Mark Jurkowitz – Media Nation

The Boston Globe announces it will seek to fill a void by hiring a media reporter

The Boston Globe is hiring a media reporter, a position that has gone vacant for many years. It sounds like a great job, though so broad you have to wonder who could possibly keep up with so much:

Part tech beat, part culture writing, part buzzy local scoops, this job calls for a journalist who’s eager and able to explore the many ways that media shapes modern life, in Boston and beyond. They will cover our region’s advertising and publishing industries and keep an eye on the bold-faced names of local TV, yes. But they’ll also dive into the endless evolution of social media, debates over digital privacy, and the roiling challenges of misinformation in all its forms, from Twitter and Threads to TikTok and new platforms using artificial intelligence.

The Globe has not had a full-time media reporter since Mark Jurkowitz, who left in 2005 and took over the media column at The Boston Phoenix after I left for Northeastern. Mark, who had also been my predecessor at the Phoenix, is now at the Pew Research Center.

This is good news, as we really have a dearth of media reporting in Boston. That dearth has been especially acute since GBH-TV canceled “Beat the Press with Emily Rooney” in the summer of 2021, but there really hasn’t been much in terms of in-depth reporting since the Phoenix closed in 2013. The Globe has taken a couple of stabs at it but did not make a full commitment until now.

The Globe says that ‘Moguls’ is ‘exhaustively researched and authoritatively written’

Former Boston Globe and Boston Phoenix media critic Mark Jurkowitz reviewed “The Return of the Moguls” for the Globe. And he’s weighed in with a thumb’s up, writing:

Exhaustively researched and authoritatively written, “The Return of the Moguls” gives readers a bird’s-eye view and an important understanding of the ongoing efforts — ambitious and in some cases, downright courageous — to reconstruct that business model while introducing us to some of the key people engaged in that enterprise.

The Boston Phoenix comes to the end of the road

I’m not even going to try to write a real post about this today. I’m getting bombarded from all directions, and besides that, I’m devastated. But I did want to note quickly, in case you haven’t heard, that The Phoenix — the erstwhile Boston Phoenix, reinvented as a glossy magazine last fall — is closing down, as is its affiliated Internet radio station, WFNX.com.

The Providence and Portland Phoenixes will continue, as well as a few non-journalism businesses.

Here is Doug Most’s report for Boston.com. [5:07 p.m. update: That report now carries Joe Kahn’s byline.]

The Phoenix gave me 14 great years, and it’s hard to believe that the end has come. There are way too many people to mention, so I’ll leave it at this: Peter Kadzis and Stephen Mindich were great bosses, smart, tough and loyal. Carly Carioli has done tremendous work on the reinvention, and it’s a tragedy that he ran out of time. I rely on David Bernstein for his deep reporting on politics and Chris Faraone for an alternative look at the news. Here is Mindich in a statement to the staff:

What I can and will say is I am extremely proud, as all of you should be, of the highest standards of journalism we have set and maintained throughout the decades in all of our areas of coverage and the important role we have played in driving political and socially progressive and responsible agendas; in covering the worlds of arts and entertainment, food and fashion – always with a critical view, while at the same time promoting their enormous importance in maintaining a healthy society; and in advocating for the recognition and acceptance of a wide range of lifestyles that are so valuable for a vibrant society….

We have had an extraordinary run.

And this is an incredibly sad day.

More: Unlike many who got their start at the Phoenix in their early 20s, I was 34 years old and thought my journalism career was over. In the late 1980s I had tried my hand at launching a regional lifestyle magazine in the suburbs northwest of Boston following some years at the Daily Times Chronicle of Woburn. The magazine failed, and I was doing what I could to survive.

I was picked up on waivers in 1991 from the Pilot — yes, the Catholic paper — where I had been doing layout and production. The Phoenix hired me as a copy editor, but I kept an eye out in case something better came along. Yes, I had grown up reading the Phoenix, Boston After Dark and the Real Paper, but any romantic notions I’d had of the alternative press had pretty much dissipated.

Gradually, though, I got sucked in. And when I inherited the media beat in late 1994 from Mark Jurkowitz, I became a made member of the Phoenix family. It was the most formative experience of my career. Without the Phoenix, I can’t imagine what I’d be doing today — PR for some politician? Ugh.

Beware the “Romenesko Effect”

Time was when a young journalist could recover from a lapse in judgment, learn from his or her mistake and get back on the career ladder. As NPR’s Nina Totenberg once said about having been fired for plagiarism when she was a 28-year-old reporter for the National Observer, “I have a strong feeling that a young reporter is entitled to one mistake and to have the holy bejeezus scared out of her to never do it again.”

Those days are long gone. Whereas well-connected miscreants such as Mike Barnicle seem never to go away, young reporters caught stealing are briefly held up to national ridicule and then banished into some black hole. My friend Mark Jurkowitz calls it the “Romenesko Effect,” in tribute to Jim Romenesko’s compulsively read media-news site at Poynter.org.

The latest example is a reporter for Connecticut’s Middletown Press named Walt Gogolya, who left the paper after he was caught ripping off large sections of a story from the local Patch.com site. (I wouldn’t name Gogolya except that Romenesko writer Charles Apple — Romenesko himself is heading toward retirement — already has.)

The article falls into the news-of-the-weird category, as it involves the arrest of a man for field-dressing a deer in a parking lot. Those details may have made it harder for Gogolya to get away with his thievery. Worse for him is that the Press is owned by the Journal Register Co., which, under CEO John Paton and Connecticut regional editor Matt DeRienzo, has embarked on a public campaign of maximum transparency. Gogolya was not quietly asked to leave — he was thoroughly exposed in this editor’s note from DeRienzo. From there it was but a short hop to Romenesko and industry-wide humiliation.

I’m not entirely sure what to think about this. I think DeRienzo deserves credit for being open with his readers about what happened and how the company responded. I also did some poking around the tubes and discovered that Gogolya is not some kid fresh out of J-school. Nor do I have a problem with Romenesko airing such matters — quite the opposite, in fact. Yet these good decisions, defensible in themselves, may add up to something that’s disproportionate to the offense. Not that this is an excuse, but I’d be curious to know what Gogolya’s workload was like. Those are not easy jobs. But guess what? There’s no going back.

Essentially, young journalists need to know this: the world in which Nina Totenberg began her career no longer exists, and hasn’t for some time. When it comes to journalism’s two cardinal sins, plagiarism and fabrication, it’s now one strike and you’re out.

I think it also means that those of us who teach journalism need to be as diligent about these matters as we possibly can. Far better to suffer an “F” and a trip to the student disciplinary board at 20 than to have your career ended just as you’re getting started.

Adam Reilly is leaving the Phoenix

My friend and former (and future!) colleague Adam Reilly is leaving the Boston Phoenix to become an associate producer for “Greater Boston,” at WGBH-TV (Channels 2 and 44).

Adam has ably handled the media beat since 2006, writing the “Don’t Quote Me” column and the media blog. Before that, he’d served as the paper’s political columnist.

Since the late 1980s, just three people have covered the media for the Phoenix — Mark Jurkowitz, now associate director of the Project for Excellence in Journalism in Washington; yours truly; Mark again; and then Adam. For a press critic, it’s one of just a handful of jobs in the country where you really get a chance to make a difference. No doubt a long line of applicants will form outside the Phoenix’s door.

Good luck and best wishes to Adam, a transplant from Minnesota who’s managed the difficult trick of establishing himself as a true Bostonian.