During the summer and fall of 1975, I was working as a Northeastern co-op student at the United Way, then located on Beacon Hill in a building that is now a Suffolk dorm. That much I remember. What I don’t remember is why I came back from my lunch break one day with a copy of the classical guitarist Christopher Parkening‘s 1971 album “Parkening Plays Bach.” But I’m glad I did.
When it came to my own guitar-playing skills, I was at the peak of what proved to be a very tiny hill, so that might have had something to do with it. I mainly liked rock and blues, and I played bass in a band. But I also had acquired a book on how to play classical guitar, and I did some messing around with that.
I can’t say I made much progress. But I loved listening to Parkening play Bach. The great composer wrote for the harpsichord and ensembles, but Parkening made those pieces sound like they were always meant for the guitar. And he made them sound effortless. For an example, listen to “Sheep May Safely Graze.”
Even today, I don’t listen to a lot of classical music, and my tastes tend to be on the lite side — Bach, Vivaldi (my apologies), a little Mozart. I love Rudolf Serkin’s recording of the Andante in Mozart’s Piano Concerto No. 21 so much that I almost chose that for this list instead of Parkening. We’ve seen live performances of Handel’s “Messiah” and Bach’s Brandenburg Concertos. But, at home, when we choose classical music it’s mainly for background.
Still, I have Parkening to thank for opening up my musical vistas a bit.