Tag: Brooke Gladstone

William Loeb revelations and Gannett’s ongoing implosion lead my top 10 list for 2022

William Loeb in 1974. Photo via the Spencer Grant Collection / Boston Public Library.

I thought the final days of 2022 would be a good time to take stock of the state of Media Nation. I’ve put more of an effort into it since giving up my weekly column at GBH News last spring. Even though I stopped writing for GBH so that I could concentrate on writing the book that Ellen Clegg and I are co-authoring on local news, I’ve also tried to put more of an effort into the blog. It seems to have paid off.

According to the data, Media Nation received more page views in 2022 (243,489) than it had since 2014 (258,982). More visitors (160,548) dropped by than in any year for which I have data — the numbers only go back to 2013, and I’ve been blogging independently since 2005. I also published 329 posts in 2022, which is more than any year except 2021, when I published 530. I really don’t know what that was all about; it seems to me that I’ve been blogging more this year than last.

As you may know, this is the age of newsletters, and blogs are considered passé in many circles. So I’m pleased that 2,156 people have signed up for free email delivery of new posts to Media Nation, which makes this place a newsletter as much as it is a blog. I also have a small but hardy band of members who pay $5 a month to keep the blog going. If you’d like to join them, you can sign up here.

What follows are my top 10 posts for 2022. The most trafficked post was about revelations that the late William Loeb, the notorious right-wing publisher of the Manchester Union Leader, was a child molester. Five of the top 10 pertain to the Gannett newspaper chain, which went on a downsizing crusade in 2022 that made its previous efforts look almost benevolent. And away we go.

1. William Loeb’s stepdaughter says the toxic publisher was also a child molester, May 1 (8,820 views). Who would have thought that Loeb’s deservedly ugly reputation for racism, antisemitism and all-around hate-mongering could get any worse? Well, it did — so much so that his old paper, since rechristened the New Hampshire Union Leader, removed his name from the masthead.

2. Gannett goes on a massive spree of merging and closing papers weekly newspapers, March 17 (7,634 views). This will go down as the year when Gannett more or less got out of the weekly newspaper business in Massachusetts. The chain also made deep cuts at its 200 dailies, including its flagship, USA Today. But the weeklies, in particular, have been targeted for elimination.

3. While Gannett journalists brace for layoffs, those at the top rake in big bucks, Aug. 8. (6,273 views). Chair and CEO Michael Reed’s compensation has been an issue for years, but it seemed especially relevant at a time when his underpaid journalists were losing their jobs by the hundreds. According to company documents, Reed was paid more than $7.7 million in salary and other benefits in 2021. Compensation for other executives and for part-time board members was eye-popping as well. Who says the newspaper business doesn’t pay?

4. Gannett’s Mass. weeklies to replace much of their local news with regional coverage, Feb. 16. (5,120 views). To my mind, this was worse than shutting down and merging many of the weeklies. With the exception of just three papers (the Cambridge Chronicle, the Old Colony Memorial of Plymouth and the Provincetown Banner), Gannett eliminated virtually all local coverage, replacing it with regional beats such as climate change, the criminal justice system and food. Those are not unworthy topics, but who’s going to keep an eye on town hall? Fortunately, the year was also defined by the rise of new local news outlets in Marblehead, Concord, Newton and elsewhere — a trend I expect will continue in 2023.

5. Gannett lays off journalists, closes papers and keeps the numbers to itself, Aug. 15 (4,932 views). Yet another round of cuts by the chain, beleaguered by debt and greed in the executive suites.

6. “A Civil Action”: The real story, Dec. 18, 1998 (4,738 views). Now this one is a real mystery. I wrote the piece for The Boston Phoenix just before the movie version premiered, reporting on what actually happened to the Woburn families who sued three industrial polluters after their children became sick with leukemia; two of the children died. Since Northeastern University now owns the rights to the Phoenix archives, I posted it on Media Nation in 2015 in order to make it more accessible. But I have no idea why it got so many views in 2022. All I can think of is that someone assigned it for a course.

7. A terrible day for Gannett, to be followed by terrible days for its staff and communities, Aug. 5 (4,662 views). In which the company announced that it had lost $54 million during the second quarter on revenues of $749 million, thus leading to the cuts I wrote about 10 days later.

