Rick Goldsmith tells us about ‘Stripped for Parts,’ his jeremiad against hedge-fund journalism

On the latest “What Works” podcast, I’m flying solo because co-host Ellen Clegg is recovering from knee-replacement surgery. But fear not — she was behind the scenes making sure this episode got recorded properly, and she edited what you are listening to. She’ll be back on the air soon.

Our guest is Rick Goldsmith, a veteran filmmaker who has taken a close look at the state of corporate journalism in America. His documentary “Stripped for Parts: American Journalism on the Brink” tells the story of Alden Global Capital, the secretive hedge fund that has bought up many of our greatest newspapers and stripped them of their real estate and slashed their newsrooms.

Rick Goldsmith

He focuses on one of Alden’s papers, The Denver Post, and the rise of The Colorado Sun, a digital startup begun by former Post journalists. The story of what happened in Colorado is also one that we tell in our book, “What Works in Community News.”

The reason we’re having Rick on now is that you’ll be able to watch “Stripped for Parts” through Dec. 31 for free on the PBS app, which you can access through Apple TV, Roku, Google Play and most smart TVs. The various options for watching the film are explained here.

I’ve got a Quick Take about Jay Rosen, who retired earlier this year from New York University and is now taking on a new challenge. Jay is probably best known to his younger followers as an incisive media critic. But his true passion, going back to the 1990s, is finding ways to involve members of the public in the production of journalism. Now he’s doing it again with a project called News Creator Corps — and it could have implications for local news.

You can listen to our conversation here, or you can subscribe through your favorite podcast app.

Public journalism redux: Post-academia, Jay Rosen returns to where he started

Jay Rosen. Photo (cc) 2017 by the Moody College of Communication.

Jay Rosen has been one of the major thinkers in journalism since the 1990s. Younger followers may think of him mainly as a media critic, and there’s no doubting his influence in that field. Through his blog, PressThink, and his social media presence (especially back in Twitter’s heyday), Rosen showed an uncanny ability to frame issues in a way that made a lot of us think about what we were doing.

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The “production of innocence” was his phrase for “a public showing by professional journalists that they have no politics themselves, no views of their own, no side, no stake, no ideology and therefore no one can accuse them of — and here we enter the realm of dread — political bias.”

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