William Loeb’s stepdaughter says the toxic publisher was also a child molester

William Loeb in 1974. Photo via the Spencer Grant Collection / Boston Public Library.

The stepdaughter of William Loeb has accused the infamously toxic right-wing Manchester Union Leader publisher of sexually molesting her when she was just 7 years old. Nackey Gallowhur Scagliotti, 76, also said that Loeb sexually abused his 6-year-old daughter, the late Edie Tomasko.

“I am now in my seventies and, when I am gone, there may well be nobody left with a first-hand account of Loeb’s abuse,” Scagliotti wrote in a statement that was reported by Loeb’s old paper, since renamed the New Hampshire Union Leader. “It took me many years to learn this one true thing about family dynamics: when dark secrets are kept they have a caustic effect, not just for those who were participants or bystanders at the time, but across generations.”

In response, the Union Leader has removed Loeb’s name from its masthead. This is a huge deal. Even though Loeb died 40 years ago, the paper had never repudiated the caustic hate he espoused on his pages, and its editorial page remains an important (if toned-down) voice of New Hampshire conservatism. As the editorial puts it:

William Loeb has nothing to do with the current New Hampshire Union Leader, but he has much to do with its history. Loeb famously said, “I don’t care what people think of me, just so long as they think.” We are certainly thinking now.

We know now that William Loeb is not a man to be celebrated.

My Northeastern colleague Meg Heckman, who wrote an excellent biography of Loeb’s widow and successor as publisher, Nackey Scripps Loeb, called “Political Godmother,” tweeted out a thread that offers some further insights:

William Loeb had such disdain for New Hampshire that he wouldn’t even live there — he lived in a mansion on Boston’s North Shore. Despite his patrician background, he was a racist from the old school, once publishing his birth certificate on the front page of the Union Leader in an attempt to prove he wasn’t Jewish. He also published a headline that read “Kissinger the Kike?” For more on Loeb, I recommend Kevin Cash’s 1976 book “Who the Hell Is William Loeb?” Among other things, Cash hints that Loeb may have had Nackey Loeb’s first husband murdered. Who knows? But it seems significant that Cash was not sued for libel.

In 1972, Loeb published a letter from then-President Richard Nixon’s dirty-tricks operation falsely claiming that Sen. Ed Muskie, the frontrunner for the Democratic presidential nomination, had poked fun at “Canucks,” a derogatory term for French-Americans, a large ethnic group in New Hampshire. Muskie showed up outside the Union Leader’s headquarters and raged against Loeb — and, depending on whose account you believe, started to cry. Muskie’s campaign unraveled after that, leading to the nomination of Nixon’s preferred opponent, Sen. George McGovern.

The ugly tale told by Nackey Scagliotti adds to the Loeb lore, and certainly not in a good way. According to the Union Leader account, as well as conversations I’ve had with Meg, the story had been making the rounds for years, but couldn’t be pinned down as long as Scagliotti was unwilling to go on the record.

Now she finally has.

In Colorado, a crisis is averted over the First Amendment and prior restraint

A Colorado judge and the state attorney general’s office have backed down from an attempt to prevent The Denver Gazette from reporting on secret grand jury documents that a court employee had accidentally handed over to them.

Under settled First Amendment doctrine, the government may not engage in prior restraint except under the narrowest of circumstances — a serious breach of national security, obscenity or incitement to violence.

Colorado media watcher Corey Hutchins has the story.

Just up at ‘Beat the Press’: Elon Musk, CNN+ and more

Elon Musk. Photo (cc) 2019 by Daniel Oberhaus.

The brand spanking new “Beat the Press” podcast is up, with our smoking hot takes on Elon Musk and Twitter, @LibsOfTikTok, the ethics of journalists who save the good stuff for their books, and the demise of CNN+. Plus our Rants & Raves. Hosted, as always, by Emily Rooney, with Joanna Weiss, Jon Keller and me. Available wherever you get your podcasts.

Looking back at the early promise of Twitter with Andy Carvin and the Arab Spring

With Twitter apparently on the verge of falling into the hands of billionaire troll Elon Musk (or maybe not), I thought back to a time when we thought it could be used as a force for good. More specifically, I thought back to a story broadcast on the “PBS NewsHour” 11 years ago (above) in which Andy Carvin, then with NPR, talked about how he was using it to track the Arab Spring uprisings that engulfed Tunisia and, later, Egypt and beyond.

This is a great story, and I hope you’ll take a few minutes to watch it. I used to show it to my students as a demonstration of how Twitter could be used to track news in real time. If I showed it to them now, it would be as a historical artifact.

