Lawyers for Jack Dunn and ‘Spotlight’ engage in war of words

The dispute between Boston College spokesman Jack Dunn and the makers of “Spotlight” is escalating. “Spotlight,” as you no doubt know, is a movie about The Boston Globe’s Pulitzer Prize-winning reporting on the pedophile-priest scandal in the Catholic Church.

For the past few days, starting with a Kevin Cullen column in Sunday’s Globe, Dunn has been making media appearances claiming that he was falsely portrayed in the movie as uncaring toward victims at BC High School. The filmmakers have pushed back hard, arguing that the depiction of Dunn is accurate and that it was vetted by Globe reporters Walter Robinson and Sacha Pfeiffer.

According to an exchange of letters that I obtained this evening, Dunn’s lawyers are accusing the filmmakers of portraying Dunn in a way that is “defamatory” as well as “false, malicious and fabricated.” The letter on behalf of Dunn, addressed primarily to screenwriters Tom McCarthy and Joshua Singer (McCarthy is also the director), says in part:

In general, the film, in dramatic fashion, divides the individuals it depicts into those who heroically searched for the truth about the horrific sexual abuse of children by members of the clergy and those who sought to suppress facts about the abuse. In a critical scene in the film, which is nearly entirely fabricated, Spotlight squarely and falsely places Mr. Dunn in the category of those who actively attempted to interfere with and thwart the efforts of the Boston Globe reporters to unearth and report on the abuse scandal.

In their answer, the filmmakers’ lawyers “respectfully, but vigorously, disagree with your allegation that the film defames Mr. Dunn.” Here’s a key excerpt:

Most importantly, the film’s portrayal of Mr. Dunn is substantially true. It is based on the recollections of Walter Robinson and was vetted by him and Sacha Pfeiffer. Mr. Dunn’s overarching concern for Boston College High School (and Boston College) is reflected in contemporaneous and later media accounts. Indeed, there is no evidence that Mr. Dunn was an outspoken advocate for transparency or accountability before the Boston Globe broke the story, or that he came forward on his own to initiate an investigation into abuse at BC High before the Globe’s coverage forced the school to act.

I am posting these rather lengthy documents in the interest of putting them before the public in advance of what could be a significant legal battle.

Click here (pdf) for the full letter (with exhibits) from Dunn’s lawyers, David H. Rich and Howard M. Cooper of the Boston firm Todd & Weld.

Click here (pdf) for the full letter (also with exhibits) from the filmmakers’ lawyer, Alonzo Wickers IV of the Los Angeles firm Davis Wright Tremaine. No, I do not know why parts of it have been highlighted in yellow.

For background and some relevant links, see my commentary for, which has been updated with a statement from the filmmakers.

Update: The Globe has now published an article on the dispute.

Post to Times: We’re the new paper of record


I caught this house ad earlier today while reading The Washington Post. It comes shortly after Post owner Jeff Bezos told Charlie Rose on “CBS This Morning” that the Post is “working on becoming the new paper of record.”

Bezos added: “We’ve always been a local paper, and just this month The Washington Post passed The New York Times in terms of number of viewers online. This is a gigantic accomplishment for the Post team. We’re just gonna keep after that.”

Bezos’ complete remarks about the Post have been transcribed by Laura Hazard Owen of the Nieman Journalism Lab. Just click here.

And speaking of the Post, Baxter Holmes has a piece at Esquire headlined “Is Martin Baron the Best News Editor of All Time?” Yes, it’s over the top in its praise of the Post’s executive editor and former Boston Globe editor. But Baron may well be the best American newspaper editor working today, and Holmes’ story is well worth your time.

Michael Kranish leaves Boston Globe for Washington Post

Michael Kranish. Photo via Twitter.

Michael Kranish. Photo via Twitter.

Longtime Boston Globe reporter Michael Kranish is leaving for The Washington Post, where he will be reunited with former Globe editor Marty Baron, now the Post’s executive editor. Kranish is currently deputy chief of the Globe’s Washington bureau. Here’s the Post’s announcement:

We’re thrilled to announce that Michael Kranish will join The Washington Post as an investigative political reporter, bringing his formidable reporting and writing talents to what is already the best politics staff in American journalism.

