Paige Compositor. For more photos (including Mark Twain in Legos!), click on image.
Last week I had a chance to attend the premiere of “On Deadline: Is Time Running Out for the Press?”, a documentary about the near-death and uncertain rescue of the Bristol Press and the New Britain Herald, both in Connecticut.
The papers were owned by the Journal Register Co., which, as it was entering bankruptcy in late 2008, threatened to shut them down if a buyer couldn’t be found. (The company, whose largest Connecticut paper is the New Haven Register, exited bankruptcy in August 2009.) The papers were saved by Michael Schroeder, a veteran newspaper executive who, among other things, was a top executive at BostonNOW, a free tabloid that until its demise competed with Metro Boston.
The future of the Press and the Herald is by no means certain; Schroeder made that clear in both the film and in a subsequent panel discussion. But at least the papers have a path forward. The film itself, by John and Rosemary Keogh O’Neill, was enjoyable and worth seeing if you ever get a chance, though I found the drama over the papers’ fate more compelling than the overly nostalgic views of the newspaper business that were expressed by the principals. (Here is the trailer.)
In a delicious irony, the film made its debut at the Mark Twain House, in Hartford, a shrine to a great writer who, among other things, nearly went bankrupt because of his own involvement with the newspaper business. In the 1880s Samuel Clemens sank a fortune into the Paige Compositor, which he believed would make him a very wealthy man, given that it was 60 percent faster than the Linotype machine. The Paige, though, was prone to breakdowns, and it never caught on.
Technology has always been an issue in the newspaper business. It was the rise of cheap, high-speed presses in the 1830s that created the daily newspaper business as we know it. And, of course, it’s technology that is now rapidly ushering us into the post-newspaper age.
Seems like it’s been ages since I last wrote about GateHouse Media, the financially challenged Fairport, N.Y.-based company that owns about 100 community newspapers in Eastern Massachusetts.
Things may be more quiet than they were a year ago, but rumblings of dissension persist. Several anonymous employees sent this along, detailing some mighty nice bonuses top GateHouse officials paid themselves to publish understaffed newspapers run by overworked, low-paid journalists.
Leading the parade is chief executive Michael Reed, who got $500,000. Taking the silver, with $250,000, was president and chief operating officer Kirk Davis, a top GateHouse official in Massachusetts before decamping for upstate New York last year.
It’s an old story. Ordinary people work hard for short money while the folks at the top reward themselves. Reed and Davis are managing a difficult situation, and it may well be that they deserve to be compensated handsomely just for keeping GateHouse alive. Then, too, their situation is hardly unique.
Just a few days ago we learned that Joseph Lodovic IV, president of Dean Singleton’s MediaNews chain, was receiving a $500,000 bonus for the bang-up job he did putting together a structured-bankruptcy plan. That may be the way of the world. But such tidbits can be pretty hard to swallow for those who actually cover late-night meetings and give up their weekends to photograph local events.
In other GateHouse news, here is a weird story involving a reporter for the company’s Dodge City Daily Globe, in Kansas, who was fired in the midst of a legal dispute over whether she should testify about her confidential source in a murder case.
I’m going to have to side with management on this one. The reason: Lucy Dalglish, executive director of the Reporters Committee for Freedom of the Press, tells the Topeka Capital-Journal that the reporter, Claire O’Brien, refused to show up in court to answer the subpoena she’d received.
“What she did was really stick a thumb in the judge’s eye today,” Dalglish is quoted as saying. “Even if you’re not going to answer questions, you still have to go to court.”
Media Nation Rule No. 57: If Lucy Dalglish doesn’t stand up for you on a freedom-of-the-press issue, then you’re wrong.
Tuesday evening update: Dalglish takes a rather different stance on the RCFP Web site, saying she finds O’Brien’s termination “unusual” and “quite disturbing.” An Associated Press account of what happened is worth reading, too.
According to Reuters, minority investor Carlos Slim, a Mexican billionaire, has denied rumors that he’ll seek to increase his stake. And that would appear to be that.
Here’s something I don’t think I would have said five, three or even one year ago: the editors at Esquire made a mistake when they posted Chris Jones’ and Ethan Hill’s wonderful profile of movie critic Roger Ebert on their Web site last week. Ebert, as you may know, is slowly dying of cancer* and is writing, literally, like there’s no tomorrow.