8. A Long Island weekly had the goods on Santos several weeks before Election Day, Dec. 23 (4,152 views). This one is still resonating and may move up in the rankings before the year draws to a close. Following up on reporting by Josh Marshall of Talking Points Memo, I found that The North Shore Leader had exposed some of the details about serial liar George Santos several weeks before Election Day — raising questions about why larger news organizations such as The New York Times and Newsday didn’t take notice.

9. The ugly truth about Eric Clapton — and the line between the art and the artist, Oct. 18, 2021 (3,255 views). The great guitarist came out as an anti-vaxxer, raising questions about why we didn’t understand that he was a jerk (and a racist) all along. This was also 12th on my most-viewed list for 2021.

10. Bob Garfield revisits his firing from ‘On the Media’ and brings his podcast to a close, June 21 (2,484 views). The public radio program “On the Media” has been one of my must-listens for many years, although I’m not happy that the program is less and less about the media. (There have been some recent signs of a return to form.) The chemistry between co-hosts Garfield and Brooke Gladstone was one of the things that made it special, even though we now know they hated each other’s guts. Garfield was fired in 2021 and accused of abusive behavior in the workplace, an accusation he more or less admitted to but defended anyway. And by the way, my post on Gladstone’s taking to the airwaves to say that Garfield got what he deserved was my most viewed (9,172 times) of 2021. The break-up of Gladstone and Garfield’s professional partnership obviously meant a lot to many people.

Brian Stelter’s departure is just the latest blow against media commentary

Brian Stelter. Photo (cc) 2019 by Ståle Grut.

The cancellation of CNN’s “Reliable Sources” and the departure of its host, Brian Stelter, is a development that resonates beyond one outlet and one journalist, because it takes place within the context of an ongoing decline in media commentary.

The news that Stelter was departing came Thursday evening. David Folkenflik’s account at NPR raises the possibility that Stelter was the victim of conservatives now ascendant at CNN, although the most prominent of those conservatives, John Malone, a major investor in CNN’s new owner, Warner Bros. Discovery, told Benjamin Mullin of The New York Times that he had “nothing to do with” the move.

Chris Licht, who succeeded the scandal-plagued Jeff Zucker as the head of CNN, has said on several occasions that he wants to move away from opinionated talk shows and get back to CNN’s reporting roots. That’s fine, but we’re talking about Sunday morning, which isn’t exactly prime time. Stelter will host one final edition of “Reliable Sources” this coming Sunday, but I’d be surprised if he says much. In a statement to Folkenflik, he said, “It was a rare privilege to lead a weekly show focused on the press at a time when it has never been more consequential.”

Stelter came to CNN from the Times nearly a decade ago. During the Trump presidency, in particular, he used his perch at CNN to emerge as an important and outspoken advocate of an independent press. He’ll be missed, although I have little doubt that he’ll land on his feet. Maybe he’ll even return to the Times. Frankly, I never quite understood why he left in the first place.

As for what this move represents, well, it’s just the latest in a series of blows to media commentary. CNN isn’t just showing Stelter the door — it’s getting rid of a  program that had been in rotation for some 30 years, having been previously helmed by Howard Kurtz (now the host of “Media Buzz” on Fox News) and Bernard Kalb. The media are one of our most influential institutions, and journalism is under assault. This is not the time to dial back. Yet consider these other developments.