Michael is known for anchoring the Boston Globe’s peerless in-depth biographical explorations of presidential candidates and for an impressive body of work that combines a strong focus on accountability with a gift for narrative writing. Currently deputy chief of the Globe’s Washington bureau, he has covered Congress, the White House and national politics for more than 25 years.

He was a co-winner of the 2013 Dirksen award for a series on Washington dysfunction for which he was a project leader, writing many of the stories and editing others, and has been the main writer of the Globe’s excellent 2015 series, “Divided Nation,” which has explored income inequality, racial disharmony and other areas of American discord.

His definitive piece this year on Jeb Bush’s colorful time at Andover drew a wide readership and was all the more remarkable because Michael produced it under a tight, self-imposed deadline, driven by concern that The Post might scoop him on an important political story in the Globe’s backyard. “Let’s just say I needed every one of the eight days I had,” he says.

Michael is a co-author of books that Globe reporters produced on John Kerry and Mitt Romney. He’s also the author of a work of history, “Flight from Monticello: Thomas Jefferson at War,” published by Oxford University Press in 2010.

Before moving to Washington in 1988, Michael covered New England from a bureau in Concord, N.H. and business from the Boston newsroom. His run at the Globe was preceded by jobs at the Miami Herald, where his reporting helped prompt Miami Beach to abandon its plan to tear down part of what is now known as the historic Art Deco district in South Beach, and the Lakeland Ledger in Lakeland, FL.

A DC-area native and a devoted cyclist, Michael enjoys rolling with the peloton up MacArthur Boulevard early on weekend mornings. He and his wife, Sylvia, are the parents of two daughters and live in Silver Spring.

Michael will start Jan. 4. Please join us in welcoming him to our new newsroom.

Update: And here is Globe editor Brian McGrory’s memo to the staff:

‘Spotlight’ demonstrates how Hollywood distorts reality

Jack Dunn on WGBH's "Greater Boston."

Jack Dunn on WGBH’s “Greater Boston.”

Consider the contradictions posed by a movie that’s based on a true story. The events are presented as real, yet they are compressed and exaggerated for dramatic effect. The characters — many of them, anyway — are stand-ins for their real-life counterparts, sharing their names and, depending on the skill of the actors, their appearance and mannerisms. Yet the words that come out of their mouths are not things they actually said; rather, they are things the filmmakers imagine they might have said.

Or, as at least four people in the film “Spotlight” claim, things that they never said, never would have said, and that tarnish their reputations.

  • Update: Open Road, the distributor of “Spotlight,” has issued a statement defending the accuracy of the portrayal of Boston College spokesman Jack Dunn. See details at the end of this post.

In fact, there is nothing new or unusual about such complaints. They are inherent to the genre of “true life” stories, quotation marks used advisedly. “Spotlight” is a terrific movie — maybe the best film about journalism since “All the President’s Men.” That doesn’t excuse smearing the names of good people, if that is indeed what has happened. But it does underline the problems that can arise in the making of fact-based fiction rooted in real events and real people.

Read the rest at

The Globe makes some headway on digital subscriptions

Photo (cc) by Tom Cole.

Photo (cc) by Tom Cole.

Also published at

Newspaper analyst Ken Doctor takes a look at The Boston Globe’s strategy of charging 99 cents a day for digital access and pronounces it promising. Indeed, at a time when advertising in print newspapers is on the decline and digital advertising seems unlikely ever to make up the difference, it seems clear that large regional newspapers like the Globe have got to persuade their audience to pick up a bigger share of the tab if they’re going to survive.

The article is well worth reading in full. Here are a few takeaways.

1. As Doctor notes, The New York Times now has more than 1 million digital-only subscribers. The Globe has just 65,000. That’s not a gap — it’s a chasm. Yet the Globe has proved to be the most successful regional paper in the country at selling digital subscriptions. Doctor attributes the difference to dramatically less interest in local and regional news than in national and international news.

