to WGBH’s radio services — 89.7FM in Boston, and WCAI and WNCK on the Cape and Islands — WGBH will serve listeners from Cape Cod to New Hampshire, adding renewed vigor to the cultural economy of the region.

“An opportunity like this comes along once in a lifetime. The acquisition of WCRB by WGBH signals a new era for the Boston broadcast landscape, and for our city’s renowned classical music tradition,” said WGBH Board Chair Amos Hostetter. “WGBH’s depth of experience, demonstrated leadership in radio, and commitment to excellence will bring a new level of service to this market.”

“From its very first broadcast, WGBH radio has provided audiences with the best in classical music and performance. Today we are excited to reinvest in this tradition for a new generation of listeners,” said WGBH President and CEO Jonathan Abbott. “The acquisition of WCRB will allow WGBH to sustain the vibrant classical music tradition of the Boston area.”

WGBH will finance the purchase with a special capital campaign, Keep Classical Alive, inviting both major donors and grassroots supporters to participate and become founding members of its all-classical service. Although WCRB is licensed as a commercial frequency, WGBH plans to operate the station as a non-commercial service in keeping with its mission to provide public media service for audiences in the greater Boston area. Over the coming months WGBH will fine-tune the formats of both WGBH 89.7 and WCRB 99.5 to create lineups that are complementary.

“Preserving WCRB’s heritage as one of the country’s premiere classical radio stations was an important objective for Nassau. We are extremely pleased that WGBH will be continuing this heritage and are confident in their future stewardship of such an important Boston tradition,” said Lou Mercatanti, Chairman and President of Nassau. “This is a win for everyone — most especially our loyal listeners.”

Since the 1950s WGBH has taken advantage of Boston’s vital classical music tradition. From its debut broadcast from Symphony Hall in 1951, classical music and performance have been a hallmark of WGBH’s service, featuring the region’s world-class orchestras, artists and conservatories. It has partnered with music organizations both large and small, from the Boston Symphony Orchestra and Handel & Haydn Society, to the New England String Ensemble and the Boston Children’s Chorus. It has nurtured young musicians with school enrichment programs, and helped launch emerging artists.

“This is a truly exciting development. Classical music is part of our common world heritage, and as such it is in the public interest for an institution like WGBH to make sure our voices are sustained and celebrated,” said cellist Yo-Yo Ma. “As both a performer and a listener I applaud WGBH for making this significant investment in our community to ensure that the classical music genre will remain alive and well on Boston radio.”

“This is great news for music and arts education,” said Linda Nathan, co-headmaster of the Boston Arts Academy. “Keeping classical music vibrant is an extremely important resource to enhance learning. WGBH’s new service will further enrich the educational experience for students of all ages.”

“For more than 50 years WGBH and the Boston Symphony Orchestra have partnered to further the cause of classical music in Boston and beyond,” said BSO managing director Mark Volpe. “With facilities that provide unmatched technical excellence for recording and broadcasting live performance, WGBH is uniquely positioned to bring heightened awareness of the beauty and power of classical music. All of us at the BSO are excited by the possibilities resulting from WGBH’s acquisition of WCRB.”

In addition to live radio broadcasts, WGBH has been a pioneer in moving classical music onto new platforms, with live streaming, an all-classical HD channel, podcasts and mobile applications. The acquisition of WCRB will greatly enhance these efforts to serve new audiences on a broad array of distribution platforms in New England and beyond.

WGBH was represented in the transaction by Public Radio Capital.