Conservative pundits spurn Kasich’s strong performance

John Kasich in New Hampshire earlier this year. Photo (cc) by Michael Vadon.
John Kasich in New Hampshire earlier this year. Photo (cc) by Michael Vadon.

Previously published at WGBHNews.org.

Tuesday night’s Republican presidential debate was a useful reminder — as if I needed one — that these events are not being staged for my benefit.

Late in the proceedings, John Kasich put the finishing touches on what I thought was a strong performance by name-checking the conservative Catholic theologian Michael Novak in arguing that the free-enterprise system needs to be “underlaid with values.” No, I haven’t read Novak, but I was intrigued. Earlier, Kasich had what I thought was an effective exchange with Donald Trump over immigration. (The Washington Post has published a transcript here.)

To check in with the conservative media today, though, is to learn that some on the right think Kasich all but disqualified himself.

“Kasich espoused positions that can charitably be called compassionate conservatism, less kindly mini-liberalism of the sort that he says he practiced so successfully in Ohio when ‘people need help,’” writes the economist Irwin M. Stelzer at The Weekly Standard. Adds Paul Mirengoff of Powerline: “John Kasich annoyingly kept demanding speaking time. He used some of it to remind everyone that he’s the least conservative candidate in the field.”

A neutral analyst, Boston Globe political reporter James Pindell, thinks Chris Christie’s strong showing in the unwatched (by me, anyway) undercard makes him a good bet to replace Kasich in future debates. Kasich, Pindell notes, “backed increasing the minimum wage, bailing out big banks, and allowing 11 million illegal immigrants to stay in the country. It is hard to see how many Republicans will go along with the sentiment.”

Clearly Kasich — a top lieutenant in Newt Gingrich’s conservative revolution of the mid-1990s — has been recast as a hopeless RINO. And the notion that he might be the most appealing candidate the Republicans could put up against Hillary Clinton is apparently not nearly as interesting to conservative stalwarts as his heterodox views, summarized by the PBS NewsHour.

As the debate opened, all eyes were on the moderators. Would they manage to avoid the anti-media controversies that befell the CNBC panelists a couple of weeks ago while still managing to maintain a firm hand? My answer is that they partially succeeded. They avoided the snarky, disrespectful tone of the CNBC debate, and the candidates responded with a substantive discussion of the issues.

But on several occasions the panelists were just too soft. One example was Neil Cavuto’s exchange with Ben Carson in which he tried to press Carson on questions that have been raised about his truthfulness. Carson didn’t really answer, and before you knew it he was off and running about Benghazi.

Cavuto’s follow-up: “Thank you, Dr. Carson.”

Then there was the rather amazing question Maria Bartiromo asked Rubio toward the end of the debate, which I thought was well described by Max Fisher of Vox:

https://twitter.com/Max_Fisher/status/664292269554438144

Who won? After each of these encounters, the pundits keep telling us that Rubio is on the move. And yes, the Florida senator has risen in the polls, though he’s still well behind Trump (who informed us that he and Vladimir Putin are “stablemates”) and Carson.

But Rubio’s over-rehearsed demeanor may not wear well. I thought his weakest moment on Tuesday came when Rand Paul challenged him on military spending. The audience liked Rubio’s militaristic response. Paul, though, appeared to be at ease as he offered facts and figures, while Rubio just seemed to be sputtering talking points.

As for Jeb Bush, well, the consensus is that he did better than he had previously, but not enough to make a difference. “He may have stopped the free fall,” writes Jennifer Rubin, The Washington Post’s conservative blogger, “but he was outshone once again by competitors.” The questions about Bush’s continued viabililty will continue.

Carly Fiorina turned in another in a series of strong performances. But they don’t seem to be helping her much in the polls, and there was nothing that happened Tuesday night to make me think that’s going to change.

John Dickerson of Slate, who is also the host of CBS News’ Face the Nation, seems to believe the race will ultimately come down to Rubio’s mainstream conservatism and the much-harder-edged version offered by Ted Cruz, who once again showed he’s a skilled debater.

If that’s the case, let’s get on with it. Tuesday night’s event featured eight candidates — a bit more manageable than the previous three debates, but still too large to sustain a coherent line of thought. (What was that about Michael Novak again, Governor Kasich?)

For that to happen, though, Trump and Carson are going to have to fade. And despite months of predictions (including some by me) that their support would collapse, they remain at the top of the heap. As long as that’s the case, Rubio versus Cruz means precisely nothing.

“The Democrats are laughing,” Cruz said at one point in response to a question about immigration. In fact, the Republicans have given their rivals plenty of comedic material during in 2015. The question is whether that will change in 2016 — or if Hillary Clinton will be laughing all the way to Election Day.