We are in the midst of an endless debate over free versus paid content. I generally come down on the side of free Web access. Most news is a commodity, and if you can’t get it from one place, you’ll get it from another.
But the flip side is that when you’ve got something that isn’t a mere commodity, you shouldn’t just give it away. Jones’ story about Ebert, and Hill’s photography, comprise anything but a commodity. This is exclusive, important, heart-breaking, inspirational journalism. And it’s something that Esquire should have used to drive sales of the magazine.
Increasingly I’m coming around to the idea that a newspaper or magazine’s Web site should be different from its print edition. The Web should be about blogs, community, interaction and extra features that aren’t available in print. The print edition should drive traffic to the Web site, and the Web site ought to drive sales of the print edition.
Esquire does offer some online extras with its Ebert story, but it could have offered more (a slide show, a video, a podcast of Jones and Hill talking about the piece) — and less (not the entire story, at least not for a few weeks).
As I look at the Ebert story online, I see just one non-house ad — a banner at the top of the page, currently selling Dockers pants. I’ve read the story, looked at the pictures and have no particular incentive now to buy the magazine. The idea, I think, should be print and online working together. What Esquire has given us is a Web-first approach with the hope that, someday, someone may figure out a business model. How 2005 is that?
*Further thoughts: A Media Nation reader has asked me to rethink my “dying of cancer” construction. I didn’t write it carelessly. The story is replete with references to the limited time Ebert has left (“Ebert is dying in increments, and he is aware of it”), and his health is precarious because of repeated bouts of cancer. Nevertheless, the story also makes it clear that Ebert is, at the moment, cancer-free. Perhaps Ebert will be with us for many years to come. I hope he is.
The Arkansas Democrat-Gazette shows that charging for online access is no way to build a Web site — but that it may very well be an effective way of preserving the print edition. (Via @howardowens.)
What role should the government have in preserving public-interest journalism? If you’re a First Amendment absolutist (and I consider myself to be pretty close), you might immediately respond with a resounding “none.” Yet such purity has never been the reality in American life.
Heavy postal subsidies from the earliest days of the republic helped create the most vibrant newspaper and magazine industry in the world. To bring matters up to the present, media corporations are now given virtually free use of the broadcast airwaves, theoretically owned by all of us, with little expectation that they will fulfill the public-interest obligations that were once required of them.
Earlier today, John Nichols and Robert McChesney visited Northeastern to promote their new book, “The Death and Life of American Journalism: The Media Revolution That Will Begin the World Again.” (You can read excerpts of it here and here.) I won’t pretend to write an objective account — I introduced them, and we all said nice things about each other. Rather, I want to discuss briefly their idea that at a time when journalism is in crisis, government ought to step in and prop it up to the tune of some $30 billion a year — a number they say correlates, in 2010 dollars, with what was spent on postal subsidies in the 1840s.
To their credit, they do not propose taking taxpayer funds and handing them to Rupert Murdoch and Arthur Sulzberger. Instead, they would like to see a variety of initiatives that, properly implemented, would bolster journalism without raising the specter of government interference: greatly expanded support for public broadcasting with an arm’s-length funding mechanism; an AmeriCorps for young journalists; even a $200 tax credit for every family to spend on the news media of their choice.
And they are correct in asserting that other Western democracies, particularly the Scandinavian countries, subsidize their media to a far greater extent than we do without suffering any loss of freedom.
Yet I still worry that theirs is the wrong solution. Consider, for example, that non-profit organizations, including news operations, are forbidden from endorsing political candidates — a ban on free speech that dates back to 1954, when then-Senate majority leader Lyndon Johnson acted to silence the opposition back home in Texas. That underscores what I think is the real problem with government assistance: once you start relying on it, you are forever subject to the vagaries of the political moment.
Afterward I asked McChesney about an idea recently proposed by Dan Gillmor, best known as the author of “We the Media,” to emulate the original idea of postal subsidies by using government funds to pay for universal broadband access. As Gillmor sees it, that, combined with a guarantee of net neutrality, should be enough to allow market forces to do the rest.
“I think we need that no matter what,” McChesney replied. But he added there was “not a shred of evidence” that universal broadband access and net neutrality would be sufficient to guarantee a vibrant press.
