An entertaining look at the New York Times

David Carr torments a flack at Tribune Co.

At long last, I got to see “Page One: Inside the New York Times” at a screening last night at Harvard’s Shorenstein Center. It’s a terrifically entertaining look at the culture inside the Times newsroom, focusing on the media desk’s coverage of the newspaper meltdown of 2009 and ’10. I brought a couple of students with me, and they were pretty enthusiastic about it as we were driving back to Northeastern.

As you have no doubt heard, the stars are columnist David Carr and reporter Brian Stelter, two people whose talents, though formidable, pale in comparison to their inhuman productivity. Carr easily slips into the role of Carr, a late-middle-aged reformed drug addict who genially F-bombs his way through interviews and public appearances, building up to his monumental takedown of Tribune Co. and its abusive owner, Sam Zell. Stelter, young and earnest, is the perfect counterpoint. (I know both of them slightly, Carr better than Stelter.)

Director Andrew Rossi and Shorenstein Center director Alex Jones kicked it around afterwards.

An obsessive media junkie probably won’t learn much, but I really enjoyed being immersed in Timesland for 90 minutes. Quibbles? As a friend observed, the documentary was heavily tilted toward men, which seems odd given that before it ends, we see the executive editor’s baton being passed from Bill Keller to Jill Abramson.

And though it was unavoidable, the sense of panic that pervaded the business when the film was being shot has abated to at least some degree. We’re hardly out of the woods. It seems that every day, we hear about cost-cutting and layoffs. But the notion that was prevalent a year or two ago, that the entire newspaper business was in its death throes, now appears to have been exaggerated. If “Page One” were shot today, I suspect it would be more optimistic.

At GlobeLab, hacking their way toward the future

Did you know that the Boston Globe employs someone whose business card reads “Creative Technologist”?  The holder of that card is Chris Marstall, who hosted a meeting of Hacks/Hackers Boston at the paper’s GlobeLab space Tuesday evening.

Several dozen of us gathered to watch demos of projects that GlobeLab is working on — among them a mash-up that displays geotagged Instagram photos on a huge, six-screen map of Boston, the Big Picture photo blog repurposed for the new version of Google TV, and a tool that makes it easy for folks to see what a page of BostonGlobe.com will look like on various devices.

To me, the most intriguing experiment involved a smartphone app that automatically calls up the online version of a story when you take a picture of a headline in the print edition. From there you can email it, tweet it or whatever. I’m not sure whom it will appeal to — if you’re reading a print newspaper, you’ve already made certain decisions about the place of technology in your life. But it was fun to watch.

I also think it’s pretty interesting that the Globe has committed itself to thinking about the future in ways that might not pay off immediately, but could yield something useful down the line.

Bob Brown of Network World has written a more thorough account of the evening.

Sunday morning coming down (but not by as much)

Stories about declining newspaper circulation have become so routine that they’re hardly worth commenting on unless some deeper meaning can be found. So I’m looking closely at the latest figures from the Audit Bureau of Circulations, which show smaller losses for the Boston Globe and the Boston Herald on Sundays than on weekdays — especially in the case of the Globe.

The Globe’s weekday circulation for the six-month period that ended on Sept. 30 was 205,939, a drop of 7.5 percent. On Sundays, it was 360,186, down just 2 percent.

At the Herald, weekday circulation is now 113,798, a decline of 8.7 percent. On Sundays, it’s 85,828, down 4.8 percent.

Significantly, the period in question precedes the Globe’s new print-and-digital strategy. The Globe charges less to take home delivery of the Sunday paper and receive BostonGlobe.com for free than it does to subscribe to BostonGlobe.com seven days a week. At the Globe, as at most newspapers, the Sunday edition is by far the most profitable, and the idea is to preserve Sunday print no matter what.

It will be interesting to see what effect this strategy has on print circulation when the next figures are released in the spring of 2012. Needless to say, the real threat to the Globe is the possibility that readers will content themselves with the paper’s other website — the still-free Boston.com — and not pay for anything online.

The numbers also suggest that the Herald needs a better digital strategy of its own. Although the tabloid has a nice iPhone app (my preferred method for reading the Herald), its website is in serious need of an upgrade. For those who want to read the entire paper electronically, the Herald’s only offering is a hard-to-navigate electronic edition that’s basically a PDF of every page.

