Tucker Carlson. Photo (cc) 2020 by Gage Skidmore.
Yes, I read The New York Times’ massive deep dive into Tucker Carlson, whose Fox News program was dubbed — accurately — as “what may be the most racist show in the history of cable news.”
Something as lengthy and detailed as this defies summary. If you don’t have the time or the inclination to slog through the whole thing, the “key takeaways” sidebar is quite good. I also recommend that you interact with the digital version of part three, in which you’ll hear Carlson’s own words, taken from more than 1,100 episodes.
Times reporter Nicholas Confessore has done a remarkable job of combing through Carlson’s past and present in an attempt to explain his rise from stylish but obscure magazine writer and failed television host to the most powerful force in cable. And Confessore offers partial answers, at least, to some aspects of the Carlson phenomenon. For instance:
• Did Carlson change? Or has he always been this way and we just didn’t see it? Several years ago I wrote a piece for GBH News in which I recounted my own long-ago experience with Carlson, who came across as a charming raconteur with mainstream conservative-libertarian views.
Confessore’s answer, I think, is that Carlson really did change, although the seeds of his transformation were always there. His childhood sounds like it was truly miserable. And, in looking back, I have to say that my only personal experience with him was in how he interacted with a fellow white man. It doesn’t sound like he’s spent much time at all with people of color.
• Does he really believe the terrible things he says? Or is it all an act? This comes up in conversation with friends and associates all the time — again, mainly because he seemed to be someone entirely different a generation ago. Confessore’s answer: it’s a little of both.
I thought Confessore was especially strong in his explanation of Carlson’s attempt to reinvent himself after his failed stints at CNN and MSNBC by launching The Daily Caller, a conservative news outlet that moved increasingly to the fringe right. Carlson comes across as someone who embraced extremism partly out of conviction and partly as a way to amuse himself. He does not seem like someone who ever gives much thought to the consequences of what he writes and says.
He is also portrayed as really, really wanting to make it in television, and he was probably willing to do just about anything to make his Fox gig a success. The late Fox impresario Roger Ailes reportedly once said that Fox was Carlson’s “last chance.” So Carlson’s shtick could be seen as a poisonous combination of his own flirtation with extremist ideas; delight at provoking the “elites” whom he hates; and desperate ambition.
• What’s next? Would Carlson run for president? Confessore doesn’t get into that, even though he portrays Carlson as the logical successor to Trump — “Trumpism without Trump,” as he puts it. I don’t see why Carlson would take the next step given the riches and fame that have already come his way. But we don’t know whether he lusts for power, just as we didn’t know that Trump would aspire to authoritarian rule once he got past the novelty stage of what started out as a celebrity candidacy in 2015.
Confessore also does a good job of explaining how Fox has overcome the problems with advertisers that Carlson has experienced, and the role played by Lachlan Murdoch, who is far more ideological and extreme than his cynical, greed-crazed father, Rupert. The Times has produced a triumph of explanatory journalism.
