A proposed federal shield law dies; plus, The Onion v. Alex Jones, and Krugman’s awkward farewell

Sen. Tom Cotton. Photo (cc) 2016 by Michael Vadon.

The PRESS Act, which would protect reporters from being forced to identify their anonymous sources or turn over confidential documents, appears to be dead despite passing the House on a unanimous vote earlier this year.

Clare Foran and Brian Stelter report for CNN that the bill died Tuesday after Republican Sen. Tom Cotton of Arkansas objected to an attempt to pass it by unanimous consent. Cotton said that passage would turn senators “into the active accomplice of deep-state leakers, traitors and criminals, along with the America-hating and fame-hungry journalists who help them out.” President-elect Donald Trump has demanded that Republicans defeat the measure, so that would appear to be the end of the road.

Meanwhile, the Reporters Committee for Freedom of the Press, a staunch supporter of the bill, noted that the U.S. Justice Department’s Inspector General’s office released a report Tuesday finding that journalists’ records had been sought during Trump’s first term in violation of internal guidelines. CNN, The New York Times and The Washington Post were targeted along with members of Congress and congressional staffers.

In a statement, RCFP executive director Bruce Brown said:

The government seizure of reporters’ records hurts the public and raises serious First Amendment concerns. This investigation highlights the need for a reasonable, common-sense law to protect reporters and their sources. It’s time for Congress to pass the PRESS Act, which has overwhelming bipartisan support, to prevent government interference with the free flow of information to the public.

The PRESS Act, which stands for Protect Reporters from Exploitative State Spying, would add the federal government to the 49 states that already have some form of shield protection for journalism. The sole exception is Wyoming.

Trump is hardly alone in his contempt for the importance of journalistic anonymity in holding government accountable. Former President Barack Obama was so aggressive in demanding that reporters identify leakers that I once wrote a commentary for The Huffington Post headlined “Obama’s War on Journalism.”

Under President Biden, though, Attorney General Merrick Garland issued guidance prohibiting federal prosecutors from seizing journalists’ records except in a few narrow cases involving terrorist investigations or emergencies — the same exceptions that are spelled out in the PRESS Act. Now it seems virtual certain that Trump will return to his previous repressive practices, with Tom Cotton cheering him on.

Media notes

• Peeling back The Onion. The internet exploded in celebration recently when The Onion won a bid to purchase Infowars from right-wing conspiracy-monger Alex Jones, who was sued into bankruptcy by the families of children who were killed in the Sandy Hook school massacre of 2012. Jones had spread false stories that the shootings were somehow faked. Now, though, a bankruptcy judge has ruled the Infowars auction was improperly conducted in secret and may have resulted in less money for the families than an open process, David Ingram reports for NBC News.

• Krugman’s awkward farewell. Longtime New York Times columnist Paul Krugman, surely the only opinion journalist to have won a Nobel Prize, wrote a heartfelt farewell column (gift link) on Monday. But though all was sweetness and light publicly, independent media reporter Oliver Darcy writes that Krugman may have left earlier than he would have liked because he regarded opinion editor Katie Kingsbury as heavy-handed, demanding a “far more thorough edit” (including the vetting of pitches) of all Times columnists than had previously been the case.

I’m looking forward to seeing what Krugman does next. I thought his column had become somewhat repetitive in recent years, but I’d welcome longer pieces from him published less frequently. He remains one of our most vital public intellectuals.

Update: Well, that didn’t take long. Krugman started a Substack newsletter in 2021, let it wither, and has now revived it.

Bennet’s out as newsrooms come to terms (or not) with Black Lives Matter

Photo (cc) 2010 by samchills.

At least at the moment, I have little to add to the story of James Bennet’s departure as editorial-page editor of The New York Times beyond what Ben Smith of the Times, Tom Jones of the Poynter Institute and Jon Allsop of the Columbia Journalism Review have written, and what I wrote last week.

As Smith, Jones and Allsop point out, Bennet’s misguided decision to run Sen. Tom Cotton’s ugly commentary advocating violence against protesters should be seen as part of a larger story that encompasses Wesley Lowery’s unfortunate experience at The Washington Post, the resignation of Philadelphia Inquirer executive editor Stan Wischnowski over his paper’s horrendous “Buildings Matter, Too” headline, and the right-wing Pittsburgh Post-Gazette’s meltdown over Alexis Johnson, a Black reporter whom they claimed couldn’t be trusted to cover Black Lives Matter protests because of an innocuous tweet she had posted.

