Tag Archives: Washington Post

Courage and terrorism in the Middle East

James Foley speaking at Northwestern University in 2011

James Foley speaking at Northwestern University in 2011

Both James Foley, a freelance journalist who was reportedly beheaded by ISIS terrorists, and Steven Sotloff, a freelancer who has been threatened with execution, worked for Boston-based news organizations — Foley for GlobalPost, Sotloff for The Christian Science Monitor.

GlobalPost is currently going with a story reporting that the authenticity of the video apparently depicting Foley’s murder still hasn’t been confirmed. The story includes this statement from GlobalPost CEO and co-founder Phil Balboni:

On behalf of John and Diane Foley, and also GlobalPost, we deeply appreciate all of the messages of sympathy and support that have poured in since the news of Jim’s possible execution first broke. We have been informed that the FBI is in the process of evaluating the video posted by the Islamic State to determine if it is authentic. … We ask for your prayers for Jim and his family.

The Monitor so far has only run an Associated Press article on Foley with no mention of Sotloff. Foley is from Rochester, New Hampshire, and the Union Leader reports on the local angle. So, too, do The Boston Globe and the Boston Herald.

The Washington Post reports on the unique dangers faced by freelance journalists in an era when fewer and fewer news organizations have the resources to send staff reporters into conflict zones.

Most journalists are like me: the biggest risk I take is that I might get overcharged for lunch. People like Foley and Sotloff — and all reporters and photographers who put themselves in harm’s way to bring back the story — are the true heroes of our craft.

More: GlobalPost co-founder Charles Sennott talks with WGBH Radio about Foley: “Jim had an amazing passion. He was courageous, he was fearless, and at times that caused great worry, concern and anguish for his editors. Foley took risks all over — in Iraq, in Afghanistan, and definitely in Libya, where he was captured, and he was held for 45 days, and eventually released. That changed him. That changed his sense of the calculus of risk, but it didn’t change his passion for what he wanted to do.”

Photo via Northwestern University, where Foley spoke about his earlier captivity at the hands of Libyan militants.

Making sense of the violence in Ferguson

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Like many others, I watched in horrified fascination last night as this livestream from Ferguson, Missouri, played out online. (Thanks to Sara Rosenbaum, whose Twitter stream alerted me to it.) With cable news slow off the mark, the amateur footage of police firing rubber bullets at peaceful protesters was all we had.

But live images from a chaotic scene on the ground are no substitute for context and analysis. As we try to make sense of the Michael Brown shooting and the community and police response, I want to call your attention to several pieces that have helped me understand what’s going on:

The Globe’s Erin Ailworth heads for The Wall Street Journal

In addition to the Geoff Edgers move that I mentioned earlier, I understand that Boston Globe business reporter Erin Ailworth is leaving for The Wall Street Journal. Ailworth has been a stalwart on the Market Basket story.

Apologies for not having much in the way of details. But the fact that papers like the Journal and The Washington Post are hiring suggests that the journalism-jobs logjam of recent years is starting to break free — at least at a few of our largest news organizations.

Geoff Edgers leaving Globe for Washington Post

Geoff Edgers

Geoff Edgers

A big loss for The Boston Globe: Geoff Edgers, the paper’s arts and culture reporter since 2002, is leaving for The Washington Post. Edgers is a talented and versatile journalist — a filmmaker as well as a traditional reporter — and he will be hard to replace. The move will reunite Edgers with Post executive editor Marty Baron, who hired Edgers when he was editor of the Globe.

Geoff was a colleague at The Boston Phoenix in the mid-1990s, and his wife, Carlene Hempel, is now a colleague at Northeastern. Yes, Boston is a small town.

The following is a memo to the Globe staff from arts editor Rebecca Ostriker and  Janice Page, deputy managing editor for features. As always, Globies, keep those memos coming.

When Geoff Edgers arrived at the Globe in 2002, he carved out a new beat: covering the region’s key arts institutions and individuals with the drive and focus of a hard-news reporter. Smart, enterprising, energetic, and resourceful, Geoff has simply excelled. He’s written nearly 200 page 1 stories on everything from Boston Symphony Orchestra maestro James Levine’s health woes to the Institute of Contemporary Art’s gleaming new waterfront home, plus scores of other pieces that brim with life and make even the most complex subjects accessible. One of our favorites was when Geoff captured the debacle of a Mass MoCA exhibition that involved installing a 35-foot oil tanker, a two-story house, a carousel of bombs, and an old movie theater — all of which never opened to the public. Then there was Christian Marclay’s 24-hour video “The Clock’’ at the Museum of Fine Arts, which our department covered tag-team-style. Of course Geoff signed up for the toughest, most yawn-inducing stretch — midnight to 4 a.m. — and came up swinging, with some sharp insights on video licensing and a filmmaking crew “big enough to work the Indy 500.”

