Category: Media

Why Climategate doesn’t matter (VII)

Click on photo for GlobalPost slideshow

The series explained.

Ashar Chor, an island that’s part of the desperately poor nation of Bangladesh, is literally drowning, as rising seas eat away at the shore. Within 25 to 30 years, according to GlobalPost, the island could be gone.

“Ten years ago we lived three kilometers farther out to what is now sea, but now we have to move our houses back once or twice a year as the sea takes more of the island,” according to Deb Mondol, described in the GlobalPost report as someone who has worked on the island for 15 years.

The GlobalPost report consists mainly of a photo essay by Khaled Hasan, who provides graphic evidence of Ashar Chor’s watery fate. But the island is far from being the only part of Bangladesh being affected by global warming. Earlier this year, Anuj Chopra wrote in U.S. News & World Report that Bangladesh’s fresh water is being contaminated by sea water, ruining drinking-water supplies and rice paddies.

Bangladesh has been identified by the Global Climate Risk Index as the country most threatened by climate change. But unlike rising industrial powerhouses like China and India, whose output of carbon dioxide rivals that of the United States, Bangladesh contributes very little to global warming. In 2008 Fakhruddin Ahmed, the then-head of Bangladesh’s interim government, was quoted in the Guardian:

There is every reason to feel angry and upset. The least developed are suffering the most. It is unfair. We are suffering the most from climate change, but we did not contribute [to it] at all. We are prepared to do our part, but we require, and demand, access to a large amount of investment, resources and technologies that will be needed to adapt.

According to GlobalPost, Bangladesh has asked that the industrialized countries reduce their CO2 emissions by as much as 40 percent over the next 15 years — a goal that is almost certainly unattainable. Yet if the reduction is not achieved, Ashar Chor may disappear. And the suffering of Bangladesh will grow.

All posts in this series.

How to write a lede

Thomas MacMillan writes in the New Haven Independent:

Michael Chaves was a “lumper”: He worked as a laborer for long-haul truckers and slept in their trailers. Dale Anderson was a lumper too. One night they were hanging out at a truck stop when Anderson, drunk, urinated on the spot where Chaves slept. They argued, and Chaves beat him to death with a bat.

That’s the story Chaves told to police in Phoenix, Arizona.

And that’s one hell of a good way to begin.

Are you a Boston media tweeter?

I’ve started a wiki called Boston Media Tweeters. I’ve seeded it with a few obvious choices so that you can tell how it should be formatted. Depending on how it goes, I may make it a permanent part of Media Nation. So, please, if you fit the criteria (you must be engaged in journalism of some sort, and I won’t allow institutional feeds), go ahead and add yourself to the list.

Garrison Keillor’s base attack on his base

I have long detested Garrison Keillor, host of the faux-populist program “Prairie Home Companion” on public radio (not, I should note, National Public Radio). I have practically injured myself in my haste to change the station so as not to have to listen to his voice, oozing with smug insincerity. So I’m happy to report that, at long last, Keillor is returning my dislike.

Recently Keillor wrote a column attacking (are you ready?) Unitarians, for the sin of rewriting the words to “Silent Night” to make them less Christian. (For the record, we sing “Silent Night” to close the Christmas Eve service at our Unitarian Universalist church, and we don’t change the words, even though few of us are believing Christians.) Keillor has a few unkind words for the Jews as well. He writes:

If you don’t believe Jesus was God, OK, go write your own damn “Silent Night” and leave ours alone. This is spiritual piracy and cultural elitism and we Christians have stood for it long enough. And all those lousy holiday songs by Jewish guys that trash up the malls every year, Rudolph and the chestnuts and the rest of that dreck. Did one of our guys write “Grab your loafers, come along if you wanna, and we’ll blow that shofar for Rosh Hashanah”? No, we didn’t.

For good measure, Keillor does not know that people who live in Cambridge are Cantabrigians, not — as he writes, crayon firmly in hand — “Cambridgeans.”

