By Dan Kennedy • The press, politics, technology, culture and other passions

Tag: Bill Keller

Jill Abramson, accountability and The New York Times

Jill Abramson

Jill Abramson

Previously published at WGBH News.

My two favorite stories about Jill Abramson both speak to her insistence on holding The New York Times to account. Those stories may help explain why she was removed as executive editor on Wednesday.

The first pertains to investor Steven Rattner, a friend of publisher Arthur Sulzberger Jr. who was being investigated by the Securities and Exchange Commission over a kickback scheme involving the New York State pension fund. (In November 2010 Rattner paid a $6.2 million settlement and accepted a two-year ban on some of his trading activities.)

According to The New Yorker’s Ken Auletta, Abramson — then the managing editor, serving as Bill Keller’s number two — didn’t hesitate to green-light a front-page investigative report on Rattner, the Sulzberger connection be damned. “What better test is there for an editor than how they handle the publisher’s best friend?” Auletta quoted an unnamed Times source as saying.

To Sulzberger’s credit, the incident didn’t prevent him from naming Abramson to succeed Keller in 2011. But what may have created an irreparable breech was a second, similar story. In 2012, Sulzberger chose Mark Thompson, the former director general of the BBC, to become chief executive officer of the New York Times Co. Before Thompson could begin, Abramson dispatched one of the Times’ top investigative reporters to look into whether Thompson had any role in the child-sex-abuse scandal whirling around Jimmy Savile, a once-popular TV host.

Both Thompson and Sulzberger were angry, reports Gabriel Sherman in New York magazine. A source was quoted as saying of Sulzberger: “He was livid, in a very passive aggressive way. These were a set of headaches Jill had created for Arthur.”

Now the Times’ internal top cop is off the beat. And Thompson, presumably, has a freer hand to enact his agenda — an agenda that is said to include, among other things, more online video and more native advertising, the term of art used to describe what used to be disparagingly referred to as “advertorials.”

Abramson’s successor and former number two, Dean Baquet, is now the paper’s first African-American executive editor, a not-insignificant milestone on a par with Abramson’s being the first woman. He is said to be a fine editor and a popular choice with the newsroom.

But given that Sulzberger’s own son recently wrote a report arguing that the Times isn’t moving quickly enough on the digital front, it might seem strange that Abramson’s successor would be someone regarded as even less digitally savvy than she. The likely explanation is that Thompson sees himself as the paper’s chief digital officer. Certainly Thompson does not lack for confidence. Less than a year ago he supposedly told a Times executive, “I could be the editor of the New York Times,” according to an article by Joe Hagan in New York magazine.

I don’t mean to play down any of the other reasons that have been given for Abramson’s abrupt and brutal dismissal. There is the matter of her brusque demeanor, described in detail last year by Dylan Byers of Politico. At the time I dismissed it as anonymously sourced sexism, but Byers is deservedly taking a victory lap this week.

Another factor was her complaints about making less money than Bill Keller did when he was editor, a story Ken Auletta broke within hours of Abramson’s dismissal. Auletta reported that Abramson even learned she made less than a male deputy managing editor when she was managing editor. The Times has denied all, although in language that makes it hard to figure out what, precisely, it is denying.

And then there is the incident that may have precipitated the final crisis — her reported attempts to hire Janine Gibson away from The Guardian to serve as a co-managing editor for digital without bothering to inform Baquet. Certainly that’s the angle that the Times’ David Carr and Ravi Somaiya play up in their own coverage of Abramson’s dismissal. (Other accounts say Gibson would have been a deputy managing editor, and thus presumably less of a threat to Baquet’s authority.)

Still, none of these reasons sufficiently explains why Sulzberger believed Abramson needed to be dealt with so harshly. She was all but hustled out of the building, treated like Howell Raines after he was dismissed for enabling a plagiarizing, fabricating young journalist named Jayson Blair. By contrast, the Times under Abramson’s editorship has been a journalistic success and has done reasonably well financially at a time when the news business has been imploding, as Matthew Yglesias explains at Vox. (Vox also takes the prize for the best Abramson headline: “Tattooed, puppy-stealing badass editor Jill Abramson out at the New York Times.”)

“I think what it says to us is there is still enormous challenges for women out there, for women who assume those key and influential roles in journalism,” Melissa Ludtke, a pioneering sports journalist and former editor of Nieman Reports, told Politico’s Anna Palmer.