Because of the Times’ central place in our media culture, Bennet’s departure is the big story. As the coverage makes clear, Bennet lurched from one misstep to another during his time as editorial-page editor, so it would be a mistake to attribute his departure solely to the Cotton op-ed. I don’t think he ever fully recovered from his mishandling of a Bret Stephens column in which Stephens came very close to endorsing a genetic basis for intelligence.

Bennet will be replaced through the election on an interim basis by deputy editorial-page editor Katie Kingsbury, who won a Pulitzer when she was at The Boston Globe. Kingsbury is terrific, and I hope she’s given a chance to earn the job.

Finally, a semi-related incident involving the Globe. You may have seen this on the front of Sunday’s print edition:

There’s no question that the cover, which you can see here, would have been considered entirely inoffensive before a police officer killed George Floyd. Even now I’m not sure how many readers would have been outraged. Still, I think the Globe made the right call. An abundance of caution and sensitivity is what’s needed at the moment.

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My half-hearted argument in favor of The New York Times’ double endorsement

I’m not going to try to defend The New York Times’ decision to punt and endorse two Democratic candidates for president.

In watching the endorsement process play out Sunday night on “The Weekly,” it seemed to me that the editorial board members’ main goal was to stop the frontrunner, Joe Biden, whom they see as too old and too vague. By endorsing both Elizabeth Warren and Amy Klobuchar, the Times diluted the boost it might have given to Warren, who is — along with Bernie Sanders — the strongest challenger to Biden.

But if you read the entire 3,400-word editorial, you’ll find a semi-respectable argument for the double endorsement at the very end:

There will be those dissatisfied that this page is not throwing its weight behind a single candidate, favoring centrists or progressives. But it’s a fight the party itself has been itching to have since Mrs. Clinton’s defeat in 2016, and one that should be played out in the public arena and in the privacy of the voting booth. That’s the very purpose of primaries, to test-market strategies and ideas that can galvanize and inspire the country.

Essentially the Times sees itself as endorsing candidates in two separate Democratic primaries — the progressive primary and the moderate primary. Seen in this light, the Times is hoping ahead of the Feb. 3 Iowa caucuses to give a boost to Warren against Sanders and to Klobuchar against Biden and Pete Buttigieg. That makes some sense, though I still think a single endorsement would have been better. Still, if the two-primaries argument had been stated more explicitly, in the lead, the Times could have spared itself some of the head-scratching and mockery it’s being subjected to today.

As for “The Weekly,” I found the hour fascinating, with the participants — led by deputy editorial-page editor Katie Kingsbury, subbing for James Bennet, whose brother Michael is (believe it or not) a presidential candidate — coming across as thoughtful and serious. I saw some Twitter chatter suggesting that the participants seemed elitist and out of touch, but that strikes me as an inevitable consequence of the the setting and the process. How could it be otherwise?

And let’s give the Times credit for dragging the traditionally secretive endorsement process out into the open, including transcripts of the interviews with each of the candidates.

Let’s just hope the Times restricts itself to one endorsement this fall.

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Katie Kingsbury is leaving the Globe for a position at The New York Times

Kathleen Kingsbury, The Boston Globe’s managing editor for digital, is leaving the paper to accept a position as deputy editorial-page editor of The New York Times. This is a big one. Kingsbury is a Pulitzer-winning editorial writer, and she stepped into her current role last fall just as the Globe’s reinvention effort was heating up. She replaced David Skok, who was returning to his native Canada.

Ben Mullin of Poynter has editor Brian McGrory’s farewell note:

I interviewed Kingsbury for my forthcoming book last fall, and I found her to be smart in all the right ways. When we talked, she told me she was testing out various smartphone apps for possible adoption by the Globe — an effort that we long-suffering mobile readers certainly hope pays off soon.

Kingsbury announced her departure just as the Globe is settling in at its new headquarters at 53 State St. On Saturday, the Globe’s entire print run took place at its new Taunton facility for the first time, according to a message to employees from  Rich Masotta, the Globe’s vice president for operations.