No doubt Keillor would respond that he was trying to be humorous. And I have no problem with making fun of people’s religion, not even Unitarian Universalism. But Keillor is as humor-impaired a humorist as has ever walked among us, so when he tries to be funny, mayhem is the almost-certain outcome.

What I find especially delightful about this is that liberal, affluent, public radio-listening UUs are Keillor’s base. He has just succeeded in alienating a rather substantial percentage of his microscopic audience. At the very least, I’d like to see him grovel and deliver an apology, insincere though it would be.

Here is a response from one of his former listeners, a member of the Cambridge UU church that was the proximate cause of Keillor’s outburst.

Update: And mea culpa. Boston Globe columnist Jeff Jacoby went after Keillor yesterday. “Remember when Keillor was endearing and witty?” asks Jacoby. Uh, no, Jeff. I don’t. But nice slam.

The decade in media

Washington Post reporter Howard Kurtz has written as good a summation of the decade in media as you’re likely to find: a tremendous explosion in innovation and diversity; mind-boggling failures by the legacy media, especially during the run-up to the war in Iraq and their continued obsession with celebrity non-news; and the meltdown of the business model. Definitely worth a read.

Turning seed corn into junk food

This will probably be my last post until after Christmas. But I wanted to note that the Standard-Times of New Bedford will erect a pay wall around its Web site starting Jan. 12.

As Jon Chesto of the Patriot Ledger notes, it’s not entirely unanticipated, since the Standard-Times’ owner is Rupert Murdoch, who has launched a crusade against free content. Murdoch’s man in New Bedford is Boston Herald owner Pat Purcell, who says he’ll unveil his own paid-content system sometime next year as well.

Though I think pay walls are a bad idea, the Standard-Times’ system is better than some: you’ll be able to read up to 10 stories a month without paying, which means the paper won’t be completely closing itself off to the outside blogosphere.

Still, it’s hard to imagine that the Standard-Times’ fine Web site, South Coast Today, won’t deteriorate under the new system. It’s a shame, because the paper’s original Web site, www.s-t.com, was a pioneering effort that garnered national attention back in the mid-1990s.

The print edition may well realize some short-term gains — no longer will local readers be able to catch up on news in Southeastern Massachusett for free. But Murdoch and Purcell are turning their seed corn into Fritos.

Photo (cc) by Daniel R. Blume and republished here under a Creative Commons license. Some rights reserved.

Analyzing the Senate debate — and iMovie ’09

[youtube http://www.youtube.com/watch?v=xdZ1Ps9yU7s&hl=en_US&fs=1&]
Following last night’s Massachusetts Senate debate on wbztv.com and wbz.com, I sat down with the moderator, political analyst Jon Keller, to get his thoughts on the debate and on the fine art of keeping such events on track.

My purpose, which Keller was generous enough to indulge, was to get some good news footage for my first experiment with iMovie ’09.

The basics are ridiculously easy. Inserting B-roll via iMovie’s cutaway command almost feels like cheating — you just drag and drop, and the software takes care of the rest. I had gotten to be relatively facile with iMovie 6, but B-roll on ’09 is much simpler and faster.

After separating the audio from the video, I was also able to start with Keller talking during the opening screen. But because iMovie ’09 lacks the precision timing of iMovie 6, I had to guess where to cut the video. It’s sheer luck that the audio and video are in reasonably good sync at the beginning of the piece.

Another annoyance: there doesn’t seem to be any way to add titles to B-roll photos and video. I tried to drop them in where they would make the most sense and where people’s identities would be obvious from the context. But that’s not always going to be good enough. Unless there’s a way to do it that I haven’t discovered, it’s a step down from iMovie 6.

The new iMovie really shines when it comes to uploading to YouTube — it handles the process automatically. No more futzing around with settings to see what looks best.

Overall, iMovie ’09 is a quantum leap over the wretched iMovie ’08, and I’m looking forward to working with it with my students next semester. I still like iMovie 6. But since it’s no longer available, I’m glad Apple has finally beaten its successor into reasonably good shape.

Meanwhile, I hope you enjoy Keller’s characteristically sharp analysis.