Next semester, I plan to devote some time in my Reinventing the News course to using Storify, a tool that lets you search and pull together content from across a wide range of media — news stories, tweets, videos, photos and the like — in order to tell a story.
There’s an art to doing it well, so don’t take my first attempt (below) too seriously. Instead, you should have a look at Josh Stearns’ compilation on journalists who have been arrested at Occupied protests around the country. His piece was just recognized (and justly recognized) as the “Storify Story of the Year.”
I also think Storify works well for breaking news when there’s lots of citizen media to sift through. Here is an example from the Valley Independent Sentinel, in Connecticut’s Naugatuck Valley, following a summer storm that moved through the area this past August.
For my first Storify story, I decided to take on the subpoena served on Twitter by the Suffolk County district attorney’s office, which could force the social network to reveal the identity of “Guido Fawkes,” whom the Boston police want to question in connection with something (what, exactly, is unclear) that took place in connection with Occupy Boston. Here’s what I came up with:
I’ve got an essay in the new issue of Nieman Reports on how technology enabled me to revive “Little People,” my 2003 memoir on raising a daughter with dwarfism — online at first, and then later as a print-on-demand paperback.
Given that my life is too dull to be of much interest to anyone, I generally go along with the ever-increasing demands from the digital tools that I use to reveal my location or connect with Facebook. I don’t like it, but I don’t care enough to take a stand. (Yes, I’m well aware that that’s the road to hell.)
But three recent experiences have me wondering. I’ll take them in increasing order of ridiculousness.
I’ll start with Spotify, the free music service (premium versions are also available) that requires you to log in using your Facebook account, after which all of your Facebook friends can see what you’re listening to.
I had been using Rdio at the recommendation of Josh Stearns and found it was a little less bewildering than Spotify. Even better, there was no Facebook connection. But after I used up my free-music quota for the month, I switched over to Spotify, and joined the stream. I suppose a 55-year-old shouldn’t worry about whether his musical choices strike others as sufficiently cool, but I do.
Now, I don’t think Spotify’s social-networking policy is particularly outrageous, because it is offering an expensive service for free. So I have no real complaints. But I’m not crazy about having to do my listening in public. And if I get a sudden urge to listen to Barry Manilow (I’m kidding! Really!), I’ll be sure to do it on Rdio.
Considerably farther down the food chain, yesterday I wanted to download a PDF of a legal decision from a site that uses Scribd. With PDFs, you can usually just click and download. But with a Scribd-ified PDF, I had to register, either by creating a new account (ugh) or logging in with Facebook. Hmmm … I did as I was told and got my download.
In paging back through my Facebook status updates, I see no evidence of anything saying “Dan downloaded a document from Scribd!” But still.
Finally — and the mind still reels at this — I recently received a notification that there was an update available for Flashlight, an app that turns your iPhone into, yes, a flashlight. What, I wondered, could be new and improved about Flashlight? A brighter light? A setting that shines a Batman logo on the sides of vacant buildings?
I installed the new app, started it up — and was asked whether I wanted to provide my location information. Seriously. Well, that was easy. No. But is someone sitting in a room somewhere with a giant Google map, checking to see who’s looking for their car keys?
My prediction: Social sharing is here to stay, but not at this level. Businesses are going to discover that there’s no social-media pot of gold at the end of every rainbow. And as I said, though I’m not particularly obsessed with protecting my privacy, I think all of us should be concerned about living increasingly large chunks of our life in public.
Did you know that the Boston Globe employs someone whose business card reads “Creative Technologist”? The holder of that card is Chris Marstall, who hosted a meeting of Hacks/Hackers Boston at the paper’s GlobeLab space Tuesday evening.
Several dozen of us gathered to watch demos of projects that GlobeLab is working on — among them a mash-up that displays geotagged Instagram photos on a huge, six-screen map of Boston, the Big Picture photo blog repurposed for the new version of Google TV, and a tool that makes it easy for folks to see what a page of BostonGlobe.com will look like on various devices.
To me, the most intriguing experiment involved a smartphone app that automatically calls up the online version of a story when you take a picture of a headline in the print edition. From there you can email it, tweet it or whatever. I’m not sure whom it will appeal to — if you’re reading a print newspaper, you’ve already made certain decisions about the place of technology in your life. But it was fun to watch.
I also think it’s pretty interesting that the Globe has committed itself to thinking about the future in ways that might not pay off immediately, but could yield something useful down the line.
This is a sad day. Steve Jobs has died. He was a visionary and a genius — a genius of design, and of knowing how we wanted to work and play long before we had any idea. “The world is immeasurably better because of Steve,” said Apple in a company statement, according to NBC News. It’s true, and how many people can you say that about?
The next few weeks should be interesting as the folks at the Boston Globe work out the bugs at BostonGlobe.com.
Starting last night, the site stopped working on my almost-four-year-old MacBook using Chrome and Safari. (Might be just my set-up, though I did reboot.) On the other hand, it still works fine with Firefox, for which I’ve recently been developing a new appreciation, as it seems to be the most stable of the three major Mac browsers. No problems on my iPhone or on Mrs. Media Nation’s iPad, either.
I’m glad to see Dan Wasserman’s editorial cartoon made it to the site today, and I hope syndicated cartoons will be included on days that Wasserman isn’t drawing. The comics are online today, too. Maybe they were yesterday, but I couldn’t find them.
Other observations: clean as the site is, the organizational scheme is a bit bewildering, with many different options. I feel as though I’m missing stuff. The “Today’s Paper” option doesn’t seem to be quite that. It would be nice to have a clearly delineated separate section of everything that’s in that day’s print edition.
Also, how about combining all the little “Names” tidbits into one column? Other “g” shorts could be combined, too. I don’t want to keep clicking to read 90-word items. It’s one of my main peeves about GlobeReader, too, and I’ll bet I’m not alone.
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I’m not sure why, but I’ve been getting an unusual number of comments lately from people who don’t seem to realize we have a real-names policy, first and last, at Media Nation — even though the first thing you see in the comment box is “Have something to say? Your real name, first and last, is required.”
Here is our commenting policy in more detail. And here is an interesting post on the good results news organizations are having when they turn their commenting system over to Facebook.
Given the New York Times’ rather rhapsodic take on the New Yorker’s iPad app, I was surprised by how underwhelming it turned out to be when I finally gave it a test. I installed it on Mrs. Media Nation’s first-generation iPad, loaded in the current issue — and found it to be almost identical to the PDF-like version that the New Yorker makes available to its print subscribers, a.k.a. the “digital edition.”
There was one key difference, and I’ll grant you it’s an important one: the digital edition requires you to move the pages around on your computer screen, making them bigger and smaller and switching around among columns, maneuvers that have long made most of us despise PDFs. The iPad version, by contrast, automatically formats to the screen. That’s a big improvement.
Other than that, though, I found the app to be rather flat and uninspiring. Yes, the Times review emphasized that it was designed for people who just want to read rather than be dazzled. But there’s a middle ground between a plain reproduction of a magazine and a distracting multimedia extravaganza. I’d have liked to see the New Yorker aim for that middle ground.
That said, it was a nice way to read Ryan Lizza’s excellent profile of Michele Bachmann — especially since the mailman hasn’t seen fit to deliver our print edition yet.
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I’ve got an essay