Kingsbury proved to be a good internal candidate for the top digital position. It will be interesting to see if the Globe goes outside or inside for her successor. Globe owner John Henry has bet the farm on paid digital. If anything, the Globe needs to accelerate its efforts on improving its digital products.

The daily Trump: Katie Kingsbury on the Globe’s interactive transition graphic

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The Boston Globe has published a striking interactive graphic of the Trump transition. Titled “A transition like no other,” there’s an entry for every day since Donald Trump’s election. Each box has a thumbnail of the day’s major news and a link to the longer story. Most are accompanied by a tweet from Trump himself.

The graphic also appears in today’s print edition. But the digital version is more fully realized, and is worth checking out by anyone interested in digital storytelling. I emailed a few questions to Katie Kingsbury, the Globe’s managing editor for digital. Her responses are below.

Q: Who is the intended audience?

A: The past few months have been a whirlwind of news — this project was spawned out of a desire to capture the details amid that flood. Trump and his team made Cabinet decisions that will fundamentally change major geopolitical power structures that nations have relied on since World War II. He moved markets through Twitter. He took steps that will fundamentally undo Obama’s legacy over the next several months. Meanwhile, Obama was sanctioning a foreign nation for intervening in our presidential election.

Q: Studies show that people spend very little time on news websites compared to print. One way to counteract that is to produce journalism that invites return visits. Are you hoping this is the sort of feature that people will keep returning to?

A: I do hope people keep returning to it. For one, it is meant to be a good way to showcase our archives for the past three months. For another, there is so much there — you need to spend some serious time with it to realize the breadth of all that has happened since November. My guess is this will become one of those projects that people return to as well months from now, when the details aren’t as fresh.

Q: Do you plan to keep updating it? For how long?

A: We haven’t actually discussed that. It was no small investment by a lot of folks — [political editor] Felice Belman did an amazing job of sorting through 70-plus days of news and finding the best nuggets. [Digital design director] Michael Workman and [design director] Heather Hopp-Bruce spearheaded this gorgeous design for both online and the two-page spread in print. We have designers from across the building — Tonia Cowan, Ryan Huddle, Kelsey Kronmiller, and Brendan Lynch — who contributed illustrations. [Director of audience engagement] Matt Karolian and [deputy managing editor for audience engagement] Jason Tuohey have an ambitious social plan for today and tomorrow. Matt Ellis, our product manager, pulled together all these moving parts.

With that infrastructure in place, we would be able to keep it going without a ton of effort. Now I plan to explore that today. Thanks for the idea!

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Four Globe personnel moves are aimed at bolstering digital

Katie Kingsbury. Photo via. Twitter.
Katie Kingsbury. Photo via Twitter.
Boston Globe editor Brian McGrory this afternoon announced some major moves, and all of them are aimed at bolstering the Globe‘s digital presence. The big news is that Katie Kingsbury will replace David Skok as managing editor for digital. Skok, who’s also vice president for digital, is heading back to his native Canada.

Kingsbury, as McGrory notes below, is a Pulitzer Prize-winning editorial writer and has more recently been editing the Ideas section. I think it’s significant that what she can bring to digital is seen as more urgent than her more traditional work as a writer and editor. Globe print subscribers might also remember that last winter, during the paper’s home-delivery fiasco, Kingsbury was a constant presence on Twitter, where she helped to solve problems and in a few cases delivered papers to customers’ doorsteps.

As always, these memos don’t just magically appear in my inbox. I depend on leaks—and leakers. That means you.

The text of McGrory’s email to the staff follows.

I’m delighted to announce some key personnel moves in the newsroom.

First, Katie Kingsbury will take the role of managing editor, digital.

You know we’re a great news organization when a transformative figure like David Skok can leave and we’re able to fill the void from our own midst with a Pulitzer Prize winning editor of uncommon intellect and unparalleled commitment. Katie is her own weather system, someone who isn’t only a learned digital journalist, but also an entirely natural one. Digital isn’t an added element with Katie; it’s what she does—and always has done. Look no further than her work on Ideas, and her role propelling opinion journalism to the forefront of bostonglobe.com. Linger, especially, on some of the projects she’s helped oversee, particularly our exquisite Make It Stop wraparound and digital presentation that owned the web for the better part of a week. That project would never have happened as it did without Katie driving it forward.