Carvin began with about a half dozen people in the Middle East who he was already following on Twitter — what interviewer Hari Sreenivasan called Carvin’s “first ring of trust.” From there, Carvin looked at who those people were following. He’d engage in private conversations via DM to add to his circle, building a “mental map” and explaining: “It doesn’t mean that they’re all reliable. It does mean that they’re all talking to each other.”

Carvin also discussed his methods, some of which I would not recommend today given the toxic cesspool that Twitter has become. “I see my Twitter feed as an open newsgathering operation,” he said, explaining he would often retweet items with comments such as “Source?” or “Verified?”

In one such instance, he said he retweeted a sign being held by protesters in Iran that showed three prominent politicians photoshopped to make it appear they were about to be hanged. He was able to verify that the sign was real. Today, given that Twitter has long since grown beyond a small conversation among a fairly sophisticated community, that sort of activity would be called out for promoting misinformation and probably removed by Twitter. (But maybe not after Musk takes over.)

Carvin talked about what was then the surreal experience, now fairly common, of watching live coverage of the protests in Egypt’s Tahrir Square while using Twitter to follow people on the ground. “You don’t necessarily get complete situational awareness,” he said. “But you get a pretty close proximity to it.” Just a few years later, in 2014, many of us followed the birth of the Black Lives Matter movement on Twitter as protests broke out in Ferguson, Missouri, after the police killing of Michael Brown — protests that television didn’t catch up with for many hours.

Carvin also discussed the overwhelming nature of social media, saying he would check tweets on his phone while making dinner, lay off while eating with his family and reading to his kids, and then go back to TweetDeck until nearly midnight to keep up with the latest. Of course, Carvin was a journalist covering vitally important live events, and his routine was certainly less exhausting than being a reporter on the scene. If you leave that aside, though, it speaks to the difficulty we’ve all had of achieving any sort of work-life balance in the age of always-on digital technology.

“I don’t know how to juggle all this,” he said. “I’m kind of hoping that others will be able to come in and do similar things. I probably will reach some saturation point at some point. I’m not there yet, but I’m getting pretty close.”

Twitter remains a valuable tool for journalists, but it’s fallen far short of its initial promise. It’s hard to see how Musk is going to make it better. Even after reaching a deal to buy the platform, he was attacking top executives at Twitter, unleashing his army of trolls. It has not been a good week — or, as the Carvin video reminds us — a good decade for any of us who are interested in preserving some sliver of civil online discourse.

A network of community news franchises: Mike Shapiro on what makes TAPinto click

Mike Shapiro

Mike Shapiro is the founder and CEO of TAPinto, a network of more than 90 online local news sites, most of them in New Jersey and with a few in New York and Florida. Shapiro launched TAPInto in 2008. Back then it was called TheAlternativePress.com, and the goal was to build a network of hyperlocal news sites covering New Jersey towns.

His core idea is relatively simple. Would-be editors and publishers are actually franchisees. They pay a fee to buy into a turnkey operation that gives them access to technology and marketing resources. Shapiro’s team provides training and maintains the infrastructure, but these publishers are responsible for maintaining and growing their readership. Some have journalism backgrounds, but some join because they love their communities and want to become small business owners. The name was changed as the network grew: Shapiro no longer sees it as an alternative to just one newspaper, but as a way to “TAPinto” any community.

I’ve got a Quick Take on a new survey by the Medill School of Journalism at Northwestern University that finds that news consumers in Chicago aren’t willing to pay for local content, and my co-host, Ellen Clegg, nerds out on a recent NiemanLab report on the importance of local coverage of science.

You can listen to our conversation here and subscribe through your favorite podcast app.

With CNN+ gone, let’s not forget that CNN already has a significant digital asset

Photo (cc) 2009 by Bruno Pinheiro

I know we’ve all moved on to Elon Musk, whose successful bid for Twitter I’m still processing. But I want to make one final point about CNN+, the streaming service that was shut down by CNN’s new owner, Warner Bros. Discovery, just a few weeks after its launch.

CNN already has a significant online asset — CNN Digital. According to Comscore, CNN.com and its apps attracted 143 million unique visitors a month in 2021, putting CNN Digital way ahead of The New York Times (89 million), FoxNews.com and NBCNews.com (about 87 million each) and The Washington Post (82 million). It’s not aimed at cord-cutters, which is a crowd that CNN needs to address at some point. But neither was CNN+.