Doctor adds: “The Globe, under editor Brian McGrory’s direction, produces a high volume of high-quality content each day.” True. Unfortunately, you can pick up the regional paper in nearly any city and find a lot less than what you’ll find in the Globe, which would make the dollar-a-day strategy a dubious proposition in most places.

2. Who exactly is paying 99 cents a day for the digital Globe? Not me. We’ve been subscribers since the 1980s. We currently receive the Sunday print edition, which gives us seven-day digital access. The price has crept up gradually, but we’re still paying just $19.96 a month. That works out to a little less than 66 cents a day.

My point is that the Globe does not have 65,000 readers paying 99 cents a day for digital access. Some percentage of them are paying less than that. Doctor does make it clear that there’s a transition in the works, but he doesn’t break down the numbers. Eventually, he adds, the Globe needs to hit 200,000 digital subscribers in order to claim success.

3. The big question, which Doctor doesn’t broach, is whether anyone under 40 is even interested in an aggregated news package, or if instead they’re content to get news from a variety of different sources such as Facebook or Apple News. By far the biggest challenge faced by the news business as we used to know it is not the shift from print to digital, but from reliance on a few branded news organizations to a cacophony mediated by tech companies.

In other words, what the Globe is doing may well work for older subscribers like me. But what happens when people in their 20s and 30s, whose main exposure to the Globe is through social sharing, enter their 40s and 50s? Are they going to change their news consumption habits? Probably not.

The Boston Phoenix’s archives are coming to Northeastern


Issue of Nov. 17, 2006

In case you haven’t heard, there’s big news about the late, great Boston Phoenix and its related properties — WFNX Radio, Boston After Dark, the Phoenix papers of Portland, Providence and Worcester, and Stuff and Stuff at Nite magazines.

On Friday, The Boston Globe reported that Phoenix publisher Stephen Mindich is donating all of the archives to Northeastern University. The performance of the Phoenix’s website, which is still live, should improve over time. The long-term vision is even more exciting: We hope that every print edition of the Phoenix/Boston After Dark going back to 1966 will be digitized in a searchable format.

Mindich’s gift has been in the works for a year (I’ve dropped hints here and there), and we are finally able to go public. The Globe story is more than kind regarding my own modest role. I put Stephen together with Northeastern archivist Giordano Mecagni, and they did the rest. I am so proud of the 14 years I worked for Stephen, and I’m excited that this incredible resource will be available for years to come.

Here is an excerpt from Stephen’s farewell message, published in the Phoenix’s final issue on March 14, 2013:

What I can and will say is I am extremely proud, as all of you should be, of the highest standards of journalism we have set and maintained throughout the decades in all of our areas of coverage and the important role we have played in driving political and socially progressive and responsible agendas; in covering the worlds of arts and entertainment, food and fashion — always  with a critical view, while at the same time promoting their enormous importance in maintaining a healthy society; and in advocating for the recognition and acceptance of a wide range of lifestyles that are so valuable for a vibrant society.

Is this any way to run a railroad?

I’ve tried to be optimistic about Gov. Charlie Baker’s management of the MBTA. But there are some ominous signs that he’s less interested in creating a world-class public transportation system than he is in reducing costs for his non-T-riding supporters. Three examples:

    • As Boston Globe columnist Shirley Leung notes, officials are getting ready to pull the plug on late-night service, which she calls “expensive, impractical, and yet aspiring and completely necessary.” (She compares them to Manolo Blahniks, which Google tells me are shoes.)
    • The MBTA has decided to cancel art works that were going to be installed along the Green Line Extension, a project that may cost $1 billion more than first thought. It’s a short-sighted move that indicates we don’t care about our public spaces.
    • The new commuter-rail schedule announced by Keolis includes significant cuts in service. A number of legislators have written to the T and Keolis to express their concerns. I had thought the reworked schedule was aimed at coming up with a rational timetable that Keolis could actually meet — not at drastically reducing the number of trains.

People are moving to the city and the inner suburbs because transportation from farther away — roads and highways as well as trains and buses — has fallen apart. Baker’s agenda raises the specter that it’s going to become harder and harder to get around in urban neighborhoods as well.