  • Washington Post media columnist Margaret Sullivan is leaving to take a job at Duke University. Sullivan has been one of the true giants in holding journalism accountable. Before coming to the Post, she was a fearless public editor (the ombudsman) at The New York Times — someone unafraid of standing up to powerful people in her own newsroom. The position was later eliminated, removing a vital tool for accountability. At the Post, she’s used her platform to call for courage and truth-telling amid the Trump-driven onslaught against journalism.
  • The public radio program “On the Media,” as I’ve written before, is less and less about the media and more about the whims of its host, Brooke Gladstone, and the people around her. Cohost Bob Garfield was fired last year and accused of bullying the staff — charges he mostly denied in a recent essay at Substack. But the move toward non-media topics was well under way even before Garfield’s departure. The latest, believe it or not: a three-part series on erectile dysfunction. OK, they’re showcasing another podcast while they take a few weeks off. I hope they get back to real media reporting and commentary once they resume.
  • One of the most prominent media critics on the left, Eric Boehlert, was killed earlier this year when he was struck by a train while riding his bike. Before launching his own platform on Substack, Boehlert had worked for Media Matters and Salon. His Twitter feed was a running commentary on the sins of omission and commission by the so-called liberal media.
  • As many of you know, “Beat the Press,” the media program I was part of since its inception, was canceled last summer by GBH-TV (Channel 2) after 23 years on the air. Nothing lasts forever, and I was honored to be associated with the show. But we took on important national and local topics every week, and my own biased view is that its demise was a loss. Host Emily Rooney relaunched the program as an independent podcast earlier this year; I hope you’ll check it out.

I don’t mean to suggest that there’s nothing left in terms of media coverage and commentary. The Post, which is losing Sullivan, is still home to Erik Wemple, who writes incisive media criticism for the opinion section, Paul Farhi, an outstanding journalist who covers media stories for the news section, and others. One of the greats of media criticism, Jack Shafer, continues to write for Politico. And there are plenty of independent voices out there, from New York University journalism professor Jay Rosen to liberal watchdog Dan Froomkin to, well, me. (An aside: We need people of color and more women, especially with Sullivan moving on.)

Still, there’s less than there used to be, and “Reliable Sources” was a well-regarded outlet for many years. Best wishes to Brian Stelter. And I’ll be casting a wary eye toward Licht. Zucker left him with a real mess to clean up, but this was the wrong move.

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‘On the Media’ decides once again that there’s nothing going on in media this week

I’ve said this before, most recently in an update on former “On the Media” cohost Bob Garfield. But I’ll say it again: the show’s major shortcoming, whether Garfield is there or not, is that they too often talk about anything except the media.

This week’s program is a good example of that. Brooke Gladstone and company did a full hour on the science, history and culture of (get ready for it) obesity. Now, if they had wanted to, they could have devoted one of the segments to harmful media depictions of obesity, but they didn’t even do that other than in a few passing references. No. Just a straight-up documentary about a topic that has nothing to do with the reality that the media and politics are on fire and we need OTM to help us make sense of that. Every week.

As always with “On the Media,” the show was interesting and well-produced. But I have to say that if I hadn’t put it on in the car and didn’t want to pull over, fiddle with my iPhone and select something else, I probably wouldn’t have listened to it. For anyone in media, this particular episode (and too many others) was not essential listening.

There are plenty of podcasts out there on general topics of interest. Only one is called “On the Media.”

Bob Garfield revisits his firing from ‘On the Media’ and brings his podcast to a close

Bob Garfield, right, meets Boston media guy Steve Garfield at SXSW. Photo (cc) 2011 by Steve Garfield.

It was a little over a year ago that “On the Media” fired co-host Bob Garfield, claiming he’d violated New York Public Radio’s rules against bullying. The circumstances surrounding Garfield’s departure were murky. He admitted that he’d lost his temper on several occasions over the years, but tweeted that “in all cases, the provocations were just shocking.”

Now some details are emerging, at least from Garfield’s side. Recently, in a long Substack post (is there any other kind?), he wrote that he’d never bullied anyone and that his firing stemmed from a falling-out with co-host and managing editor Brooke Gladstone and executive producer Katya Rogers. Apparently Garfield was the only one of the troika not to have a role in management, which put him in a precarious position. The whole essay is worth reading if you’re an “OTM” obsessive, as I am, but it seems to me that this is the key excerpt:

My cashiering last May was based on “a pattern of misconduct” — to wit: six episodes of shouting over the previous three years. One of the angry outbursts was at a computer, which froze on me at deadline. I slammed my fist on the desk and shouted a bad word, rhyming with “fuck.” Another was at a producer, who had deceitfully re-edited a piece against my explicit directions, and tried to sneak the change past me. I discovered her mischief in literally the last two minutes of the weekly production process and hollered plenty. She cried. Another time, I grew impatient with a producer who very much wanted me to ask a certain interview question which I thought was superfluous, but also I had another thing scheduled and was out of time to argue. I was rude to him in front of the guest, for which I immediately and profusely apologized. I was also accused of using profanity at work. Hahahaha! Have you ever been in a newsroom? The OTM corner at WNYC was like Pier 17, minus only the longshoreman hooks.