I think it’s more complicated than that. It is nevertheless a fact that in the past few years Sulzberger has fired two of the highest-ranking women in the newspaper business — first Janet Robinson, creating the vacancy that Mark Thompson later filled, and now Abramson.

In addressing the staff Wednesday, Sulzberger referred to “an issue with management in the newsroom.” That’s not good enough. And it’s not the kind of accountability Abramson pushed for in covering the powerful institution that she worked for. I hope we’ll learn more in the days ahead.

Keller and Greenwald on journalistic neutrality

Today’s New York Times debate between Bill Keller and Glenn Greenwald is terrific — better than I had expected. For me, the high point is how they make the case for fair, neutral journalism (Keller) and fair journalism with a clearly articulated point of view (Greenwald). I don’t think I’ve ever seen anyone do it better on either side.

Greenwald first:

A journalist who is petrified of appearing to express any opinions will often steer clear of declarative sentences about what is true, opting instead for a cowardly and unhelpful “here’s-what-both-sides-say-and-I-won’t-resolve-the-conflicts” formulation. That rewards dishonesty on the part of political and corporate officials who know they can rely on “objective” reporters to amplify their falsehoods without challenge (i.e., reporting is reduced to “X says Y” rather than “X says Y and that’s false”).

Worse still, this suffocating constraint on how reporters are permitted to express themselves produces a self-neutering form of journalism that becomes as ineffectual as it is boring. A failure to call torture “torture” because government officials demand that a more pleasant euphemism be used, or lazily equating a demonstrably true assertion with a demonstrably false one, drains journalism of its passion, vibrancy, vitality and soul.

Now Keller:

I don’t think of it as reporters pretending they have no opinions. I think of it as reporters, as an occupational discipline, suspending their opinions and letting the evidence speak for itself. And it matters that this is not just an individual exercise, but an institutional discipline, with editors who are tasked to challenge writers if they have given short shrift to contrary facts or arguments readers might want to know.

The thing is, once you have publicly declared your “subjective assumptions and political values,” it’s human nature to want to defend them, and it becomes tempting to omit or minimize facts, or frame the argument, in ways that support your declared viewpoint. And some readers, knowing that you write from the left or right, will view your reporting with justified suspicion.

I’m sympathetic to both points of view. But what I especially like about Keller’s is the idea that stating one’s opinions changes not just how the audience sees the journalist, but also how the journalist goes about his own work.

I’ve long argued that even an opinion journalist shouldn’t disclose her voting intentions. That’s because if it’s your job to take positions, it’s a lot harder to change those positions once you’ve joined someone’s team.

There’s a lot more where that came from, including much about Greenwald’s newly announced venture funded by eBay rich guy Pierre Omidyar — explained at some length by the redoubtable Jay Rosen.

More on copyright, the Phoenix and the Times

New York Times columnist (and former executive editor) Bill Keller responds to Boston Phoenix editor Carly Carioli here.

Carioli responds to Keller’s response here.

Earlier coverage here and here.

Somebody take that shovel away from Keller!

Copyright hypocrisy at the New York Times

Last Saturday the New York Times posted a PDF of a 1976 article by the legendary Boston sports journalist Clark Booth that appeared in the Real Paper, an alternative weekly that was published for several years in the 1970s. The article accompanied a column by Joe Nocera on football injuries, about which Booth wrote perceptively some 36 years ago.

I have to confess I didn’t think twice about copyright, figuring Booth, whom Nocera interviewed, had given him permission to reproduce his words. But now Boston Phoenix editor Carly Carioli has pointed out — rightly, in my view — that, in fact, the Times has violated the Real Paper’s copyright and that of the photographer(s) whose work was reproduced. And since the Phoenix acquired the Real Paper’s assets when the paper went out of business, the Times must answer to the Phoenix.

The Times’ reproduction clearly fails the fair-use test, most obviously on the grounds that it reposted the Real Paper article not for the purpose of commentary and criticism, but so that its readers could enjoy reading it. I imagine the Times could also get whacked for taking too much of the article (i.e., the whole thing). Even though it would be tough to argue that anyone lost any money as a result of the Times’ actions, another important fair-use test, I’d guess a judge would favor the Phoenix if it ever came to that.