On the subject of film, Geoff knew what he was talking about: In his spare time, he’s produced a full-length documentary, “Do It Again,” which captured his quixotic quest to reunite the rock band the Kinks (and gave him a chance to duet with Sting), and hosted the Travel Channel series “Edge of America,” crossing the country to try such stunts as tackling alligators and competing in a haggis-eating contest. And Geoff has brought his impressive filmmaking knowhow to the Globe, teaming with the talented Darren Durlach to earn a New England Emmy Award for a video about the soprano Barbara Quintiliani, and to create the Boston Marathon documentary “5 Runners,” which recently premiered at the JFK Library and aired on NESN.

When there’s a story, Geoff wants to be — and almost invariably makes sure he is — the guy who gets it. Which makes it all the harder to announce that he’ll be getting those stories somewhere else in the future. Geoff has accepted a job as national arts reporter for the Washington Post. He’ll be covering cultural stories across the country, from museum and opera controversies to the latest trends in pop music and web culture. Geoff says he relishes the opportunity to take what he’s learned at the Globe and apply it on a broader stage. This is a new position, he notes, as the Post aims to compete with The New York Times and Wall Street Journal. (He’s assured us that any competition with the Globe should not be taken personally.)

Happily, Geoff will be doing all of this from a base in Boston. So although his last day at the Globe is Sept. 12, and we’ll toast him before he goes (details to come), he’s not really leaving us. And if the Kinks someday reunite in a Boston venue, we’ll celebrate with him there.

Rebecca and Janice

Tales of two newspapers, one rising, one falling

Screen Shot 2014-06-30 at 8.32.23 AMOn the East Coast, The Washington Post is in the midst of a revival that could return the storied newspaper to its former status as a serious competitor to The New York Times for national and international news. On the West Coast, the Orange County Register is rapidly sinking into the pit from which it had only recently crawled.

The two contrasting stories are told by the Columbia Journalism Review’s Michael Meyer, who writes about the Post in the early months of the Jeff Bezos era, and Gustavo Arellano of OC Weekly, who’s been all over Aaron Kushner since his arrival as the Register’s principal owner in 2012.

First the Post, which has been the subject of considerable fascination since Amazon founder Bezos announced last August (just a few days after John Henry said he would buy The Boston Globe) that he would purchase the paper from the Graham family for $250 million.

Bezos’ vision, as best as Meyer could discern (Bezos, as is his wont, did not give him an interview), is to leave the journalists alone and work on ways to expand the Post’s digital audience across a variety of platforms. Meyer describes a meeting that Bezos held in Seattle with executive editor Marty Baron and other top managers:

Baron says he came away from the weekend in Seattle with a clear sense of what the Post’s mission would be in the coming year: It had to have “a more expansive national vision” in order to achieve the ultimate goal of substantially growing its digital audience. Baron brought this directive back to the newsroom, and the editors set about building a plan for 2014, a year managing editor Kevin Merida dubbed “the year of ambition.” At one point in the budgeting process, Bezos even admonished the leadership for not thinking big enough. “I think that we had been in the mode of sort of watching our pennies,” Baron told me. “We were just being more cautious at the beginning so he came back with an indication that we should be more ambitious.”

Among the more perplexing moves (to me at least) that the Post has made under Bezos has been to cut deals with more than 100 daily papers across the country so that paid subscribers to those papers would receive free digital access to the Post as well. Locally, the papers include the Portland Press Herald as well as Digital First Media’s papers, such as The Sun of Lowell, The Berkshire Eagle and the New Haven Register.

Journalistically, it’s a good deal for subscribers, since they get free access to a high-quality national news source. But no money changes hands. So how is it any better for the Post than simply offering a free advertiser-supported website, as it did until instituting a metered paywall last year? Meyer tells me by email that “the reason they are doing this is for customer data. A logged in, regular user is a lot more data rich than someone who just happens across your site from time to time.” He adds:

Data is the key difference between this program and just having a free website. And another key difference to my mind is psychological. The readers of partner newspapers feel like they’re being given something that would otherwise not be free. This adds value in terms of how they view their subscriptions to their home newspapers. And also adds value in terms of how they view the Post’s content. My guess is they will use the service more as a result.

And as Meyer writes in his story, “Anyone interested in seeing how consumer data might be used in the hands of Jeff Bezos can go to Amazon.com and watch the company’s algorithms try to predict their desires.”

aaron-kushner-orange-county-register-financial-crisis.9842609.87The story Gustavo Arellano tells about Aaron Kushner and the Orange County Register has become well-known in recent weeks, in large measure because of Arellano’s own coverage in the OC Weekly. Kushner has spent 2014 rapidly dismantling what he spent 2012 and 2013 building up.