Katie is, at her core, a storyteller, though with a digital soul and spine. She’s spent the better part of her career as a reporter—with Metro in Boston, then with Time in Asia and New York. She arrived in our room in 2013, another smart Peter Canellos hire, as a freelance editorial writer. It took her, what, less that two years to pen that utterly extraordinary series on the plight of fast food workers that earned her the previously mentioned Pulitzer Prize for editorial writing in 2015. Katie became the Sunday op-ed editor in 2014, and then Ideas editor in 2015. There’s been nothing but unabashed success at every turn.

There’s also a book contract, and a whole lot more, making for a schedule that is virtually unimaginable, and yet it doesn’t seem to matter. Katie is a relentlessly cheerful presence, a world-class colleague who treasures ideas and creativity and seems to have been put on this earth to challenge the status quo.

Katie will start in her new role very soon, and by that I mean whenever she can work out a smooth transition from Ideas with Ellen [Clegg] and her successor.

Second, Jason Tuohey will become the deputy managing editor for audience engagement.

At one level, it’s accurate to say that Jason may be the steadiest human being on the planet, quietly driving bostonglobe.com forward for years such that it’s the single most successful aspect of our entire enterprise, up 20 percent in uniques year over year, topping the 70,000 paid subscriber mark earlier this month, an uncommonly accessible site that always seems to strike just the right note at just the right time.

But even that somehow sells Jason short, because he’s far more than steady. Behind that unflappable demeanor is a brilliant editor and beloved manager who knows the exact levers to push and pull with staff to keep the site humming with readers. There’s nobody in the industry I’ve looked to more for counsel on all things digital, and Jason is always dead on the mark.

In this new role, Jason will continue to have oversight of globe.com. In addition, he’ll be charged with connecting our journalism with the community and larger world in ways that we currently don’t do enough of. He will do outreach. He will also guide the room, with an appropriate emphasis on metrics, as to what works and what doesn’t—topics, tones, times of day, platforms, and so much more. Ideally, sooner rather than later, Jason will have his own team of audience development specialists, and will work with a larger team across the building.

Jason will start in his new role on October 17.

Third, Heather Hopp-Bruce will become design director. Heather is the outrageously talented designer of editorial and Ideas, constantly pushing industry boundaries with provocative sections fronts and projects that have earned her a stunning 11 SND [Society for News Design] awards in the past two years. Think of Heather as an activist designer, not only there at the inception of a piece or project, but immediately helping to shape it, probing and prodding it, and thinking across all platforms. Design, in her view, is a partner, something that comes through week after week, time and again, in her work in Ideas. Her sprawling intellect and boundless energy leads her in many directions. Surfing? She’s rabid, as well as talented. Marksmanship? A champion back in grade school—really. Heather swam across Boston Harbor a couple of years ago and still talks about all the little jelly fish that made it feel like pudding.

None of it got in the way of what has been an extraordinary career as a designer and writer, one that has brought Heather from Montana to San Francisco to Santa Cruz to Seattle, and then to Newsday. She was another brilliant Dan Zedek hire in 2010. She took some time away from journalism to work at a web design firm in Santa Cruz, though in her words, “I realized I could never be happy outside of a newsroom.”

Heather, too, checks off the box of world class colleague. She’ll start in her new role in early November.

Fourth, Lauren Shea has become a dedicated product manager for the newsroom, working hand in hand with our entire editorial team.

Lauren joined the Globe in June of 2014 and she has left an indelible mark on everything that you read and experience on Globe.com ever since. As the head of product for the Globe, Lauren was a driving force in modernizing the look and feel of our website, along with building out new digital advertising products and refining our meter to improve our efforts at more subscriptions. This was on top of her work launching Crux, BetaBoston, and Sports 2.0. Put another way: Lauren gets stuff done.

She now brings her talent solely into the storytelling realm. Along with elevating our special projects, Lauren will identify and build new products that allow us to tell everyday stories in new ways on all platforms. In her prior roles, including at Arnold Worldwide, Lauren has managed digital strategy, user experience/site architecture, visual design, end-to-end software development, and quality assurance testing. And yes, she’s a generous colleague beloved by everyone fortunate enough to work with her.

Again, the very fact that we have a roster like this ready to lead the newsroom ever more into the digital era is a tribute to us all.

Many thanks,

Brian