But Carioli is not concerned with the negligible harm the Times has done to the Phoenix so much as he is with the behemoth’s rank hypocrisy. Former executive editor Bill Keller, now a Times columnist, has been obsessed with the nefarious forces whom he believes have been improperly profiting from Times content. And, Carioli notes, the Times reached out and killed a pretty cool iPad app called Pulse merely because it reproduced headlines without permission.

Writing that “copyright in this country is a goddamn mess,” Carioli continues: “We want an internet and an intellectual-property regime that rewards discovery and innovation. We won’t get it with copyright construed the way it is now.”

And we won’t get it with the Times saying one thing and doing another.

Addenda: (1) I had the privilege of copy-editing Clark Booth’s weekly sports column for a short time in 1990, when I was working at the Pilot, for whom he still writes; (2) you can also read Booth in the Dorchester Reporter.

Disclosure: I’m a contributor to the Phoenix, and was a staff member from 1991 to 2005. I have a standing disclosure here, but sometimes it doesn’t hurt to remind people.

The absent women of “Page One”

Recently I gave a thumb’s-up to “Page One,” the documentary about the New York Times media desk. I did have a quibble:

As a friend observed, the documentary was heavily tilted toward men, which seems odd given that before it ends, we see the executive editor’s baton being passed from Bill Keller to Jill Abramson.

Now Jim Romenesko reports that two women on the media desk, Stephanie Clifford and Motoko Rich, were asked to take part and declined. Perhaps filmmaker Andrew Rossi could have tried a bit harder to get a female perspective, but now we know that he did make an attempt.

An entertaining look at the New York Times

David Carr torments a flack at Tribune Co.

At long last, I got to see “Page One: Inside the New York Times” at a screening last night at Harvard’s Shorenstein Center. It’s a terrifically entertaining look at the culture inside the Times newsroom, focusing on the media desk’s coverage of the newspaper meltdown of 2009 and ’10. I brought a couple of students with me, and they were pretty enthusiastic about it as we were driving back to Northeastern.

As you have no doubt heard, the stars are columnist David Carr and reporter Brian Stelter, two people whose talents, though formidable, pale in comparison to their inhuman productivity. Carr easily slips into the role of Carr, a late-middle-aged reformed drug addict who genially F-bombs his way through interviews and public appearances, building up to his monumental takedown of Tribune Co. and its abusive owner, Sam Zell. Stelter, young and earnest, is the perfect counterpoint. (I know both of them slightly, Carr better than Stelter.)

Director Andrew Rossi and Shorenstein Center director Alex Jones kicked it around afterwards.

An obsessive media junkie probably won’t learn much, but I really enjoyed being immersed in Timesland for 90 minutes. Quibbles? As a friend observed, the documentary was heavily tilted toward men, which seems odd given that before it ends, we see the executive editor’s baton being passed from Bill Keller to Jill Abramson.

And though it was unavoidable, the sense of panic that pervaded the business when the film was being shot has abated to at least some degree. We’re hardly out of the woods. It seems that every day, we hear about cost-cutting and layoffs. But the notion that was prevalent a year or two ago, that the entire newspaper business was in its death throes, now appears to have been exaggerated. If “Page One” were shot today, I suspect it would be more optimistic.

Jill Abramson named to lead the New York Times

Jill Abramson

I have no particular insight into the announcement that New York Times executive editor Bill Keller has decided to step aside. But it’s big news in the media world, and it will be worth keeping an eye out to see whether there’s a story behind the story. Jim Romenesko is gathering links. It is, of course, significant that the Times’ next top editor, Jill Abramson, will be the first woman to run what is arguably our leading news organization.

Keller will write a column for the Sunday opinion section, which is being redesigned. His column for the Sunday magazine hasn’t exactly been well-received, so it’s hard to believe Keller is what we Frank Rich fans have been waiting for. But Keller is obviously a fine journalist, and he may rise to the occasion when he’s not dashing something off in addition to his other duties.

The last time the executive editor’s job changed hands was in 2003, when Howell Raines and his deputy, Gerald Boyd, stepped down following the Jayson Blair scandal. At that time Boston Globe editor Marty Baron, whose résumé included a stint as a Times editor, was considered for a top job at the Mother Ship. (Little-known fact: Keller turned down the chance to replace the retiring Matt Storin as the Globe’s editor in 2001, recommending Baron instead.)

That seems unlikely to happen this time, as Washington bureau chief Dean Baquet has already been announced as Abramson’s managing editor for news. Baquet is a former editor of the Los Angeles Times, where Baron also spent a good part of his career.

New York Times photo.

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