By Dan Kennedy • The press, politics, technology, culture and other passions

Tag: Felicia Sonmez

Book review: Marty Baron has written a plea for journalism that isn’t afraid to tell the truth

Photo (cc) 2017 by Álvaro García Fuentes

For more than eight years, The Washington Post experienced a second golden age. From late 2013, when Amazon founder Jeff Bezos bought the storied paper for $250 million, through the early months of 2021, when Donald Trump left the White House and a new administration began to settle in, the Post was firing on all cylinders. Thanks to Bezos’ strategic investments in technology and an expanded news report, the Post emerged as a real competitor to The New York Times for the first time since the 1970s.

That second golden age also overlapped with Martin Baron’s time as executive editor of the Post. In his new book, “Collision of Power: Trump, Bezos, and The Washington Post,” Baron tells the story of those years, offering a behind-the-scenes look at the end of the legendary Graham era; how Bezos quickly transformed a shrinking, mostly regional newspaper into a national digital media outlet; and the challenge of covering Trump, whom Baron frankly, and repeatedly, calls an “authoritarian.”

I’ve covered Marty Baron off and on for years, back when he was editor of The Boston Globe and I was the media columnist for The Boston Phoenix, and later when I was reporting on the Post for my 2018 book, “The Return of the Moguls: How Jeff Bezos and John Henry Are Remaking Newspapers for the Twenty-First Century.” Baron is both accessible and accountable, but he can also be intimidating and a bit defensive. He deserves his reputation as the best editor of his era, not just at the Times but at the Globe and, before that, the Miami Herald.

One way forward for the sputtering Washington Post: Reconnect with local news

Jeff Bezos. Photo (cc) 2019 by Daniel Oberhaus.

Back when I was reporting on The Washington Post in 2015 and ’16 for my book “The Return of the Moguls,” the paper was on a roll. Paid digital subscriptions were skyrocketing, profits were rolling in even as the staff was growing, and it was breaking story after story about the rising menace of Donald Trump. David Fahrenthold broke the two of the most important stories of the 2016 campaign: the corruption at the heart of the Trump Foundation and the audio tape on which Trump was heard bragging about sexually assaulting women.

Now Fahrenthold is at the Post’s ancient rival, The New York Times, and the Post itself is sputtering. The legendary executive editor, Marty Baron, retired in March 2021. His successor, Sally Buzbee, has had the unenviable task of maneuvering the Post through the COVID-19 pandemic while dealing with controversies such as the Dave Weigel-Felicia Sonmez Twitter mess, which led to Sonmez being fired. And now the Times’ Benjamin Mullin (reprising a story he cowrote last December when he was still at The Wall Street Journal) and Katie Robertson are reporting (free link) that paid circulation is down, profits have turned into losses, and owner Jeff Bezos seems less interested in the place than he was in the early years of his ownership.

What went wrong? Bezos’ principal insight was his realization that there was room for a third great national newspaper alongside the Times and The Wall Street Journal — and that, in the digital age, he didn’t need to roll out print beyond the D.C. area. The Post was cheaper than the Times or the Journal and was available everywhere, through Amazon Prime and on Fire tablets.

Eventually, though, the Post ran afoul of some inherent contradictions. The biggest is this: It hasn’t really differentiated itself from the Times, which has left the Post in the unenviable position of being a less comprehensive competitor. The Times simply has more, especially in international coverage such as the war in Ukraine as well as arts and culture. The Post’s advantages are that it’s cheaper and its digital products offer a better user interface. Contrast that with the Journal, which really is different from the Times in its focus on business news and its hard-right opinion pages.

Judging from the Times story, I wouldn’t be surprised to see Post publisher Fred Ryan get his gold watch sometime in the near future. Buzbee hasn’t had a fair chance to make her mark, and I doubt that Baron would have navigated the past year any more surely than she has. In retrospect, it looks like Baron timed his exit perfectly.

In the long run — and the short run — the Post needs to establish itself as the go-to place for a certain kind of coverage you can’t get anywhere else. Its political reporting is broad and deep, but so is the Times’. With a much smaller staff than the Times has, what opportunities are there? In the final years of Graham family control, the Post emphasized regional coverage. Without abandoning its commitment to national and international news, maybe the way forward for the Post is to reconnect with its local audience.

New on ‘Beat the Press’: The media and the mass shooting dilemma

Photo (cc) 2013 by Maryland GovPics

The new “Beat the Press” podcast is up, and this week we have a single-theme program: the mass murders in Uvalde, Texas, and what role the media play — and should play — in covering what has become a long string of such incidents.

Also on tap are our panel’s Rants & Raves. Mine is on the social media meltdown at The Washington Post, recorded after reporter David Weigel was suspended for retweeting a homophobic, sexist joke but before Felicia Sonmez was fired for continuing to criticize the Post after she’d been asked not to.

Hosted, as always, by Emily Rooney, along with Lylah Alphonse of The Boston Globe, Joanna Weiss of Experience magazine and me. You can listen here and subscribe in your podcast app.