If the Herald were to offer an easy-on-the-eyes, reasonably priced digital option, I would pay for it. So, I suspect, would a lot of other people.

Beware the “Romenesko Effect”

Jim Romenesko

Time was when a young journalist could recover from a lapse in judgment, learn from his or her mistake and get back on the career ladder. As NPR’s Nina Totenberg once said about having been fired for plagiarism when she was a 28-year-old reporter for the National Observer, “I have a strong feeling that a young reporter is entitled to one mistake and to have the holy bejeezus scared out of her to never do it again.”

Those days are long gone. Whereas well-connected miscreants such as Mike Barnicle seem never to go away, young reporters caught stealing are briefly held up to national ridicule and then banished into some black hole. My friend Mark Jurkowitz calls it the “Romenesko Effect,” in tribute to Jim Romenesko’s compulsively read media-news site at Poynter.org.

The latest example is a reporter for Connecticut’s Middletown Press named Walt Gogolya, who left the paper after he was caught ripping off large sections of a story from the local Patch.com site. (I wouldn’t name Gogolya except that Romenesko writer Charles Apple — Romenesko himself is heading toward retirement — already has.)

The article falls into the news-of-the-weird category, as it involves the arrest of a man for field-dressing a deer in a parking lot. Those details may have made it harder for Gogolya to get away with his thievery. Worse for him is that the Press is owned by the Journal Register Co., which, under CEO John Paton and Connecticut regional editor Matt DeRienzo, has embarked on a public campaign of maximum transparency. Gogolya was not quietly asked to leave — he was thoroughly exposed in this editor’s note from DeRienzo. From there it was but a short hop to Romenesko and industry-wide humiliation.

I’m not entirely sure what to think about this. I think DeRienzo deserves credit for being open with his readers about what happened and how the company responded. I also did some poking around the tubes and discovered that Gogolya is not some kid fresh out of J-school. Nor do I have a problem with Romenesko airing such matters — quite the opposite, in fact. Yet these good decisions, defensible in themselves, may add up to something that’s disproportionate to the offense. Not that this is an excuse, but I’d be curious to know what Gogolya’s workload was like. Those are not easy jobs. But guess what? There’s no going back.

Essentially, young journalists need to know this: the world in which Nina Totenberg began her career no longer exists, and hasn’t for some time. When it comes to journalism’s two cardinal sins, plagiarism and fabrication, it’s now one strike and you’re out.

I think it also means that those of us who teach journalism need to be as diligent about these matters as we possibly can. Far better to suffer an “F” and a trip to the student disciplinary board at 20 than to have your career ended just as you’re getting started.

Politico’s no-names, no-details attack on Cain

Herman Cain

I’m sure we haven’t heard the end of this, so no need to wade in too deeply just yet. But if you haven’t heard, Politico yesterday posted a story claiming that the National Restaurant Association had paid settlements to two women who said Herman Cain had sexually harassed them while he and they worked there.

It is a curious story, to say the least. There are no names — Politico says it’s protecting their identities, as though we were talking about rape victims. And though Politico reports that it has seen the documents, the details it presents are murky, to say the least.

As Dan Gillmor says, “I will believe Politico’s story when they name an actual source or two, or show documentation. Until then, it’s pure BS in my mind.”

Meanwhile, consider the headlines on these two follow-up stories:

If details and/or names aren’t forthcoming, then the far more interesting story is who dropped a dime to Politico, and why. The site has a reputation for being well-connected to what’s left of the Republican establishment. No doubt there are elements within that establishment who want Cain out of the way as soon as possible. Is this the best they’ve got?

Photo (cc) by Gage Skidmore and republished here under a Creative Commons license. Some rights reserved.

Kevin Convey on the art of tabloid-headline writing

There’s an interesting profile of former Boston Herald editor Kevin Convey, now editor of the New York Daily News, in the current issue of the Colby College alumni magazine. Written by old Northeastern friend David McKay Wilson, the profile begins with a good anecdote about the Daily News’ collector’s-item front page following the killing of Osama bin Laden: “Rot in Hell!”

Convey’s suggestions — “Dead,” a play on the famous Daily News front page on the execution of convicted killer Ruth Snyder, and “We Got Him” — were deemed not quite right before a copy editor came up with the winner.

“Tabloid headlines are a very demanding form,” Convey told Wilson. “You are putting big words on a page that 530,000 people will buy and 2 million will read. It’s like journalistic haiku.”