Stomp out clichés and aim for ‘austerity of language’

b_kirtzBy Bill Kirtz

If you feel under par, work your fingers to the bone, and know it’s time for a change, click on the Cliché Site to trade tired phrases for compelling images.

That was one of myriad tips from top nonfiction writers last weekend at Boston University’s annual narrative journalism conference.

Organized by BU journalism department writer-in-residence Mark Kramer, the conference drew some 400 writers and editors from around the world. They discussed everything from viral content to social justice reporting to humanizing even the worst criminals.

Kramer preached his well-known gospel of “austerity of language: elegant, taut” prose that convinces readers they’re in the hands of an engaging storyteller. “Go on a to be hunt,” he said. “Get rid of whens and as’s. Lose clichés and metaphors.”

Keynote speaker Jill Abramson, a former New York Times executive editor now teaching at Harvard, repeated the good writing mantra: “Show, don’t tell. Collect anecdotes and revealing detail.” She called Gay Talese’s 1966 classic “Frank Sinatra Has a Cold” the epitome of the narrative genre.

Abramson had good news and bad news as journalism faces a “rapid riptide of change.” The good: long, ambitious reporting is in high demand. She singled out BuzzFeed’s “wonderful” criminal justice series and former Times colleague Jeff Gerth’s exposé of Hillary Clinton’s private emails as exemplars of excellent coverage delivered over new platforms. Gerth, a two-time Times Pulitzer winner now with ProPublica, co-wrote the March 27 article with Gawker reporter Sam Biddle.

The bad news, according to Abramson: worldwide legal threats to freedom of the press. She noted that a study of corruption in Russia under President Vladimir Putin hasn’t been published in Britain because of fears of legal action.

Abramson sees storytelling platforms consistently shifting, with platforms such as Snapchat and Instagram giving nonfiction writers new tools and outlets.

One of those is BuzzFeed, where Mark Schoofs, a Pulitzer winner at The Village Voice, now leads an investigative unit as the site augments viral content with some 130 domestic and foreign news staffers,

Schoofs said social justice reporting hasn’t changed much since Upton Sinclair, Ida Tarbell and others started muckraking powerful institutions more than 100 years ago. As ever, he said, it is based on “the desire to change, to expose a wrong, to have your journalism matter.”

He said these stories may start with “outrage,” but you have to skewer sacred cows if their assertions are incorrect. “You’re not in the tank for any one ideology or group. Test your assumptions versus whatever you see on the ground.”

He loves immersive participatory journalism and stories that have wrongdoing at their heart, calling David Barstow’s Pulitzer Prize-winning Times series on Wal-Mart bribery one of the best in recent years.

Exposing wrongdoing? Fine. But why humanize evil-doers?

Beth Schwartzapfel examines the inner lives of rapists and murderers because “just calling someone a scumbag is lazy, way too easy. He’s a person” and understanding him can be a valuable way to examine what made him do it.

Schwartzapfel is a staff writer with the Marshall Project, a new nonprofit, nonpartisan news organization that covers the criminal justice, system; she is also a frequent freelancer. She tries to get beyond obvious good guy/bad guy distinctions, asking what if Truman Capote’s groundbreaking “In Cold Blood” had ignored the killers and concentrated only on their victims.

Profiling a man who’s served more than three decades for a murder he committed as a teenager, she doesn’t gloss over what he did. She includes graphic descriptions of the crimes and always details the victim’s family’s grievous loss.

“Don’t give [inmates] a soapbox,” she said. “Being sympathetic is not being their advocate. Let readers come to their own conclusions” about whether they deserve parole. “Show how they’re human, not how they’ve been wronged. That’s up to the reader to decide. I tell them ‘I see it as my task to make you human.’”

As an example of a profile that goes far beyond the image of a stock villain, she praised Albert Samaha’s Village Voice profile of a New York City detective who framed innocent men to boost his conviction rate.

Some dismiss memoir as an unreliable narrator’s narcissistic ramble through the past. But in “Big Little Man,” Alex Tizon created a highly praised blend of history, memoir and social analysis.

“Many people dismiss memoir as easy, and a lot of the time memoir is just a cheaper form of storytelling — but it doesn’t have to be,” said Tizon, who won a Pulitzer for investigative reporting while at The Seattle Times. “Report the hell out of your own story,” he advised, having interviewed about 40 people for his book’s exploration of Asian-American masculinity.

To write a memoir, he said, “you have to risk being a fool unless you’re writing public relations. Include the painful parts. I put my siblings at a certain risk — what to leave out? I had to ask, ‘Could I live with this if a sister never spoke to me again?’ The truth is impossible, but my aim is to be as truthful as possible.”

Bill Kirtz is an associate professor of journalism at Northeastern University.