Liberty Enlightening the World

I had a great day taking my daughter to Ellis Island and the Statue of Liberty on Thursday. Not only had she never been there before, but neither had I. Since time was limited, I wish we hadn’t spent so much of it on the first floor of the Ellis Island exhibit. The good stuff — the photos and the historical artifacts — are upstairs.

Richard Ford’s taut, brilliant anti-mystery

Normally I don’t get much of a chance to read fiction. Even a book that’s not about the media is a luxury.

Earlier this summer, though, I read Richard Ford’s latest novel, “Canada,” and recommend it highly. I had read and admired two of his earlier works — “The Sportswriter” and “Independence Day,” the latter of which won a Pulitzer Prize. So when the New York Times Book Review gave “Canada” a rave (by Andre Dubus III, no less), I decided to dive in.

“Canada” is divided into two parts — before and after, if you will. The first part is as brilliant and perfect a piece of writing as I’ve read in a long time. Ford plays with and blows apart the notion of suspense with his first two sentences:

First, I’ll tell about the robbery our parents committed. Then about the murders, which happened later.

All of part one is given over to Ford’s telling us a little bit more, then a little more, then a little more. Everything is foreshadowed. There are no surprises. And it is brilliant.

Part two, in which the murders take place, is just slightly uneven, at least in comparison to the taut, seamless quality of part one. But without part two, Ford wouldn’t have had a story. And at its best, it is very good indeed.

Stephen Mindich on the future of the Phoenix

Watch 1 Guest: Stephen Mindich on PBS. See more from Greater Boston.

Boston Phoenix publisher Stephen Mindich sat down with Emily Rooney last night on “Greater Boston” on WGBH-TV (Channel 2) to talk about the future of the Phoenix and his own legendary career in Boston media. Well worth your time.

Three from the Sunday Globe

Three quick observations:

• Last year I gave a Boston Phoenix Muzzle Award to Max Kennedy for refusing to release Robert Kennedy’s papers. Bryan Bender, who did the original reporting on this story, is back, and finds that nothing has changed. What are the Kennedys trying to hide?

• The Springfield Republican has had to muzzle its editorial page as the paper’s owner ponders the possibility of selling the property to build a casino, according to Mark Arsenault. It probably won’t matter much — the Republican was pro-casino even before the possibility of cashing in came along. Still, this is an interesting conflict of interest to say the least.

• Sally Jacobs writes a long feature on U.S. Sen. Scott Brown’s troubled childhood — and finds that his aunt bitterly disputes his account of how she treated him. I hope Brown today is reflecting on the propriety of questioning people’s recollections of their backgrounds. Life is complicated.

At the intersection of journalism, history and technology

This review appeared earlier at the Nieman Journalism Lab.

Mark Twain’s latter-day career as a public speaker had its origins in a hulking mass of metal and wood. The Paige Compositor, as it was known, set type 60 percent faster than the Linotype machines of the 1880s. Twain sunk a fortune into James Paige’s invention. But the Linotype already had a head start in the newspaper industry, and the Paige units proved too temperamental for heavy use. Paige died broke. Twain declared bankruptcy — and hit the lecture circuit.

As the story of the Paige Compositor suggests, the evolution of journalism is closely intertwined with technological change. Improvements in printing gave rise in the 1830s to the penny press, bringing a mass audience to newspapers. The telegraph and the photograph revolutionized the news business, and radio and television turned it upside-down. Of course, it scarcely needs to be said that technology is now transforming the practice and even the meaning of journalism.

At this moment of existential crisis and boundless opportunity, Boston University journalism professor Christopher B. Daly has come along to provide some valuable historical context. His new book, “Covering America: A Narrative History of a Nation’s Journalism” (University of Massachusetts Press), is, at root, a comprehensive history stretching from Benjamin Harris and his one-off 1690 newspaper, Publick Occurrences, to Joshua Micah Marshall and his pioneering political website, Talking Points Memo. (Disclosure: Daly is a friendly acquaintance.)

The strength of “Covering America” is Daly’s emphasis on story. In a genre awash in mind-numbing recitations of names and dates, Daly has pared matters down to their essentials and given his characters room to breathe. (The book comprises 461 pages, not counting footnotes.) The result is ample space for people who deserve it. To name just a few, Benjamin Franklin, Frederick Douglass, Dorothy Thompson, Edward R. Murrow and Ernie Pyle are all discussed at some length.

But it is Daly’s attention to larger forces, including technology, that makes “Covering America” stand out. He writes about matters I had never heard of before. Learning about the role of urine in Colonial-era printing shops left me gobsmacked. Trust me on this: Life as a printer’s apprentice in the 18th century was nasty, brutish and malodorous.

More substantively, I was fascinated with some statistics Daly offers on the cost of launching a newspaper. In 1835, he writes, James Gordon Bennett started the New York Herald with $500. By 1851, the cost of entering the newspaper market had risen so much that Henry Raymond had to lay out $100,000 to start the New-York Daily Times. Several decades later, Joseph Pulitzer, William Randolph Hearst and Adolph Ochs all paid between about $350,000 and $500,000 to purchase and reinvigorate their papers.