The Providence Journal’s print-first strategy (II)

Just out of curiosity, I tried out the Providence Journal on Mrs. Media Nation’s iPad last night. And though I haven’t changed my mind about PDF-based e-editions being generally miserable to navigate and read, the iPad app does make the experience decidedly less miserable.

Being able to use my hands to tap on stories and flip through the paper made using the e-edition sort of all right. I would have been hugely impressed if this were 2001 instead of 2011. Of course, if I wanted to look at the paper exactly as it was published, I’d go buy a copy — which, as I have argued, appears to be exactly what Journal officials have in mind.

But if the e-edition turns out to be reasonably priced, it may prove to be a viable option for people who’ve moved away and still need their daily fix of the Journal. I wonder if we’ll ever find out how many e-subscriptions the Journal ends up selling? I can’t imagine it will be more than a handful.

Libel suit against Herald will proceed

Judge Raymond Brassard

A Superior Court judge recently refused to throw out a libel suit brought against the Boston Herald by a woman who claims the paper defamed her by falsely reporting she’d had sex with an inmate during a visit to the Old Colony Correctional Center in Bridgewater. The suit was filed in 2010, and I posted some background on the case at that time.

The plaintiff, Joanna Marinova, accompanied state Rep. Gloria Fox, D-Boston, on a visit to the prison in May 2009. The Herald published a front-page story on May 28 of that year by reporter Jessica Van Sack saying that Fox had snuck Marinova in to see her boyfriend, a convicted murderer named Darrell Jones, and that Marinova had been “previously bagged for engaging in ‘sexual acts’ with the killer con.”

Marinova says the story is false. According to prison records introduced as part of the lawsuit, Jones had been disciplined for kissing Marinova and rubbing her leg, but there was no suggestion the two had had sex.

According to a story in the current Massachusetts Lawyers Weekly (sub. req.), the Herald’s lawyer, Elizabeth Ritvo, argued that the case should be dismissed because Marinova’s contention that the Herald had claimed she and Jones had sex was “a strange and tortured interpretation” of what the paper actually published.

But Judge Raymond Brassard disagreed, saying “it seems to me that not only a reasonable reader, but virtually any reader, even a First Amendment lawyer would read that and think this person was involved in some sort of sexual intercourse with this man at the prison. I don’t know how a reasonable person could think otherwise.”

Marinova’s lawyer is David Rich, who was part of the legal team that successfully sued the Herald on behalf of former judge Ernest Murphy several years ago. In an unrelated action, Tom Scholz, leader of the band Boston, is suing the Herald for libel over accusations that were made following the suicide of lead singer Brad Delp.

Marinova had also sued WHDH-TV (Channel 7), which broadcast a story similar to the Herald’s. Lawyers Weekly reports that the two sides have apparently reached a settlement.

The hearing that led Judge Brassard not to grant the Herald’s motion for summary judgment was held on Sept. 22. I have posted the document here.

The Providence Journal’s print-first strategy

During the same week that the Boston Globe started charging for much of its online content and the New York Times announced it has signed up 324,000 paying digital customers, the Providence Journal unveiled its new website — a prelude to its long-promised (or long-threatened) paywall.

The new ProvidenceJournal.com — goodbye, Projo.com — includes just the first few paragraphs of most stories. If you want to read the whole paper online, you have to subscribe to one of those miserable e-editions, a PDF-like format that is difficult to navigate and even more difficult to read. (The Journal’s implementation does seem to be slightly less miserable than others I’ve seen.) There’s an iPad version, too.

Ted Nesi, who’s been writing about the Journal for WPRI.com, says it’s not yet clear what access will cost after the current free trial period expires. But this is not a digital strategy — it’s a print strategy, built on the idea of downgrading the Journal’s electronic presence. Nesi and I talked last December, when the Journal announced the new direction, and what I said then seems to apply now:

The Journal is sacrificing its website in order to bolster its print edition, which is where it makes most of its money. I understand why Journal managers are doing this, but it’s a short-term solution that could prove harmful in the long term. I also wonder whether it will even accomplish anything. Newspaper readers are skimmers, and a headline and brief synopsis of a story may be all that they want.

The Times is proving that people will pay for a well-thought-out, reasonably priced online edition. The Globe is about to learn whether readers in Greater Boston will do the same. The Journal, by contrast, is looking backwards. It might even work — but for no more than a few years.