A big loss for The Boston Globe: Geoff Edgers, the paper’s arts and culture reporter since 2002, is leaving for The Washington Post. Edgers is a talented and versatile journalist — a filmmaker as well as a traditional reporter — and he will be hard to replace. The move will reunite Edgers with Post executive editor Marty Baron, who hired Edgers when he was editor of the Globe.
Geoff was a colleague at The Boston Phoenix in the mid-1990s, and his wife, Carlene Hempel, is now a colleague at Northeastern. Yes, Boston is a small town.
The following is a memo to the Globe staff from arts editor Rebecca Ostriker and Janice Page, deputy managing editor for features. As always, Globies, keep those memos coming.
When Geoff Edgers arrived at the Globe in 2002, he carved out a new beat: covering the region’s key arts institutions and individuals with the drive and focus of a hard-news reporter. Smart, enterprising, energetic, and resourceful, Geoff has simply excelled. He’s written nearly 200 page 1 stories on everything from Boston Symphony Orchestra maestro James Levine’s health woes to the Institute of Contemporary Art’s gleaming new waterfront home, plus scores of other pieces that brim with life and make even the most complex subjects accessible. One of our favorites was when Geoff captured the debacle of a Mass MoCA exhibition that involved installing a 35-foot oil tanker, a two-story house, a carousel of bombs, and an old movie theater — all of which never opened to the public. Then there was Christian Marclay’s 24-hour video “The Clock’’ at the Museum of Fine Arts, which our department covered tag-team-style. Of course Geoff signed up for the toughest, most yawn-inducing stretch — midnight to 4 a.m. — and came up swinging, with some sharp insights on video licensing and a filmmaking crew “big enough to work the Indy 500.”
On the subject of film, Geoff knew what he was talking about: In his spare time, he’s produced a full-length documentary, “Do It Again,” which captured his quixotic quest to reunite the rock band the Kinks (and gave him a chance to duet with Sting), and hosted the Travel Channel series “Edge of America,” crossing the country to try such stunts as tackling alligators and competing in a haggis-eating contest. And Geoff has brought his impressive filmmaking knowhow to the Globe, teaming with the talented Darren Durlach to earn a New England Emmy Award for a video about the soprano Barbara Quintiliani, and to create the Boston Marathon documentary “5 Runners,” which recently premiered at the JFK Library and aired on NESN.
When there’s a story, Geoff wants to be — and almost invariably makes sure he is — the guy who gets it. Which makes it all the harder to announce that he’ll be getting those stories somewhere else in the future. Geoff has accepted a job as national arts reporter for the Washington Post. He’ll be covering cultural stories across the country, from museum and opera controversies to the latest trends in pop music and web culture. Geoff says he relishes the opportunity to take what he’s learned at the Globe and apply it on a broader stage. This is a new position, he notes, as the Post aims to compete with The New York Times and Wall Street Journal. (He’s assured us that any competition with the Globe should not be taken personally.)
Happily, Geoff will be doing all of this from a base in Boston. So although his last day at the Globe is Sept. 12, and we’ll toast him before he goes (details to come), he’s not really leaving us. And if the Kinks someday reunite in a Boston venue, we’ll celebrate with him there.
Rebecca and Janice