Old ethics and new media

Let’s say some local yahoos decide to rent a truck, bolt a giant model of a penis to the front (complete with squirting water!) and festoon the sides of the truck with messages so crude and offensive that I’m not going to quote them.

Let’s say they decide to enter the truck as a float in a parade that is attended by hundreds of families and children.

Let’s say, further, that the people on the float decide it would be a fun idea to throw condoms at the crowd.

Of course, you already know this is not a hypothetical.

There are many ways of looking at the fallout from the “Horribles” parade in Beverly Farms, which featured three floats — including the one I just described — that made fun of the Gloucester High School pregnancy story.

Here’s another angle: the responsibility of community journalists, who are no longer armed just with a notebook and a pen but with video cameras as well.

The Beverly Citizen, a GateHouse Media paper, is in the spotlight because of a video that it posted showing all the highlights and lowlights, including some close-ups of the aforementioned penis and the signs.

Does the video go too far? I’ll take a cue from the Citizen itself. The news story, by Bobby Gates, is almost prissy in its description of the controversy. Not a single offensive sign is quoted from. As for the float, the story rather clinically refers to a “large, realistically shaped phallic symbol spraying water from the front of a truck.”

Even more out of sync with the video is a post on the Citizen’s blog that asserts the floats “went over the line” by mocking teenage girls. The signs? “And I won’t even go into the signs on the floats, which were lewd at best.” Well, OK. But the blog post was written by “dmacalpine.” And the video was shot by Dan Mac Alpine, whose camera hovered so seductively over the very signs that he (or maybe it was his doppelgänger?) didn’t think he could quote in his newspaper’s blog.

I’m not sure what the lesson is here. I do know that quick-and-cheap video is posing a challenge to community journalists, who are finding themselves embroiled in controversy for shooting footage of subjects that wouldn’t raise an eyebrow if they merely described them in writing. That was the case at another GateHouse paper, the Somerville Journal, a few months ago, when its video of the Naked Quad Run at Tufts University sparked discussion and even outrage.

The current, situation, though, is different, as the Citizen is traveling much further in its video than it dares go in its written description. I’m not sure what to make of that.

Let me go back to my original question: Does the video go too far? I think it does. I haven’t checked, but I am confident that neither the squirting penis nor the worst of the signs made it on to any of the local television newscasts. I know that both were left on the cutting-room floor in a news video I watched at the Fox 25 Web site, and it’s probably safe to say that no one is going to go beyond our friends at Fox.

Except, it seems, the Beverly Citizen.

Look, it happened. Hundreds of people saw it. Hundreds more heard about it. There’s no sense in pretending otherwise. But if they didn’t think they should quote from the signs, then they shouldn’t have showed them in the video. As for the penis — well, let just say I think the written description was sufficient.

The folks at GateHouse are not bad people. They’re hard-working journalists trying to find their way in a news landscape that’s changing by the day. I’d rather see them taking too many chances than too few. I’m neither horrified nor offended by what they did. But I do think they made the wrong call in this case.

Update: The Salem News runs a front-page photo of the penis-bearing truck in its print edition. But unless you’ve seen the video, it’s impossible to figure out what you’re looking at. Here’s the News’ story.

Fair use: The video (II)

I’ve re-uploaded my fair-use video to fix the whopper of a typo that Donna Halper found. Unfortunately, despite the best efforts of Steve Garfield and John Farrell, the quality is the same.

I did apply some custom settings when creating a QuickTime file, and it looked terrific on my MacBook. But YouTube didn’t like the file, playing the audio without any trouble but presenting the video as a series of stills.

Fair use: The video

Check out my first news video — a discussion of the copyright dispute between the Associated Press and the Drudge Retort, featuring Robert Cox, president of the Media Bloggers Association, and Rob Bertsche, a First Amendment lawyer with the Boston firm of Prince, Lobel, Glovsky & Tye. Cox’s blog post on the subject is very different from what you may have read elsewhere. As he was a close participant in the dust-up, you should read it.

Cox and Bertsche engaged in a wide-ranging overview at Saturday’s New England News Forum “Sharing the News” symposium at UMass Lowell, but I thought it would be interesting to try to boil their talking points down to a video. Cox and Bertsche are both well worth listening to, so I’ll leave it at that. My purpose here is to offer some technical observations with an eye toward improving.

1. In case you were wondering, I took this with my new Canon PowerShot SD890 IS Digital Elph. I’ve had it for a few weeks, and I’m pretty happy with it so far. It was overcast, so the lighting is exceptionally good in this particular video.

2. Yes, yes, I know I need to pay closer attention to background noise. I probably should have started over when the Laconia-style motorcycle rally (actually, it was one guy) nearly drowned out Cox. What I hadn’t anticipated were the bird noises sounding like something out of Alfred Hitchcock.

3. I edited the video with Apple’s iMovie 6. I’d like to try iMovie 7, but it keeps quitting out on me — even after I installed an update yesterday. In poking around the Web, I see that I’m not even close to being alone in finding iMovie 7 impossible to work with. Has anyone else had acceptable results? (And are iMovie 7 and iMovie ’08 one and the same? I think they are.)

4. I don’t like the titling options provided in iMovie, so I did the title slides in Photoshop Elements and saved them as JPEGs. I couldn’t figure out how to do them in color, so, as you’ll see, they’re in vivid black and white — or, as they translate to YouTube, vivid dark gray and light gray.

5. Steve Garfield tried to offer me some pointers on how best to export it for uploading to YouTube, but the dialogue box I got was different from what he showed me. The video looks really nice in iMovie. It degrades a lot when I save it as a CD-quality QuickTime .mov file. The title screens, in particular, look really bad.

Thoughts, comments and suggestions are welcome.