Those rising sums, though, were pocket change to what Gannett paid to start USA Today in the 1990s — about $200 million in annual losses over five years before the paper finally broke even. “In all likelihood,” Daly writes, “the $1 billion figure will stand as the all-time highest barrier for entry into the news business, if for no reason other than that there will probably never be a launch of a daily newspaper on that scale again.” Indeed, Daly notes that Ted Turner spent a fraction of that amount in launching CNN and steering it to profitability.

But if technological change was responsible for underfunded visionaries such as Bennett being replaced by wealthy moguls such as Hearst and, finally, by publicly traded corporations such as Disney and Comcast, technology is now fueling a new era of small-scale media entrepreneurialism. At the national level, Josh Marshall, Matt Drudge, Arianna Huffington, and others have demonstrated that it’s possible to create alternatives to mainstream journalism. At the regional and local level, hundreds of websites are reporting on their communities — although, at this early stage, only a few are large enough to deploy paid journalists.

Given that these projects share some DNA with the tiny newspapers that blinked on and off during the 18th and early 19th centuries, their proprietors might consider the journalistic philosophy articulated by Benjamin Franklin in his “Apology for Printers,” published not long after he started the Pennsylvania Gazette. It’s well worth reading in full, but here’s a sample:

Printers are educated in the Belief, that when Men differ in Opinion, both Sides ought equally to have the Advantage of being heard by the Publick; and that when Truth and Error have fair Play, the former is always an overmatch for the latter.

This is journalism as a community forum — an outlet for civic engagement where people can come together and discuss issues of importance to them. Daly rightly calls it “one of the most extraordinary documents in the history of American journalism, one of the bedrock statements of its philosophy.” It’s an old idea that’s new again, and it’s at the heart of independent local news projects such as the New Haven IndependentThe BatavianVoice of San Diego and others.

In retrospect, we can see that two or three decades ago, when the media were at their richest and most powerful, they were also at their most profoundly lost. Daly describes a time of bottomless expense accounts, ever-rising profit margins, and a journalistic elite that was entirely out of touch with the public it supposedly served.

Thus perhaps the most significant development described by Daly is that technology, after pushing journalism from small, cheap and interactive to massive, expensive, and top-down, is now helping us to return to something like Franklin’s original vision.

Maybe few will get rich in the new media world that’s being created. But if journalists become less arrogant, more willing to listen, more connected to their communities, then we will have gained something of infinitely greater importance.

Big changes for the Phoenix and Stuff magazine

As most of you know, I’m a contributor to the Boston Phoenix, where I was on staff from 1991 to 2005. I wrote the cover story as recently as a few weeks ago. Given my longstanding ties, I present this without comment, except to express my hope that it will prove to be a good move.

The Phoenix remains vital to the fabric of the city. On a more personal level, I’ve still got a lot of friends over there. Good wishes and best of luck to everyone — including those who, sadly, are now moving on.

August 1, 2012 (Boston, MA) – The Phoenix Media/Communications Group, one of New England’s largest independently owned news companies, shakes up the region’s media landscape today with the exciting announcement of its plans to launch a new glossy weekly magazine for greater Boston called The Phoenix. When it hits the market in early fall 2012, The Phoenix will replace the media group’s existing Boston publications: STUFF magazine and The Boston Phoenix, which has served as one of the country’s regional leading alternative weeklies for over 45 years.

The Phoenix will redefine the 21st century alternative publication with the goal of providing a richer experience for the reader. Its content will combine the lifestyle appeal of STUFF with the journalistic prowess of The Boston Phoenix and it will give vital and fresh coverage of Boston’s life, culture, politics, music and style. With free distribution throughout greater Boston, the new format will allow the media group to better meet the needs and desires of readers and advertisers. Its design is being created in-house and will place a renewed emphasis on visuals – photography, illustrations and graphics will be bold and vibrant. Carly Carioli, Editor-in-Chief at The Boston Phoenix, will lead the editorial team at The Phoenix. Carioli has been with the company since 1993.

“It has been an exciting few months for The Phoenix Media/Communications Group; we are really thrilled to bring a new publication to Boston that will better serve the city. As a group that has delivered original news and served as cultural arbiters in New England for over four decades, it’s great to step back and change the focus of our platforms while keeping the integrity of our culture and quality of our output. We are exceptionally proud to be the first major market alternative weekly newspaper to make the change to glossy magazine format. We will also be creating a new online presence for The Phoenix that will complement that of WFNX.com, the online successor to WFNX-FM, where we break new, alternative musicas well as integrate content from the new Phoenix and the Company’s other resources” says Stephen Mindich, Founder and Chairman of The Phoenix Media/Communications Group.

The Phoenix Media/Communications Group’s The Providence Phoenix and The Portland Phoenix will remain in publication as alternative weekly newspapers.