There are three albums on my list that are what you might call black-swan events — they are so much better than anything else the performer recorded that all you can do is gape in awe. One of them is Van Morrison’s “Astral Weeks” (No. 12). Another is yet to come.
Today’s entry is Eric Clapton’s greatest moment as a recording artist. “Layla and Other Assorted Love Songs” is better than what he did with Cream and, sadly, far better than anything from his long, mostly disappointing solo career. Released in 1970, “Layla” is perhaps the ultimate guitar album. Clapton has never sounded better, pushed to unequaled heights by guest guitarist Duane Allman, who contributes stinging slide guitar. Solos are double- and triple-tracked; it can be hard to tell who’s playing what.
Clapton has always been obsessed with the blues, and he is at his best on “Nobody Knows You When You’re Down and Out,” “Key to the Highway” and especially “Have You Ever Loved a Woman” — all of which are grounded in an authenticity that’s utterly lacking from his derivative 1994 all-blues album, “From the Cradle.”
The title song, with its famous piano coda by drummer Jim Gordon (or perhaps, as I learned in researching this post, Rita Coolidge), is considered by most observers to be the best on the album. But it’s suffered from overexposure during the past 50 years, and I actually prefer some of the rave-ups co-written by Clapton and organist Bobby Whitlock. Songs like “Anyday,” “Keep on Growing,” “Tell the Truth” and “Why Does Love Got to Be So Sad?” are so drenched in guitar heroics by Clapton and Allman that you feel spent just listening to them.
The vocals, by Clapton and Whitlock, are on one level some of the worst ever committed to tape; on another level, though, they add to the feeling of over-the-top chaos that pervades the entire album and makes it so exciting to listen to. Unfortunately, though the original vinyl struck me as bright and well-produced (by Tom Dowd), the CD I later bought and now the Spotify version sound muddy, even though it’s supposedly been remastered. The crystalline sound I remember from my teen years doesn’t quite come through.
“Layla” ranks a little lower here than it did on my Facebook list because the idea on Facebook was to list the albums that most influenced your music tastes. Here I am simply ranking my favorites — and as outstanding as “Layla” is, I’ve got five I like more.
Derek and Dominos only recorded one album and came to a bad end. Whitlock, like Clapton, is still with us and continues to work. But Allman died in a motorcycle accident. Bassist Carl Radle died from alcohol and drug abuse. Gordon, a terrific drummer, murdered his mother during a psychotic episode and was sentenced to life in prison.
For one brief moment, though, they made magic together.
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