All of the above generated a complaint to HR, which resulted two years ago in me taking professional coaching to guide me in workplace interactions and keep me from running afoul of WNYC policy. I argued that the complaints were weak tea, but anger-management is a lifelong problem of mine, so I’d take my medicine and hope it helps. I guess it didn’t.

Not having been there, I can’t say for sure whether Garfield’s behavior rose to the level of a fireable offense. But I’m very big on not screaming in the workplace, and Garfield in this instance is an unreliable narrator — we can’t know whether he’s playing down his offenses or not. Even by his own description, I don’t think I’d want his desk to be next to mine. Of course, a lot of this was playing out over Zoom, so make that a metaphorical desk.

The other news in Garfield’s post is that he’s ending his podcast, “Bully Pulpit,” citing health issues and the brutal economics of podcasting: “To be financially stable, in general, a podcast must be in the top 1/10th of 1 percent of all the 50 million pods out there. We were in the top 10%, which is roughly like being in the top 10% of sand.” This is true. Podcasting is the ultimate long-tail medium, with big bucks going to a few people at the top, like Joe Rogan and “The Daily” and scraps to everyone else. (Garfield’s Substack newsletter, also called “Bully Pulpit,” will continue.)

I’m involved in two podcasts — “What Works: The Future of Local News,” which I cohost with Ellen Clegg, and “Beat the Press with Emily Rooney.” The former, affiliated with Northeastern University’s School of Journalism, is strictly a labor of love. “Beat the Press” is a commercial venture. I have no insight into how it’s doing except that I’m told it’s off to a strong start. (You should subscribe to both!)

Garfield’s final podcast episode dropped a few days ago. It’s an 80-minute overview of his long career in radio, from his early days as a roving reporter with NPR to his years with “On the Media.” Wisely, he doesn’t use it to grind any axes. It’s entertaining, informative and, at the end, touching.

I’ve missed Garfield on “OTM.” Whether he and Gladstone got along or not (I guess they didn’t), they complemented each other well. That said, I wish the show would focus more on, you know, the media — a problem that goes back several years.

It’s a shame when talented people like Garfield can’t do what they’re good at. I’m not going to offer a judgment as to whether or not he should have been fired — that would require hearing from Gladstone and Rogers, not just Garfield. But “On the Media,” though still valuable, is a lesser show without him.

As ‘On the Media’ turns: Brooke Gladstone says Bob Garfield deserved to be fired

In case you missed it, “On the Media” host Brooke Gladstone directed some pointed criticism this weekend at her former co-host, Bob Garfield. I’ve transcribed her opening monologue in full:

From WNYC in New York, this is “On the Media.” I’m Brooke Gladstone. Bob Garfield is out this week, and, as many of you know by now, every week, having been fired after a warning and other efforts at amelioration for a pattern of bullying behavior. The entire staff agreed with that decision.

The problem was not overpassionate discourse. We don’t fear that. We’ve even put some of our own on the radio. Nor was it merely about yelling. But there’s not much more I can say. Look, you know how this works. One side, as an individual, is free to present their case however they see it or wish to see it. They may describe their conduct in ways the other side might not even recognize. But that other side cannot engage because they’re part of a bigger enterprise that balances many concerns, including legal ones.

I know it’s unsatisfying, as much for a show as deeply devoted to transparency as ours, as for some of you. But even if we could be totally transparent, the view would likely still be obscured under a heap of he said/they said. In the end, it really comes down to trust — most especially and relevantly in the show, and what it offers today, next week and the week after that. And so, dear listeners, on with the show.

I’m not surprised that Gladstone and WNYC would cite legalities as the reason she couldn’t offer any details. But here’s a serious question. Gladstone’s monologue amounts to a fairly through-going thrashing of Garfield. Why is it legally OK to criticize Garfield generally but not specifically? Why is it all right to say “If you knew what we knew, you’d agree,” but not “Garfield did x, y and z”?