Nichols and McChesney’s presentation combined gloom-and-doom with optimism for the future of journalism, if only the public can be mobilized. Like Clay Shirky, they think we have entered a post-advertising era in which it will prove impossible sustain journalism as a commercial enterprise. But whereas Shirky has called for a variety of commercial, non-profit and volunteer-driven experiments, Nichols and McChesney believe the public ought to pay more directly for what it needs to govern itself.
“We are at a 1776 moment,” Nichols said “It is your democracy that is threatened.”
Nichols and McChesney are co-founders of Free Press, an organization that is fighting the good fight on behalf of local ownership of radio and television stations and government guarantees for net neutrality. My reservations aside, Nichols and McChesney are making an important contribution to the discussion over paying for news, and I look forward to reading their book.
The New York Times today made an important announcement that we will no doubt pick over closely in the weeks and months ahead. According to a memo from Times Co. chairman Arthur Sulzberger Jr. and president Janet Robinson, the paper will start charging for Web content in 2011.
Over the past year or two, it has become increasingly clear that advertising may never fully support the infrastructure of large newspaper Web sites. With huge chunks of classified advertising lost to Craigslist and with display advertising undermined by the decline of once-vibrant downtowns, newspaper executives have been struggling with ideas to persuade readers to pick up a larger share of the tab.
The Times’ plan is fairly nuanced, and parallels proposals being discussed by Steven Brill, the founder of Journalism Online. You would be allowed to access a certain number of articles per month (perhaps five or 10) for free. After that, you would have to pay. Access to the Web site would remain free for subscribers to the print edition.
Charging for Web-site access undermines the sharing culture of the Web, which is what gives it its value. Still, the Times’ plan is relatively benign. Bloggers who regularly link to and excerpt Times content will have the choice of paying up or going elsewhere. Blog readers will be able to click on a modest number of Times links for free.
Several years ago the Times tried charging for its opinion columnists and certain online-only features. The experiment was not a failure, but Sulzberger and company concluded they could earn more advertising revenue by returning to free access. The wheel turns, and it keeps turning.
My early prediction is that the Times’ metered-access plan will be no more than a limited success, and not easily emulated by other papers. The Times remains the gold standard of mainstream journalism, and a lot of people will be willing to pay for it. By contrast, a good regional paper like the Boston Globe must compete with a wide array of other local media. If the Web sites of local newspapers and radio and television stations remain free, readers may find that they’re not willing to pay for the Globe’s admittedly superior content.
The most promising route for newspapers to take is to charge for convenience (print, e-readers and smartphone editions) and community (special premium online content, member discounts, discussion forums and the like). Charging for basic Web access has proved to be a losing proposition in the past, and that’s likely to continue.
But it’s been clear for some months now that we were about to embark on another experiment in charging for Web content. At least it sounds like the Times is going about it the right way.
[youtube http://www.youtube.com/watch?v=lWrzex2yeoA&color1=0xb1b1b1&color2=0xcfcfcf&hl=en_US&feature=player_embedded&fs=1] The Batavian, an online-only news site based in the western New York town of Batavia, has been recognized as the “Innovative Enterprise of the Year” by the Genesee County Chamber of Commerce.
Founded and now owned by former GateHouse Media executive Howard Owens, the two-year-old Batavian is among the more serious for-profit local-news experiments unfolding nationally.
Above is an interview I did with Owens last June during a visit to Batavia. Congratulations to Owens, an innovative thinker who has fully embraced the just-do-it ethos of online journalism.
This will probably be my last post until after Christmas. But I wanted to note that the Standard-Times of New Bedford will erect a pay wall around its Web site starting Jan. 12.
As Jon Chesto of the Patriot Ledger notes, it’s not entirely unanticipated, since the Standard-Times’ owner is Rupert Murdoch, who has launched a crusade against free content. Murdoch’s man in New Bedford is Boston Herald owner Pat Purcell, who says he’ll unveil his own paid-content system sometime next year as well.
Though I think pay walls are a bad idea, the Standard-Times’ system is better than some: you’ll be able to read up to 10 stories a month without paying, which means the paper won’t be completely closing itself off to the outside blogosphere.
Still, it’s hard to imagine that the Standard-Times’ fine Web site, South Coast Today, won’t deteriorate under the new system. It’s a shame, because the paper’s original Web site, www.s-t.com, was a pioneering effort that garnered national attention back in the mid-1990s.
The print edition may well realize some short-term gains — no longer will local readers be able to catch up on news in Southeastern Massachusett for free. But Murdoch and Purcell are turning their seed corn into Fritos.