As I wrote recently in The Huffington Post, it makes no sense to invest in growth unless you have enough money to wait and see how it plays out, which is clearly the case with Bezos at the Post and Henry at the Globe — and which now is clearly not the case with Kushner and the Register.

The Orange County meltdown was also the subject of an unusually nasty blog post earlier this month by Clay Shirky, who criticized Ryan Chittum of the CJR and Ken Doctor of Newsonomics and the Nieman Journalism Lab for overlooking the weaknesses in Kushner’s expansion. (Chittum and Doctor wrote detailed, thoughtful responses, and I’ve linked to both of them in the comments of a piece I wrote about the kerfuffle for WGBHNews.org.)

Arellano has gotten hold of some internal documents that make it clear that Kushner’s expansionary dreams were doomed from the start. He also paints a picture of a poisoned newsroom and offers lots of anonymous quotes to back it up.

“I wouldn’t say I got hoodwinked,” he quotes one former staff member as saying, “but it’s just another lesson of life: If it’s too good to be true, it is.”

I recently criticized Arellano for his overreliance on anonymous quotes, although I freely concede that I used them regularly when I was covering the media for The Boston Phoenix in the 1990s and the early ’00s. This time, he includes a clear explanation of why almost none of his sources would go on the record: fear of “reprisal or the endangerment of their buyout, which included a nondisclosure clause.” Given that, I think the story is stronger with the quotes than without.

Arellano writes:

In retrospect, it seems obvious Kushner set himself up for failure, like a Jenga tower depending on every precariously placed block. He installed himself as publisher despite having no previous newspaper experience. A hard paywall — his most controversial move — was erected to force readers to buy the print edition in an era when online content is king. To justify that, Kushner plunged into a hiring binge that saw the Register sign up hundreds of employees even though it didn’t have the revenue to pay them. To fund his vision, the sales department was tasked with selling all those points despite an industry-wide decline in print advertising during the past decade.

It’s a sad, ugly moment for a tale that began so optimistically. As for whether this will prove to be the end of the story — well, it sure looks that way, although Kushner insists he’s merely slowed down. After two years of hiring binges and layoffs, the launch and virtual folding of the Long Beach Register, and the inexplicably odd decision to start a Los Angeles Register to compete with the mighty Times, Kushner is clearly down to his last chance — if that.

A few quibbles with Clay Shirky’s ‘Nostalgia and Newspapers’

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Gutenberg-era printing press

Published previously at WGBH News.

Five years ago Clay Shirky wrote an eloquent blog post titled “Newspapers and Thinking the Unthinkable.” His essential argument was that we were only at the very beginning of trying to figure out new models for journalism following the cataclysmic changes wrought by the Internet — like Europeans in the decades immediately following the invention of Gutenberg’s press. Along with a subsequent talk he gave at Harvard’s Shorenstein Center, Shirky helped me frame the ideas that form the foundation of “The Wired City,” my book about online community journalism.

Now Shirky has written a rant. In “Nostalgia and Newspapers,” posted on Tuesday, the New York University professor and author wants us to know that we’re not getting it fast enough — that print is dead, and anything that diverts us from the hard work of figuring out what’s next is a dangerous distraction. His targets range from Aaron Kushner and his alleged apologists to journalism-school professors who are supposedly letting their students get away with thinking that print can somehow be saved.

As always, Shirky offers a lot to think about, as he did at a recent panel discussion at WGBH. I don’t take issue with the overarching arguments he makes in “Nostalgia and Newspapers.” But I do want to offer a countervailing view on some of the particulars.

1. Good journalism schools are not print-centric: Shirky writes that he “exploded” when he was recently asked by an NYU student, in front of the class, “So how do we save print?” I assume Shirky is exaggerating his reaction for effect. It wasn’t a terrible question, and in any case there was no reason for him to embarrass a student in front of her classmates. I’m sure he didn’t.

More important, Shirky takes the view that students haven’t given up on print because no one had given it to them straight until he came along to tell them otherwise. He writes that he told the students that “print was in terminal decline and that everyone in the class needed to understand this if they were thinking of journalism as a major or a profession.” And he attributed their nostalgic views to “Adults lying to them.”

Now, I find it hard to believe that Shirky’s take on the decline of print was novel to journalism students at a progressive institution like NYU. And from what I’ve seen from my own small perch within academia, all of us are looking well beyond print. In the new issue of Nieman Reports, Jon Marcus surveys changes in journalism education (including the media innovation program for graduate students headed by my Northeastern colleague Jeff Howe that will begin this fall). Citing a recent survey by Poynter, Marcus writes that, in many cases, j-schools are actually ahead of professional newsrooms in pushing for digital change:

A recent Poynter survey — which some argue demonstrates that educators are outpacing editors in their approaches to digital innovation — underlines the divide between j-schools and newsrooms. Educators are more likely than professional journalists to believe it’s important for journalism graduates to have multimedia skills, for instance, according to the survey Poynter released in April. They are more likely to think it’s crucial for j-school grads to understand HTML and other computer languages, and how to shoot and edit video and photos, record audio, tell stories with visuals, and write for different platforms.