A good overview of the mess at The Washington Post

If you’ve only caught bits and pieces and you’re wondering what the hell is going on at The Washington Post, Tom Jones has an excellent overview at Poynter Online. It’s broad and deep, exploring Post reporter Felicia Sonmez’s tortured relationship with management over the past few years and how that figures into the current drama over fellow reporter David Weigel’s retweet of a pretty horrendous sexist and homophobic joke. That poor decision by Weigel led to a month-long suspension without pay. Jones writes:

And so here we are this week with the paper known for the kind of dogged reporting that uncovered the Watergate scandal swept up in a quagmire that has included a suspension, two memos from the executive editor, countless contentious and accusatory tweets and a narrative that the Post has a hostile and toxic work environment.

What a mess.

Earlier:

A Washington Post reporter is suspended after his sexist retweet blows up

Washington Post executive editor Sally Buzbee. Photo (cc) 2022 by the World Economic Forum.

The use and misuse of social media platforms — especially Twitter — continue to torment newsrooms. The latest news organization to have a mess on its hands is The Washington Post, which is no stranger to past Twitter controversies.

Let’s start at the end: political reporter David Weigel was suspended for a month without pay after retweeting a horrendously sexist joke for which he had already apologized. The joke — and yes, God Almighty, Weigel should have known better: “Every girl is bi. You just have to figure out if it’s polar or sexual.”

CNN media reporter Oliver Darcy has a good overview of the entire controversy, which included pointed criticism of Weigel by a fellow Post reporter, Felicia Sonmez (on Twitter, naturally) and criticism of Sonmez by reporter Jose Del Real, who was upset that Sonmez had unleashed the Twitter mob on Weigel.

Post executive editor Sally Buzbee weighed in on Sunday, writing an internal memo calling on Post journalists “to treat each other with respect and kindness both in the newsroom and online.” That might have been the end of it, but obviously Buzbee thought she needed to make a statement about what’s acceptable and what isn’t.

We are all tempted to push the envelope on Twitter to get attention, measured by like and retweets. But at this late date, you’d think a reporter for a respected news organization would have figured it out. We don’t always know where the lines are, but it was pretty obvious in this case.

Twitter has its uses in journalism — mainly to follow people and organizations who are useful for your beat. If you read 10 times more frequently than you post, you’re probably doing it right. I’d say that journalists ought to restrict their Twitter activities to posting links to their work and that of their news organization; sharing other work they think is worthwhile; and engaging in light banter, because we’re all human. But if light banter is what Weigel thought he was doing, maybe he needs to take a long, long break from Twitter.

Weigel, by the way, lost an earlier gig at the Post back in 2010 after it was revealed that he’d been disparaging conservatives on a private forum called Journolist. And Sonmez was suspended after she took to Twitter in the immediate aftermath of Kobe Bryant’s death to remind everyone of his past sexual assaults.

As they say: Never tweet.

A lawsuit against The Washington Post reignites the debate over objectivity

Walter Lippmann in 1905

The meaning of objectivity is at the heart of a lawsuit brought by a Washington Post reporter against the paper, five of its top editors and former executive editor Marty Baron.

Felicia Sonmez argues that she was subjected to unlawful discrimination after she said she had been sexually assaulted by a Los Angeles Times reporter and was then banned from covering stories involving sexual misconduct, according to CNN media reporter Oliver Darcy.

Darcy and New York Times reporter Katie Robertson report that Baron has declined to comment on the case.

I’m not going to get into whether Sonmez is right or wrong; that will be for the legal process to sort out. But what’s interesting about this is that her claim involves the appearance of objectivity — that is, she could have been accused of not being impartial, whether fairly or not. This is a largely bogus argument, in my view, as it places news organizations in the position of preemptively giving in to bad-faith critics.

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What’s odd is that Baron understands the true meaning of objectivity, and pursued it during his years as the top editor at the Post and The Boston Globe. In particular, the Post’s fierce coverage of Donald Trump’s 2016 campaign and subsequent presidency was grounded in exposing the truth, not in “both sides” false equivalencies.

Several months ago Baron spoke to Northeastern journalism students and faculty via Zoom and defined objectivity in terms that would do Walter Lippmann proud. “I don’t think the answer for us is to be partisan,” he said. “I think the answer for us is to be independent.”

Citing Lippmann’s landmark 1920 book “Liberty and the News,” Baron said that objectivity is about “independence and open-mindedness and fairness,” not giving each side equal weight. After thoroughly reporting a story, he added, “then we tell people in a forthright and unflinching way what we have learned.”

What Sonmez is alleging is that the Post fell into some of the worst excesses and caricatures of objectivity, such as the bad old days when LGBTQ people were somehow thought to be disqualified from covering same-sex marriage, or when Black reporters were regarded as suspect if they covered issues involving racial justice. Surely some of that was at work in the Pittsburgh Post-Gazette’s prohibiting its then-reporter Alexis Johnson from covering Black Lives Matter protests after she posted an innocuous tweet.

There may have been other factors involved in the Sonmez case. You may recall that she was suspended for tweeting details of Kobe Bryant’s sexual-assault case not long after he died in a helicopter crash. I thought the suspension was unwarranted, as did Post media columnist Erik Wemple. But you could certainly argue that she should have waited a day or two.

In any case, her lawsuit raises some fascinating issues and is well worth paying attention to.

Correction: This post originally misstated the affiliation of the reporter whom Sonmez accused of assaulting her.

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