You can watch CNN TV’s livestream on CNN Digital if you authenticate with your cable subscription. If you don’t have cable, you’re out of luck. But that was true of CNN+, too. No doubt CNN’s contracts with the cable companies forbade them from offering the livestream to CNN+ subscribers, but that meant they were expecting you to pay a monthly fee for CNN’s B-product while reserving the A-product for cable customers.

Like CNN+, CNN Digital offers a lot of extras, including news stories and video clips. It’s really an excellent product, and it’s free. Indeed, with USA Today moving much of its coverage behind a paywall, CNN Digital, along with NPR and the “PBS NewsHour,” is one of the last sources of good-quality free news.

The Emancipator makes its welcome, long-anticipated debut

The Emancipator, long in the making, has gotten past the soft-launch stage and made its formal debut this week. Aimed at covering the Black experience from an antiracist point of view, the site is vibrant and colorful. It looks great on mobile, and features videos (including one by Black activist and filmmaker Bree Newsome Bass, above) and comics alongside serious essays and reported pieces.

The Emancipator is a joint venture of The Boston Globe’s opinion operation and the Center for Antiracist Research at Boston University. Northeastern journalism students are involved as well. There’s no paywall.

The point of the project is to provide national coverage of the country’s reckoning with systemic racism. Starting with the police murder of George Floyd and the police killing of Breonna Taylor in 2020, race has moved to the center of the national conversation in a way that it had not since the 1960s. Tragically, the moment we’re in right now feels more like the backlash than it does forward progress. The introduction puts it this way:

Just as 19th-century antislavery publications reframed and amplified the quest for abolition, The Emancipator centers critical voices, debates, and evidence-based opinion to reframe the national conversation on racial equity and hasten a more racially just society.

We put journalists, scholars, and community members into conversation, showcasing missing and underamplified voices — past and present — and demonstrating how they reveal the way forward.

The founders are former Globe editorial page editor Bina Venkataramin and BU’s Ibram X. Kendi, the author of “Stamped from the Beginning: The Definitive History of Racist Ideas in America,” winner of the National Book Award. The co-editors are Deborah D. Douglas and Amber Payne. Among the more recognizable bylines is that of Globe columnist Kimberly Atkins Stohr, and the star-studded advisory board includes the ubiquitous Nikole Hannah-Jones, creator of the 1619 Project.

One interesting style note: News organizations have been reaching different conclusions during the past several years over whether they should uppercase “Black.” The Emancipator is going with uppercase “Black” and “White,” which, for what it’s worth, is what The Washington Post is doing as well. The Globe, The New York Times and The Associated Press have all opted for uppercase “Black” and lowercase “white.”

A year ago, when The Emancipator was announced, there were some hard feelings at The Bay State Banner, which has been covering the Black community in Greater Boston since 1965. (Northeastern students also contribute to the Banner through The Scope, our digital social-justice publication.) I don’t really see a conflict, though. The Banner continues to do a great job of covering local issues, while The Emancipator is national in scope and opinion-based. There’s room for both — and for more. Banner founder Melvin Miller, I should note, will receive a long-overdue Yankee Quill Award this Friday.

The Emancipator is an important project and a welcome new voice. I’ve signed up for “Unbound,” the site’s newsletter, and I’m interested to see how the project develops.

Jeff Zucker’s folly comes to an end as Discovery pulls the plug on CNN+

Imagine a newspaper that required you to be a paid subscriber to the print edition if you wanted to read the paper online, and that you had to pay an additional fee for that privilege. If you weren’t a print subscriber, you wouldn’t be able to read the paper on the website, even though you were paying for digital. The only online content you’d be able to access would be repurposed programs and lite features. Needless to say, no one would sign up for such a terrible service.

Well, that’s exactly what CNN+ is. Or was. The New York Times reports that the network’s incoming owner, Warner Bros. Discovery, has pulled the plug on the weeks-old service. I’m surprised. I thought this would drag on for at least a few months. But I guess the decision was made to close it immediately rather than wait for the inevitable.

Cord-cutting is real, and CNN — like all content providers dependent on cable — needs to find a way to respond. This wasn’t it. Nice going, Jeff Zucker. I’m sure Discovery isn’t going to give up on coming up with a post-cable strategy for CNN. Wiping the slate clean was necessary for that.

One positive development coming out of this fiasco is that the new owners are reportedly planning to slot an actual newscast at 9 p.m., the old Chris Cuomo hour, according to Sara Fischer of Axios. Perhaps the anchor will be Audie Cornish, lured away from NPR to be a key part of CNN+.