Could we be doing better? No doubt. But we’re already doing a lot.

2. Aaron Kushner might have been on to something. OK, I’m pushing it here. There’s no doubt that Kushner’s moves after he bought the Orange County Register in 2012 have blown up in his face — the hiring spree, the launching of new daily newspapers in Long Beach and Los Angeles, the emphasis on print. Earlier this month, it all seemed to be coming to a very bad end, though Kushner himself says he simply needs time to retrench.

But Kushner’s ideas may not have been entirely beyond the realm of reality. Over the past several decades, great newspapers have been laid low by debt-addled chains trying to squeeze every last drop of profit out of them. This long-term disinvestment has had at least as harmful an effect on the news business as the Internet-driven loss of advertising revenues. Yes, Kushner’s love of print seems — well, odd, although it’s also true that newspapers continue to derive most of their shrinking advertising revenues from print. But investing in growth, even without a clear plan (or, rather, even with an ever-changing plan), strikes me as exactly what we ought to hope news(paper) companies will do. After all, that’s what Jeff Bezos is doing at The Washington Post and John Henry at The Boston Globe. And that’s not to say there won’t be layoffs and downsizing along the way.

Shirky also mocks Ryan Chittum of the Columbia Journalism Review and Ken Doctor, a newspaper analyst and blogger who writes for the Nieman Journalism Lab, writing that they “wrote puff pieces for Kushner, because they couldn’t bear to treat him like the snake-oil salesman he is.” (Shirky does concede that Chittum offered some qualifications.)

Chittum recently disagreed with me merely for writing that he had “hailed their [Kushner's and his business partner Eric Spitz's] print-centric approach.” It will be interesting to see whether and how he and Doctor respond to Shirky. I’ll be watching. Chittum has already posted this.

In any case, I hardly think it was “terrible” (Shirky’s description) for Chittum and Doctor to play down their doubts given that Kushner, a smart, seemingly well-funded outsider, claimed to have a better way.

Post-publication updates. After this commentary was published at WGBH News on Wednesday, the reactions, as expected, started rolling in. First up: Chittum, who apologized for his F-bomb, though not the sentiment behind it.

Shirky responded to Chittum’s first tweet, though his blog seems to be down at the moment. (It’s now back, and here is the direct link.)

Finally, Ken Doctor wrote a long, thoughtful retort to Shirky at the Nieman Journalism Lab. (And now Shirky has posted a comment.)

Even more finally: Chittum has responded at some length in the CJR. The end?

How the Post explained Cantor’s defeat before it happened

Robert Costa (left) and Ralph Hallow of The Washington Times at the CPAC 2013 conference.

Robert Costa (left) and Ralph Hallow of The Washington Times at the CPAC 2013 conference.

Published previously at WGBHNews.org.

The political press today is engorged with analysis that attempts to explain why House Majority Leader Eric Cantor lost the Republican primary in his Virginia district to a Tea Party challenger on Tuesday. But given that the pundits were as surprised as everyone else, there is no particular reason to think they are capable of telling us why it happened.

Nearly a month ago, though, Jenna Portnoy and Robert Costa of The Washington Post saw it coming. In an article headlined “Eric Cantor’s tea party opponent in Va. primary may be picking up momentum,” the two wrote that Cantor’s opponent, David Brat, had energized the right-wing base of the party. Cantor, Brat’s supporters believed, had been insufficiently hardline on issues such as immigration reform, the debt ceiling and the Affordable Care Act.

Weeks before the voting, Portnoy and Costa also put their finger on a Cantor tactic that seems to have backfired: going after Brat so hard that he improved his unknown opponent’s name recognition and gave him legitimacy. They quote Brat as saying, “I’m a rookie, he’s never gone negative, and he’s putting my face and name on Fox News, which is unheard of. If they’re doing that, that means their internal polling shows that I’m not at zero. I’m a risk of some sort.”

Portnoy is a local reporter for the Post, having previously covered New Jersey Gov. Chris Christie for The Star-Ledger of Newark. I’m sure she’s a fine reporter. What the Cantor story tells me, though, is that the Post’s move to poach Costa from National Review last November is paying off. As Joe Coscarelli wrote in New York magazine, Costa — who is not yet 30, and who rose to prominence during last year’s debt-ceiling debacle — is rare among conservative journalists in that he sees himself as a reporter first, trusted by and well-plugged-in among all factions.

If you want to know why Cantor lost, don’t bother with the Wednesday morning quarterbacking taking place elsewhere. Instead, go back and read what Portnoy and Costa wrote weeks ago.

Photo (cc) by Gage Skidmore and published under a Creative Commons license. Some rights reserved.