I trust Gladstone. I’ve trusted her for years. So I’m going to assume that WNYC did the right thing in parting company with Garfield, although he has yet to give a full accounting from his perspective. That could come as soon as Monday. According to Ben Smith of The New York Times, Garfield (but of course) is launching a Substack tomorrow.

Earlier coverage.

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What’s next for ‘On the Media’ after co-host Bob Garfield’s sudden firing?

Bob Garfield and Brooke Gladstone. 2017 photo via WNYC.

I rarely miss the podcast of the public radio program “On the Media.” So I sat up and took notice Monday afternoon when word started spreading that co-host Bob Garfield had been fired. New York Public Radio, where the show originates, said that Garfield had violated the station’s “anti-bullying policy,” adding: “This decision was made following a recent investigation conducted by an outside investigator that found that he had violated the policy.”

The statement continued that Garfield was also investigated in 2020, disciplined, and given “a warning about the potential consequences if the behavior continued, and a meaningful opportunity to correct it.”

The show will continue with co-host Brooke Gladstone, who is also the show’s managing editor. NYPR wasted no time in removing Garfield’s name from the website. No word yet on whether a new co-host will be named or if Gladstone will fly solo. But both Gladstone and Garfield are away from the anchor desk frequently for reporting projects and vacations. If there is to be no co-host, they’re going to have to do some juggling.

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There was one possible clue ahead of Monday’s firing. Last week “OTM” devoted the entire hour to a documentary on the demise of the steel industry and the rise of underpaid health-care work in Pittsburgh, hosted by Garfield. It was a three-parter, and they played all three parts, with no media news of the week. Normally I’d expect “OTM” to use the three parts as show-closers for three consecutive weeks. My guess is that the place was in an uproar and no one was in any shape to produce a regular show.

So what happened? Garfield took to Twitter to defend himself, claiming that he was fired for yelling in five meetings over 20 years. His outbursts were justified, he said, adding that “the provocations were shocking.”

Gladstone rarely tweets, and she hasn’t said anything about her co-host’s departure. Nor have I see her quoted anywhere else. A New York Times account by Katie Robertson and Ben Smith notes that NYPR — on the air in New York City as WNYC — has been beset by turmoil over allegations of bad behavior by men in recent years, including charges of sexual harassment against John Hockenberry, who was let go.

Aside from whether Garfield’s firing was warranted, which I have no insight into, I’m going to miss his contributions. Gladstone was the straight-ahead journalist (not that she holds back her views; it is, after all, a news-and-opinion show) while Garfield was the clever sidekick, providing much-needed snark. Although I’m sure that Gladstone can do a perfectly fine job solo, if that’s the direction NYPR decides to take, it always seemed like something was missing if either one of them was away.

One change I hope “OTM” will consider is getting back to its media roots. Even though the program is heard on more than 400 stations and is a popular podcast, it really hasn’t been as good the past few years, mainly because it’s been less about the media and more about whatever seemed to strike Gladstone and Garfield’s interest — the Pittsburgh three-parter being an example. As Joey Peters noted last year in Current, which covers public media, the co-hosts tried to explain the shift but only ended up adding to the confusion. Peters wrote:

During a segment in OTM’s last show in 2019, Gladstone and Garfield explained that their days creating a program centered on “the news about the news” were over.

In its place, OTM’s focus has shifted to dissecting narratives, or, as Garfield put it, “the stories we tell ourselves based largely on what we heard for our whole lives, often through the media.”

“We’ve always relied on history to provide context,” Gladstone added. “But to question that history, to focus on the systems that have pushed our history forward, to examine the cracks and the jerry-rigging and what we may have once viewed as the best of all possible machines — that seems increasingly to be our job now.”

It’s a broad and often ambiguous focus, one that even Gladstone couldn’t completely pin down during a lengthy interview with Current. “Where we may proceed in the future isn’t clear,” she said.

There is never a shortage of topics in the media to report and comment on. I hope Gladstone and her staff steer “On the Media” back to its original mission. And I hope that Garfield tells his side of the story soon — as he promises to do.