By Dan Kennedy • The press, politics, technology, culture and other passions

Tag: Marshall McLuhan

Roger Fidler predicted the future of news delivery. But he missed a crucial piece.

The New York Times last week published a story by David Streitfeld on Roger Fidler, a digital journalism visionary who touted the idea of delivering news via tablet computers a good 20 years before such devices were even available. I wrote about Fidler in my 2018 book, “The Return of the Moguls: How Jeff Bezos and John Henry Are Remaking News for the Twenty-First Century.” An excerpt follows. It’s fascinating to look back at what Fidler got right and got wrong.

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In the early 1990s, a Knight Ridder executive named Roger Fidler developed an idea that was stunningly close to the tablets and smartphones of the 2010s. I attended a conference at Columbia University at which Fidler outlined his vision for a digital tablet on which we would read newspapers and magazines — something he had been thinking about for the previous dozen or so years. The screen would have the same resolution as a glossy magazine; the devices would be flexible so you could roll one up and take it with you; and they would be so cheap that newspapers would give them away to eliminate the money-burning tasks of printing and distribution. How far ahead of his time was Fidler? Even as of 2017, we were nowhere near achieving any of those three goals.

Fidler also anticipated the choice and interactivity that would come with digital newspapers. For instance, he said that a subscriber might purchase a subscription to The New York Times’s international news, The Washington Post’s political news and her local paper’s regional news. And the tablet would have interactive capabilities so that you could, for instance, click on a restaurant ad to make a reservation. “It was not quite like Roger had descended from another planet, but he was saying some things that were simply very hard to believe at the time,” John Woolley, who worked with Fidler, said in 2012. “He had conjured up this idea of a tablet at a time when laptops were revolutionary. He was clearly a futurist. And he didn’t care what anyone believed. He never backed down.”

I have no notes from that conference, so I’m relying largely on my memory, as well as a video that Fidler put together when he was head of the Knight Ridder Information Design Laboratory in Boulder, Colorado. The prototype in the video was simultaneously retro in that the display looked exactly like a printed newspaper and futuristic in its capabilities, which included better, faster interactive graphics than we generally see today as well as sophisticated voice controls.

But keep in mind Marshall McLuhan’s admonition that the medium is the message. Fidler envisioned a revolutionary leap forward in the way we interact with text, photography, graphics, audio and video. What he did not envision was that the digital future would be altogether different from what had come before and that we would use it in ways he could not imagine. In his talk at Columbia, he said that we’d download the content we had paid for by plugging our devices into, say, our cable television box before going to bed. In the video, he also raised the possibility of something that looked like a credit card that you could take with you and use to load more content onto your device if you were away from home. What he missed was that digital newspapers would be distributed via the open web rather than a closed system controlled by publishers. Fidler could see into the future in ways that were remarkable. But in 1994, he did not mention what would turn out to be the most revolutionary change of all. Even though he brilliantly anticipated the technological revolution that was to come, he failed to foresee the cultural revolution that would accompany it.

“For most people a newspaper’s like a friend,” Fidler says in the video. “It’s somebody you know who you have come to trust. Over the last 15 years there have been many attempts to develop electronic newspapers, and many of the technologists who have been pursuing these objectives assume that information is simply a commodity, and people really don’t care where that information comes from as long as it matches their set of personal interests. I disagree with that view.”

In fact, Fidler was wrong. Most news turned out to be so generic that it is difficult to imagine anyone would ever pay for it. As I am wrapping up this chapter in late March 2017, one of the big news stories of the day is the fate of President Donald Trump’s tax proposals following the Republican Congress’ failure to repeal the Affordable Care Act — a major plank in Trump’s platform. Entering “Trump taxes” at Google News brings more than 7.3 million results — the very definition of commodity news. More than 20 years after the narrator of Fidler’s video assured viewers that people wanted “a specific newspaper with a branded identity,” there are very few types of content that readers might be persuaded to pay for: certain types of local and investigative stories that no other news organizations are publishing; personalities that distinguish a paper from its competitors, such as popular columnists; and the intelligent judgment of editors regarding what news is the most important, what’s less important, and what can be left out of the paper altogether.

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Some books that may change the way you think about modern media

Photo (cc) 2020 by R. Miller

Ezra Klein has some great book recommendations for understanding how social media, cable news and technology are rewiring our brains. Marshall McLuhan is nearly impenetrable, but Nicholas Carr’s “The Shallows” (2010) and Neil Postman’s “Amusing Ourselves to Death” (1985) will open your eyes.

To Klein’s list I would add two more: “Communication as Culture” (2008), a collection of essays by the media theorist James W. Carey, and “Magic and Loss: The Internet as Art” (2016), by Virginia Heffernan, which I reviewed for GBH News back in the day.

Happy birthday, Marshall McLuhan

Today is the 100th birthday of Marshall McLuhan, the Canadian scholar who forever changed the way we think about media and their effects on the human psyche.

Last week I sat down for a conversation with Len Edgerly, host of “The Kindle Chronicles,” on what McLuhan would think about the Kindle, the iPad, and what effects e-readers would have on our perception of text, reading and linearity. The interview grew out of my recent review of Douglas Coupland’s McLuhan biography for Nieman Reports.

Len and I had great fun, and I hope you’ll have a chance to give it a listen.

Cable news in the age of McLuhan

McLuhan (right) in Woody Allen's "Annie Hall"

Could Bill O’Reilly and Keith Olbermann have thrived in the days of fuzzy, black-and-white television sets? It’s a question I found myself asking after having introduced myself to the work of media theorist Marshall McLuhan earlier this year.

The result — my review of Douglas Coupland’s quirky “Marshall McLuhan: You Know Nothing of My Work!” — appears in the new issue of Nieman Reports.

The O-and-O question comes about from McLuhan’s definitions of “hot” and “cool” media. To McLuhan, writing in the 1950s and ’60s, radio and movies were “hot” media because they were all-encompassing, leaving little to the imagination. Television was “cool” because the flickering images were so inadequate — that is, television was a participatory medium, forcing the viewer to fill in the missing information and thus requiring his active participation.

Thus, according to McLuhan, hot personalities who did well on radio were failures on television, which favored bland, soothing folks upon whom the viewers could project their own thoughts and desires.

In one of his two major works, 1964’s “Understanding Media,” McLuhan seemingly anticipated today’s flat-panel HDTVs, writing that “‘improved’ TV” would no longer be television as he understood it. My guess is that if McLuhan were alive, he would tell us that the talk-radio style of television that works on cable would have been a failure before technological advancements made it easier for the viewer to just sit back and vegetate.

Not to get carried away — after all, “The Beverly Hillbillies” was popular when McLuhan was writing — but one interpretation might be that the harder you have to work, the less willing you are to be told what to think.

McLuhan on the future of newspapers

Marshall McLuhan

I am slogging my way through Marshall McLuhan’s little-read 1964 magnum opus, “Understanding Media: The Extensions of Man.” (Fun “fact”: Western aid workers imposed linear water pipes on African villagers because of their linear alphabet. The villagers, lacking that alphabet, preferred the communal well.)

Despite finding much of McLuhan absurd, this leapt out at me last night:

The classified ads (and stock-market quotations) are the bedrock of the press. Should an alternative source of easy access to such diverse daily information be found, the press will fold.

Is this a case of even a blind pig finding an occasional acorn? Or of prescience bordering on genius?

Photo via Wikipedia.

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